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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7969F it is the complementary color #586960. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7969F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7969F shade: #AC969A, #BDA8AD, #CEBAC0, #DFCCD3 and #F0DEE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7969F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7969F shade: #A7969F, #96848C, #857279, #746066 and #634E53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7969F shade: #A6959E, #A69599 and #A69595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7969F shade: #A6959E, #A695A3, #A595A6, #A095A6 and #9C95A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7969F shade matches the following richer shades: #A6959E, #B6859F, #C676A0, #D566A1 and #E556A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7969F shade: #A6959E, #97A59D, #87B49C, #77C49B and #68D49A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7969F shade: #A595A6, #A695A3, #A6959E, #A6959A and #A69595

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7969F shade: #7F6A75, #947E8A, #A6959E, #B9ABB3 and #CCC2C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7969F shade: #A7969F, #A6A195 and #95A5A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7969F shade: #A7969F, #9EA695 and #959EA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7969F shade: #A7969F, #A6A195, #95A69D and #959BA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7969F shade: #A7969F, #A6A695, #95A69D and #9595A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 5 / 35

HEX #A7969F

RGB 167 150 159

HSL 328.24, 0.09%, 0.62%

LAB 63.78, 7.9, -2.43

 

Complementary color

CMYK 16 / 0 / 9 / 59

HEX #586960

RGB 88 105 96

HSL 148.24, 0.09%, 0.38%

LAB 42.8, -8.4, 2.92

 

CMYK 0 / 13 / 10 / 33

HEX #AC969A

RGB 172 150 154

HSL 349.09, 0.12%, 0.63%

LAB 64.09, 8.84, 0.9

 

CMYK 0 / 11 / 8 / 26

HEX #BDA8AD

RGB 189 168 173

HSL 345.71, 0.14%, 0.7%

LAB 70.76, 8.47, 0.21

 

CMYK 0 / 10 / 7 / 19

HEX #CEBAC0

RGB 206 186 192

HSL 342, 0.17%, 0.77%

LAB 77.31, 8.13, -0.45

 

CMYK 0 / 9 / 5 / 13

HEX #DFCCD3

RGB 223 204 211

HSL 337.89, 0.23%, 0.84%

LAB 83.74, 7.81, -1.08

 

CMYK 0 / 8 / 4 / 6

HEX #F0DEE6

RGB 240 222 230

HSL 333.33, 0.38%, 0.91%

LAB 90.08, 7.52, -1.69

 

CMYK 0 / 10 / 5 / 35

HEX #A7969F

RGB 167 150 159

HSL 328.24, 0.09%, 0.62%

LAB 63.78, 7.9, -2.43

 

CMYK 0 / 12 / 7 / 41

HEX #96848C

RGB 150 132 140

HSL 333.33, 0.08%, 0.55%

LAB 56.96, 8.27, -1.79

 

CMYK 0 / 14 / 9 / 48

HEX #857279

RGB 133 114 121

HSL 337.89, 0.08%, 0.48%

LAB 49.98, 8.68, -1.12

 

CMYK 0 / 17 / 12 / 55

HEX #746066

RGB 116 96 102

HSL 342, 0.09%, 0.42%

LAB 42.82, 9.15, -0.39

 

CMYK 0 / 21 / 16 / 61

HEX #634E53

RGB 99 78 83

HSL 345.71, 0.12%, 0.35%

LAB 35.45, 9.71, 0.41

 

CMYK 0 / 10 / 5 / 35

HEX #A6959E

RGB 166 149 158

HSL 328.24, 0.09%, 0.62%

LAB 63.4, 7.91, -2.44

 

CMYK 0 / 10 / 8 / 35

HEX #A69599

RGB 166 149 153

HSL 345.88, 0.09%, 0.62%

LAB 63.26, 7, 0.18

 

CMYK 0 / 10 / 10 / 35

HEX #A69595

RGB 166 149 149

HSL 0, 0.09%, 0.62%

LAB 63.15, 6.29, 2.29

 

CMYK 0 / 10 / 5 / 35

HEX #A6959E

RGB 166 149 158

HSL 328.24, 0.09%, 0.62%

LAB 63.4, 7.91, -2.44

 

CMYK 0 / 10 / 2 / 35

HEX #A695A3

RGB 166 149 163

HSL 310.59, 0.09%, 0.62%

LAB 63.55, 8.85, -5.05

 

CMYK 1 / 10 / 0 / 35

HEX #A595A6

RGB 165 149 166

HSL 296.47, 0.09%, 0.62%

LAB 63.55, 9.07, -6.75

 

CMYK 4 / 10 / 0 / 35

HEX #A095A6

RGB 160 149 166

HSL 278.82, 0.09%, 0.62%

LAB 63.11, 7.3, -7.44

 

CMYK 6 / 10 / 0 / 35

HEX #9C95A6

RGB 156 149 166

HSL 264.71, 0.09%, 0.62%

LAB 62.77, 5.89, -7.98

 

CMYK 0 / 10 / 5 / 35

HEX #A6959E

RGB 166 149 158

HSL 328.24, 0.09%, 0.62%

LAB 63.4, 7.91, -2.44

 

CMYK 0 / 27 / 13 / 29

HEX #B6859F

RGB 182 133 159

HSL 328.16, 0.25%, 0.62%

LAB 60.98, 22.91, -6.41

 

CMYK 0 / 40 / 19 / 22

HEX #C676A0

RGB 198 118 160

HSL 328.5, 0.41%, 0.62%

LAB 59.43, 36.99, -9.08

 

CMYK 0 / 52 / 24 / 16

HEX #D566A1

RGB 213 102 161

HSL 328.11, 0.57%, 0.62%

LAB 58.25, 50.32, -11.23

 

CMYK 0 / 62 / 29 / 10

HEX #E556A2

RGB 229 86 162

HSL 328.11, 0.73%, 0.62%

LAB 57.96, 62.52, -12

 

CMYK 0 / 10 / 5 / 35

HEX #A6959E

RGB 166 149 158

HSL 328.24, 0.09%, 0.62%

LAB 63.4, 7.91, -2.44

 

CMYK 8 / 0 / 5 / 35

HEX #97A59D

RGB 151 165 157

HSL 145.71, 0.07%, 0.62%

LAB 66.46, -6.51, 2.45

 

CMYK 25 / 0 / 13 / 29

HEX #87B49C

RGB 135 180 156

HSL 148, 0.23%, 0.62%

LAB 69.61, -20.03, 7.4

 

CMYK 39 / 0 / 21 / 23

HEX #77C49B

RGB 119 196 155

HSL 148.05, 0.39%, 0.62%

LAB 73.39, -32.97, 13.21

 

CMYK 51 / 0 / 27 / 17

HEX #68D49A

RGB 104 212 154

HSL 147.78, 0.56%, 0.62%

LAB 77.5, -44.33, 19.37

 

CMYK 1 / 10 / 0 / 35

HEX #A595A6

RGB 165 149 166

HSL 296.47, 0.09%, 0.62%

LAB 63.55, 9.07, -6.75

 

CMYK 0 / 10 / 2 / 35

HEX #A695A3

RGB 166 149 163

HSL 310.59, 0.09%, 0.62%

LAB 63.55, 8.85, -5.05

 

CMYK 0 / 10 / 5 / 35

HEX #A6959E

RGB 166 149 158

HSL 328.24, 0.09%, 0.62%

LAB 63.4, 7.91, -2.44

 

CMYK 0 / 10 / 7 / 35

HEX #A6959A

RGB 166 149 154

HSL 342.35, 0.09%, 0.62%

LAB 63.29, 7.18, -0.34

 

CMYK 0 / 10 / 10 / 35

HEX #A69595

RGB 166 149 149

HSL 0, 0.09%, 0.62%

LAB 63.15, 6.29, 2.29

 

CMYK 0 / 17 / 8 / 50

HEX #7F6A75

RGB 127 106 117

HSL 328.57, 0.09%, 0.46%

LAB 47.11, 10.33, -3.02

 

CMYK 0 / 15 / 7 / 42

HEX #947E8A

RGB 148 126 138

HSL 327.27, 0.09%, 0.54%

LAB 55.13, 10.59, -3.35

 

CMYK 0 / 10 / 5 / 35

HEX #A6959E

RGB 166 149 158

HSL 328.24, 0.09%, 0.62%

LAB 63.4, 7.91, -2.44

 

CMYK 0 / 8 / 3 / 27

HEX #B9ABB3

RGB 185 171 179

HSL 325.71, 0.09%, 0.7%

LAB 71.35, 6.47, -2.29

 

CMYK 0 / 5 / 2 / 20

HEX #CCC2C7

RGB 204 194 199

HSL 330, 0.09%, 0.78%

LAB 79.35, 4.39, -1.26

 

CMYK 0 / 10 / 5 / 35

HEX #A7969F

RGB 167 150 159

HSL 328.24, 0.09%, 0.62%

LAB 63.78, 7.9, -2.43

 

CMYK 0 / 3 / 10 / 35

HEX #A6A195

RGB 166 161 149

HSL 42.35, 0.09%, 0.62%

LAB 66.34, -0.35, 6.88

 

CMYK 10 / 1 / 0 / 35

HEX #95A5A6

RGB 149 165 166

HSL 183.53, 0.09%, 0.62%

LAB 66.56, -5.39, -2.44

 

CMYK 0 / 10 / 5 / 35

HEX #A7969F

RGB 167 150 159

HSL 328.24, 0.09%, 0.62%

LAB 63.78, 7.9, -2.43

 

CMYK 5 / 0 / 10 / 35

HEX #9EA695

RGB 158 166 149

HSL 88.24, 0.09%, 0.62%

LAB 67.06, -6.02, 7.82

 

CMYK 10 / 5 / 0 / 35

HEX #959EA6

RGB 149 158 166

HSL 208.24, 0.09%, 0.62%

LAB 64.64, -1.56, -5.27

 

CMYK 0 / 10 / 5 / 35

HEX #A7969F

RGB 167 150 159

HSL 328.24, 0.09%, 0.62%

LAB 63.78, 7.9, -2.43

 

CMYK 0 / 3 / 10 / 35

HEX #A6A195

RGB 166 161 149

HSL 42.35, 0.09%, 0.62%

LAB 66.34, -0.35, 6.88

 

CMYK 10 / 0 / 5 / 35

HEX #95A69D

RGB 149 166 157

HSL 148.24, 0.09%, 0.62%

LAB 66.59, -7.75, 2.62

 

CMYK 10 / 7 / 0 / 35

HEX #959BA6

RGB 149 155 166

HSL 218.82, 0.09%, 0.62%

LAB 63.82, 0.1, -6.48

 

CMYK 0 / 10 / 5 / 35

HEX #A7969F

RGB 167 150 159

HSL 328.24, 0.09%, 0.62%

LAB 63.78, 7.9, -2.43

 

CMYK 0 / 0 / 10 / 35

HEX #A6A695

RGB 166 166 149

HSL 60, 0.09%, 0.62%

LAB 67.69, -3.07, 8.8

 

CMYK 10 / 0 / 5 / 35

HEX #95A69D

RGB 149 166 157

HSL 148.24, 0.09%, 0.62%

LAB 66.59, -7.75, 2.62

 

CMYK 10 / 10 / 0 / 35

HEX #9595A6

RGB 149 149 166

HSL 240, 0.09%, 0.62%

LAB 62.2, 3.46, -8.9

 

Description

Color code: HEX #A7969F | qconv.com Color code: HEX #A7969F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 150 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 150 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 5 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 5% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

98% - PORTFOLIO Sewsan Bak...
Link: http://sewsanbakiri.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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