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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A790D9 it is the complementary color #586F26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A790D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A790D9 shade: #AC90D4, #BDA2E7, #CEB4FA, #DFC6FF and #F0D8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A790D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A790D9 shade: #A790D9, #967EC6, #856CB3, #745AA0 and #63488D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A790D9 shade: #A790D9, #BB90D9, #CE90D9, #D990D0 and #D990BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A790D9 shade: #A790D9, #9490D9 and #9090D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A790D9 shade matches the following richer shades: #A790D9, #A384E5, #9E78F1 and #9A6CFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A790D9 shade: #A790D9, #AC9CCD, #B0A8C1, #B4B4B5 and #B9C0A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A790D9 shade: #90A1D9, #9390D9, #A690D9, #B990D9 and #CD90D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A790D9 shade: #7653C4, #8F72CE, #A790D9, #C0AFE3 and #D8CEEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A790D9 shade: #A790D9, #D990B5 and #98D990

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A790D9 shade: #A790D9, #D9A690 and #90D9A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A790D9 shade: #A790D9, #D990B5, #C3D990 and #90D9B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A790D9 shade: #A790D9, #D9909F, #C3D990 and #90D9CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 34 / 0 / 15

HEX #A790D9

RGB 167 144 217

HSL 258.9, 0.49%, 0.71%

LAB 64.3, 23.62, -34.18

 

Complementary color

CMYK 21 / 0 / 66 / 56

HEX #586F26

RGB 88 111 38

HSL 78.9, 0.49%, 0.29%

LAB 43.63, -20.52, 36.74

 

CMYK 19 / 32 / 0 / 17

HEX #AC90D4

RGB 172 144 212

HSL 264.71, 0.44%, 0.7%

LAB 64.54, 23.98, -30.99

 

CMYK 18 / 30 / 0 / 9

HEX #BDA2E7

RGB 189 162 231

HSL 263.48, 0.59%, 0.77%

LAB 71.17, 23.37, -31.12

 

CMYK 18 / 28 / 0 / 2

HEX #CEB4FA

RGB 206 180 250

HSL 262.29, 0.88%, 0.84%

LAB 77.68, 22.81, -31.26

 

CMYK 13 / 22 / 0 / 0

HEX #DFC6FF

RGB 223 198 255

HSL 266.32, 1%, 0.89%

LAB 83.6, 19.37, -24.74

 

CMYK 6 / 15 / 0 / 0

HEX #F0D8FF

RGB 240 216 255

HSL 276.92, 1%, 0.92%

LAB 89.33, 15.21, -15.95

 

CMYK 23 / 34 / 0 / 15

HEX #A790D9

RGB 167 144 217

HSL 258.9, 0.49%, 0.71%

LAB 64.3, 23.62, -34.18

 

CMYK 24 / 36 / 0 / 22

HEX #967EC6

RGB 150 126 198

HSL 260, 0.39%, 0.64%

LAB 57.54, 24.31, -34.16

 

CMYK 26 / 40 / 0 / 30

HEX #856CB3

RGB 133 108 179

HSL 261.13, 0.32%, 0.56%

LAB 50.65, 25.08, -34.16

 

CMYK 28 / 44 / 0 / 37

HEX #745AA0

RGB 116 90 160

HSL 262.29, 0.28%, 0.49%

LAB 43.6, 25.94, -34.2

 

CMYK 30 / 49 / 0 / 45

HEX #63488D

RGB 99 72 141

HSL 263.48, 0.32%, 0.42%

LAB 36.39, 26.9, -34.28

 

CMYK 23 / 34 / 0 / 15

HEX #A790D9

RGB 167 144 217

HSL 258.9, 0.49%, 0.71%

LAB 64.3, 23.62, -34.18

 

CMYK 14 / 34 / 0 / 15

HEX #BB90D9

RGB 187 144 217

HSL 275.34, 0.49%, 0.71%

LAB 66.15, 29.71, -31.17

 

CMYK 5 / 34 / 0 / 15

HEX #CE90D9

RGB 206 144 217

HSL 290.96, 0.49%, 0.71%

LAB 68.08, 35.63, -28.04

 

CMYK 0 / 34 / 4 / 15

HEX #D990D0

RGB 217 144 208

HSL 307.4, 0.49%, 0.71%

LAB 68.93, 37.46, -21.63

 

CMYK 0 / 34 / 13 / 15

HEX #D990BC

RGB 217 144 188

HSL 323.84, 0.49%, 0.71%

LAB 68.26, 34.05, -11.51

 

CMYK 23 / 34 / 0 / 15

HEX #A790D9

RGB 167 144 217

HSL 258.9, 0.49%, 0.71%

LAB 64.3, 23.62, -34.18

 

CMYK 32 / 34 / 0 / 15

HEX #9490D9

RGB 148 144 217

HSL 243.29, 0.49%, 0.71%

LAB 62.72, 18.08, -36.77

 

CMYK 34 / 34 / 0 / 15

HEX #9090D9

RGB 144 144 217

HSL 240, 0.49%, 0.71%

LAB 62.41, 16.96, -37.27

 

CMYK 23 / 34 / 0 / 15

HEX #A790D9

RGB 167 144 217

HSL 258.9, 0.49%, 0.71%

LAB 64.3, 23.62, -34.18

 

CMYK 29 / 42 / 0 / 10

HEX #A384E5

RGB 163 132 229

HSL 259.18, 0.65%, 0.71%

LAB 61.61, 32.2, -45.1

 

CMYK 34 / 50 / 0 / 5

HEX #9E78F1

RGB 158 120 241

HSL 258.84, 0.81%, 0.71%

LAB 59.02, 40.7, -55.89

 

CMYK 39 / 57 / 0 / 1

HEX #9A6CFD

RGB 154 108 253

HSL 259.03, 0.97%, 0.71%

LAB 56.77, 49.5, -66.16

 

CMYK 23 / 34 / 0 / 15

HEX #A790D9

RGB 167 144 217

HSL 258.9, 0.49%, 0.71%

LAB 64.3, 23.62, -34.18

 

CMYK 16 / 24 / 0 / 20

HEX #AC9CCD

RGB 172 156 205

HSL 259.59, 0.33%, 0.71%

LAB 67.24, 15.64, -22.95

 

CMYK 9 / 13 / 0 / 24

HEX #B0A8C1

RGB 176 168 193

HSL 259.2, 0.17%, 0.71%

LAB 70.24, 7.71, -11.74

 

CMYK 1 / 1 / 0 / 29

HEX #B4B4B5

RGB 180 180 181

HSL 240, 0.01%, 0.71%

LAB 73.34, 0.19, -0.52

 

CMYK 4 / 0 / 12 / 25

HEX #B9C0A9

RGB 185 192 169

HSL 78.26, 0.15%, 0.71%

LAB 76.61, -6.54, 10.76

 

CMYK 34 / 26 / 0 / 15

HEX #90A1D9

RGB 144 161 217

HSL 226.03, 0.49%, 0.71%

LAB 66.85, 7.23, -30.38

 

CMYK 32 / 34 / 0 / 15

HEX #9390D9

RGB 147 144 217

HSL 242.47, 0.49%, 0.71%

LAB 62.64, 17.8, -36.89

 

CMYK 24 / 34 / 0 / 15

HEX #A690D9

RGB 166 144 217

HSL 258.08, 0.49%, 0.71%

LAB 64.21, 23.32, -34.33

 

CMYK 15 / 34 / 0 / 15

HEX #B990D9

RGB 185 144 217

HSL 273.7, 0.49%, 0.71%

LAB 65.96, 29.09, -31.48

 

CMYK 6 / 34 / 0 / 15

HEX #CD90D9

RGB 205 144 217

HSL 290.14, 0.49%, 0.71%

LAB 67.97, 35.32, -28.21

 

CMYK 40 / 58 / 0 / 23

HEX #7653C4

RGB 118 83 196

HSL 258.58, 0.49%, 0.55%

LAB 44.27, 40.22, -54.25

 

CMYK 31 / 45 / 0 / 19

HEX #8F72CE

RGB 143 114 206

HSL 258.91, 0.48%, 0.63%

LAB 54.38, 31.26, -43.72

 

CMYK 23 / 34 / 0 / 15

HEX #A790D9

RGB 167 144 217

HSL 258.9, 0.49%, 0.71%

LAB 64.3, 23.62, -34.18

 

CMYK 15 / 23 / 0 / 11

HEX #C0AFE3

RGB 192 175 227

HSL 259.62, 0.48%, 0.79%

LAB 74.45, 16.24, -23.87

 

CMYK 9 / 13 / 0 / 7

HEX #D8CEEE

RGB 216 206 238

HSL 258.75, 0.48%, 0.87%

LAB 84.44, 9.44, -14.49

 

CMYK 23 / 34 / 0 / 15

HEX #A790D9

RGB 167 144 217

HSL 258.9, 0.49%, 0.71%

LAB 64.3, 23.62, -34.18

 

CMYK 0 / 34 / 17 / 15

HEX #D990B5

RGB 217 144 181

HSL 329.59, 0.49%, 0.71%

LAB 68.05, 32.92, -7.92

 

CMYK 30 / 0 / 34 / 15

HEX #98D990

RGB 152 217 144

HSL 113.42, 0.49%, 0.71%

LAB 80.91, -34.5, 29.59

 

CMYK 23 / 34 / 0 / 15

HEX #A790D9

RGB 167 144 217

HSL 258.9, 0.49%, 0.71%

LAB 64.3, 23.62, -34.18

 

CMYK 0 / 24 / 34 / 15

HEX #D9A690

RGB 217 166 144

HSL 18.08, 0.49%, 0.71%

LAB 72.25, 15.78, 18.65

 

CMYK 34 / 0 / 24 / 15

HEX #90D9A6

RGB 144 217 166

HSL 138.08, 0.49%, 0.71%

LAB 80.91, -33.29, 18.05

 

CMYK 23 / 34 / 0 / 15

HEX #A790D9

RGB 167 144 217

HSL 258.9, 0.49%, 0.71%

LAB 64.3, 23.62, -34.18

 

CMYK 0 / 34 / 17 / 15

HEX #D990B5

RGB 217 144 181

HSL 329.59, 0.49%, 0.71%

LAB 68.05, 32.92, -7.92

 

CMYK 10 / 0 / 34 / 15

HEX #C3D990

RGB 195 217 144

HSL 78.08, 0.49%, 0.71%

LAB 83.57, -19.32, 33.59

 

CMYK 34 / 0 / 17 / 15

HEX #90D9B5

RGB 144 217 181

HSL 150.41, 0.49%, 0.71%

LAB 81.23, -30.4, 10.58

 

CMYK 23 / 34 / 0 / 15

HEX #A790D9

RGB 167 144 217

HSL 258.9, 0.49%, 0.71%

LAB 64.3, 23.62, -34.18

 

CMYK 0 / 34 / 27 / 15

HEX #D9909F

RGB 217 144 159

HSL 347.67, 0.49%, 0.71%

LAB 67.43, 29.65, 3.5

 

CMYK 10 / 0 / 34 / 15

HEX #C3D990

RGB 195 217 144

HSL 78.08, 0.49%, 0.71%

LAB 83.57, -19.32, 33.59

 

CMYK 34 / 0 / 7 / 15

HEX #90D9CA

RGB 144 217 202

HSL 167.67, 0.49%, 0.71%

LAB 81.74, -25.97, 0.16

 

Description

Color code: HEX #A790D9 | qconv.com Color code: HEX #A790D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 144 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 144 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 34 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 34% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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