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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A79119 it is the complementary color #586EE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A79119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A79119 shade: #AC9114, #BDA327, #CEB53A, #DFC74D and #F0D960

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A79119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A79119 shade: #A79119, #967F06, #856D00, #745B00 and #634900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A79119 shade: #A89219, #A86B19, #A84519, #A81E19 and #A81919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A79119 shade: #A89219, #98A819, #71A819, #4AA819 and #24A819

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A79119 shade matches the following richer shades: #A89219 and #B89D09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A79119 shade: #A89219, #988728, #897C38, #797148 and #696757

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A79119 shade: #A84419, #A86A19, #A89019, #9AA819 and #74A819

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A79119 shade: #60540E, #847313, #A89219, #CCB11E and #E0C533

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A79119 shade: #A79119, #19A81D and #5719A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A79119 shade: #A79119, #19A890 and #9019A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A79119 shade: #A79119, #19A81D, #1931A8 and #A819A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A79119 shade: #A79119, #19A848, #1931A8 and #A81978

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 85 / 35

HEX #A79119

RGB 167 145 25

HSL 50.7, 0.74%, 0.38%

LAB 60.37, -3.62, 59.84

 

Complementary color

CMYK 62 / 52 / 0 / 10

HEX #586EE6

RGB 88 110 230

HSL 230.7, 0.74%, 0.62%

LAB 50.62, 28.38, -63.53

 

CMYK 0 / 16 / 88 / 33

HEX #AC9114

RGB 172 145 20

HSL 49.34, 0.79%, 0.38%

LAB 60.85, -1.47, 61.66

 

CMYK 0 / 14 / 79 / 26

HEX #BDA327

RGB 189 163 39

HSL 49.6, 0.66%, 0.45%

LAB 67.4, -2.97, 62.63

 

CMYK 0 / 12 / 72 / 19

HEX #CEB53A

RGB 206 181 58

HSL 49.86, 0.6%, 0.52%

LAB 73.85, -4.23, 62.57

 

CMYK 0 / 11 / 65 / 13

HEX #DFC74D

RGB 223 199 77

HSL 50.14, 0.7%, 0.59%

LAB 80.22, -5.29, 61.95

 

CMYK 0 / 10 / 60 / 6

HEX #F0D960

RGB 240 217 96

HSL 50.42, 0.83%, 0.66%

LAB 86.5, -6.19, 61.04

 

CMYK 0 / 13 / 85 / 35

HEX #A79119

RGB 167 145 25

HSL 50.7, 0.74%, 0.38%

LAB 60.37, -3.62, 59.84

 

CMYK 0 / 15 / 96 / 41

HEX #967F06

RGB 150 127 6

HSL 50.42, 0.92%, 0.31%

LAB 53.68, -1.97, 57.84

 

CMYK 0 / 18 / 100 / 48

HEX #856D00

RGB 133 109 0

HSL 49.17, 1%, 0.26%

LAB 46.87, 0.04, 53.31

 

CMYK 0 / 22 / 100 / 55

HEX #745B00

RGB 116 91 0

HSL 47.07, 1%, 0.23%

LAB 39.91, 2.26, 47.57

 

CMYK 0 / 26 / 100 / 61

HEX #634900

RGB 99 73 0

HSL 44.24, 1%, 0.19%

LAB 32.74, 4.64, 41.67

 

CMYK 0 / 13 / 85 / 34

HEX #A89219

RGB 168 146 25

HSL 50.77, 0.74%, 0.38%

LAB 60.74, -3.71, 60.19

 

CMYK 0 / 36 / 85 / 34

HEX #A86B19

RGB 168 107 25

HSL 34.41, 0.74%, 0.38%

LAB 50.58, 18.04, 51.62

 

CMYK 0 / 59 / 85 / 34

HEX #A84519

RGB 168 69 25

HSL 18.46, 0.74%, 0.38%

LAB 42.23, 38.51, 44.41

 

CMYK 0 / 82 / 85 / 34

HEX #A81E19

RGB 168 30 25

HSL 2.1, 0.74%, 0.38%

LAB 36.6, 53.81, 39.42

 

CMYK 0 / 85 / 85 / 34

HEX #A81919

RGB 168 25 25

HSL 0, 0.74%, 0.38%

LAB 36.16, 55.07, 39.02

 

CMYK 0 / 13 / 85 / 34

HEX #A89219

RGB 168 146 25

HSL 50.77, 0.74%, 0.38%

LAB 60.74, -3.71, 60.19

 

CMYK 10 / 0 / 85 / 34

HEX #98A819

RGB 152 168 25

HSL 66.71, 0.74%, 0.38%

LAB 65.55, -22.33, 63.68

 

CMYK 33 / 0 / 85 / 34

HEX #71A819

RGB 113 168 25

HSL 83.08, 0.74%, 0.38%

LAB 63, -38.3, 60.48

 

CMYK 56 / 0 / 85 / 34

HEX #4AA819

RGB 74 168 25

HSL 99.44, 0.74%, 0.38%

LAB 61.25, -51.24, 58.26

 

CMYK 79 / 0 / 85 / 34

HEX #24A819

RGB 36 168 25

HSL 115.38, 0.74%, 0.38%

LAB 60.29, -59.22, 57.05

 

CMYK 0 / 13 / 85 / 34

HEX #A89219

RGB 168 146 25

HSL 50.77, 0.74%, 0.38%

LAB 60.74, -3.71, 60.19

 

CMYK 0 / 15 / 95 / 28

HEX #B89D09

RGB 184 157 9

HSL 50.74, 0.91%, 0.38%

LAB 65.22, -2.71, 67.45

 

CMYK 0 / 13 / 85 / 34

HEX #A89219

RGB 168 146 25

HSL 50.77, 0.74%, 0.38%

LAB 60.74, -3.71, 60.19

 

CMYK 0 / 11 / 74 / 40

HEX #988728

RGB 152 135 40

HSL 50.89, 0.58%, 0.38%

LAB 56.24, -4.42, 50.58

 

CMYK 0 / 9 / 59 / 46

HEX #897C38

RGB 137 124 56

HSL 50.37, 0.42%, 0.38%

LAB 51.86, -4.1, 38.26

 

CMYK 0 / 7 / 40 / 53

HEX #797148

RGB 121 113 72

HSL 50.2, 0.25%, 0.38%

LAB 47.42, -3.41, 23.88

 

CMYK 0 / 2 / 17 / 59

HEX #696757

RGB 105 103 87

HSL 53.33, 0.09%, 0.38%

LAB 43.35, -2.25, 9.32

 

CMYK 0 / 60 / 85 / 34

HEX #A84419

RGB 168 68 25

HSL 18.04, 0.74%, 0.38%

LAB 42.05, 39, 44.25

 

CMYK 0 / 37 / 85 / 34

HEX #A86A19

RGB 168 106 25

HSL 33.99, 0.74%, 0.38%

LAB 50.34, 18.61, 51.41

 

CMYK 0 / 14 / 85 / 34

HEX #A89019

RGB 168 144 25

HSL 49.93, 0.74%, 0.38%

LAB 60.2, -2.62, 59.73

 

CMYK 8 / 0 / 85 / 34

HEX #9AA819

RGB 154 168 25

HSL 65.87, 0.74%, 0.38%

LAB 65.71, -21.46, 63.87

 

CMYK 31 / 0 / 85 / 34

HEX #74A819

RGB 116 168 25

HSL 81.82, 0.74%, 0.38%

LAB 63.17, -37.15, 60.69

 

CMYK 0 / 13 / 85 / 62

HEX #60540E

RGB 96 84 14

HSL 51.22, 0.75%, 0.22%

LAB 35.71, -3.1, 39.17

 

CMYK 0 / 13 / 86 / 48

HEX #847313

RGB 132 115 19

HSL 50.97, 0.75%, 0.3%

LAB 48.53, -3.43, 50.13

 

CMYK 0 / 13 / 85 / 34

HEX #A89219

RGB 168 146 25

HSL 50.77, 0.74%, 0.38%

LAB 60.74, -3.71, 60.19

 

CMYK 0 / 13 / 85 / 20

HEX #CCB11E

RGB 204 177 30

HSL 50.69, 0.74%, 0.46%

LAB 72.48, -4.02, 70.06

 

CMYK 0 / 12 / 77 / 12

HEX #E0C533

RGB 224 197 51

HSL 50.64, 0.74%, 0.54%

LAB 79.62, -5.07, 71.05

 

CMYK 0 / 13 / 85 / 35

HEX #A79119

RGB 167 145 25

HSL 50.7, 0.74%, 0.38%

LAB 60.37, -3.62, 59.84

 

CMYK 85 / 0 / 83 / 34

HEX #19A81D

RGB 25 168 29

HSL 121.68, 0.74%, 0.38%

LAB 60.16, -60.34, 55.82

 

CMYK 48 / 85 / 0 / 34

HEX #5719A8

RGB 87 25 168

HSL 266.01, 0.74%, 0.38%

LAB 28.24, 55.48, -63.93

 

CMYK 0 / 13 / 85 / 35

HEX #A79119

RGB 167 145 25

HSL 50.7, 0.74%, 0.38%

LAB 60.37, -3.62, 59.84

 

CMYK 85 / 0 / 14 / 34

HEX #19A890

RGB 25 168 144

HSL 169.93, 0.74%, 0.38%

LAB 61.85, -40.97, 2.37

 

CMYK 14 / 85 / 0 / 34

HEX #9019A8

RGB 144 25 168

HSL 289.93, 0.74%, 0.38%

LAB 36.84, 64.17, -49.55

 

CMYK 0 / 13 / 85 / 35

HEX #A79119

RGB 167 145 25

HSL 50.7, 0.74%, 0.38%

LAB 60.37, -3.62, 59.84

 

CMYK 85 / 0 / 83 / 34

HEX #19A81D

RGB 25 168 29

HSL 121.68, 0.74%, 0.38%

LAB 60.16, -60.34, 55.82

 

CMYK 85 / 71 / 0 / 34

HEX #1931A8

RGB 25 49 168

HSL 229.93, 0.74%, 0.38%

LAB 27.38, 37.19, -65.52

 

CMYK 0 / 85 / 3 / 34

HEX #A819A3

RGB 168 25 163

HSL 302.1, 0.74%, 0.38%

LAB 40.68, 67.76, -40.17

 

CMYK 0 / 13 / 85 / 35

HEX #A79119

RGB 167 145 25

HSL 50.7, 0.74%, 0.38%

LAB 60.37, -3.62, 59.84

 

CMYK 85 / 0 / 57 / 34

HEX #19A848

RGB 25 168 72

HSL 139.72, 0.74%, 0.38%

LAB 60.5, -56.13, 39.18

 

CMYK 85 / 71 / 0 / 34

HEX #1931A8

RGB 25 49 168

HSL 229.93, 0.74%, 0.38%

LAB 27.38, 37.19, -65.52

 

CMYK 0 / 85 / 29 / 34

HEX #A81978

RGB 168 25 120

HSL 320.14, 0.74%, 0.38%

LAB 38.51, 61.88, -17.24

 

Description

Color code: HEX #A79119 | qconv.com Color code: HEX #A79119 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 145 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 145 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 85 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 85% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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