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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7929B it is the complementary color #586D64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7929B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7929B shade: #AC9296, #BDA4A9, #CEB6BC, #DFC8CF and #F0DAE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7929B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7929B shade: #A7929B, #968088, #856E75, #745C62 and #634A4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7929B shade: #A69099, #A69094 and #A69090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7929B shade: #A69099, #A6909F, #A690A5, #A190A6 and #9B90A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7929B shade matches the following richer shades: #A69099, #B68097, #C67095, #D66093 and #E65090

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7929B shade: #A69099, #96A09C, #86B09E, #76C0A0 and #66D0A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7929B shade: #A690A5, #A6909F, #A6909A, #A69094 and #A69290

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7929B shade: #7E6570, #947985, #A69099, #B8A7AE and #CBBEC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7929B shade: #A7929B, #A6A190 and #90A2A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7929B shade: #A7929B, #9AA690 and #909AA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7929B shade: #A7929B, #A6A190, #90A69D and #9095A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7929B shade: #A7929B, #A5A690, #90A69D and #9290A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 7 / 35

HEX #A7929B

RGB 167 146 155

HSL 334.29, 0.11%, 0.61%

LAB 62.63, 9.41, -1.87

 

Complementary color

CMYK 19 / 0 / 8 / 57

HEX #586D64

RGB 88 109 100

HSL 154.29, 0.11%, 0.39%

LAB 44.14, -9.82, 2.44

 

CMYK 0 / 15 / 13 / 33

HEX #AC9296

RGB 172 146 150

HSL 350.77, 0.14%, 0.62%

LAB 62.95, 10.39, 1.5

 

CMYK 0 / 13 / 11 / 26

HEX #BDA4A9

RGB 189 164 169

HSL 348, 0.16%, 0.69%

LAB 69.64, 9.97, 0.78

 

CMYK 0 / 12 / 9 / 19

HEX #CEB6BC

RGB 206 182 188

HSL 345, 0.2%, 0.76%

LAB 76.2, 9.58, 0.1

 

CMYK 0 / 10 / 7 / 13

HEX #DFC8CF

RGB 223 200 207

HSL 341.74, 0.26%, 0.83%

LAB 82.65, 9.24, -0.55

 

CMYK 0 / 9 / 6 / 6

HEX #F0DAE2

RGB 240 218 226

HSL 338.18, 0.42%, 0.9%

LAB 89, 8.92, -1.17

 

CMYK 0 / 13 / 7 / 35

HEX #A7929B

RGB 167 146 155

HSL 334.29, 0.11%, 0.61%

LAB 62.63, 9.41, -1.87

 

CMYK 0 / 15 / 9 / 41

HEX #968088

RGB 150 128 136

HSL 338.18, 0.09%, 0.55%

LAB 55.79, 9.83, -1.2

 

CMYK 0 / 17 / 12 / 48

HEX #856E75

RGB 133 110 117

HSL 341.74, 0.09%, 0.48%

LAB 48.79, 10.3, -0.49

 

CMYK 0 / 21 / 16 / 55

HEX #745C62

RGB 116 92 98

HSL 345, 0.12%, 0.41%

LAB 41.61, 10.84, 0.29

 

CMYK 0 / 25 / 20 / 61

HEX #634A4F

RGB 99 74 79

HSL 348, 0.14%, 0.34%

LAB 34.22, 11.48, 1.15

 

CMYK 0 / 13 / 8 / 35

HEX #A69099

RGB 166 144 153

HSL 335.45, 0.11%, 0.61%

LAB 61.96, 9.8, -1.72

 

CMYK 0 / 13 / 11 / 35

HEX #A69094

RGB 166 144 148

HSL 349.09, 0.11%, 0.61%

LAB 61.82, 8.91, 0.91

 

CMYK 0 / 13 / 13 / 35

HEX #A69090

RGB 166 144 144

HSL 0, 0.11%, 0.61%

LAB 61.71, 8.22, 3.03

 

CMYK 0 / 13 / 8 / 35

HEX #A69099

RGB 166 144 153

HSL 335.45, 0.11%, 0.61%

LAB 61.96, 9.8, -1.72

 

CMYK 0 / 13 / 4 / 35

HEX #A6909F

RGB 166 144 159

HSL 319.09, 0.11%, 0.61%

LAB 62.13, 10.91, -4.87

 

CMYK 0 / 13 / 1 / 35

HEX #A690A5

RGB 166 144 165

HSL 302.73, 0.11%, 0.61%

LAB 62.31, 12.05, -8.01

 

CMYK 3 / 13 / 0 / 35

HEX #A190A6

RGB 161 144 166

HSL 286.36, 0.11%, 0.61%

LAB 61.89, 10.47, -9.25

 

CMYK 7 / 13 / 0 / 35

HEX #9B90A6

RGB 155 144 166

HSL 270, 0.11%, 0.61%

LAB 61.37, 8.36, -10.09

 

CMYK 0 / 13 / 8 / 35

HEX #A69099

RGB 166 144 153

HSL 335.45, 0.11%, 0.61%

LAB 61.96, 9.8, -1.72

 

CMYK 0 / 30 / 17 / 29

HEX #B68097

RGB 182 128 151

HSL 334.44, 0.27%, 0.61%

LAB 59.54, 24.37, -3.95

 

CMYK 0 / 43 / 25 / 22

HEX #C67095

RGB 198 112 149

HSL 334.19, 0.43%, 0.61%

LAB 57.81, 38.54, -5.14

 

CMYK 0 / 55 / 31 / 16

HEX #D66093

RGB 214 96 147

HSL 334.07, 0.59%, 0.61%

LAB 56.85, 51.67, -5.15

 

CMYK 0 / 65 / 37 / 10

HEX #E65090

RGB 230 80 144

HSL 334.4, 0.75%, 0.61%

LAB 56.66, 63.18, -3.4

 

CMYK 0 / 13 / 8 / 35

HEX #A69099

RGB 166 144 153

HSL 335.45, 0.11%, 0.61%

LAB 61.96, 9.8, -1.72

 

CMYK 6 / 0 / 2 / 37

HEX #96A09C

RGB 150 160 156

HSL 156, 0.05%, 0.61%

LAB 64.98, -4.34, 0.85

 

CMYK 24 / 0 / 10 / 31

HEX #86B09E

RGB 134 176 158

HSL 154.29, 0.21%, 0.61%

LAB 68.45, -17.9, 4.63

 

CMYK 39 / 0 / 17 / 25

HEX #76C0A0

RGB 118 192 160

HSL 154.05, 0.37%, 0.61%

LAB 72.29, -30.32, 8.93

 

CMYK 51 / 0 / 22 / 18

HEX #66D0A3

RGB 102 208 163

HSL 154.53, 0.53%, 0.61%

LAB 76.42, -41.21, 13.09

 

CMYK 0 / 13 / 1 / 35

HEX #A690A5

RGB 166 144 165

HSL 302.73, 0.11%, 0.61%

LAB 62.31, 12.05, -8.01

 

CMYK 0 / 13 / 4 / 35

HEX #A6909F

RGB 166 144 159

HSL 319.09, 0.11%, 0.61%

LAB 62.13, 10.91, -4.87

 

CMYK 0 / 13 / 7 / 35

HEX #A6909A

RGB 166 144 154

HSL 332.73, 0.11%, 0.61%

LAB 61.99, 9.98, -2.25

 

CMYK 0 / 13 / 11 / 35

HEX #A69094

RGB 166 144 148

HSL 349.09, 0.11%, 0.61%

LAB 61.82, 8.91, 0.91

 

CMYK 0 / 12 / 13 / 35

HEX #A69290

RGB 166 146 144

HSL 5.45, 0.11%, 0.61%

LAB 62.24, 7.1, 3.78

 

CMYK 0 / 20 / 11 / 51

HEX #7E6570

RGB 126 101 112

HSL 333.6, 0.11%, 0.45%

LAB 45.51, 11.97, -2.38

 

CMYK 0 / 18 / 10 / 42

HEX #947985

RGB 148 121 133

HSL 333.33, 0.11%, 0.53%

LAB 53.67, 12.56, -2.59

 

CMYK 0 / 13 / 8 / 35

HEX #A69099

RGB 166 144 153

HSL 335.45, 0.11%, 0.61%

LAB 61.96, 9.8, -1.72

 

CMYK 0 / 9 / 5 / 28

HEX #B8A7AE

RGB 184 167 174

HSL 335.29, 0.11%, 0.69%

LAB 70.09, 7.39, -1.37

 

CMYK 0 / 6 / 4 / 20

HEX #CBBEC3

RGB 203 190 195

HSL 336.92, 0.11%, 0.77%

LAB 78.15, 5.45, -0.88

 

CMYK 0 / 13 / 7 / 35

HEX #A7929B

RGB 167 146 155

HSL 334.29, 0.11%, 0.61%

LAB 62.63, 9.41, -1.87

 

CMYK 0 / 3 / 13 / 35

HEX #A6A190

RGB 166 161 144

HSL 46.36, 0.11%, 0.61%

LAB 66.22, -1.2, 9.49

 

CMYK 13 / 2 / 0 / 35

HEX #90A2A6

RGB 144 162 166

HSL 190.91, 0.11%, 0.61%

LAB 65.38, -5.46, -4.23

 

CMYK 0 / 13 / 7 / 35

HEX #A7929B

RGB 167 146 155

HSL 334.29, 0.11%, 0.61%

LAB 62.63, 9.41, -1.87

 

CMYK 7 / 0 / 13 / 35

HEX #9AA690

RGB 154 166 144

HSL 92.73, 0.11%, 0.61%

LAB 66.64, -8.38, 9.96

 

CMYK 13 / 7 / 0 / 35

HEX #909AA6

RGB 144 154 166

HSL 212.73, 0.11%, 0.61%

LAB 63.17, -1.05, -7.49

 

CMYK 0 / 13 / 7 / 35

HEX #A7929B

RGB 167 146 155

HSL 334.29, 0.11%, 0.61%

LAB 62.63, 9.41, -1.87

 

CMYK 0 / 3 / 13 / 35

HEX #A6A190

RGB 166 161 144

HSL 46.36, 0.11%, 0.61%

LAB 66.22, -1.2, 9.49

 

CMYK 13 / 0 / 5 / 35

HEX #90A69D

RGB 144 166 157

HSL 155.45, 0.11%, 0.61%

LAB 66.24, -9.49, 2.06

 

CMYK 13 / 10 / 0 / 35

HEX #9095A6

RGB 144 149 166

HSL 226.36, 0.11%, 0.61%

LAB 61.81, 1.74, -9.53

 

CMYK 0 / 13 / 7 / 35

HEX #A7929B

RGB 167 146 155

HSL 334.29, 0.11%, 0.61%

LAB 62.63, 9.41, -1.87

 

CMYK 1 / 0 / 13 / 35

HEX #A5A690

RGB 165 166 144

HSL 62.73, 0.11%, 0.61%

LAB 67.49, -4.29, 11.28

 

CMYK 13 / 0 / 5 / 35

HEX #90A69D

RGB 144 166 157

HSL 155.45, 0.11%, 0.61%

LAB 66.24, -9.49, 2.06

 

CMYK 12 / 13 / 0 / 35

HEX #9290A6

RGB 146 144 166

HSL 245.45, 0.11%, 0.61%

LAB 60.61, 5.25, -11.29

 

Description

Color code: HEX #A7929B | qconv.com Color code: HEX #A7929B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 146 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 146 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 7 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 7% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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