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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A79328 it is the complementary color #586CD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A79328. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A79328 shade: #AC9323, #BDA536, #CEB749, #DFC95C and #F0DB6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A79328. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A79328 shade: #A79328, #968115, #856F02, #745D00 and #634B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A79328 shade: #A89428, #A87128, #A84F28, #A82D28 and #A82828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A79328 shade: #A89428, #9AA828, #77A828, #55A828 and #32A828

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A79328 shade matches the following richer shades: #A89428, #B99F17 and #CAAB06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A79328 shade: #A89428, #978839, #867D4A, #75715B and #64656C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A79328 shade: #A84F28, #A87128, #A89328, #9BA828 and #79A828

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A79328 shade: #655918, #877620, #A89428, #C9B130 and #D4BF4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A79328 shade: #A79328, #28A82D and #6028A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A79328 shade: #A79328, #28A893 and #9328A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A79328 shade: #A79328, #28A82D, #283EA8 and #A828A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A79328 shade: #A79328, #28A853, #283EA8 and #A8287D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 76 / 35

HEX #A79328

RGB 167 147 40

HSL 50.55, 0.61%, 0.41%

LAB 60.99, -4.17, 55.63

 

Complementary color

CMYK 59 / 50 / 0 / 16

HEX #586CD7

RGB 88 108 215

HSL 230.55, 0.61%, 0.59%

LAB 49.14, 24.61, -57.44

 

CMYK 0 / 15 / 80 / 33

HEX #AC9323

RGB 172 147 35

HSL 49.05, 0.66%, 0.41%

LAB 61.45, -2.12, 57.97

 

CMYK 0 / 13 / 71 / 26

HEX #BDA536

RGB 189 165 54

HSL 49.33, 0.56%, 0.48%

LAB 68.02, -3.4, 57.82

 

CMYK 0 / 11 / 65 / 19

HEX #CEB749

RGB 206 183 73

HSL 49.62, 0.58%, 0.55%

LAB 74.49, -4.46, 57.11

 

CMYK 0 / 10 / 59 / 13

HEX #DFC95C

RGB 223 201 92

HSL 49.92, 0.67%, 0.62%

LAB 80.87, -5.35, 56.12

 

CMYK 0 / 9 / 54 / 6

HEX #F0DB6F

RGB 240 219 111

HSL 50.23, 0.81%, 0.69%

LAB 87.16, -6.11, 55.01

 

CMYK 0 / 12 / 76 / 35

HEX #A79328

RGB 167 147 40

HSL 50.55, 0.61%, 0.41%

LAB 60.99, -4.17, 55.63

 

CMYK 0 / 14 / 86 / 41

HEX #968115

RGB 150 129 21

HSL 50.23, 0.75%, 0.34%

LAB 54.28, -2.77, 55.14

 

CMYK 0 / 17 / 98 / 48

HEX #856F02

RGB 133 111 2

HSL 49.92, 0.97%, 0.26%

LAB 47.44, -1.07, 53.27

 

CMYK 0 / 20 / 100 / 55

HEX #745D00

RGB 116 93 0

HSL 48.1, 1%, 0.23%

LAB 40.48, 1.08, 47.97

 

CMYK 0 / 24 / 100 / 61

HEX #634B00

RGB 99 75 0

HSL 45.45, 1%, 0.19%

LAB 33.32, 3.41, 42.07

 

CMYK 0 / 12 / 76 / 34

HEX #A89428

RGB 168 148 40

HSL 50.63, 0.62%, 0.41%

LAB 61.36, -4.26, 56.01

 

CMYK 0 / 33 / 76 / 34

HEX #A87128

RGB 168 113 40

HSL 34.22, 0.62%, 0.41%

LAB 52.16, 15.21, 47.16

 

CMYK 0 / 53 / 76 / 34

HEX #A84F28

RGB 168 79 40

HSL 18.28, 0.62%, 0.41%

LAB 44.33, 33.97, 39.22

 

CMYK 0 / 73 / 76 / 34

HEX #A82D28

RGB 168 45 40

HSL 2.34, 0.62%, 0.41%

LAB 38.47, 49.49, 32.94

 

CMYK 0 / 76 / 76 / 34

HEX #A82828

RGB 168 40 40

HSL 0, 0.62%, 0.41%

LAB 37.83, 51.26, 32.24

 

CMYK 0 / 12 / 76 / 34

HEX #A89428

RGB 168 148 40

HSL 50.63, 0.62%, 0.41%

LAB 61.36, -4.26, 56.01

 

CMYK 8 / 0 / 76 / 34

HEX #9AA828

RGB 154 168 40

HSL 66.56, 0.62%, 0.41%

LAB 65.77, -20.91, 59.71

 

CMYK 29 / 0 / 76 / 34

HEX #77A828

RGB 119 168 40

HSL 82.97, 0.62%, 0.41%

LAB 63.41, -35.32, 56.64

 

CMYK 49 / 0 / 76 / 34

HEX #55A828

RGB 85 168 40

HSL 98.91, 0.62%, 0.41%

LAB 61.73, -47.22, 54.44

 

CMYK 70 / 0 / 76 / 34

HEX #32A828

RGB 50 168 40

HSL 115.31, 0.62%, 0.41%

LAB 60.64, -55.99, 52.99

 

CMYK 0 / 12 / 76 / 34

HEX #A89428

RGB 168 148 40

HSL 50.63, 0.62%, 0.41%

LAB 61.36, -4.26, 56.01

 

CMYK 0 / 14 / 88 / 27

HEX #B99F17

RGB 185 159 23

HSL 50.37, 0.78%, 0.41%

LAB 65.88, -3.09, 65.57

 

CMYK 0 / 15 / 97 / 21

HEX #CAAB06

RGB 202 171 6

HSL 50.51, 0.94%, 0.41%

LAB 70.66, -2.14, 72.61

 

CMYK 0 / 12 / 76 / 34

HEX #A89428

RGB 168 148 40

HSL 50.63, 0.62%, 0.41%

LAB 61.36, -4.26, 56.01

 

CMYK 0 / 10 / 62 / 41

HEX #978839

RGB 151 136 57

HSL 50.43, 0.45%, 0.41%

LAB 56.57, -4.39, 43.42

 

CMYK 0 / 7 / 45 / 47

HEX #867D4A

RGB 134 125 74

HSL 51, 0.29%, 0.41%

LAB 52.1, -4.27, 28.97

 

CMYK 0 / 3 / 22 / 54

HEX #75715B

RGB 117 113 91

HSL 50.77, 0.13%, 0.41%

LAB 47.43, -2.42, 12.79

 

CMYK 7 / 6 / 0 / 58

HEX #64656C

RGB 100 101 108

HSL 232.5, 0.04%, 0.41%

LAB 42.91, 1.12, -4.08

 

CMYK 0 / 53 / 76 / 34

HEX #A84F28

RGB 168 79 40

HSL 18.28, 0.62%, 0.41%

LAB 44.33, 33.97, 39.22

 

CMYK 0 / 33 / 76 / 34

HEX #A87128

RGB 168 113 40

HSL 34.22, 0.62%, 0.41%

LAB 52.16, 15.21, 47.16

 

CMYK 0 / 13 / 76 / 34

HEX #A89328

RGB 168 147 40

HSL 50.16, 0.62%, 0.41%

LAB 61.09, -3.72, 55.75

 

CMYK 8 / 0 / 76 / 34

HEX #9BA828

RGB 155 168 40

HSL 66.09, 0.62%, 0.41%

LAB 65.85, -20.48, 59.8

 

CMYK 28 / 0 / 76 / 34

HEX #79A828

RGB 121 168 40

HSL 82.03, 0.62%, 0.41%

LAB 63.53, -34.54, 56.79

 

CMYK 0 / 12 / 76 / 60

HEX #655918

RGB 101 89 24

HSL 50.65, 0.62%, 0.25%

LAB 37.8, -3.13, 37.39

 

CMYK 0 / 13 / 76 / 47

HEX #877620

RGB 135 118 32

HSL 50.1, 0.62%, 0.33%

LAB 49.75, -3.2, 46.88

 

CMYK 0 / 12 / 76 / 34

HEX #A89428

RGB 168 148 40

HSL 50.63, 0.62%, 0.41%

LAB 61.36, -4.26, 56.01

 

CMYK 0 / 12 / 76 / 21

HEX #C9B130

RGB 201 177 48

HSL 50.59, 0.61%, 0.49%

LAB 72.28, -4.75, 64.51

 

CMYK 0 / 10 / 63 / 17

HEX #D4BF4F

RGB 212 191 79

HSL 50.53, 0.61%, 0.57%

LAB 77.17, -5.69, 57.55

 

CMYK 0 / 12 / 76 / 35

HEX #A79328

RGB 167 147 40

HSL 50.55, 0.61%, 0.41%

LAB 60.99, -4.17, 55.63

 

CMYK 76 / 0 / 73 / 34

HEX #28A82D

RGB 40 168 45

HSL 122.34, 0.62%, 0.41%

LAB 60.47, -57.31, 50.95

 

CMYK 43 / 76 / 0 / 34

HEX #6028A8

RGB 96 40 168

HSL 266.25, 0.62%, 0.41%

LAB 31.42, 50.89, -58.68

 

CMYK 0 / 12 / 76 / 35

HEX #A79328

RGB 167 147 40

HSL 50.55, 0.61%, 0.41%

LAB 60.99, -4.17, 55.63

 

CMYK 76 / 0 / 13 / 34

HEX #28A893

RGB 40 168 147

HSL 170.16, 0.62%, 0.41%

LAB 62.14, -38.69, 1.14

 

CMYK 13 / 76 / 0 / 34

HEX #9328A8

RGB 147 40 168

HSL 290.16, 0.62%, 0.41%

LAB 38.81, 60.45, -46.36

 

CMYK 0 / 12 / 76 / 35

HEX #A79328

RGB 167 147 40

HSL 50.55, 0.61%, 0.41%

LAB 60.99, -4.17, 55.63

 

CMYK 76 / 0 / 73 / 34

HEX #28A82D

RGB 40 168 45

HSL 122.34, 0.62%, 0.41%

LAB 60.47, -57.31, 50.95

 

CMYK 76 / 63 / 0 / 34

HEX #283EA8

RGB 40 62 168

HSL 229.69, 0.62%, 0.41%

LAB 31.17, 30.07, -59.28

 

CMYK 0 / 76 / 2 / 34

HEX #A828A4

RGB 168 40 164

HSL 301.88, 0.62%, 0.41%

LAB 42.04, 64.15, -38.61

 

CMYK 0 / 12 / 76 / 35

HEX #A79328

RGB 167 147 40

HSL 50.55, 0.61%, 0.41%

LAB 60.99, -4.17, 55.63

 

CMYK 76 / 0 / 51 / 34

HEX #28A853

RGB 40 168 83

HSL 140.16, 0.62%, 0.41%

LAB 60.85, -52.68, 34.2

 

CMYK 76 / 63 / 0 / 34

HEX #283EA8

RGB 40 62 168

HSL 229.69, 0.62%, 0.41%

LAB 31.17, 30.07, -59.28

 

CMYK 0 / 76 / 26 / 34

HEX #A8287D

RGB 168 40 125

HSL 320.16, 0.62%, 0.41%

LAB 40.12, 58.49, -17.87

 

Description

Color code: HEX #A79328 | qconv.com Color code: HEX #A79328 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 147 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 147 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 76 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 76% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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