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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A80E44 it is the complementary color #57F1BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A80E44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A80E44 shade: #AD0E3F, #BE2052, #CF3265, #E04478 and #F1568B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A80E44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A80E44 shade: #A80E44, #970031, #86001E, #75000B and #640000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A80E44 shade: #A90D44, #A90D1A and #A90D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A80E44 shade: #A90D44, #A90D6E, #A90D98, #900DA9 and #660DA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A80E44 shade matches the following richer shades: #A90D44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A80E44 shade: #A90D44, #9A1C48, #8C2B4D, #7D3A51 and #6E4956

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A80E44 shade: #A90D9A, #A90D70, #A90D46, #A90D1D and #A9270D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A80E44 shade: #5D0725, #830A35, #A90D44, #CF1053 and #EC1D66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A80E44 shade: #A80E44, #A98F0D and #0D85A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A80E44 shade: #A80E44, #46A90D and #0D46A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A80E44 shade: #A80E44, #A98F0D, #0DA970 and #0D27A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A80E44 shade: #A80E44, #95A90D, #0DA970 and #220DA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 60 / 34

HEX #A80E44

RGB 168 14 68

HSL 338.96, 0.85%, 0.36%

LAB 36.09, 59.09, 12.45

 

Complementary color

CMYK 64 / 0 / 22 / 5

HEX #57F1BB

RGB 87 241 187

HSL 158.96, 0.85%, 0.64%

LAB 86.27, -52.98, 14.29

 

CMYK 0 / 92 / 64 / 32

HEX #AD0E3F

RGB 173 14 63

HSL 341.51, 0.85%, 0.37%

LAB 37.04, 60.05, 17.14

 

CMYK 0 / 83 / 57 / 25

HEX #BE2052

RGB 190 32 82

HSL 341.01, 0.71%, 0.44%

LAB 42.14, 62.22, 12.52

 

CMYK 0 / 76 / 51 / 19

HEX #CF3265

RGB 207 50 101

HSL 340.51, 0.62%, 0.5%

LAB 47.61, 63.3, 8.83

 

CMYK 0 / 70 / 46 / 12

HEX #E04478

RGB 224 68 120

HSL 340, 0.72%, 0.57%

LAB 53.32, 63.64, 5.86

 

CMYK 0 / 64 / 42 / 5

HEX #F1568B

RGB 241 86 139

HSL 339.48, 0.85%, 0.64%

LAB 59.18, 63.52, 3.43

 

CMYK 0 / 92 / 60 / 34

HEX #A80E44

RGB 168 14 68

HSL 338.96, 0.85%, 0.36%

LAB 36.09, 59.09, 12.45

 

CMYK 0 / 100 / 68 / 41

HEX #970031

RGB 151 0 49

HSL 340.53, 1%, 0.3%

LAB 31.35, 55.6, 17.95

 

CMYK 0 / 100 / 78 / 47

HEX #86001E

RGB 134 0 30

HSL 346.57, 1%, 0.26%

LAB 27.19, 50.39, 24.54

 

CMYK 0 / 100 / 91 / 54

HEX #75000B

RGB 117 0 11

HSL 354.36, 1%, 0.23%

LAB 23.02, 45.28, 30.23

 

CMYK 0 / 100 / 100 / 61

HEX #640000

RGB 100 0 0

HSL 0, 1%, 0.2%

LAB 18.84, 40.31, 28.96

 

CMYK 0 / 92 / 60 / 34

HEX #A90D44

RGB 169 13 68

HSL 338.85, 0.86%, 0.36%

LAB 36.25, 59.49, 12.7

 

CMYK 0 / 92 / 85 / 34

HEX #A90D1A

RGB 169 13 26

HSL 355, 0.86%, 0.36%

LAB 35.59, 57.63, 38.04

 

CMYK 0 / 92 / 92 / 34

HEX #A90D0D

RGB 169 13 13

HSL 0, 0.86%, 0.36%

LAB 35.5, 57.37, 44.34

 

CMYK 0 / 92 / 60 / 34

HEX #A90D44

RGB 169 13 68

HSL 338.85, 0.86%, 0.36%

LAB 36.25, 59.49, 12.7

 

CMYK 0 / 92 / 35 / 34

HEX #A90D6E

RGB 169 13 110

HSL 322.69, 0.86%, 0.36%

LAB 37.57, 63.09, -12.37

 

CMYK 0 / 92 / 10 / 34

HEX #A90D98

RGB 169 13 152

HSL 306.54, 0.86%, 0.36%

LAB 39.56, 68.3, -35.29

 

CMYK 15 / 92 / 0 / 34

HEX #900DA9

RGB 144 13 169

HSL 290.38, 0.86%, 0.36%

LAB 36.14, 66.61, -51.28

 

CMYK 40 / 92 / 0 / 34

HEX #660DA9

RGB 102 13 169

HSL 274.23, 0.86%, 0.36%

LAB 29.35, 60.69, -62.63

 

CMYK 0 / 92 / 60 / 34

HEX #A90D44

RGB 169 13 68

HSL 338.85, 0.86%, 0.36%

LAB 36.25, 59.49, 12.7

 

CMYK 0 / 92 / 60 / 34

HEX #A90D44

RGB 169 13 68

HSL 338.85, 0.86%, 0.36%

LAB 36.25, 59.49, 12.7

 

CMYK 0 / 82 / 53 / 40

HEX #9A1C48

RGB 154 28 72

HSL 339.05, 0.69%, 0.36%

LAB 34.33, 52.72, 6.96

 

CMYK 0 / 69 / 45 / 45

HEX #8C2B4D

RGB 140 43 77

HSL 338.97, 0.53%, 0.36%

LAB 33.65, 43.75, 2.36

 

CMYK 0 / 54 / 35 / 51

HEX #7D3A51

RGB 125 58 81

HSL 339.4, 0.37%, 0.36%

LAB 33.94, 31.72, -0.11

 

CMYK 0 / 34 / 22 / 57

HEX #6E4956

RGB 110 73 86

HSL 338.92, 0.2%, 0.36%

LAB 35.5, 17.86, -1.26

 

CMYK 0 / 92 / 9 / 34

HEX #A90D9A

RGB 169 13 154

HSL 305.77, 0.86%, 0.36%

LAB 39.67, 68.59, -36.32

 

CMYK 0 / 92 / 34 / 34

HEX #A90D70

RGB 169 13 112

HSL 321.92, 0.86%, 0.36%

LAB 37.65, 63.3, -13.51

 

CMYK 0 / 92 / 59 / 34

HEX #A90D46

RGB 169 13 70

HSL 338.08, 0.86%, 0.36%

LAB 36.3, 59.62, 11.47

 

CMYK 0 / 92 / 83 / 34

HEX #A90D1D

RGB 169 13 29

HSL 353.85, 0.86%, 0.36%

LAB 35.62, 57.71, 36.39

 

CMYK 0 / 77 / 92 / 34

HEX #A9270D

RGB 169 39 13

HSL 10, 0.86%, 0.36%

LAB 37.69, 51.18, 45.82

 

CMYK 0 / 92 / 60 / 64

HEX #5D0725

RGB 93 7 37

HSL 339.07, 0.86%, 0.2%

LAB 18.42, 38.03, 6.62

 

CMYK 0 / 92 / 60 / 49

HEX #830A35

RGB 131 10 53

HSL 338.68, 0.86%, 0.28%

LAB 27.57, 49.11, 9.43

 

CMYK 0 / 92 / 60 / 34

HEX #A90D44

RGB 169 13 68

HSL 338.85, 0.86%, 0.36%

LAB 36.25, 59.49, 12.7

 

CMYK 0 / 92 / 60 / 19

HEX #CF1053

RGB 207 16 83

HSL 338.95, 0.86%, 0.44%

LAB 44.6, 69.39, 15.82

 

CMYK 0 / 88 / 57 / 7

HEX #EC1D66

RGB 236 29 102

HSL 338.84, 0.84%, 0.52%

LAB 51.46, 75.7, 14.43

 

CMYK 0 / 92 / 60 / 34

HEX #A80E44

RGB 168 14 68

HSL 338.96, 0.85%, 0.36%

LAB 36.09, 59.09, 12.45

 

CMYK 0 / 15 / 92 / 34

HEX #A98F0D

RGB 169 143 13

HSL 50, 0.86%, 0.36%

LAB 59.99, -1.89, 62.26

 

CMYK 92 / 21 / 0 / 34

HEX #0D85A9

RGB 13 133 169

HSL 193.85, 0.86%, 0.36%

LAB 51.53, -16.63, -27.43

 

CMYK 0 / 92 / 60 / 34

HEX #A80E44

RGB 168 14 68

HSL 338.96, 0.85%, 0.36%

LAB 36.09, 59.09, 12.45

 

CMYK 59 / 0 / 92 / 34

HEX #46A90D

RGB 70 169 13

HSL 98.08, 0.86%, 0.36%

LAB 61.4, -53.1, 60.75

 

CMYK 92 / 59 / 0 / 34

HEX #0D46A9

RGB 13 70 169

HSL 218.08, 0.86%, 0.36%

LAB 32.55, 22.93, -57.66

 

CMYK 0 / 92 / 60 / 34

HEX #A80E44

RGB 168 14 68

HSL 338.96, 0.85%, 0.36%

LAB 36.09, 59.09, 12.45

 

CMYK 0 / 15 / 92 / 34

HEX #A98F0D

RGB 169 143 13

HSL 50, 0.86%, 0.36%

LAB 59.99, -1.89, 62.26

 

CMYK 92 / 0 / 34 / 34

HEX #0DA970

RGB 13 169 112

HSL 158.08, 0.86%, 0.36%

LAB 61.33, -50.1, 19.39

 

CMYK 92 / 77 / 0 / 34

HEX #0D27A9

RGB 13 39 169

HSL 230, 0.86%, 0.36%

LAB 24.96, 43.07, -70.15

 

CMYK 0 / 92 / 60 / 34

HEX #A80E44

RGB 168 14 68

HSL 338.96, 0.85%, 0.36%

LAB 36.09, 59.09, 12.45

 

CMYK 12 / 0 / 92 / 34

HEX #95A90D

RGB 149 169 13

HSL 67.69, 0.86%, 0.36%

LAB 65.59, -24.4, 65.89

 

CMYK 92 / 0 / 34 / 34

HEX #0DA970

RGB 13 169 112

HSL 158.08, 0.86%, 0.36%

LAB 61.33, -50.1, 19.39

 

CMYK 80 / 92 / 0 / 34

HEX #220DA9

RGB 34 13 169

HSL 248.08, 0.86%, 0.36%

LAB 21.92, 55.37, -75.18

 

Description

Color code: HEX #A80E44 | qconv.com Color code: HEX #A80E44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 14 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 14 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 60 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 60% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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