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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A80EA1 it is the complementary color #57F15E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A80EA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A80EA1 shade: #AD0E9C, #BE20AF, #CF32C2, #E044D5 and #F156E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A80EA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A80EA1 shade: #A80EA1, #97008E, #86007B, #750068 and #640055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A80EA1 shade: #A90DA2, #A90D78, #A90D4E, #A90D24 and #A90D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A80EA1 shade: #A90DA2, #860DA9, #5C0DA9, #320DA9 and #0D0DA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A80EA1 shade matches the following richer shades: #A90DA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A80EA1 shade: #A90DA2, #9A1C95, #8C2B87, #7D3A7A and #6E496C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A80EA1 shade: #5B0DA9, #850DA9, #A90DA4, #A90D7B and #A90D51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A80EA1 shade: #5D0759, #830A7E, #A90DA2, #CF10C7 and #EC1DE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A80EA1 shade: #A80EA1, #A9320D and #0DA970

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A80EA1 shade: #A80EA1, #A4A90D and #0DA4A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A80EA1 shade: #A80EA1, #A9320D, #0DA912 and #0D85A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A80EA1 shade: #A80EA1, #A9610D, #0DA912 and #0D56A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 4 / 34

HEX #A80EA1

RGB 168 14 161

HSL 302.73, 0.85%, 0.36%

LAB 39.94, 69.29, -40.15

 

Complementary color

CMYK 64 / 0 / 61 / 5

HEX #57F15E

RGB 87 241 94

HSL 122.73, 0.85%, 0.64%

LAB 84.87, -68.35, 57.79

 

CMYK 0 / 92 / 10 / 32

HEX #AD0E9C

RGB 173 14 156

HSL 306.42, 0.85%, 0.37%

LAB 40.57, 69.49, -36.07

 

CMYK 0 / 83 / 8 / 25

HEX #BE20AF

RGB 190 32 175

HSL 305.7, 0.71%, 0.44%

LAB 45.74, 72.38, -39.04

 

CMYK 0 / 76 / 6 / 19

HEX #CF32C2

RGB 207 50 194

HSL 304.97, 0.62%, 0.5%

LAB 51.2, 74.14, -41.33

 

CMYK 0 / 70 / 5 / 12

HEX #E044D5

RGB 224 68 213

HSL 304.23, 0.72%, 0.57%

LAB 56.87, 75.09, -43.09

 

CMYK 0 / 64 / 4 / 5

HEX #F156E8

RGB 241 86 232

HSL 303.48, 0.85%, 0.64%

LAB 62.66, 75.49, -44.48

 

CMYK 0 / 92 / 4 / 34

HEX #A80EA1

RGB 168 14 161

HSL 302.73, 0.85%, 0.36%

LAB 39.94, 69.29, -40.15

 

CMYK 0 / 100 / 6 / 41

HEX #97008E

RGB 151 0 142

HSL 303.58, 1%, 0.3%

LAB 35.07, 65.11, -36.52

 

CMYK 0 / 100 / 8 / 47

HEX #86007B

RGB 134 0 123

HSL 304.93, 1%, 0.26%

LAB 30.64, 59.25, -31.91

 

CMYK 0 / 100 / 11 / 54

HEX #750068

RGB 117 0 104

HSL 306.67, 1%, 0.23%

LAB 26.1, 53.26, -27.14

 

CMYK 0 / 100 / 15 / 61

HEX #640055

RGB 100 0 85

HSL 309, 1%, 0.2%

LAB 21.45, 47.11, -22.16

 

CMYK 0 / 92 / 4 / 34

HEX #A90DA2

RGB 169 13 162

HSL 302.69, 0.86%, 0.36%

LAB 40.13, 69.75, -40.43

 

CMYK 0 / 92 / 29 / 34

HEX #A90D78

RGB 169 13 120

HSL 318.85, 0.86%, 0.36%

LAB 37.98, 64.19, -18.03

 

CMYK 0 / 92 / 54 / 34

HEX #A90D4E

RGB 169 13 78

HSL 335, 0.86%, 0.36%

LAB 36.5, 60.19, 6.57

 

CMYK 0 / 92 / 79 / 34

HEX #A90D24

RGB 169 13 36

HSL 351.15, 0.86%, 0.36%

LAB 35.69, 57.92, 32.35

 

CMYK 0 / 92 / 92 / 34

HEX #A90D0D

RGB 169 13 13

HSL 0, 0.86%, 0.36%

LAB 35.5, 57.37, 44.34

 

CMYK 0 / 92 / 4 / 34

HEX #A90DA2

RGB 169 13 162

HSL 302.69, 0.86%, 0.36%

LAB 40.13, 69.75, -40.43

 

CMYK 21 / 92 / 0 / 34

HEX #860DA9

RGB 134 13 169

HSL 286.54, 0.86%, 0.36%

LAB 34.44, 65.06, -54.12

 

CMYK 46 / 92 / 0 / 34

HEX #5C0DA9

RGB 92 13 169

HSL 270.38, 0.86%, 0.36%

LAB 27.92, 59.55, -65.05

 

CMYK 70 / 92 / 0 / 34

HEX #320DA9

RGB 50 13 169

HSL 254.23, 0.86%, 0.36%

LAB 23.1, 56.1, -73.17

 

CMYK 92 / 92 / 0 / 34

HEX #0D0DA9

RGB 13 13 169

HSL 240, 0.86%, 0.36%

LAB 20.97, 54.82, -76.78

 

CMYK 0 / 92 / 4 / 34

HEX #A90DA2

RGB 169 13 162

HSL 302.69, 0.86%, 0.36%

LAB 40.13, 69.75, -40.43

 

CMYK 0 / 92 / 4 / 34

HEX #A90DA2

RGB 169 13 162

HSL 302.69, 0.86%, 0.36%

LAB 40.13, 69.75, -40.43

 

CMYK 0 / 82 / 3 / 40

HEX #9A1C95

RGB 154 28 149

HSL 302.38, 0.69%, 0.36%

LAB 37.61, 62.13, -36.73

 

CMYK 0 / 69 / 4 / 45

HEX #8C2B87

RGB 140 43 135

HSL 303.09, 0.53%, 0.36%

LAB 36.09, 51.87, -30.71

 

CMYK 0 / 54 / 2 / 51

HEX #7D3A7A

RGB 125 58 122

HSL 302.69, 0.37%, 0.36%

LAB 35.58, 38.45, -23.61

 

CMYK 0 / 34 / 2 / 57

HEX #6E496C

RGB 110 73 108

HSL 303.24, 0.2%, 0.36%

LAB 36.3, 22.03, -13.92

 

CMYK 46 / 92 / 0 / 34

HEX #5B0DA9

RGB 91 13 169

HSL 270, 0.86%, 0.36%

LAB 27.78, 59.44, -65.28

 

CMYK 21 / 92 / 0 / 34

HEX #850DA9

RGB 133 13 169

HSL 286.15, 0.86%, 0.36%

LAB 34.27, 64.91, -54.4

 

CMYK 0 / 92 / 3 / 34

HEX #A90DA4

RGB 169 13 164

HSL 301.92, 0.86%, 0.36%

LAB 40.25, 70.05, -41.44

 

CMYK 0 / 92 / 27 / 34

HEX #A90D7B

RGB 169 13 123

HSL 317.69, 0.86%, 0.36%

LAB 38.12, 64.54, -19.7

 

CMYK 0 / 92 / 52 / 34

HEX #A90D51

RGB 169 13 81

HSL 333.85, 0.86%, 0.36%

LAB 36.59, 60.42, 4.74

 

CMYK 0 / 92 / 4 / 64

HEX #5D0759

RGB 93 7 89

HSL 302.79, 0.86%, 0.2%

LAB 20.83, 44.6, -25.92

 

CMYK 0 / 92 / 4 / 49

HEX #830A7E

RGB 131 10 126

HSL 302.48, 0.86%, 0.28%

LAB 30.76, 57.62, -33.65

 

CMYK 0 / 92 / 4 / 34

HEX #A90DA2

RGB 169 13 162

HSL 302.69, 0.86%, 0.36%

LAB 40.13, 69.75, -40.43

 

CMYK 0 / 92 / 4 / 19

HEX #CF10C7

RGB 207 16 199

HSL 302.51, 0.86%, 0.44%

LAB 49.2, 81.47, -47.39

 

CMYK 0 / 88 / 4 / 7

HEX #EC1DE3

RGB 236 29 227

HSL 302.61, 0.84%, 0.52%

LAB 56.34, 88.8, -51.72

 

CMYK 0 / 92 / 4 / 34

HEX #A80EA1

RGB 168 14 161

HSL 302.73, 0.85%, 0.36%

LAB 39.94, 69.29, -40.15

 

CMYK 0 / 70 / 92 / 34

HEX #A9320D

RGB 169 50 13

HSL 14.23, 0.86%, 0.36%

LAB 39.15, 47.15, 46.84

 

CMYK 92 / 0 / 34 / 34

HEX #0DA970

RGB 13 169 112

HSL 158.08, 0.86%, 0.36%

LAB 61.33, -50.1, 19.39

 

CMYK 0 / 92 / 4 / 34

HEX #A80EA1

RGB 168 14 161

HSL 302.73, 0.85%, 0.36%

LAB 39.94, 69.29, -40.15

 

CMYK 3 / 0 / 92 / 34

HEX #A4A90D

RGB 164 169 13

HSL 61.92, 0.86%, 0.36%

LAB 66.75, -17.87, 67.29

 

CMYK 92 / 3 / 0 / 34

HEX #0DA4A9

RGB 13 164 169

HSL 181.92, 0.86%, 0.36%

LAB 61.22, -32.5, -12.61

 

CMYK 0 / 92 / 4 / 34

HEX #A80EA1

RGB 168 14 161

HSL 302.73, 0.85%, 0.36%

LAB 39.94, 69.29, -40.15

 

CMYK 0 / 70 / 92 / 34

HEX #A9320D

RGB 169 50 13

HSL 14.23, 0.86%, 0.36%

LAB 39.15, 47.15, 46.84

 

CMYK 92 / 0 / 89 / 34

HEX #0DA912

RGB 13 169 18

HSL 121.92, 0.86%, 0.36%

LAB 60.34, -62.12, 58.55

 

CMYK 92 / 21 / 0 / 34

HEX #0D85A9

RGB 13 133 169

HSL 193.85, 0.86%, 0.36%

LAB 51.53, -16.63, -27.43

 

CMYK 0 / 92 / 4 / 34

HEX #A80EA1

RGB 168 14 161

HSL 302.73, 0.85%, 0.36%

LAB 39.94, 69.29, -40.15

 

CMYK 0 / 43 / 92 / 34

HEX #A9610D

RGB 169 97 13

HSL 32.31, 0.86%, 0.36%

LAB 48.28, 23.82, 53.43

 

CMYK 92 / 0 / 89 / 34

HEX #0DA912

RGB 13 169 18

HSL 121.92, 0.86%, 0.36%

LAB 60.34, -62.12, 58.55

 

CMYK 92 / 49 / 0 / 34

HEX #0D56A9

RGB 13 86 169

HSL 211.92, 0.86%, 0.36%

LAB 37.13, 12.1, -50.23

 

Description

Color code: HEX #A80EA1 | qconv.com Color code: HEX #A80EA1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 14 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 14 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 4 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 4% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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