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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A81389 it is the complementary color #57EC76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A81389. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A81389 shade: #AD1384, #BE2597, #CF37AA, #E049BD and #F15BD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A81389. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A81389 shade: #A81389, #970176, #860063, #750050 and #64003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A81389 shade: #A9128A, #A91261, #A91239 and #A91212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A81389 shade: #A9128A, #A012A9, #7712A9, #4F12A9 and #2612A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A81389 shade matches the following richer shades: #A9128A and #B90393

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A81389 shade: #A9128A, #9A2281, #8B3178, #7C406F and #6C4F66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A81389 shade: #7712A9, #9F12A9, #A9128B, #A91263 and #A9123B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A81389 shade: #5F0A4D, #840E6C, #A9128A, #CE16A8 and #E728BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A81389 shade: #A81389, #A94F12 and #12A98B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A81389 shade: #A81389, #8BA912 and #128BA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A81389 shade: #A81389, #A94F12, #12A931 and #126DA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A81389 shade: #A81389, #A97C12, #12A931 and #1240A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 18 / 34

HEX #A81389

RGB 168 19 137

HSL 312.48, 0.8%, 0.37%

LAB 38.89, 65.17, -27.19

 

Complementary color

CMYK 63 / 0 / 50 / 7

HEX #57EC76

RGB 87 236 118

HSL 132.48, 0.8%, 0.63%

LAB 83.61, -63.64, 45.48

 

CMYK 0 / 89 / 24 / 32

HEX #AD1384

RGB 173 19 132

HSL 315.97, 0.8%, 0.38%

LAB 39.61, 65.58, -22.92

 

CMYK 0 / 81 / 21 / 25

HEX #BE2597

RGB 190 37 151

HSL 315.29, 0.67%, 0.45%

LAB 44.95, 67.92, -25.96

 

CMYK 0 / 73 / 18 / 19

HEX #CF37AA

RGB 207 55 170

HSL 314.61, 0.61%, 0.51%

LAB 50.57, 69.22, -28.31

 

CMYK 0 / 67 / 16 / 12

HEX #E049BD

RGB 224 73 189

HSL 313.91, 0.71%, 0.58%

LAB 56.37, 69.81, -30.14

 

CMYK 0 / 62 / 14 / 5

HEX #F15BD0

RGB 241 91 208

HSL 313.2, 0.84%, 0.65%

LAB 62.28, 69.93, -31.59

 

CMYK 0 / 89 / 18 / 34

HEX #A81389

RGB 168 19 137

HSL 312.48, 0.8%, 0.37%

LAB 38.89, 65.17, -27.19

 

CMYK 0 / 99 / 22 / 41

HEX #970176

RGB 151 1 118

HSL 313.2, 0.99%, 0.3%

LAB 33.79, 61.7, -23.55

 

CMYK 0 / 100 / 26 / 47

HEX #860063

RGB 134 0 99

HSL 315.67, 1%, 0.26%

LAB 29.33, 56.01, -18.57

 

CMYK 0 / 100 / 32 / 54

HEX #750050

RGB 117 0 80

HSL 318.97, 1%, 0.23%

LAB 24.83, 50.06, -13.26

 

CMYK 0 / 100 / 39 / 61

HEX #64003D

RGB 100 0 61

HSL 323.4, 1%, 0.2%

LAB 20.23, 44.01, -7.6

 

CMYK 0 / 89 / 18 / 34

HEX #A9128A

RGB 169 18 138

HSL 312.32, 0.81%, 0.37%

LAB 39.08, 65.67, -27.5

 

CMYK 0 / 89 / 43 / 34

HEX #A91261

RGB 169 18 97

HSL 328.61, 0.81%, 0.37%

LAB 37.35, 61.02, -4.43

 

CMYK 0 / 89 / 66 / 34

HEX #A91239

RGB 169 18 57

HSL 344.5, 0.81%, 0.37%

LAB 36.3, 58.04, 19.88

 

CMYK 0 / 89 / 89 / 34

HEX #A91212

RGB 169 18 18

HSL 0, 0.81%, 0.37%

LAB 35.81, 56.65, 42.34

 

CMYK 0 / 89 / 18 / 34

HEX #A9128A

RGB 169 18 138

HSL 312.32, 0.81%, 0.37%

LAB 39.08, 65.67, -27.5

 

CMYK 5 / 89 / 0 / 34

HEX #A012A9

RGB 160 18 169

HSL 296.42, 0.81%, 0.37%

LAB 39.19, 68.52, -46.22

 

CMYK 30 / 89 / 0 / 34

HEX #7712A9

RGB 119 18 169

HSL 280.13, 0.81%, 0.37%

LAB 32.3, 61.92, -57.71

 

CMYK 53 / 89 / 0 / 34

HEX #4F12A9

RGB 79 18 169

HSL 264.24, 0.81%, 0.37%

LAB 26.62, 56.99, -67.25

 

CMYK 78 / 89 / 0 / 34

HEX #2612A9

RGB 38 18 169

HSL 247.95, 0.81%, 0.37%

LAB 22.69, 53.98, -73.89

 

CMYK 0 / 89 / 18 / 34

HEX #A9128A

RGB 169 18 138

HSL 312.32, 0.81%, 0.37%

LAB 39.08, 65.67, -27.5

 

CMYK 0 / 98 / 21 / 27

HEX #B90393

RGB 185 3 147

HSL 312.53, 0.97%, 0.37%

LAB 41.98, 71.76, -28.24

 

CMYK 0 / 89 / 18 / 34

HEX #A9128A

RGB 169 18 138

HSL 312.32, 0.81%, 0.37%

LAB 39.08, 65.67, -27.5

 

CMYK 0 / 78 / 16 / 40

HEX #9A2281

RGB 154 34 129

HSL 312.5, 0.64%, 0.37%

LAB 37.11, 57.45, -25.21

 

CMYK 0 / 65 / 14 / 45

HEX #8B3178

RGB 139 49 120

HSL 312.67, 0.48%, 0.37%

LAB 36.06, 46.6, -21.44

 

CMYK 0 / 48 / 10 / 51

HEX #7C406F

RGB 124 64 111

HSL 313, 0.32%, 0.37%

LAB 36.18, 32.82, -15.82

 

CMYK 0 / 27 / 6 / 58

HEX #6C4F66

RGB 108 79 102

HSL 312.41, 0.16%, 0.37%

LAB 37.37, 16.38, -8.57

 

CMYK 30 / 89 / 0 / 34

HEX #7712A9

RGB 119 18 169

HSL 280.13, 0.81%, 0.37%

LAB 32.3, 61.92, -57.71

 

CMYK 6 / 89 / 0 / 34

HEX #9F12A9

RGB 159 18 169

HSL 296.03, 0.81%, 0.37%

LAB 39.02, 68.34, -46.51

 

CMYK 0 / 89 / 18 / 34

HEX #A9128B

RGB 169 18 139

HSL 311.92, 0.81%, 0.37%

LAB 39.12, 65.81, -28.04

 

CMYK 0 / 89 / 41 / 34

HEX #A91263

RGB 169 18 99

HSL 327.81, 0.81%, 0.37%

LAB 37.42, 61.21, -5.6

 

CMYK 0 / 89 / 65 / 34

HEX #A9123B

RGB 169 18 59

HSL 343.71, 0.81%, 0.37%

LAB 36.34, 58.15, 18.64

 

CMYK 0 / 89 / 19 / 63

HEX #5F0A4D

RGB 95 10 77

HSL 312.71, 0.81%, 0.21%

LAB 20.77, 42.42, -17.89

 

CMYK 0 / 89 / 18 / 48

HEX #840E6C

RGB 132 14 108

HSL 312.2, 0.81%, 0.29%

LAB 30.16, 54.47, -23.13

 

CMYK 0 / 89 / 18 / 34

HEX #A9128A

RGB 169 18 138

HSL 312.32, 0.81%, 0.37%

LAB 39.08, 65.67, -27.5

 

CMYK 0 / 89 / 18 / 19

HEX #CE16A8

RGB 206 22 168

HSL 312.39, 0.81%, 0.45%

LAB 47.65, 76.37, -31.69

 

CMYK 0 / 83 / 17 / 9

HEX #E728BF

RGB 231 40 191

HSL 312.57, 0.8%, 0.53%

LAB 54.31, 81.13, -34.42

 

CMYK 0 / 89 / 18 / 34

HEX #A81389

RGB 168 19 137

HSL 312.48, 0.8%, 0.37%

LAB 38.89, 65.17, -27.19

 

CMYK 0 / 53 / 89 / 34

HEX #A94F12

RGB 169 79 18

HSL 24.24, 0.81%, 0.37%

LAB 44.33, 33.66, 48.96

 

CMYK 89 / 0 / 18 / 34

HEX #12A98B

RGB 18 169 139

HSL 168.08, 0.81%, 0.37%

LAB 61.97, -43.23, 5.34

 

CMYK 0 / 89 / 18 / 34

HEX #A81389

RGB 168 19 137

HSL 312.48, 0.8%, 0.37%

LAB 38.89, 65.17, -27.19

 

CMYK 18 / 0 / 89 / 34

HEX #8BA912

RGB 139 169 18

HSL 71.92, 0.81%, 0.37%

LAB 64.89, -28.54, 64.2

 

CMYK 89 / 18 / 0 / 34

HEX #128BA9

RGB 18 139 169

HSL 191.92, 0.81%, 0.37%

LAB 53.45, -19.61, -24.45

 

CMYK 0 / 89 / 18 / 34

HEX #A81389

RGB 168 19 137

HSL 312.48, 0.8%, 0.37%

LAB 38.89, 65.17, -27.19

 

CMYK 0 / 53 / 89 / 34

HEX #A94F12

RGB 169 79 18

HSL 24.24, 0.81%, 0.37%

LAB 44.33, 33.66, 48.96

 

CMYK 89 / 0 / 71 / 34

HEX #12A931

RGB 18 169 49

HSL 132.32, 0.81%, 0.37%

LAB 60.54, -59.76, 49.4

 

CMYK 89 / 36 / 0 / 34

HEX #126DA9

RGB 18 109 169

HSL 203.84, 0.81%, 0.37%

LAB 44.13, -2.38, -39.02

 

CMYK 0 / 89 / 18 / 34

HEX #A81389

RGB 168 19 137

HSL 312.48, 0.8%, 0.37%

LAB 38.89, 65.17, -27.19

 

CMYK 0 / 27 / 89 / 34

HEX #A97C12

RGB 169 124 18

HSL 42.12, 0.81%, 0.37%

LAB 54.96, 8.74, 57.32

 

CMYK 89 / 0 / 71 / 34

HEX #12A931

RGB 18 169 49

HSL 132.32, 0.81%, 0.37%

LAB 60.54, -59.76, 49.4

 

CMYK 89 / 62 / 0 / 34

HEX #1240A9

RGB 18 64 169

HSL 221.72, 0.81%, 0.37%

LAB 31.02, 27.27, -60.15

 

Description

Color code: HEX #A81389 | qconv.com Color code: HEX #A81389 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 19 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 19 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 18 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 18% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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