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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A823AB it is the complementary color #57DC54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A823AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A823AB shade: #AD23A6, #BE35B9, #CF47CC, #E059DF and #F16BF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A823AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A823AB shade: #A823AB, #971198, #860085, #750072 and #64005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A823AB shade: #A622A9, #A92287, #A92263, #A9223F and #A92222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A823AB shade: #A622A9, #8222A9, #5D22A9, #3922A9 and #2222A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A823AB shade matches the following richer shades: #A622A9, #B612B9 and #C501CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A823AB shade: #A622A9, #963398, #864388, #775477 and #676467

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A823AB shade: #5D22A9, #8022A9, #A422A9, #A92289 and #A92266

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A823AB shade: #631464, #841B87, #A622A9, #C829CB and #D545D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A823AB shade: #A823AB, #A93922 and #22A96E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A823AB shade: #A823AB, #A9A422 and #22A9A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A823AB shade: #A823AB, #A93922, #27A922 and #2292A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A823AB shade: #A823AB, #A96122, #27A922 and #226AA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 80 / 0 / 33

HEX #A823AB

RGB 168 35 171

HSL 298.68, 0.66%, 0.4%

LAB 41.95, 66.69, -42.93

 

Complementary color

CMYK 60 / 0 / 62 / 14

HEX #57DC54

RGB 87 220 84

HSL 118.68, 0.66%, 0.6%

LAB 78.38, -62.16, 54.72

 

CMYK 0 / 80 / 4 / 32

HEX #AD23A6

RGB 173 35 166

HSL 303.04, 0.66%, 0.41%

LAB 42.52, 66.91, -38.98

 

CMYK 0 / 72 / 3 / 25

HEX #BE35B9

RGB 190 53 185

HSL 302.19, 0.56%, 0.48%

LAB 48.26, 68.19, -40.93

 

CMYK 0 / 66 / 1 / 19

HEX #CF47CC

RGB 207 71 204

HSL 301.32, 0.59%, 0.55%

LAB 54.17, 68.74, -42.4

 

CMYK 0 / 60 / 0 / 12

HEX #E059DF

RGB 224 89 223

HSL 300.44, 0.69%, 0.61%

LAB 60.18, 68.81, -43.52

 

CMYK 0 / 56 / 0 / 5

HEX #F16BF2

RGB 241 107 242

HSL 299.56, 0.84%, 0.68%

LAB 66.23, 68.57, -44.41

 

CMYK 2 / 80 / 0 / 33

HEX #A823AB

RGB 168 35 171

HSL 298.68, 0.66%, 0.4%

LAB 41.95, 66.69, -42.93

 

CMYK 1 / 89 / 0 / 40

HEX #971198

RGB 151 17 152

HSL 299.56, 0.8%, 0.33%

LAB 36.46, 64.34, -40.43

 

CMYK 0 / 100 / 1 / 47

HEX #860085

RGB 134 0 133

HSL 300.45, 1%, 0.26%

LAB 31.26, 60.77, -37.21

 

CMYK 0 / 100 / 3 / 54

HEX #750072

RGB 117 0 114

HSL 301.54, 1%, 0.23%

LAB 26.73, 54.78, -32.61

 

CMYK 0 / 100 / 5 / 61

HEX #64005F

RGB 100 0 95

HSL 303, 1%, 0.2%

LAB 22.07, 48.63, -27.85

 

CMYK 2 / 80 / 0 / 34

HEX #A622A9

RGB 166 34 169

HSL 298.67, 0.67%, 0.4%

LAB 41.4, 66.23, -42.63

 

CMYK 0 / 80 / 20 / 34

HEX #A92287

RGB 169 34 135

HSL 315.11, 0.67%, 0.4%

LAB 40.13, 61.81, -24.02

 

CMYK 0 / 80 / 41 / 34

HEX #A92263

RGB 169 34 99

HSL 331.11, 0.67%, 0.4%

LAB 38.69, 57.57, -3.72

 

CMYK 0 / 80 / 63 / 34

HEX #A9223F

RGB 169 34 63

HSL 347.11, 0.67%, 0.4%

LAB 37.73, 54.63, 17.91

 

CMYK 0 / 80 / 80 / 34

HEX #A92222

RGB 169 34 34

HSL 0, 0.67%, 0.4%

LAB 37.29, 53.25, 35.21

 

CMYK 2 / 80 / 0 / 34

HEX #A622A9

RGB 166 34 169

HSL 298.67, 0.67%, 0.4%

LAB 41.4, 66.23, -42.63

 

CMYK 23 / 80 / 0 / 34

HEX #8222A9

RGB 130 34 169

HSL 282.67, 0.67%, 0.4%

LAB 35.51, 59.36, -52.42

 

CMYK 45 / 80 / 0 / 34

HEX #5D22A9

RGB 93 34 169

HSL 266.22, 0.67%, 0.4%

LAB 30.24, 53.22, -61.22

 

CMYK 66 / 80 / 0 / 34

HEX #3922A9

RGB 57 34 169

HSL 250.22, 0.67%, 0.4%

LAB 26.39, 48.7, -67.71

 

CMYK 80 / 80 / 0 / 34

HEX #2222A9

RGB 34 34 169

HSL 240, 0.67%, 0.4%

LAB 24.79, 46.83, -70.4

 

CMYK 2 / 80 / 0 / 34

HEX #A622A9

RGB 166 34 169

HSL 298.67, 0.67%, 0.4%

LAB 41.4, 66.23, -42.63

 

CMYK 2 / 90 / 0 / 27

HEX #B612B9

RGB 182 18 185

HSL 298.92, 0.82%, 0.4%

LAB 44.06, 74.85, -47.69

 

CMYK 2 / 100 / 0 / 21

HEX #C501CA

RGB 197 1 202

HSL 298.51, 0.99%, 0.4%

LAB 47.18, 81.56, -52.47

 

CMYK 2 / 80 / 0 / 34

HEX #A622A9

RGB 166 34 169

HSL 298.67, 0.67%, 0.4%

LAB 41.4, 66.23, -42.63

 

CMYK 1 / 66 / 0 / 40

HEX #963398

RGB 150 51 152

HSL 298.81, 0.5%, 0.4%

LAB 39.78, 54.11, -35.16

 

CMYK 1 / 51 / 0 / 47

HEX #864388

RGB 134 67 136

HSL 298.26, 0.34%, 0.4%

LAB 39.34, 39.14, -26.28

 

CMYK 0 / 29 / 0 / 53

HEX #775477

RGB 119 84 119

HSL 300, 0.17%, 0.4%

LAB 40.56, 20.92, -14.13

 

CMYK 0 / 3 / 0 / 60

HEX #676467

RGB 103 100 103

HSL 300, 0.01%, 0.4%

LAB 42.73, 1.8, -1.28

 

CMYK 45 / 80 / 0 / 34

HEX #5D22A9

RGB 93 34 169

HSL 266.22, 0.67%, 0.4%

LAB 30.24, 53.22, -61.22

 

CMYK 24 / 80 / 0 / 34

HEX #8022A9

RGB 128 34 169

HSL 281.78, 0.67%, 0.4%

LAB 35.2, 59, -52.93

 

CMYK 3 / 80 / 0 / 34

HEX #A422A9

RGB 164 34 169

HSL 297.78, 0.67%, 0.4%

LAB 41.06, 65.83, -43.19

 

CMYK 0 / 80 / 19 / 34

HEX #A92289

RGB 169 34 137

HSL 314.22, 0.67%, 0.4%

LAB 40.22, 62.08, -25.1

 

CMYK 0 / 80 / 40 / 34

HEX #A92266

RGB 169 34 102

HSL 329.78, 0.67%, 0.4%

LAB 38.79, 57.88, -5.47

 

CMYK 1 / 80 / 0 / 61

HEX #631464

RGB 99 20 100

HSL 299.25, 0.67%, 0.24%

LAB 23.91, 44.28, -28.23

 

CMYK 2 / 80 / 0 / 47

HEX #841B87

RGB 132 27 135

HSL 298.33, 0.67%, 0.32%

LAB 32.79, 55.53, -36.03

 

CMYK 2 / 80 / 0 / 34

HEX #A622A9

RGB 166 34 169

HSL 298.67, 0.67%, 0.4%

LAB 41.4, 66.23, -42.63

 

CMYK 1 / 80 / 0 / 20

HEX #C829CB

RGB 200 41 203

HSL 298.89, 0.66%, 0.48%

LAB 49.71, 76.48, -48.97

 

CMYK 2 / 68 / 0 / 15

HEX #D545D9

RGB 213 69 217

HSL 298.38, 0.66%, 0.56%

LAB 55.49, 72.95, -47.64

 

CMYK 2 / 80 / 0 / 33

HEX #A823AB

RGB 168 35 171

HSL 298.68, 0.66%, 0.4%

LAB 41.95, 66.69, -42.93

 

CMYK 0 / 66 / 80 / 34

HEX #A93922

RGB 169 57 34

HSL 10.22, 0.67%, 0.4%

LAB 40.37, 44.75, 38.34

 

CMYK 80 / 0 / 35 / 34

HEX #22A96E

RGB 34 169 110

HSL 153.78, 0.67%, 0.4%

LAB 61.52, -48.8, 20.76

 

CMYK 2 / 80 / 0 / 33

HEX #A823AB

RGB 168 35 171

HSL 298.68, 0.66%, 0.4%

LAB 41.95, 66.69, -42.93

 

CMYK 0 / 3 / 80 / 34

HEX #A9A422

RGB 169 164 34

HSL 57.78, 0.67%, 0.4%

LAB 65.83, -12.55, 62.08

 

CMYK 80 / 0 / 3 / 34

HEX #22A9A4

RGB 34 169 164

HSL 177.78, 0.67%, 0.4%

LAB 62.84, -34.95, -7.36

 

CMYK 2 / 80 / 0 / 33

HEX #A823AB

RGB 168 35 171

HSL 298.68, 0.66%, 0.4%

LAB 41.95, 66.69, -42.93

 

CMYK 0 / 66 / 80 / 34

HEX #A93922

RGB 169 57 34

HSL 10.22, 0.67%, 0.4%

LAB 40.37, 44.75, 38.34

 

CMYK 77 / 0 / 80 / 34

HEX #27A922

RGB 39 169 34

HSL 117.78, 0.67%, 0.4%

LAB 60.71, -58.59, 54.95

 

CMYK 80 / 14 / 0 / 34

HEX #2292A9

RGB 34 146 169

HSL 190.22, 0.67%, 0.4%

LAB 55.85, -22.03, -20.74

 

CMYK 2 / 80 / 0 / 33

HEX #A823AB

RGB 168 35 171

HSL 298.68, 0.66%, 0.4%

LAB 41.95, 66.69, -42.93

 

CMYK 0 / 43 / 80 / 34

HEX #A96122

RGB 169 97 34

HSL 28, 0.67%, 0.4%

LAB 48.39, 24.39, 46.16

 

CMYK 77 / 0 / 80 / 34

HEX #27A922

RGB 39 169 34

HSL 117.78, 0.67%, 0.4%

LAB 60.71, -58.59, 54.95

 

CMYK 80 / 37 / 0 / 34

HEX #226AA9

RGB 34 106 169

HSL 208, 0.67%, 0.4%

LAB 43.53, 0.87, -39.96

 

Description

Color code: HEX #A823AB | qconv.com Color code: HEX #A823AB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 35 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 35 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 80 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 80% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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