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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A836E7 it is the complementary color #57C918. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A836E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A836E7 shade: #AD36E2, #BE48F5, #CF5AFF, #E06CFF and #F17EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A836E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A836E7 shade: #A836E7, #9724D4, #8612C1, #7500AE and #64009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A836E7 shade: #A836E7, #D836E7, #E736C6, #E73697 and #E73667

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A836E7 shade: #A836E7, #7836E7, #4836E7 and #3636E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A836E7 shade matches the following richer shades: #A836E7 and #AD24F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A836E7 shade: #A836E7, #A348D5, #9D5AC3, #986CB0 and #937E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A836E7 shade: #4736E7, #7736E7, #A636E7, #D536E7 and #E736C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A836E7 shade: #7C15B5, #9519DA, #A836E7, #B85BEB and #C880F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A836E7 shade: #A836E7, #E73653 and #36E75F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A836E7 shade: #A836E7, #E7A636 and #36E7A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A836E7 shade: #A836E7, #E73653, #77E736 and #36E7C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A836E7 shade: #A836E7, #E74D36, #77E736 and #36CFE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 77 / 0 / 9

HEX #A836E7

RGB 168 54 231

HSL 278.64, 0.79%, 0.56%

LAB 47.92, 71.92, -68.09

 

Complementary color

CMYK 57 / 0 / 88 / 21

HEX #57C918

RGB 87 201 24

HSL 98.64, 0.79%, 0.44%

LAB 72.14, -59.63, 68.15

 

CMYK 23 / 76 / 0 / 11

HEX #AD36E2

RGB 173 54 226

HSL 281.51, 0.75%, 0.55%

LAB 48.28, 71.79, -64.65

 

CMYK 22 / 71 / 0 / 4

HEX #BE48F5

RGB 190 72 245

HSL 280.92, 0.9%, 0.62%

LAB 54.21, 72.16, -65.63

 

CMYK 19 / 65 / 0 / 0

HEX #CF5AFF

RGB 207 90 255

HSL 282.55, 1%, 0.68%

LAB 59.71, 70.3, -62.23

 

CMYK 12 / 58 / 0 / 0

HEX #E06CFF

RGB 224 108 255

HSL 287.35, 1%, 0.71%

LAB 64.8, 66.24, -53.98

 

CMYK 5 / 51 / 0 / 0

HEX #F17EFF

RGB 241 126 255

HSL 293.49, 1%, 0.75%

LAB 70.07, 62.16, -45.52

 

CMYK 27 / 77 / 0 / 9

HEX #A836E7

RGB 168 54 231

HSL 278.64, 0.79%, 0.56%

LAB 47.92, 71.92, -68.09

 

CMYK 29 / 83 / 0 / 17

HEX #9724D4

RGB 151 36 212

HSL 279.2, 0.71%, 0.49%

LAB 42.15, 70.91, -66.75

 

CMYK 31 / 91 / 0 / 24

HEX #8612C1

RGB 134 18 193

HSL 279.77, 0.83%, 0.41%

LAB 36.65, 68.82, -64.77

 

CMYK 33 / 100 / 0 / 32

HEX #7500AE

RGB 117 0 174

HSL 280.34, 1%, 0.34%

LAB 31.44, 65.6, -62.14

 

CMYK 35 / 100 / 0 / 39

HEX #64009B

RGB 100 0 155

HSL 278.71, 1%, 0.3%

LAB 26.95, 59.8, -58.09

 

CMYK 27 / 77 / 0 / 9

HEX #A836E7

RGB 168 54 231

HSL 278.64, 0.79%, 0.56%

LAB 47.92, 71.92, -68.09

 

CMYK 6 / 77 / 0 / 9

HEX #D836E7

RGB 216 54 231

HSL 294.92, 0.79%, 0.56%

LAB 55.08, 80.59, -56.19

 

CMYK 0 / 77 / 14 / 9

HEX #E736C6

RGB 231 54 198

HSL 311.19, 0.79%, 0.56%

LAB 55.79, 78.71, -36.14

 

CMYK 0 / 77 / 35 / 9

HEX #E73697

RGB 231 54 151

HSL 327.12, 0.79%, 0.56%

LAB 53.88, 73.05, -11.65

 

CMYK 0 / 77 / 55 / 9

HEX #E73667

RGB 231 54 103

HSL 343.39, 0.79%, 0.56%

LAB 52.52, 68.84, 15.13

 

CMYK 27 / 77 / 0 / 9

HEX #A836E7

RGB 168 54 231

HSL 278.64, 0.79%, 0.56%

LAB 47.92, 71.92, -68.09

 

CMYK 48 / 77 / 0 / 9

HEX #7836E7

RGB 120 54 231

HSL 262.37, 0.79%, 0.56%

LAB 41.85, 64.43, -78.26

 

CMYK 69 / 77 / 0 / 9

HEX #4836E7

RGB 72 54 231

HSL 246.1, 0.79%, 0.56%

LAB 37.45, 58.92, -85.65

 

CMYK 77 / 77 / 0 / 9

HEX #3636E7

RGB 54 54 231

HSL 240, 0.79%, 0.56%

LAB 36.35, 57.51, -87.51

 

CMYK 27 / 77 / 0 / 9

HEX #A836E7

RGB 168 54 231

HSL 278.64, 0.79%, 0.56%

LAB 47.92, 71.92, -68.09

 

CMYK 31 / 86 / 0 / 2

HEX #AD24F9

RGB 173 36 249

HSL 278.59, 0.95%, 0.56%

LAB 48.24, 81.35, -77.67

 

CMYK 27 / 77 / 0 / 9

HEX #A836E7

RGB 168 54 231

HSL 278.64, 0.79%, 0.56%

LAB 47.92, 71.92, -68.09

 

CMYK 23 / 66 / 0 / 16

HEX #A348D5

RGB 163 72 213

HSL 278.72, 0.63%, 0.56%

LAB 48.54, 60.07, -56.88

 

CMYK 19 / 54 / 0 / 24

HEX #9D5AC3

RGB 157 90 195

HSL 278.29, 0.47%, 0.56%

LAB 50, 45.85, -44.26

 

CMYK 14 / 39 / 0 / 31

HEX #986CB0

RGB 152 108 176

HSL 278.82, 0.3%, 0.56%

LAB 52.44, 30.2, -29.49

 

CMYK 7 / 20 / 0 / 38

HEX #937E9E

RGB 147 126 158

HSL 279.38, 0.14%, 0.56%

LAB 55.68, 14.22, -14.13

 

CMYK 69 / 77 / 0 / 9

HEX #4736E7

RGB 71 54 231

HSL 245.76, 0.79%, 0.56%

LAB 37.39, 58.83, -85.77

 

CMYK 48 / 77 / 0 / 9

HEX #7736E7

RGB 119 54 231

HSL 262.03, 0.79%, 0.56%

LAB 41.74, 64.29, -78.45

 

CMYK 28 / 77 / 0 / 9

HEX #A636E7

RGB 166 54 231

HSL 277.97, 0.79%, 0.56%

LAB 47.64, 71.58, -68.56

 

CMYK 8 / 77 / 0 / 9

HEX #D536E7

RGB 213 54 231

HSL 293.9, 0.79%, 0.56%

LAB 54.61, 80.03, -56.97

 

CMYK 0 / 77 / 13 / 9

HEX #E736C9

RGB 231 54 201

HSL 310.17, 0.79%, 0.56%

LAB 55.93, 79.12, -37.64

 

CMYK 31 / 88 / 0 / 29

HEX #7C15B5

RGB 124 21 181

HSL 278.63, 0.79%, 0.4%

LAB 34.31, 64.43, -61.57

 

CMYK 32 / 89 / 0 / 15

HEX #9519DA

RGB 149 25 218

HSL 278.55, 0.79%, 0.48%

LAB 41.45, 74.42, -71.35

 

CMYK 27 / 77 / 0 / 9

HEX #A836E7

RGB 168 54 231

HSL 278.64, 0.79%, 0.56%

LAB 47.92, 71.92, -68.09

 

CMYK 22 / 61 / 0 / 8

HEX #B85BEB

RGB 184 91 235

HSL 278.75, 0.78%, 0.64%

LAB 55.76, 60.67, -57.6

 

CMYK 17 / 47 / 0 / 6

HEX #C880F0

RGB 200 128 240

HSL 278.57, 0.79%, 0.72%

LAB 64.97, 47.13, -45.64

 

CMYK 27 / 77 / 0 / 9

HEX #A836E7

RGB 168 54 231

HSL 278.64, 0.79%, 0.56%

LAB 47.92, 71.92, -68.09

 

CMYK 0 / 77 / 64 / 9

HEX #E73653

RGB 231 54 83

HSL 350.17, 0.79%, 0.56%

LAB 52.12, 67.59, 26.61

 

CMYK 77 / 0 / 59 / 9

HEX #36E75F

RGB 54 231 95

HSL 133.9, 0.79%, 0.56%

LAB 81.16, -70.37, 52.94

 

CMYK 27 / 77 / 0 / 9

HEX #A836E7

RGB 168 54 231

HSL 278.64, 0.79%, 0.56%

LAB 47.92, 71.92, -68.09

 

CMYK 0 / 28 / 77 / 9

HEX #E7A636

RGB 231 166 54

HSL 37.97, 0.79%, 0.56%

LAB 72.58, 14.3, 63.73

 

CMYK 77 / 0 / 28 / 9

HEX #36E7A6

RGB 54 231 166

HSL 157.97, 0.79%, 0.56%

LAB 82.21, -58.31, 19.43

 

CMYK 27 / 77 / 0 / 9

HEX #A836E7

RGB 168 54 231

HSL 278.64, 0.79%, 0.56%

LAB 47.92, 71.92, -68.09

 

CMYK 0 / 77 / 64 / 9

HEX #E73653

RGB 231 54 83

HSL 350.17, 0.79%, 0.56%

LAB 52.12, 67.59, 26.61

 

CMYK 48 / 0 / 77 / 9

HEX #77E736

RGB 119 231 54

HSL 97.97, 0.79%, 0.56%

LAB 82.56, -60.25, 70.48

 

CMYK 77 / 0 / 13 / 9

HEX #36E7C9

RGB 54 231 201

HSL 169.83, 0.79%, 0.56%

LAB 82.99, -50.02, 2.18

 

CMYK 27 / 77 / 0 / 9

HEX #A836E7

RGB 168 54 231

HSL 278.64, 0.79%, 0.56%

LAB 47.92, 71.92, -68.09

 

CMYK 0 / 67 / 77 / 9

HEX #E74D36

RGB 231 77 54

HSL 7.8, 0.79%, 0.56%

LAB 54.62, 58.29, 45.93

 

CMYK 48 / 0 / 77 / 9

HEX #77E736

RGB 119 231 54

HSL 97.97, 0.79%, 0.56%

LAB 82.56, -60.25, 70.48

 

CMYK 77 / 10 / 0 / 9

HEX #36CFE7

RGB 54 207 231

HSL 188.14, 0.79%, 0.56%

LAB 76.79, -30.77, -23.06

 

Description

Color code: HEX #A836E7 | qconv.com Color code: HEX #A836E7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 54 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 54 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 77 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 77% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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