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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A83875 it is the complementary color #57C78A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A83875. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A83875 shade: #AD3870, #BE4A83, #CF5C96, #E06EA9 and #F180BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A83875. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A83875 shade: #A83875, #972662, #86144F, #75023C and #640029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A83875 shade: #A83875, #A83856, #A83838 and #A83838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A83875 shade: #A83875, #A83893, #9E38A8, #8038A8 and #6238A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A83875 shade matches the following richer shades: #A83875, #BA2576, #CC1378 and #DE017A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A83875 shade: #A83875, #964A73, #835C71, #716E70 and #5F806E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A83875 shade: #9E38A8, #A83893, #A83875, #A83857 and #A83839

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A83875 shade: #6A234A, #892D5F, #A83875, #C1478A and #CC669D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A83875 shade: #A83875, #A88138 and #38A2A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A83875 shade: #A83875, #75A838 and #3875A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A83875 shade: #A83875, #A88138, #38A86A and #385FA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A83875 shade: #A83875, #A8A238, #38A86A and #383DA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 30 / 34

HEX #A83875

RGB 168 56 117

HSL 327.32, 0.5%, 0.44%

LAB 41.9, 51.6, -10.21

 

Complementary color

CMYK 56 / 0 / 31 / 22

HEX #57C78A

RGB 87 199 138

HSL 147.32, 0.5%, 0.56%

LAB 72.7, -45.94, 21.15

 

CMYK 0 / 68 / 35 / 32

HEX #AD3870

RGB 173 56 112

HSL 331.28, 0.51%, 0.45%

LAB 42.59, 52.47, -6

 

CMYK 0 / 61 / 31 / 25

HEX #BE4A83

RGB 190 74 131

HSL 330.52, 0.47%, 0.52%

LAB 48.86, 52.24, -7.94

 

CMYK 0 / 56 / 28 / 19

HEX #CF5C96

RGB 207 92 150

HSL 329.74, 0.55%, 0.59%

LAB 55.2, 51.72, -9.48

 

CMYK 0 / 51 / 25 / 12

HEX #E06EA9

RGB 224 110 169

HSL 328.95, 0.65%, 0.65%

LAB 61.54, 51.04, -10.75

 

CMYK 0 / 47 / 22 / 5

HEX #F180BC

RGB 241 128 188

HSL 328.14, 0.8%, 0.72%

LAB 67.85, 50.3, -11.83

 

CMYK 0 / 67 / 30 / 34

HEX #A83875

RGB 168 56 117

HSL 327.32, 0.5%, 0.44%

LAB 41.9, 51.6, -10.21

 

CMYK 0 / 75 / 35 / 41

HEX #972662

RGB 151 38 98

HSL 328.14, 0.6%, 0.37%

LAB 35.69, 51.31, -7.92

 

CMYK 0 / 85 / 41 / 47

HEX #86144F

RGB 134 20 79

HSL 328.95, 0.74%, 0.3%

LAB 29.75, 50.07, -4.81

 

CMYK 0 / 98 / 49 / 54

HEX #75023C

RGB 117 2 60

HSL 329.74, 0.97%, 0.23%

LAB 24.17, 47.56, -0.63

 

CMYK 0 / 100 / 59 / 61

HEX #640029

RGB 100 0 41

HSL 335.4, 1%, 0.2%

LAB 19.51, 42.13, 5.52

 

CMYK 0 / 67 / 30 / 34

HEX #A83875

RGB 168 56 117

HSL 327.32, 0.5%, 0.44%

LAB 41.9, 51.6, -10.21

 

CMYK 0 / 67 / 49 / 34

HEX #A83856

RGB 168 56 86

HSL 343.93, 0.5%, 0.44%

LAB 40.94, 48.17, 7.71

 

CMYK 0 / 67 / 67 / 34

HEX #A83838

RGB 168 56 56

HSL 0, 0.5%, 0.44%

LAB 40.31, 45.88, 25.53

 

CMYK 0 / 67 / 67 / 34

HEX #A83838

RGB 168 56 56

HSL 0, 0.5%, 0.44%

LAB 40.31, 45.88, 25.53

 

CMYK 0 / 67 / 30 / 34

HEX #A83875

RGB 168 56 117

HSL 327.32, 0.5%, 0.44%

LAB 41.9, 51.6, -10.21

 

CMYK 0 / 67 / 13 / 34

HEX #A83893

RGB 168 56 147

HSL 311.25, 0.5%, 0.44%

LAB 43.15, 55.84, -26.63

 

CMYK 6 / 67 / 0 / 34

HEX #9E38A8

RGB 158 56 168

HSL 294.64, 0.5%, 0.44%

LAB 42.65, 56.88, -40.12

 

CMYK 24 / 67 / 0 / 34

HEX #8038A8

RGB 128 56 168

HSL 278.57, 0.5%, 0.44%

LAB 38.28, 49.86, -47.36

 

CMYK 42 / 67 / 0 / 34

HEX #6238A8

RGB 98 56 168

HSL 262.5, 0.5%, 0.44%

LAB 34.5, 43.32, -53.65

 

CMYK 0 / 67 / 30 / 34

HEX #A83875

RGB 168 56 117

HSL 327.32, 0.5%, 0.44%

LAB 41.9, 51.6, -10.21

 

CMYK 0 / 80 / 37 / 27

HEX #BA2576

RGB 186 37 118

HSL 327.38, 0.67%, 0.44%

LAB 42.87, 63.08, -9.05

 

CMYK 0 / 91 / 41 / 20

HEX #CC1378

RGB 204 19 120

HSL 327.24, 0.83%, 0.44%

LAB 45.16, 71.12, -6.49

 

CMYK 0 / 100 / 45 / 13

HEX #DE017A

RGB 222 1 122

HSL 327.15, 0.99%, 0.44%

LAB 48.21, 76.96, -2.82

 

CMYK 0 / 67 / 30 / 34

HEX #A83875

RGB 168 56 117

HSL 327.32, 0.5%, 0.44%

LAB 41.9, 51.6, -10.21

 

CMYK 0 / 51 / 23 / 41

HEX #964A73

RGB 150 74 115

HSL 327.63, 0.34%, 0.44%

LAB 42.18, 36.98, -8.84

 

CMYK 0 / 30 / 14 / 49

HEX #835C71

RGB 131 92 113

HSL 327.69, 0.17%, 0.44%

LAB 43.76, 19.46, -5.52

 

CMYK 0 / 3 / 1 / 56

HEX #716E70

RGB 113 110 112

HSL 320, 0.01%, 0.44%

LAB 46.75, 1.56, -0.71

 

CMYK 26 / 0 / 14 / 50

HEX #5F806E

RGB 95 128 110

HSL 147.27, 0.15%, 0.44%

LAB 50.68, -15.72, 5.99

 

CMYK 6 / 67 / 0 / 34

HEX #9E38A8

RGB 158 56 168

HSL 294.64, 0.5%, 0.44%

LAB 42.65, 56.88, -40.12

 

CMYK 0 / 67 / 13 / 34

HEX #A83893

RGB 168 56 147

HSL 311.25, 0.5%, 0.44%

LAB 43.15, 55.84, -26.63

 

CMYK 0 / 67 / 30 / 34

HEX #A83875

RGB 168 56 117

HSL 327.32, 0.5%, 0.44%

LAB 41.9, 51.6, -10.21

 

CMYK 0 / 67 / 48 / 34

HEX #A83857

RGB 168 56 87

HSL 343.39, 0.5%, 0.44%

LAB 40.96, 48.27, 7.12

 

CMYK 0 / 67 / 66 / 34

HEX #A83839

RGB 168 56 57

HSL 359.46, 0.5%, 0.44%

LAB 40.33, 45.94, 24.94

 

CMYK 0 / 67 / 30 / 58

HEX #6A234A

RGB 106 35 74

HSL 327.04, 0.5%, 0.28%

LAB 26.04, 35.89, -7.59

 

CMYK 0 / 67 / 31 / 46

HEX #892D5F

RGB 137 45 95

HSL 327.39, 0.51%, 0.36%

LAB 34.03, 44.08, -8.76

 

CMYK 0 / 67 / 30 / 34

HEX #A83875

RGB 168 56 117

HSL 327.32, 0.5%, 0.44%

LAB 41.9, 51.6, -10.21

 

CMYK 0 / 63 / 28 / 24

HEX #C1478A

RGB 193 71 138

HSL 327.05, 0.5%, 0.52%

LAB 49.1, 55.34, -11.73

 

CMYK 0 / 50 / 23 / 20

HEX #CC669D

RGB 204 102 157

HSL 327.65, 0.5%, 0.6%

LAB 56.85, 46.86, -11.13

 

CMYK 0 / 67 / 30 / 34

HEX #A83875

RGB 168 56 117

HSL 327.32, 0.5%, 0.44%

LAB 41.9, 51.6, -10.21

 

CMYK 0 / 23 / 67 / 34

HEX #A88138

RGB 168 129 56

HSL 39.11, 0.5%, 0.44%

LAB 56.4, 7.07, 44.21

 

CMYK 67 / 4 / 0 / 34

HEX #38A2A8

RGB 56 162 168

HSL 183.21, 0.5%, 0.44%

LAB 61.23, -27.67, -11.98

 

CMYK 0 / 67 / 30 / 34

HEX #A83875

RGB 168 56 117

HSL 327.32, 0.5%, 0.44%

LAB 41.9, 51.6, -10.21

 

CMYK 30 / 0 / 67 / 34

HEX #75A838

RGB 117 168 56

HSL 87.32, 0.5%, 0.44%

LAB 63.4, -35.01, 50.53

 

CMYK 67 / 30 / 0 / 34

HEX #3875A8

RGB 56 117 168

HSL 207.32, 0.5%, 0.44%

LAB 47.48, -3.07, -33.09

 

CMYK 0 / 67 / 30 / 34

HEX #A83875

RGB 168 56 117

HSL 327.32, 0.5%, 0.44%

LAB 41.9, 51.6, -10.21

 

CMYK 0 / 23 / 67 / 34

HEX #A88138

RGB 168 129 56

HSL 39.11, 0.5%, 0.44%

LAB 56.4, 7.07, 44.21

 

CMYK 67 / 0 / 37 / 34

HEX #38A86A

RGB 56 168 106

HSL 146.79, 0.5%, 0.44%

LAB 61.56, -45.92, 23.06

 

CMYK 67 / 43 / 0 / 34

HEX #385FA8

RGB 56 95 168

HSL 219.11, 0.5%, 0.44%

LAB 40.98, 10.62, -43.38

 

CMYK 0 / 67 / 30 / 34

HEX #A83875

RGB 168 56 117

HSL 327.32, 0.5%, 0.44%

LAB 41.9, 51.6, -10.21

 

CMYK 0 / 4 / 67 / 34

HEX #A8A238

RGB 168 162 56

HSL 56.79, 0.5%, 0.44%

LAB 65.32, -10.9, 53.66

 

CMYK 67 / 0 / 37 / 34

HEX #38A86A

RGB 56 168 106

HSL 146.79, 0.5%, 0.44%

LAB 61.56, -45.92, 23.06

 

CMYK 67 / 64 / 0 / 34

HEX #383DA8

RGB 56 61 168

HSL 237.32, 0.5%, 0.44%

LAB 31.82, 32.78, -58.18

 

Description

Color code: HEX #A83875 | qconv.com Color code: HEX #A83875 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 56 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 56 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 30 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 30% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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