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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A84409 it is the complementary color #57BBF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A84409. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A84409 shade: #AD4404, #BE5617, #CF682A, #E07A3D and #F18C50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A84409. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A84409 shade: #A84409, #973200, #862000, #750E00 and #640000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A84409 shade: #A94408, #A91908 and #A90808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A84409 shade: #A94408, #A96F08, #A99B08, #8CA908 and #61A908

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A84409 shade matches the following richer shades: #A94408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A84409 shade: #A94408, #9B4817, #8C4B25, #7E4F34 and #6F5342

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A84409 shade: #A90823, #A91808, #A94308, #A96E08 and #A99908

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A84409 shade: #5B2404, #823406, #A94408, #D0540A and #F26512

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A84409 shade: #A84409, #4EA908 and #080EA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A84409 shade: #A84409, #08A943 and #4308A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A84409 shade: #A84409, #4EA908, #086EA9 and #6308A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A84409 shade: #A84409, #1EA908, #086EA9 and #9408A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 95 / 34

HEX #A84409

RGB 168 68 9

HSL 22.26, 0.9%, 0.35%

LAB 41.97, 38.67, 49.91

 

Complementary color

CMYK 65 / 24 / 0 / 4

HEX #57BBF6

RGB 87 187 246

HSL 202.26, 0.9%, 0.65%

LAB 72.38, -11.51, -37.87

 

CMYK 0 / 61 / 98 / 32

HEX #AD4404

RGB 173 68 4

HSL 22.72, 0.95%, 0.35%

LAB 42.8, 40.53, 52.29

 

CMYK 0 / 55 / 88 / 25

HEX #BE5617

RGB 190 86 23

HSL 22.63, 0.78%, 0.42%

LAB 49.09, 38.6, 52.37

 

CMYK 0 / 50 / 80 / 19

HEX #CF682A

RGB 207 104 42

HSL 22.55, 0.66%, 0.49%

LAB 55.41, 36.73, 51.25

 

CMYK 0 / 46 / 73 / 12

HEX #E07A3D

RGB 224 122 61

HSL 22.45, 0.72%, 0.56%

LAB 61.74, 34.99, 49.6

 

CMYK 0 / 42 / 67 / 5

HEX #F18C50

RGB 241 140 80

HSL 22.36, 0.85%, 0.63%

LAB 68.05, 33.4, 47.84

 

CMYK 0 / 60 / 95 / 34

HEX #A84409

RGB 168 68 9

HSL 22.26, 0.9%, 0.35%

LAB 41.97, 38.67, 49.91

 

CMYK 0 / 67 / 100 / 41

HEX #973200

RGB 151 50 0

HSL 19.87, 1%, 0.3%

LAB 35.71, 40.54, 47.6

 

CMYK 0 / 76 / 100 / 47

HEX #862000

RGB 134 32 0

HSL 14.33, 1%, 0.26%

LAB 29.67, 41.91, 42.11

 

CMYK 0 / 88 / 100 / 54

HEX #750E00

RGB 117 14 0

HSL 7.18, 1%, 0.23%

LAB 23.99, 42.04, 35.7

 

CMYK 0 / 100 / 100 / 61

HEX #640000

RGB 100 0 0

HSL 0, 1%, 0.2%

LAB 18.84, 40.31, 28.96

 

CMYK 0 / 60 / 95 / 34

HEX #A94408

RGB 169 68 8

HSL 22.36, 0.91%, 0.35%

LAB 42.13, 39.05, 50.39

 

CMYK 0 / 85 / 95 / 34

HEX #A91908

RGB 169 25 8

HSL 6.34, 0.91%, 0.35%

LAB 36.27, 55.06, 46.72

 

CMYK 0 / 95 / 95 / 34

HEX #A90808

RGB 169 8 8

HSL 0, 0.91%, 0.35%

LAB 35.25, 57.96, 46.13

 

CMYK 0 / 60 / 95 / 34

HEX #A94408

RGB 169 68 8

HSL 22.36, 0.91%, 0.35%

LAB 42.13, 39.05, 50.39

 

CMYK 0 / 34 / 95 / 34

HEX #A96F08

RGB 169 111 8

HSL 38.39, 0.91%, 0.35%

LAB 51.63, 15.89, 56.94

 

CMYK 0 / 8 / 95 / 34

HEX #A99B08

RGB 169 155 8

HSL 54.78, 0.91%, 0.35%

LAB 63.26, -8.43, 65.49

 

CMYK 17 / 0 / 95 / 34

HEX #8CA908

RGB 140 169 8

HSL 70.81, 0.91%, 0.35%

LAB 64.94, -28.31, 65.77

 

CMYK 43 / 0 / 95 / 34

HEX #61A908

RGB 97 169 8

HSL 86.83, 0.91%, 0.35%

LAB 62.45, -44.98, 62.74

 

CMYK 0 / 60 / 95 / 34

HEX #A94408

RGB 169 68 8

HSL 22.36, 0.91%, 0.35%

LAB 42.13, 39.05, 50.39

 

CMYK 0 / 60 / 95 / 34

HEX #A94408

RGB 169 68 8

HSL 22.36, 0.91%, 0.35%

LAB 42.13, 39.05, 50.39

 

CMYK 0 / 54 / 85 / 39

HEX #9B4817

RGB 155 72 23

HSL 22.27, 0.74%, 0.35%

LAB 40.68, 31.71, 43.09

 

CMYK 0 / 46 / 74 / 45

HEX #8C4B25

RGB 140 75 37

HSL 22.14, 0.58%, 0.35%

LAB 39.14, 24.26, 33.98

 

CMYK 0 / 37 / 59 / 51

HEX #7E4F34

RGB 126 79 52

HSL 21.89, 0.42%, 0.35%

LAB 38.33, 16.78, 24.03

 

CMYK 0 / 25 / 41 / 56

HEX #6F5342

RGB 111 83 66

HSL 22.67, 0.25%, 0.35%

LAB 37.77, 9.15, 14.48

 

CMYK 0 / 95 / 79 / 34

HEX #A90823

RGB 169 8 35

HSL 349.94, 0.91%, 0.35%

LAB 35.46, 58.53, 32.71

 

CMYK 0 / 86 / 95 / 34

HEX #A91808

RGB 169 24 8

HSL 5.96, 0.91%, 0.35%

LAB 36.19, 55.28, 46.67

 

CMYK 0 / 60 / 95 / 34

HEX #A94308

RGB 169 67 8

HSL 21.99, 0.91%, 0.35%

LAB 41.95, 39.53, 50.26

 

CMYK 0 / 35 / 95 / 34

HEX #A96E08

RGB 169 110 8

HSL 38.01, 0.91%, 0.35%

LAB 51.39, 16.45, 56.77

 

CMYK 0 / 9 / 95 / 34

HEX #A99908

RGB 169 153 8

HSL 54.04, 0.91%, 0.35%

LAB 62.71, -7.36, 65.08

 

CMYK 0 / 60 / 96 / 64

HEX #5B2404

RGB 91 36 4

HSL 22.07, 0.92%, 0.19%

LAB 21.93, 23.47, 30.26

 

CMYK 0 / 60 / 95 / 49

HEX #823406

RGB 130 52 6

HSL 22.26, 0.91%, 0.27%

LAB 32.29, 31.51, 41.19

 

CMYK 0 / 60 / 95 / 34

HEX #A94408

RGB 169 68 8

HSL 22.36, 0.91%, 0.35%

LAB 42.13, 39.05, 50.39

 

CMYK 0 / 60 / 95 / 18

HEX #D0540A

RGB 208 84 10

HSL 22.42, 0.91%, 0.43%

LAB 51.58, 46.23, 59.2

 

CMYK 0 / 58 / 93 / 5

HEX #F26512

RGB 242 101 18

HSL 22.23, 0.9%, 0.51%

LAB 60.09, 50.96, 65.61

 

CMYK 0 / 60 / 95 / 34

HEX #A84409

RGB 168 68 9

HSL 22.26, 0.9%, 0.35%

LAB 41.97, 38.67, 49.91

 

CMYK 54 / 0 / 95 / 34

HEX #4EA908

RGB 78 169 8

HSL 93.91, 0.91%, 0.35%

LAB 61.67, -51, 61.78

 

CMYK 95 / 92 / 0 / 34

HEX #080EA9

RGB 8 14 169

HSL 237.76, 0.91%, 0.35%

LAB 20.94, 54.44, -76.83

 

CMYK 0 / 60 / 95 / 34

HEX #A84409

RGB 168 68 9

HSL 22.26, 0.9%, 0.35%

LAB 41.97, 38.67, 49.91

 

CMYK 95 / 0 / 60 / 34

HEX #08A943

RGB 8 169 67

HSL 141.99, 0.91%, 0.35%

LAB 60.63, -58.32, 41.68

 

CMYK 60 / 95 / 0 / 34

HEX #4308A9

RGB 67 8 169

HSL 261.99, 0.91%, 0.35%

LAB 24.42, 58.32, -70.93

 

CMYK 0 / 60 / 95 / 34

HEX #A84409

RGB 168 68 9

HSL 22.26, 0.9%, 0.35%

LAB 41.97, 38.67, 49.91

 

CMYK 54 / 0 / 95 / 34

HEX #4EA908

RGB 78 169 8

HSL 93.91, 0.91%, 0.35%

LAB 61.67, -51, 61.78

 

CMYK 95 / 35 / 0 / 34

HEX #086EA9

RGB 8 110 169

HSL 201.99, 0.91%, 0.35%

LAB 44.33, -3.51, -38.71

 

CMYK 41 / 95 / 0 / 34

HEX #6308A9

RGB 99 8 169

HSL 273.91, 0.91%, 0.35%

LAB 28.62, 61.23, -63.86

 

CMYK 0 / 60 / 95 / 34

HEX #A84409

RGB 168 68 9

HSL 22.26, 0.9%, 0.35%

LAB 41.97, 38.67, 49.91

 

CMYK 82 / 0 / 95 / 34

HEX #1EA908

RGB 30 169 8

HSL 111.8, 0.91%, 0.35%

LAB 60.49, -60.9, 60.33

 

CMYK 95 / 35 / 0 / 34

HEX #086EA9

RGB 8 110 169

HSL 201.99, 0.91%, 0.35%

LAB 44.33, -3.51, -38.71

 

CMYK 12 / 95 / 0 / 34

HEX #9408A9

RGB 148 8 169

HSL 292.17, 0.91%, 0.35%

LAB 36.62, 67.89, -50.47

 

Description

Color code: HEX #A84409 | qconv.com Color code: HEX #A84409 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 68 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 68 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 95 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 95% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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