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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A85548 it is the complementary color #57AAB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A85548. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A85548 shade: #AD5543, #BE6756, #CF7969, #E08B7C and #F19D8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A85548. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A85548 shade: #A85548, #974335, #863122, #751F0F and #640D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A85548 shade: #A75447 and #A74747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A85548 shade: #A75447, #A76E47, #A78847, #A7A247 and #93A747

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A85548 shade matches the following richer shades: #A75447, #BB4634, #CE3821 and #E12A0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A85548 shade: #A75447, #94635B, #81716E, #6D7F82 and #5A8D95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A85548 shade: #A7476E, #A74754, #A75447, #A76E47 and #A78747

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A85548 shade: #6E372F, #8A463B, #A75447, #BA6B5E and #C6857B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A85548 shade: #A85548, #87A747 and #4761A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A85548 shade: #A85548, #47A754 and #5447A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A85548 shade: #A85548, #87A747, #479BA7 and #6747A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A85548 shade: #A85548, #6BA747, #479BA7 and #8447A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 57 / 34

HEX #A85548

RGB 168 85 72

HSL 8.13, 0.4%, 0.47%

LAB 46.03, 32.81, 23.19

 

Complementary color

CMYK 52 / 7 / 0 / 28

HEX #57AAB7

RGB 87 170 183

HSL 188.13, 0.4%, 0.53%

LAB 65.12, -21.56, -14.43

 

CMYK 0 / 51 / 61 / 32

HEX #AD5543

RGB 173 85 67

HSL 10.19, 0.44%, 0.47%

LAB 46.69, 34.4, 27.12

 

CMYK 0 / 46 / 55 / 25

HEX #BE6756

RGB 190 103 86

HSL 9.81, 0.44%, 0.54%

LAB 53.3, 33.06, 25.06

 

CMYK 0 / 42 / 49 / 19

HEX #CF7969

RGB 207 121 105

HSL 9.41, 0.52%, 0.61%

LAB 59.85, 31.84, 23.28

 

CMYK 0 / 38 / 45 / 12

HEX #E08B7C

RGB 224 139 124

HSL 9, 0.62%, 0.68%

LAB 66.34, 30.72, 21.71

 

CMYK 0 / 35 / 41 / 5

HEX #F19D8F

RGB 241 157 143

HSL 8.57, 0.78%, 0.75%

LAB 72.76, 29.71, 20.3

 

CMYK 0 / 49 / 57 / 34

HEX #A85548

RGB 168 85 72

HSL 8.13, 0.4%, 0.47%

LAB 46.03, 32.81, 23.19

 

CMYK 0 / 56 / 65 / 41

HEX #974335

RGB 151 67 53

HSL 8.57, 0.48%, 0.4%

LAB 39.33, 34.17, 25.48

 

CMYK 0 / 63 / 75 / 47

HEX #863122

RGB 134 49 34

HSL 9, 0.6%, 0.33%

LAB 32.66, 35.53, 28.23

 

CMYK 0 / 74 / 87 / 54

HEX #751F0F

RGB 117 31 15

HSL 9.41, 0.77%, 0.26%

LAB 26.15, 36.65, 31.34

 

CMYK 0 / 87 / 100 / 61

HEX #640D00

RGB 100 13 0

HSL 7.8, 1%, 0.2%

LAB 20.03, 36.9, 30.33

 

CMYK 0 / 50 / 57 / 35

HEX #A75447

RGB 167 84 71

HSL 8.13, 0.4%, 0.47%

LAB 45.65, 32.87, 23.26

 

CMYK 0 / 57 / 57 / 35

HEX #A74747

RGB 167 71 71

HSL 0, 0.4%, 0.47%

LAB 43.03, 39.59, 19.84

 

CMYK 0 / 50 / 57 / 35

HEX #A75447

RGB 167 84 71

HSL 8.13, 0.4%, 0.47%

LAB 45.65, 32.87, 23.26

 

CMYK 0 / 34 / 57 / 35

HEX #A76E47

RGB 167 110 71

HSL 24.38, 0.4%, 0.47%

LAB 51.64, 18.45, 30.82

 

CMYK 0 / 19 / 57 / 35

HEX #A78847

RGB 167 136 71

HSL 40.63, 0.4%, 0.47%

LAB 58.3, 3.8, 38.87

 

CMYK 0 / 3 / 57 / 35

HEX #A7A247

RGB 167 162 71

HSL 56.88, 0.4%, 0.47%

LAB 65.37, -10.31, 47.02

 

CMYK 12 / 0 / 57 / 35

HEX #93A747

RGB 147 167 71

HSL 72.5, 0.4%, 0.47%

LAB 65.2, -21.35, 46.4

 

CMYK 0 / 50 / 57 / 35

HEX #A75447

RGB 167 84 71

HSL 8.13, 0.4%, 0.47%

LAB 45.65, 32.87, 23.26

 

CMYK 0 / 63 / 72 / 27

HEX #BB4634

RGB 187 70 52

HSL 8, 0.56%, 0.47%

LAB 45.9, 46.14, 35.32

 

CMYK 0 / 73 / 84 / 19

HEX #CE3821

RGB 206 56 33

HSL 7.98, 0.72%, 0.47%

LAB 47.05, 57.48, 47.59

 

CMYK 0 / 81 / 94 / 12

HEX #E12A0D

RGB 225 42 13

HSL 8.21, 0.89%, 0.47%

LAB 49.12, 66.97, 58.54

 

CMYK 0 / 50 / 57 / 35

HEX #A75447

RGB 167 84 71

HSL 8.13, 0.4%, 0.47%

LAB 45.65, 32.87, 23.26

 

CMYK 0 / 33 / 39 / 42

HEX #94635B

RGB 148 99 91

HSL 8.42, 0.24%, 0.47%

LAB 46.94, 18.79, 12.62

 

CMYK 0 / 12 / 15 / 49

HEX #81716E

RGB 129 113 110

HSL 9.47, 0.08%, 0.47%

LAB 49.01, 5.7, 3.95

 

CMYK 16 / 2 / 0 / 49

HEX #6D7F82

RGB 109 127 130

HSL 188.57, 0.09%, 0.47%

LAB 51.88, -5.87, -3.84

 

CMYK 40 / 5 / 0 / 42

HEX #5A8D95

RGB 90 141 149

HSL 188.14, 0.25%, 0.47%

LAB 55.48, -14.88, -9.65

 

CMYK 0 / 57 / 34 / 35

HEX #A7476E

RGB 167 71 110

HSL 335.63, 0.4%, 0.47%

LAB 44.01, 43.61, -2.76

 

CMYK 0 / 57 / 50 / 35

HEX #A74754

RGB 167 71 84

HSL 351.88, 0.4%, 0.47%

LAB 43.3, 40.73, 12.24

 

CMYK 0 / 50 / 57 / 35

HEX #A75447

RGB 167 84 71

HSL 8.13, 0.4%, 0.47%

LAB 45.65, 32.87, 23.26

 

CMYK 0 / 34 / 57 / 35

HEX #A76E47

RGB 167 110 71

HSL 24.38, 0.4%, 0.47%

LAB 51.64, 18.45, 30.82

 

CMYK 0 / 19 / 57 / 35

HEX #A78747

RGB 167 135 71

HSL 40, 0.4%, 0.47%

LAB 58.04, 4.36, 38.56

 

CMYK 0 / 50 / 57 / 57

HEX #6E372F

RGB 110 55 47

HSL 7.62, 0.4%, 0.31%

LAB 30.04, 23.46, 16.04

 

CMYK 0 / 49 / 57 / 46

HEX #8A463B

RGB 138 70 59

HSL 8.35, 0.4%, 0.39%

LAB 38.02, 27.78, 19.76

 

CMYK 0 / 50 / 57 / 35

HEX #A75447

RGB 167 84 71

HSL 8.13, 0.4%, 0.47%

LAB 45.65, 32.87, 23.26

 

CMYK 0 / 42 / 49 / 27

HEX #BA6B5E

RGB 186 107 94

HSL 8.48, 0.4%, 0.55%

LAB 53.77, 30.06, 20.97

 

CMYK 0 / 33 / 38 / 22

HEX #C6857B

RGB 198 133 123

HSL 8, 0.4%, 0.63%

LAB 61.84, 23.74, 15.59

 

CMYK 0 / 49 / 57 / 34

HEX #A85548

RGB 168 85 72

HSL 8.13, 0.4%, 0.47%

LAB 46.03, 32.81, 23.19

 

CMYK 19 / 0 / 57 / 35

HEX #87A747

RGB 135 167 71

HSL 80, 0.4%, 0.47%

LAB 64.36, -26.23, 45.22

 

CMYK 57 / 42 / 0 / 35

HEX #4761A7

RGB 71 97 167

HSL 223.75, 0.4%, 0.47%

LAB 42.28, 11.91, -40.68

 

CMYK 0 / 49 / 57 / 34

HEX #A85548

RGB 168 85 72

HSL 8.13, 0.4%, 0.47%

LAB 46.03, 32.81, 23.19

 

CMYK 57 / 0 / 50 / 35

HEX #47A754

RGB 71 167 84

HSL 128.13, 0.4%, 0.47%

LAB 61.32, -46.06, 34.44

 

CMYK 50 / 57 / 0 / 35

HEX #5447A7

RGB 84 71 167

HSL 248.13, 0.4%, 0.47%

LAB 36.33, 31.28, -50.15

 

CMYK 0 / 49 / 57 / 34

HEX #A85548

RGB 168 85 72

HSL 8.13, 0.4%, 0.47%

LAB 46.03, 32.81, 23.19

 

CMYK 19 / 0 / 57 / 35

HEX #87A747

RGB 135 167 71

HSL 80, 0.4%, 0.47%

LAB 64.36, -26.23, 45.22

 

CMYK 57 / 7 / 0 / 35

HEX #479BA7

RGB 71 155 167

HSL 187.5, 0.4%, 0.47%

LAB 59.5, -21.75, -13.97

 

CMYK 38 / 57 / 0 / 35

HEX #6747A7

RGB 103 71 167

HSL 260, 0.4%, 0.47%

LAB 38.16, 35.66, -47.11

 

CMYK 0 / 49 / 57 / 34

HEX #A85548

RGB 168 85 72

HSL 8.13, 0.4%, 0.47%

LAB 46.03, 32.81, 23.19

 

CMYK 36 / 0 / 57 / 35

HEX #6BA747

RGB 107 167 71

HSL 97.5, 0.4%, 0.47%

LAB 62.69, -36.82, 42.87

 

CMYK 57 / 7 / 0 / 35

HEX #479BA7

RGB 71 155 167

HSL 187.5, 0.4%, 0.47%

LAB 59.5, -21.75, -13.97

 

CMYK 21 / 57 / 0 / 35

HEX #8447A7

RGB 132 71 167

HSL 278.13, 0.4%, 0.47%

LAB 41.54, 43.04, -41.52

 

Description

Color code: HEX #A85548 | qconv.com Color code: HEX #A85548 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 85 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 85 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 57 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 57% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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