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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8567C it is the complementary color #57A983. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8567C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8567C shade: #AD5677, #BE688A, #CF7A9D, #E08CB0 and #F19EC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8567C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8567C shade: #A8567C, #974469, #863256, #752043 and #640E30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8567C shade: #A8567C, #A85666 and #A85656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8567C shade: #A8567C, #A85692, #A856A8, #9256A8 and #7C56A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8567C shade matches the following richer shades: #A8567C, #BC427A, #D12D79, #E61877 and #FA0476

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8567C shade: #A8567C, #936B7E, #7F7F7F, #6A9481 and #55A982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8567C shade: #A856A8, #A85692, #A8567C, #A85667 and #A85C56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8567C shade: #713A54, #8D4868, #A8567C, #B67191 and #C48DA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8567C shade: #A8567C, #A89256 and #569DA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8567C shade: #A8567C, #7CA856 and #567CA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8567C shade: #A8567C, #A89256, #56A882 and #566CA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8567C shade: #A8567C, #A5A856, #56A882 and #5956A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 26 / 34

HEX #A8567C

RGB 168 86 124

HSL 332.2, 0.32%, 0.5%

LAB 47.54, 38.21, -6.04

 

Complementary color

CMYK 49 / 0 / 22 / 34

HEX #57A983

RGB 87 169 131

HSL 152.2, 0.32%, 0.5%

LAB 63.38, -34.15, 12.01

 

CMYK 0 / 50 / 31 / 32

HEX #AD5677

RGB 173 86 119

HSL 337.24, 0.35%, 0.51%

LAB 48.1, 39.27, -2.12

 

CMYK 0 / 45 / 27 / 25

HEX #BE688A

RGB 190 104 138

HSL 336.28, 0.4%, 0.58%

LAB 54.74, 38.4, -3.37

 

CMYK 0 / 41 / 24 / 19

HEX #CF7A9D

RGB 207 122 157

HSL 335.29, 0.47%, 0.65%

LAB 61.32, 37.54, -4.43

 

CMYK 0 / 38 / 21 / 12

HEX #E08CB0

RGB 224 140 176

HSL 334.29, 0.58%, 0.71%

LAB 67.83, 36.72, -5.36

 

CMYK 0 / 34 / 19 / 5

HEX #F19EC3

RGB 241 158 195

HSL 333.25, 0.75%, 0.78%

LAB 74.25, 35.95, -6.19

 

CMYK 0 / 49 / 26 / 34

HEX #A8567C

RGB 168 86 124

HSL 332.2, 0.32%, 0.5%

LAB 47.54, 38.21, -6.04

 

CMYK 0 / 55 / 30 / 41

HEX #974469

RGB 151 68 105

HSL 333.25, 0.38%, 0.43%

LAB 40.79, 39.01, -4.72

 

CMYK 0 / 63 / 36 / 47

HEX #863256

RGB 134 50 86

HSL 334.29, 0.46%, 0.36%

LAB 34.03, 39.66, -3.03

 

CMYK 0 / 73 / 43 / 54

HEX #752043

RGB 117 32 67

HSL 335.29, 0.57%, 0.29%

LAB 27.35, 39.89, -0.72

 

CMYK 0 / 86 / 52 / 61

HEX #640E30

RGB 100 14 48

HSL 336.28, 0.75%, 0.22%

LAB 20.97, 39.14, 2.62

 

CMYK 0 / 49 / 26 / 34

HEX #A8567C

RGB 168 86 124

HSL 332.2, 0.32%, 0.5%

LAB 47.54, 38.21, -6.04

 

CMYK 0 / 49 / 39 / 34

HEX #A85666

RGB 168 86 102

HSL 348.29, 0.32%, 0.5%

LAB 46.9, 35.31, 6.32

 

CMYK 0 / 49 / 49 / 34

HEX #A85656

RGB 168 86 86

HSL 0, 0.32%, 0.5%

LAB 46.51, 33.56, 15.46

 

CMYK 0 / 49 / 26 / 34

HEX #A8567C

RGB 168 86 124

HSL 332.2, 0.32%, 0.5%

LAB 47.54, 38.21, -6.04

 

CMYK 0 / 49 / 13 / 34

HEX #A85692

RGB 168 86 146

HSL 316.1, 0.32%, 0.5%

LAB 48.33, 41.63, -18.04

 

CMYK 0 / 49 / 0 / 34

HEX #A856A8

RGB 168 86 168

HSL 300, 0.32%, 0.5%

LAB 49.26, 45.52, -29.62

 

CMYK 13 / 49 / 0 / 34

HEX #9256A8

RGB 146 86 168

HSL 283.9, 0.32%, 0.5%

LAB 46.44, 39.03, -34.24

 

CMYK 26 / 49 / 0 / 34

HEX #7C56A8

RGB 124 86 168

HSL 267.8, 0.32%, 0.5%

LAB 43.9, 32.67, -38.42

 

CMYK 0 / 49 / 26 / 34

HEX #A8567C

RGB 168 86 124

HSL 332.2, 0.32%, 0.5%

LAB 47.54, 38.21, -6.04

 

CMYK 0 / 65 / 35 / 26

HEX #BC427A

RGB 188 66 122

HSL 332.46, 0.48%, 0.5%

LAB 46.97, 54, -5.35

 

CMYK 0 / 78 / 42 / 18

HEX #D12D79

RGB 209 45 121

HSL 332.2, 0.65%, 0.5%

LAB 48.02, 67.04, -2.77

 

CMYK 0 / 90 / 48 / 10

HEX #E61877

RGB 230 24 119

HSL 332.33, 0.81%, 0.5%

LAB 50.46, 76.26, 2.49

 

CMYK 0 / 98 / 53 / 2

HEX #FA0476

RGB 250 4 118

HSL 332.2, 0.97%, 0.5%

LAB 53.73, 82.51, 8.3

 

CMYK 0 / 49 / 26 / 34

HEX #A8567C

RGB 168 86 124

HSL 332.2, 0.32%, 0.5%

LAB 47.54, 38.21, -6.04

 

CMYK 0 / 27 / 14 / 42

HEX #936B7E

RGB 147 107 126

HSL 331.5, 0.16%, 0.5%

LAB 49.77, 19.06, -4.23

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 28 / 0 / 13 / 42

HEX #6A9481

RGB 106 148 129

HSL 152.86, 0.17%, 0.5%

LAB 57.87, -18.59, 5.44

 

CMYK 50 / 0 / 23 / 34

HEX #55A982

RGB 85 169 130

HSL 152.14, 0.33%, 0.5%

LAB 63.28, -34.88, 12.41

 

CMYK 0 / 49 / 0 / 34

HEX #A856A8

RGB 168 86 168

HSL 300, 0.32%, 0.5%

LAB 49.26, 45.52, -29.62

 

CMYK 0 / 49 / 13 / 34

HEX #A85692

RGB 168 86 146

HSL 316.1, 0.32%, 0.5%

LAB 48.33, 41.63, -18.04

 

CMYK 0 / 49 / 26 / 34

HEX #A8567C

RGB 168 86 124

HSL 332.2, 0.32%, 0.5%

LAB 47.54, 38.21, -6.04

 

CMYK 0 / 49 / 39 / 34

HEX #A85667

RGB 168 86 103

HSL 347.56, 0.32%, 0.5%

LAB 46.92, 35.43, 5.75

 

CMYK 0 / 45 / 49 / 34

HEX #A85C56

RGB 168 92 86

HSL 4.39, 0.32%, 0.5%

LAB 47.82, 30.31, 17.23

 

CMYK 0 / 49 / 26 / 56

HEX #713A54

RGB 113 58 84

HSL 331.64, 0.32%, 0.34%

LAB 32.21, 27.65, -4.81

 

CMYK 0 / 49 / 26 / 45

HEX #8D4868

RGB 141 72 104

HSL 332.17, 0.32%, 0.42%

LAB 40.08, 33.22, -5.32

 

CMYK 0 / 49 / 26 / 34

HEX #A8567C

RGB 168 86 124

HSL 332.2, 0.32%, 0.5%

LAB 47.54, 38.21, -6.04

 

CMYK 0 / 38 / 20 / 29

HEX #B67191

RGB 182 113 145

HSL 332.17, 0.32%, 0.58%

LAB 55.89, 31.73, -5.89

 

CMYK 0 / 28 / 15 / 23

HEX #C48DA6

RGB 196 141 166

HSL 332.73, 0.32%, 0.66%

LAB 64.59, 24.7, -4.86

 

CMYK 0 / 49 / 26 / 34

HEX #A8567C

RGB 168 86 124

HSL 332.2, 0.32%, 0.5%

LAB 47.54, 38.21, -6.04

 

CMYK 0 / 13 / 49 / 34

HEX #A89256

RGB 168 146 86

HSL 43.9, 0.32%, 0.5%

LAB 61.27, 0.06, 34.67

 

CMYK 49 / 7 / 0 / 34

HEX #569DA8

RGB 86 157 168

HSL 188.05, 0.32%, 0.5%

LAB 60.71, -19.24, -12.65

 

CMYK 0 / 49 / 26 / 34

HEX #A8567C

RGB 168 86 124

HSL 332.2, 0.32%, 0.5%

LAB 47.54, 38.21, -6.04

 

CMYK 26 / 0 / 49 / 34

HEX #7CA856

RGB 124 168 86

HSL 92.2, 0.32%, 0.5%

LAB 64.13, -29.38, 37.45

 

CMYK 49 / 26 / 0 / 34

HEX #567CA8

RGB 86 124 168

HSL 212.2, 0.32%, 0.5%

LAB 50.94, -0.82, -27.58

 

CMYK 0 / 49 / 26 / 34

HEX #A8567C

RGB 168 86 124

HSL 332.2, 0.32%, 0.5%

LAB 47.54, 38.21, -6.04

 

CMYK 0 / 13 / 49 / 34

HEX #A89256

RGB 168 146 86

HSL 43.9, 0.32%, 0.5%

LAB 61.27, 0.06, 34.67

 

CMYK 49 / 0 / 23 / 34

HEX #56A882

RGB 86 168 130

HSL 152.2, 0.32%, 0.5%

LAB 63.01, -34.16, 12.04

 

CMYK 49 / 36 / 0 / 34

HEX #566CA8

RGB 86 108 168

HSL 223.9, 0.32%, 0.5%

LAB 46.35, 8.85, -34.76

 

CMYK 0 / 49 / 26 / 34

HEX #A8567C

RGB 168 86 124

HSL 332.2, 0.32%, 0.5%

LAB 47.54, 38.21, -6.04

 

CMYK 2 / 0 / 49 / 34

HEX #A5A856

RGB 165 168 86

HSL 62.2, 0.32%, 0.5%

LAB 67.03, -12.99, 41.64

 

CMYK 49 / 0 / 23 / 34

HEX #56A882

RGB 86 168 130

HSL 152.2, 0.32%, 0.5%

LAB 63.01, -34.16, 12.04

 

CMYK 47 / 49 / 0 / 34

HEX #5956A8

RGB 89 86 168

HSL 242.2, 0.32%, 0.5%

LAB 40.58, 23.36, -43.89

 

Description

Color code: HEX #A8567C | qconv.com Color code: HEX #A8567C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 86 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 86 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 26 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 26% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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