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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A856D0 it is the complementary color #57A92F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A856D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A856D0 shade: #AD56CB, #BE68DE, #CF7AF1, #E08CFF and #F19EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A856D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A856D0 shade: #A856D0, #9744BD, #8632AA, #752097 and #640E84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A856D0 shade: #A857CF, #C857CF, #CF57B6, #CF5796 and #CF5775

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A856D0 shade: #A857CF, #8857CF, #6757CF and #5757CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A856D0 shade matches the following richer shades: #A857CF, #AE46E1 and #B435F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A856D0 shade: #A857CF, #A269BE, #9C7AAD, #968B9B and #909D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A856D0 shade: #6757CF, #8757CF, #A757CF, #C757CF and #CF57B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A856D0 shade: #7F2EA6, #9737C6, #A857CF, #B978D8 and #C998E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A856D0 shade: #A856D0, #CF5767 and #57CF77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A856D0 shade: #A856D0, #CFA757 and #57CFA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A856D0 shade: #A856D0, #CF5767, #7FCF57 and #57CFBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A856D0 shade: #A856D0, #CF6B57, #7FCF57 and #57BBCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 59 / 0 / 18

HEX #A856D0

RGB 168 86 208

HSL 280.33, 0.56%, 0.58%

LAB 51.31, 53.54, -49.56

 

Complementary color

CMYK 49 / 0 / 72 / 34

HEX #57A92F

RGB 87 169 47

HSL 100.33, 0.56%, 0.42%

LAB 62.17, -46.51, 52.38

 

CMYK 15 / 58 / 0 / 20

HEX #AD56CB

RGB 173 86 203

HSL 284.62, 0.53%, 0.57%

LAB 51.67, 53.75, -46.09

 

CMYK 14 / 53 / 0 / 13

HEX #BE68DE

RGB 190 104 222

HSL 283.73, 0.64%, 0.64%

LAB 58.15, 53.1, -46.45

 

CMYK 14 / 49 / 0 / 5

HEX #CF7AF1

RGB 207 122 241

HSL 282.86, 0.81%, 0.71%

LAB 64.59, 52.36, -46.73

 

CMYK 12 / 45 / 0 / 0

HEX #E08CFF

RGB 224 140 255

HSL 283.83, 1%, 0.77%

LAB 70.75, 50.59, -44.59

 

CMYK 5 / 38 / 0 / 0

HEX #F19EFF

RGB 241 158 255

HSL 291.34, 1%, 0.81%

LAB 76.3, 46.16, -35.8

 

CMYK 19 / 59 / 0 / 18

HEX #A856D0

RGB 168 86 208

HSL 280.33, 0.56%, 0.58%

LAB 51.31, 53.54, -49.56

 

CMYK 20 / 64 / 0 / 26

HEX #9744BD

RGB 151 68 189

HSL 281.16, 0.48%, 0.5%

LAB 44.78, 54.1, -49.15

 

CMYK 21 / 71 / 0 / 33

HEX #8632AA

RGB 134 50 170

HSL 282, 0.55%, 0.43%

LAB 38.29, 54.33, -48.49

 

CMYK 23 / 79 / 0 / 41

HEX #752097

RGB 117 32 151

HSL 282.86, 0.65%, 0.36%

LAB 31.92, 53.93, -47.42

 

CMYK 24 / 89 / 0 / 48

HEX #640E84

RGB 100 14 132

HSL 283.73, 0.81%, 0.29%

LAB 25.83, 52.37, -45.65

 

CMYK 19 / 58 / 0 / 19

HEX #A857CF

RGB 168 87 207

HSL 280.5, 0.56%, 0.58%

LAB 51.43, 52.84, -48.79

 

CMYK 3 / 58 / 0 / 19

HEX #C857CF

RGB 200 87 207

HSL 296.5, 0.56%, 0.58%

LAB 55.69, 60.93, -41.78

 

CMYK 0 / 58 / 12 / 19

HEX #CF57B6

RGB 207 87 182

HSL 312.5, 0.56%, 0.58%

LAB 55.54, 58.62, -27.59

 

CMYK 0 / 58 / 28 / 19

HEX #CF5796

RGB 207 87 150

HSL 328.5, 0.56%, 0.58%

LAB 54.33, 54.03, -10.78

 

CMYK 0 / 58 / 43 / 19

HEX #CF5775

RGB 207 87 117

HSL 345, 0.56%, 0.58%

LAB 53.35, 50.19, 7.32

 

CMYK 19 / 58 / 0 / 19

HEX #A857CF

RGB 168 87 207

HSL 280.5, 0.56%, 0.58%

LAB 51.43, 52.84, -48.79

 

CMYK 34 / 58 / 0 / 19

HEX #8857CF

RGB 136 87 207

HSL 264.5, 0.56%, 0.58%

LAB 47.7, 45.06, -54.98

 

CMYK 50 / 58 / 0 / 19

HEX #6757CF

RGB 103 87 207

HSL 248, 0.56%, 0.58%

LAB 44.53, 37.81, -60.25

 

CMYK 58 / 58 / 0 / 19

HEX #5757CF

RGB 87 87 207

HSL 240, 0.56%, 0.58%

LAB 43.28, 34.77, -62.33

 

CMYK 19 / 58 / 0 / 19

HEX #A857CF

RGB 168 87 207

HSL 280.5, 0.56%, 0.58%

LAB 51.43, 52.84, -48.79

 

CMYK 23 / 69 / 0 / 12

HEX #AE46E1

RGB 174 70 225

HSL 280.26, 0.72%, 0.58%

LAB 50.47, 65.75, -60.53

 

CMYK 26 / 78 / 0 / 5

HEX #B435F2

RGB 180 53 242

HSL 280.32, 0.88%, 0.58%

LAB 50.29, 76.45, -70.37

 

CMYK 19 / 58 / 0 / 19

HEX #A857CF

RGB 168 87 207

HSL 280.5, 0.56%, 0.58%

LAB 51.43, 52.84, -48.79

 

CMYK 15 / 45 / 0 / 25

HEX #A269BE

RGB 162 105 190

HSL 280.24, 0.4%, 0.58%

LAB 53.49, 38.01, -35.83

 

CMYK 10 / 29 / 0 / 32

HEX #9C7AAD

RGB 156 122 173

HSL 280, 0.24%, 0.58%

LAB 56.09, 22.79, -22.08

 

CMYK 3 / 10 / 0 / 39

HEX #968B9B

RGB 150 139 155

HSL 281.25, 0.07%, 0.58%

LAB 59.27, 7.19, -7

 

CMYK 8 / 0 / 12 / 38

HEX #909D8A

RGB 144 157 138

HSL 101.05, 0.09%, 0.58%

LAB 63.24, -8.29, 8.37

 

CMYK 50 / 58 / 0 / 19

HEX #6757CF

RGB 103 87 207

HSL 248, 0.56%, 0.58%

LAB 44.53, 37.81, -60.25

 

CMYK 35 / 58 / 0 / 19

HEX #8757CF

RGB 135 87 207

HSL 264, 0.56%, 0.58%

LAB 47.59, 44.82, -55.16

 

CMYK 19 / 58 / 0 / 19

HEX #A757CF

RGB 167 87 207

HSL 280, 0.56%, 0.58%

LAB 51.31, 52.59, -48.99

 

CMYK 4 / 58 / 0 / 19

HEX #C757CF

RGB 199 87 207

HSL 296, 0.56%, 0.58%

LAB 55.55, 60.67, -42.01

 

CMYK 0 / 58 / 12 / 19

HEX #CF57B7

RGB 207 87 183

HSL 312, 0.56%, 0.58%

LAB 55.58, 58.78, -28.1

 

CMYK 23 / 72 / 0 / 35

HEX #7F2EA6

RGB 127 46 166

HSL 280.5, 0.57%, 0.42%

LAB 36.4, 53.68, -49.19

 

CMYK 24 / 72 / 0 / 22

HEX #9737C6

RGB 151 55 198

HSL 280.28, 0.57%, 0.5%

LAB 43.34, 61.64, -56.7

 

CMYK 19 / 58 / 0 / 19

HEX #A857CF

RGB 168 87 207

HSL 280.5, 0.56%, 0.58%

LAB 51.43, 52.84, -48.79

 

CMYK 14 / 44 / 0 / 15

HEX #B978D8

RGB 185 120 216

HSL 280.63, 0.55%, 0.66%

LAB 60.52, 42.09, -39.39

 

CMYK 11 / 33 / 0 / 11

HEX #C998E2

RGB 201 152 226

HSL 279.73, 0.56%, 0.74%

LAB 69.73, 31.52, -30.5

 

CMYK 19 / 59 / 0 / 18

HEX #A856D0

RGB 168 86 208

HSL 280.33, 0.56%, 0.58%

LAB 51.31, 53.54, -49.56

 

CMYK 0 / 58 / 50 / 19

HEX #CF5767

RGB 207 87 103

HSL 352, 0.56%, 0.58%

LAB 53.02, 48.85, 15.17

 

CMYK 58 / 0 / 43 / 19

HEX #57CF77

RGB 87 207 119

HSL 136, 0.56%, 0.58%

LAB 74.81, -52.63, 33.85

 

CMYK 19 / 59 / 0 / 18

HEX #A856D0

RGB 168 86 208

HSL 280.33, 0.56%, 0.58%

LAB 51.31, 53.54, -49.56

 

CMYK 0 / 19 / 58 / 19

HEX #CFA757

RGB 207 167 87

HSL 40, 0.56%, 0.58%

LAB 70.59, 5.4, 46.3

 

CMYK 58 / 0 / 19 / 19

HEX #57CFA7

RGB 87 207 167

HSL 160, 0.56%, 0.58%

LAB 75.73, -43.17, 9.89

 

CMYK 19 / 59 / 0 / 18

HEX #A856D0

RGB 168 86 208

HSL 280.33, 0.56%, 0.58%

LAB 51.31, 53.54, -49.56

 

CMYK 0 / 58 / 50 / 19

HEX #CF5767

RGB 207 87 103

HSL 352, 0.56%, 0.58%

LAB 53.02, 48.85, 15.17

 

CMYK 39 / 0 / 58 / 19

HEX #7FCF57

RGB 127 207 87

HSL 100, 0.56%, 0.58%

LAB 75.96, -45.73, 51.06

 

CMYK 58 / 0 / 8 / 19

HEX #57CFBF

RGB 87 207 191

HSL 172, 0.56%, 0.58%

LAB 76.32, -37.36, -2.15

 

CMYK 19 / 59 / 0 / 18

HEX #A856D0

RGB 168 86 208

HSL 280.33, 0.56%, 0.58%

LAB 51.31, 53.54, -49.56

 

CMYK 0 / 48 / 58 / 19

HEX #CF6B57

RGB 207 107 87

HSL 10, 0.56%, 0.58%

LAB 56.55, 37.66, 29.16

 

CMYK 39 / 0 / 58 / 19

HEX #7FCF57

RGB 127 207 87

HSL 100, 0.56%, 0.58%

LAB 75.96, -45.73, 51.06

 

CMYK 58 / 10 / 0 / 19

HEX #57BBCF

RGB 87 187 207

HSL 190, 0.56%, 0.58%

LAB 70.92, -23.37, -18.9

 

Description

Color code: HEX #A856D0 | qconv.com Color code: HEX #A856D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 86 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 86 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 59 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 59% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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