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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A85B63 it is the complementary color #57A49C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A85B63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A85B63 shade: #AD5B5E, #BE6D71, #CF7F84, #E09197 and #F1A3AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A85B63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A85B63 shade: #A85B63, #974950, #86373D, #75252A and #641317

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A85B63 shade: #A85B63 and #A85B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A85B63 shade: #A85B63, #A85B78, #A85B8D, #A85BA2 and #9A5BA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A85B63 shade matches the following richer shades: #A85B63, #BD4753, #D13243, #E51E33 and #F90A23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A85B63 shade: #A85B63, #946F73, #808383, #6C9793 and #57ACA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A85B63 shade: #A85B8D, #A85B79, #A85B64, #A8665B and #A87B5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A85B63 shade: #743D42, #8F4B52, #A85B63, #B7767D and #C59196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A85B63 shade: #A85B63, #A2A85B and #5B83A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A85B63 shade: #A85B63, #64A85B and #5B64A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A85B63 shade: #A85B63, #A2A85B, #5BA89F and #615BA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A85B63 shade: #A85B63, #8BA85B, #5BA89F and #795BA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 41 / 34

HEX #A85B63

RGB 168 91 99

HSL 353.77, 0.31%, 0.51%

LAB 47.89, 32.27, 9.54

 

Complementary color

CMYK 47 / 0 / 5 / 36

HEX #57A49C

RGB 87 164 156

HSL 173.77, 0.31%, 0.49%

LAB 62.49, -25.8, -3.24

 

CMYK 0 / 47 / 46 / 32

HEX #AD5B5E

RGB 173 91 94

HSL 357.8, 0.33%, 0.52%

LAB 48.48, 33.63, 13.47

 

CMYK 0 / 43 / 41 / 25

HEX #BE6D71

RGB 190 109 113

HSL 357.04, 0.38%, 0.59%

LAB 55.15, 32.55, 11.88

 

CMYK 0 / 39 / 36 / 19

HEX #CF7F84

RGB 207 127 132

HSL 356.25, 0.45%, 0.65%

LAB 61.75, 31.55, 10.5

 

CMYK 0 / 35 / 33 / 12

HEX #E09197

RGB 224 145 151

HSL 355.44, 0.56%, 0.72%

LAB 68.26, 30.63, 9.29

 

CMYK 0 / 32 / 29 / 5

HEX #F1A3AA

RGB 241 163 170

HSL 354.62, 0.74%, 0.79%

LAB 74.7, 29.79, 8.21

 

CMYK 0 / 46 / 41 / 34

HEX #A85B63

RGB 168 91 99

HSL 353.77, 0.31%, 0.51%

LAB 47.89, 32.27, 9.54

 

CMYK 0 / 52 / 47 / 41

HEX #974950

RGB 151 73 80

HSL 354.62, 0.35%, 0.44%

LAB 41.09, 33.35, 11.26

 

CMYK 0 / 59 / 54 / 47

HEX #86373D

RGB 134 55 61

HSL 355.44, 0.42%, 0.37%

LAB 34.27, 34.44, 13.41

 

CMYK 0 / 68 / 64 / 54

HEX #75252A

RGB 117 37 42

HSL 356.25, 0.52%, 0.3%

LAB 27.5, 35.37, 16.21

 

CMYK 0 / 81 / 77 / 61

HEX #641317

RGB 100 19 23

HSL 357.04, 0.68%, 0.23%

LAB 20.97, 35.71, 20.01

 

CMYK 0 / 46 / 41 / 34

HEX #A85B63

RGB 168 91 99

HSL 353.77, 0.31%, 0.51%

LAB 47.89, 32.27, 9.54

 

CMYK 0 / 46 / 46 / 34

HEX #A85B5B

RGB 168 91 91

HSL 0, 0.31%, 0.51%

LAB 47.7, 31.37, 14.09

 

CMYK 0 / 46 / 41 / 34

HEX #A85B63

RGB 168 91 99

HSL 353.77, 0.31%, 0.51%

LAB 47.89, 32.27, 9.54

 

CMYK 0 / 46 / 29 / 34

HEX #A85B78

RGB 168 91 120

HSL 337.4, 0.31%, 0.51%

LAB 48.46, 34.97, -2.27

 

CMYK 0 / 46 / 16 / 34

HEX #A85B8D

RGB 168 91 141

HSL 321.04, 0.31%, 0.51%

LAB 49.17, 38.17, -13.79

 

CMYK 0 / 46 / 4 / 34

HEX #A85BA2

RGB 168 91 162

HSL 304.68, 0.31%, 0.51%

LAB 50, 41.81, -24.95

 

CMYK 8 / 46 / 0 / 34

HEX #9A5BA8

RGB 154 91 168

HSL 289.09, 0.31%, 0.51%

LAB 48.49, 38.67, -30.96

 

CMYK 0 / 46 / 41 / 34

HEX #A85B63

RGB 168 91 99

HSL 353.77, 0.31%, 0.51%

LAB 47.89, 32.27, 9.54

 

CMYK 0 / 62 / 56 / 26

HEX #BD4753

RGB 189 71 83

HSL 353.9, 0.47%, 0.51%

LAB 46.91, 48.35, 18.36

 

CMYK 0 / 76 / 68 / 18

HEX #D13243

RGB 209 50 67

HSL 353.58, 0.63%, 0.51%

LAB 47.29, 61.66, 29.21

 

CMYK 0 / 87 / 78 / 10

HEX #E51E33

RGB 229 30 51

HSL 353.67, 0.79%, 0.51%

LAB 49.28, 71.35, 41.84

 

CMYK 0 / 96 / 86 / 2

HEX #F90A23

RGB 249 10 35

HSL 353.72, 0.95%, 0.51%

LAB 52.37, 78.35, 54.52

 

CMYK 0 / 46 / 41 / 34

HEX #A85B63

RGB 168 91 99

HSL 353.77, 0.31%, 0.51%

LAB 47.89, 32.27, 9.54

 

CMYK 0 / 25 / 22 / 42

HEX #946F73

RGB 148 111 115

HSL 353.51, 0.15%, 0.51%

LAB 50.57, 15.28, 3.49

 

CMYK 2 / 0 / 0 / 49

HEX #808383

RGB 128 131 131

HSL 180, 0.01%, 0.51%

LAB 54.51, -1.11, -0.4

 

CMYK 28 / 0 / 3 / 41

HEX #6C9793

RGB 108 151 147

HSL 174.42, 0.17%, 0.51%

LAB 59.37, -15.48, -2.63

 

CMYK 49 / 0 / 5 / 33

HEX #57ACA3

RGB 87 172 163

HSL 173.65, 0.34%, 0.51%

LAB 65.1, -27.97, -3.31

 

CMYK 0 / 46 / 16 / 34

HEX #A85B8D

RGB 168 91 141

HSL 321.04, 0.31%, 0.51%

LAB 49.17, 38.17, -13.79

 

CMYK 0 / 46 / 28 / 34

HEX #A85B79

RGB 168 91 121

HSL 336.62, 0.31%, 0.51%

LAB 48.5, 35.11, -2.82

 

CMYK 0 / 46 / 40 / 34

HEX #A85B64

RGB 168 91 100

HSL 352.99, 0.31%, 0.51%

LAB 47.91, 32.38, 8.97

 

CMYK 0 / 39 / 46 / 34

HEX #A8665B

RGB 168 102 91

HSL 8.57, 0.31%, 0.51%

LAB 50.2, 25.29, 17.49

 

CMYK 0 / 27 / 46 / 34

HEX #A87B5B

RGB 168 123 91

HSL 24.94, 0.31%, 0.51%

LAB 55.32, 13.43, 24.34

 

CMYK 0 / 47 / 43 / 55

HEX #743D42

RGB 116 61 66

HSL 354.55, 0.31%, 0.35%

LAB 32.8, 24.56, 7.72

 

CMYK 0 / 48 / 43 / 44

HEX #8F4B52

RGB 143 75 82

HSL 353.82, 0.31%, 0.43%

LAB 40.38, 29.37, 8.85

 

CMYK 0 / 46 / 41 / 34

HEX #A85B63

RGB 168 91 99

HSL 353.77, 0.31%, 0.51%

LAB 47.89, 32.27, 9.54

 

CMYK 0 / 36 / 32 / 28

HEX #B7767D

RGB 183 118 125

HSL 353.54, 0.31%, 0.59%

LAB 56.59, 26.44, 6.8

 

CMYK 0 / 26 / 24 / 23

HEX #C59196

RGB 197 145 150

HSL 354.23, 0.31%, 0.67%

LAB 65.22, 20.37, 5.09

 

CMYK 0 / 46 / 41 / 34

HEX #A85B63

RGB 168 91 99

HSL 353.77, 0.31%, 0.51%

LAB 47.89, 32.27, 9.54

 

CMYK 4 / 0 / 46 / 34

HEX #A2A85B

RGB 162 168 91

HSL 64.68, 0.31%, 0.51%

LAB 66.86, -13.74, 38.86

 

CMYK 46 / 22 / 0 / 34

HEX #5B83A8

RGB 91 131 168

HSL 208.83, 0.31%, 0.51%

LAB 53.26, -3.64, -23.98

 

CMYK 0 / 46 / 41 / 34

HEX #A85B63

RGB 168 91 99

HSL 353.77, 0.31%, 0.51%

LAB 47.89, 32.27, 9.54

 

CMYK 40 / 0 / 46 / 34

HEX #64A85B

RGB 100 168 91

HSL 112.99, 0.31%, 0.51%

LAB 62.9, -37.12, 33.07

 

CMYK 46 / 40 / 0 / 34

HEX #5B64A8

RGB 91 100 168

HSL 232.99, 0.31%, 0.51%

LAB 44.47, 15.08, -37.71

 

CMYK 0 / 46 / 41 / 34

HEX #A85B63

RGB 168 91 99

HSL 353.77, 0.31%, 0.51%

LAB 47.89, 32.27, 9.54

 

CMYK 4 / 0 / 46 / 34

HEX #A2A85B

RGB 162 168 91

HSL 64.68, 0.31%, 0.51%

LAB 66.86, -13.74, 38.86

 

CMYK 46 / 0 / 5 / 34

HEX #5BA89F

RGB 91 168 159

HSL 172.99, 0.31%, 0.51%

LAB 63.94, -26.05, -2.76

 

CMYK 42 / 46 / 0 / 34

HEX #615BA8

RGB 97 91 168

HSL 244.68, 0.31%, 0.51%

LAB 42.54, 22.25, -40.74

 

CMYK 0 / 46 / 41 / 34

HEX #A85B63

RGB 168 91 99

HSL 353.77, 0.31%, 0.51%

LAB 47.89, 32.27, 9.54

 

CMYK 17 / 0 / 46 / 34

HEX #8BA85B

RGB 139 168 91

HSL 82.6, 0.31%, 0.51%

LAB 65.16, -23.03, 36.39

 

CMYK 46 / 0 / 5 / 34

HEX #5BA89F

RGB 91 168 159

HSL 172.99, 0.31%, 0.51%

LAB 63.94, -26.05, -2.76

 

CMYK 28 / 46 / 0 / 34

HEX #795BA8

RGB 121 91 168

HSL 263.38, 0.31%, 0.51%

LAB 44.76, 28.86, -37.07

 

Description

Color code: HEX #A85B63 | qconv.com Color code: HEX #A85B63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 91 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 91 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 41 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 41% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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