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Color name
HEX #A85C7E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A85C7E it is the complementary color #57A381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A85C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A85C7E shade: #AD5C79, #BE6E8C, #CF809F, #E092B2 and #F1A4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A85C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A85C7E shade: #A85C7E, #974A6B, #863858, #752645 and #641432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A85C7E shade: #A75C7E, #A75C69 and #A75C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A85C7E shade: #A75C7E, #A75C92, #A75CA6, #945CA7 and #805CA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A85C7E shade matches the following richer shades: #A75C7E, #BB487B, #CF3479, #E41F77 and #F80B75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A85C7E shade: #A75C7E, #937080, #7F8482, #6A9984 and #56AD86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A85C7E shade: #A75CA6, #A75C92, #A75C7E, #A75C6A and #A7625C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A85C7E shade: #733E55, #8E4C69, #A75C7E, #B57793 and #C492A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A85C7E shade: #A85C7E, #A7945C and #5C9CA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A85C7E shade: #A85C7E, #7EA75C and #5C7EA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A85C7E shade: #A85C7E, #A7945C, #5CA785 and #5C6FA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A85C7E shade: #A85C7E, #A3A75C, #5CA785 and #605CA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 25 / 34

HEX #A85C7E

RGB 168 92 126

HSL 333.16, 0.3%, 0.51%

LAB 48.87, 35.3, -5.28

 

Complementary color

CMYK 47 / 0 / 21 / 36

HEX #57A381

RGB 87 163 129

HSL 153.16, 0.3%, 0.49%

LAB 61.49, -31.77, 10.45

 

CMYK 0 / 47 / 30 / 32

HEX #AD5C79

RGB 173 92 121

HSL 338.52, 0.33%, 0.52%

LAB 49.4, 36.37, -1.42

 

CMYK 0 / 42 / 26 / 25

HEX #BE6E8C

RGB 190 110 140

HSL 337.5, 0.38%, 0.59%

LAB 56.08, 35.49, -2.57

 

CMYK 0 / 38 / 23 / 19

HEX #CF809F

RGB 207 128 159

HSL 336.46, 0.45%, 0.66%

LAB 62.68, 34.64, -3.57

 

CMYK 0 / 35 / 21 / 12

HEX #E092B2

RGB 224 146 178

HSL 335.38, 0.56%, 0.73%

LAB 69.2, 33.84, -4.45

 

CMYK 0 / 32 / 18 / 5

HEX #F1A4C5

RGB 241 164 197

HSL 334.29, 0.73%, 0.79%

LAB 75.63, 33.09, -5.25

 

CMYK 0 / 45 / 25 / 34

HEX #A85C7E

RGB 168 92 126

HSL 333.16, 0.3%, 0.51%

LAB 48.87, 35.3, -5.28

 

CMYK 0 / 51 / 29 / 41

HEX #974A6B

RGB 151 74 107

HSL 334.29, 0.34%, 0.44%

LAB 42.06, 36.16, -4.08

 

CMYK 0 / 58 / 34 / 47

HEX #863858

RGB 134 56 88

HSL 335.38, 0.41%, 0.37%

LAB 35.2, 36.95, -2.57

 

CMYK 0 / 68 / 41 / 54

HEX #752645

RGB 117 38 69

HSL 336.46, 0.51%, 0.3%

LAB 28.37, 37.5, -0.56

 

CMYK 0 / 80 / 50 / 61

HEX #641432

RGB 100 20 50

HSL 337.5, 0.67%, 0.24%

LAB 21.73, 37.37, 2.31

 

CMYK 0 / 45 / 25 / 35

HEX #A75C7E

RGB 167 92 126

HSL 332.8, 0.3%, 0.51%

LAB 48.73, 34.94, -5.49

 

CMYK 0 / 45 / 37 / 35

HEX #A75C69

RGB 167 92 105

HSL 349.6, 0.3%, 0.51%

LAB 48.12, 32.06, 6.24

 

CMYK 0 / 45 / 45 / 35

HEX #A75C5C

RGB 167 92 92

HSL 0, 0.3%, 0.51%

LAB 47.81, 30.54, 13.61

 

CMYK 0 / 45 / 25 / 35

HEX #A75C7E

RGB 167 92 126

HSL 332.8, 0.3%, 0.51%

LAB 48.73, 34.94, -5.49

 

CMYK 0 / 45 / 13 / 35

HEX #A75C92

RGB 167 92 146

HSL 316.8, 0.3%, 0.51%

LAB 49.43, 38.13, -16.38

 

CMYK 0 / 45 / 1 / 35

HEX #A75CA6

RGB 167 92 166

HSL 300.8, 0.3%, 0.51%

LAB 50.24, 41.71, -26.93

 

CMYK 11 / 45 / 0 / 35

HEX #945CA7

RGB 148 92 167

HSL 284.8, 0.3%, 0.51%

LAB 47.93, 36.08, -31.3

 

CMYK 23 / 45 / 0 / 35

HEX #805CA7

RGB 128 92 167

HSL 268.8, 0.3%, 0.51%

LAB 45.68, 30.06, -34.99

 

CMYK 0 / 45 / 25 / 35

HEX #A75C7E

RGB 167 92 126

HSL 332.8, 0.3%, 0.51%

LAB 48.73, 34.94, -5.49

 

CMYK 0 / 61 / 34 / 27

HEX #BB487B

RGB 187 72 123

HSL 333.39, 0.46%, 0.51%

LAB 47.79, 51.22, -4.75

 

CMYK 0 / 75 / 42 / 19

HEX #CF3479

RGB 207 52 121

HSL 333.29, 0.62%, 0.51%

LAB 48.39, 64.45, -2.27

 

CMYK 0 / 86 / 48 / 11

HEX #E41F77

RGB 228 31 119

HSL 333.2, 0.78%, 0.51%

LAB 50.46, 74.68, 2.44

 

CMYK 0 / 96 / 53 / 3

HEX #F80B75

RGB 248 11 117

HSL 333.16, 0.94%, 0.51%

LAB 53.47, 81.52, 8.49

 

CMYK 0 / 45 / 25 / 35

HEX #A75C7E

RGB 167 92 126

HSL 332.8, 0.3%, 0.51%

LAB 48.73, 34.94, -5.49

 

CMYK 0 / 24 / 13 / 42

HEX #937080

RGB 147 112 128

HSL 332.57, 0.14%, 0.51%

LAB 51.09, 16.5, -3.45

 

CMYK 4 / 0 / 2 / 48

HEX #7F8482

RGB 127 132 130

HSL 156, 0.02%, 0.51%

LAB 54.69, -2.25, 0.43

 

CMYK 31 / 0 / 14 / 40

HEX #6A9984

RGB 106 153 132

HSL 153.19, 0.19%, 0.51%

LAB 59.45, -20.55, 5.99

 

CMYK 50 / 0 / 23 / 32

HEX #56AD86

RGB 86 173 134

HSL 153.1, 0.35%, 0.51%

LAB 64.63, -35.6, 12.11

 

CMYK 0 / 45 / 1 / 35

HEX #A75CA6

RGB 167 92 166

HSL 300.8, 0.3%, 0.51%

LAB 50.24, 41.71, -26.93

 

CMYK 0 / 45 / 13 / 35

HEX #A75C92

RGB 167 92 146

HSL 316.8, 0.3%, 0.51%

LAB 49.43, 38.13, -16.38

 

CMYK 0 / 45 / 25 / 35

HEX #A75C7E

RGB 167 92 126

HSL 332.8, 0.3%, 0.51%

LAB 48.73, 34.94, -5.49

 

CMYK 0 / 45 / 37 / 35

HEX #A75C6A

RGB 167 92 106

HSL 348.8, 0.3%, 0.51%

LAB 48.15, 32.19, 5.68

 

CMYK 0 / 41 / 45 / 35

HEX #A7625C

RGB 167 98 92

HSL 4.8, 0.3%, 0.51%

LAB 49.16, 27.23, 15.47

 

CMYK 0 / 46 / 26 / 55

HEX #733E55

RGB 115 62 85

HSL 333.96, 0.3%, 0.35%

LAB 33.45, 26.26, -3.57

 

CMYK 0 / 46 / 26 / 44

HEX #8E4C69

RGB 142 76 105

HSL 333.64, 0.3%, 0.43%

LAB 41.12, 31.53, -4.37

 

CMYK 0 / 45 / 25 / 35

HEX #A75C7E

RGB 167 92 126

HSL 332.8, 0.3%, 0.51%

LAB 48.73, 34.94, -5.49

 

CMYK 0 / 34 / 19 / 29

HEX #B57793

RGB 181 119 147

HSL 332.9, 0.3%, 0.59%

LAB 57.2, 28.37, -5.12

 

CMYK 0 / 26 / 14 / 23

HEX #C492A8

RGB 196 146 168

HSL 333.6, 0.3%, 0.67%

LAB 65.84, 22.27, -4.15

 

CMYK 0 / 45 / 25 / 34

HEX #A85C7E

RGB 168 92 126

HSL 333.16, 0.3%, 0.51%

LAB 48.87, 35.3, -5.28

 

CMYK 0 / 11 / 45 / 35

HEX #A7945C

RGB 167 148 92

HSL 44.8, 0.3%, 0.51%

LAB 61.8, -0.84, 32.12

 

CMYK 45 / 7 / 0 / 35

HEX #5C9CA7

RGB 92 156 167

HSL 188.8, 0.3%, 0.51%

LAB 60.64, -17.53, -12.16

 

CMYK 0 / 45 / 25 / 34

HEX #A85C7E

RGB 168 92 126

HSL 333.16, 0.3%, 0.51%

LAB 48.87, 35.3, -5.28

 

CMYK 25 / 0 / 45 / 35

HEX #7EA75C

RGB 126 167 92

HSL 92.8, 0.3%, 0.51%

LAB 64.04, -27.4, 34.28

 

CMYK 45 / 25 / 0 / 35

HEX #5C7EA7

RGB 92 126 167

HSL 212.8, 0.3%, 0.51%

LAB 51.82, -0.76, -25.61

 

CMYK 0 / 45 / 25 / 34

HEX #A85C7E

RGB 168 92 126

HSL 333.16, 0.3%, 0.51%

LAB 48.87, 35.3, -5.28

 

CMYK 0 / 11 / 45 / 35

HEX #A7945C

RGB 167 148 92

HSL 44.8, 0.3%, 0.51%

LAB 61.8, -0.84, 32.12

 

CMYK 45 / 0 / 20 / 35

HEX #5CA785

RGB 92 167 133

HSL 152.8, 0.3%, 0.51%

LAB 63.02, -31.44, 10.42

 

CMYK 45 / 34 / 0 / 35

HEX #5C6FA7

RGB 92 111 167

HSL 224.8, 0.3%, 0.51%

LAB 47.54, 8.24, -32.28

 

CMYK 0 / 45 / 25 / 34

HEX #A85C7E

RGB 168 92 126

HSL 333.16, 0.3%, 0.51%

LAB 48.87, 35.3, -5.28

 

CMYK 2 / 0 / 45 / 35

HEX #A3A75C

RGB 163 167 92

HSL 63.2, 0.3%, 0.51%

LAB 66.67, -12.7, 38.14

 

CMYK 45 / 0 / 20 / 35

HEX #5CA785

RGB 92 167 133

HSL 152.8, 0.3%, 0.51%

LAB 63.02, -31.44, 10.42

 

CMYK 43 / 45 / 0 / 35

HEX #605CA7

RGB 96 92 167

HSL 243.2, 0.3%, 0.51%

LAB 42.66, 21.07, -39.96

 

Description

Color code: HEX #A85C7E | qconv.com Color code: HEX #A85C7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 92 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 92 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 25 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 25% 34% C M Y K

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Provide designers and agencies with accurate color values.

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