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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A85E40 it is the complementary color #57A1BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A85E40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A85E40 shade: #AD5E3B, #BE704E, #CF8261, #E09474 and #F1A687

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A85E40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A85E40 shade: #A85E40, #974C2D, #863A1A, #752807 and #641600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A85E40 shade: #A65C3F, #A6413F and #A63F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A85E40 shade: #A65C3F, #A6783F, #A6943F, #9CA63F and #80A63F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A85E40 shade matches the following richer shades: #A65C3F, #B8552C, #CB4D19 and #DE4507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A85E40 shade: #A65C3F, #936451, #816C64, #6E7476 and #5C7C89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A85E40 shade: #A63F58, #A6403F, #A65C3F, #A6773F and #A6933F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A85E40 shade: #6A3B28, #884C33, #A65C3F, #BD7051 and #C8896F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A85E40 shade: #A85E40, #74A63F and #3F4BA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A85E40 shade: #A85E40, #3FA65C and #5C3FA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A85E40 shade: #A85E40, #74A63F, #3F89A6 and #713FA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A85E40 shade: #A85E40, #55A63F, #3F89A6 and #903FA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 62 / 34

HEX #A85E40

RGB 168 94 64

HSL 17.31, 0.45%, 0.45%

LAB 47.88, 27.29, 30.16

 

Complementary color

CMYK 54 / 16 / 0 / 25

HEX #57A1BF

RGB 87 161 191

HSL 197.31, 0.45%, 0.55%

LAB 62.74, -14.5, -22.5

 

CMYK 0 / 46 / 66 / 32

HEX #AD5E3B

RGB 173 94 59

HSL 18.42, 0.49%, 0.45%

LAB 48.52, 29.02, 33.89

 

CMYK 0 / 41 / 59 / 25

HEX #BE704E

RGB 190 112 78

HSL 18.21, 0.46%, 0.53%

LAB 55.16, 27.56, 31.96

 

CMYK 0 / 37 / 53 / 19

HEX #CF8261

RGB 207 130 97

HSL 18, 0.53%, 0.6%

LAB 61.74, 26.27, 30.21

 

CMYK 0 / 34 / 48 / 12

HEX #E09474

RGB 224 148 116

HSL 17.78, 0.64%, 0.67%

LAB 68.23, 25.13, 28.64

 

CMYK 0 / 31 / 44 / 5

HEX #F1A687

RGB 241 166 135

HSL 17.55, 0.79%, 0.74%

LAB 74.65, 24.11, 27.21

 

CMYK 0 / 44 / 62 / 34

HEX #A85E40

RGB 168 94 64

HSL 17.31, 0.45%, 0.45%

LAB 47.88, 27.29, 30.16

 

CMYK 0 / 50 / 70 / 41

HEX #974C2D

RGB 151 76 45

HSL 17.55, 0.54%, 0.38%

LAB 41.12, 28.85, 32.25

 

CMYK 0 / 57 / 81 / 47

HEX #863A1A

RGB 134 58 26

HSL 17.78, 0.68%, 0.31%

LAB 34.33, 30.57, 34.49

 

CMYK 0 / 66 / 94 / 54

HEX #752807

RGB 117 40 7

HSL 18, 0.89%, 0.24%

LAB 27.61, 32.34, 36.19

 

CMYK 0 / 78 / 100 / 61

HEX #641600

RGB 100 22 0

HSL 13.2, 1%, 0.2%

LAB 21.14, 33.79, 31.57

 

CMYK 0 / 45 / 62 / 35

HEX #A65C3F

RGB 166 92 63

HSL 16.89, 0.45%, 0.45%

LAB 47.13, 27.49, 29.75

 

CMYK 0 / 61 / 62 / 35

HEX #A6413F

RGB 166 65 63

HSL 1.17, 0.45%, 0.45%

LAB 41.61, 41.54, 22.83

 

CMYK 0 / 62 / 62 / 35

HEX #A63F3F

RGB 166 63 63

HSL 0, 0.45%, 0.45%

LAB 41.25, 42.48, 22.37

 

CMYK 0 / 45 / 62 / 35

HEX #A65C3F

RGB 166 92 63

HSL 16.89, 0.45%, 0.45%

LAB 47.13, 27.49, 29.75

 

CMYK 0 / 28 / 62 / 35

HEX #A6783F

RGB 166 120 63

HSL 33.2, 0.45%, 0.45%

LAB 53.92, 11.73, 37.85

 

CMYK 0 / 11 / 62 / 35

HEX #A6943F

RGB 166 148 63

HSL 49.51, 0.45%, 0.45%

LAB 61.35, -3.85, 46.27

 

CMYK 6 / 0 / 62 / 35

HEX #9CA63F

RGB 156 166 63

HSL 65.83, 0.45%, 0.45%

LAB 65.51, -17.7, 50.57

 

CMYK 23 / 0 / 62 / 35

HEX #80A63F

RGB 128 166 63

HSL 82.14, 0.45%, 0.45%

LAB 63.52, -29.25, 47.83

 

CMYK 0 / 45 / 62 / 35

HEX #A65C3F

RGB 166 92 63

HSL 16.89, 0.45%, 0.45%

LAB 47.13, 27.49, 29.75

 

CMYK 0 / 54 / 76 / 28

HEX #B8552C

RGB 184 85 44

HSL 17.57, 0.61%, 0.45%

LAB 48.09, 37.42, 41.87

 

CMYK 0 / 62 / 88 / 20

HEX #CB4D19

RGB 203 77 25

HSL 17.53, 0.78%, 0.45%

LAB 49.59, 47.83, 52.93

 

CMYK 0 / 69 / 97 / 13

HEX #DE4507

RGB 222 69 7

HSL 17.3, 0.94%, 0.45%

LAB 51.61, 57.46, 61.12

 

CMYK 0 / 45 / 62 / 35

HEX #A65C3F

RGB 166 92 63

HSL 16.89, 0.45%, 0.45%

LAB 47.13, 27.49, 29.75

 

CMYK 0 / 32 / 45 / 42

HEX #936451

RGB 147 100 81

HSL 17.27, 0.29%, 0.45%

LAB 46.86, 16.59, 18.43

 

CMYK 0 / 16 / 22 / 49

HEX #816C64

RGB 129 108 100

HSL 16.55, 0.13%, 0.45%

LAB 47.38, 6.94, 7.56

 

CMYK 7 / 2 / 0 / 54

HEX #6E7476

RGB 110 116 118

HSL 195, 0.04%, 0.45%

LAB 48.4, -1.83, -1.89

 

CMYK 33 / 9 / 0 / 46

HEX #5C7C89

RGB 92 124 137

HSL 197.33, 0.2%, 0.45%

LAB 50.09, -8.02, -10.74

 

CMYK 0 / 62 / 47 / 35

HEX #A63F58

RGB 166 63 88

HSL 345.44, 0.45%, 0.45%

LAB 41.79, 44.6, 7.63

 

CMYK 0 / 61 / 62 / 35

HEX #A6403F

RGB 166 64 63

HSL 0.58, 0.45%, 0.45%

LAB 41.43, 42.01, 22.6

 

CMYK 0 / 45 / 62 / 35

HEX #A65C3F

RGB 166 92 63

HSL 16.89, 0.45%, 0.45%

LAB 47.13, 27.49, 29.75

 

CMYK 0 / 28 / 62 / 35

HEX #A6773F

RGB 166 119 63

HSL 32.62, 0.45%, 0.45%

LAB 53.66, 12.29, 37.55

 

CMYK 0 / 11 / 62 / 35

HEX #A6933F

RGB 166 147 63

HSL 48.93, 0.45%, 0.45%

LAB 61.07, -3.3, 45.97

 

CMYK 0 / 44 / 62 / 58

HEX #6A3B28

RGB 106 59 40

HSL 17.27, 0.45%, 0.29%

LAB 30.27, 18.69, 20.62

 

CMYK 0 / 44 / 63 / 47

HEX #884C33

RGB 136 76 51

HSL 17.65, 0.45%, 0.37%

LAB 38.97, 22.87, 25.72

 

CMYK 0 / 45 / 62 / 35

HEX #A65C3F

RGB 166 92 63

HSL 16.89, 0.45%, 0.45%

LAB 47.13, 27.49, 29.75

 

CMYK 0 / 41 / 57 / 26

HEX #BD7051

RGB 189 112 81

HSL 17.22, 0.45%, 0.53%

LAB 55.07, 27.39, 30.15

 

CMYK 0 / 32 / 45 / 22

HEX #C8896F

RGB 200 137 111

HSL 17.53, 0.45%, 0.61%

LAB 62.78, 20.98, 23.66

 

CMYK 0 / 44 / 62 / 34

HEX #A85E40

RGB 168 94 64

HSL 17.31, 0.45%, 0.45%

LAB 47.88, 27.29, 30.16

 

CMYK 30 / 0 / 62 / 35

HEX #74A63F

RGB 116 166 63

HSL 89.13, 0.45%, 0.45%

LAB 62.8, -33.88, 46.82

 

CMYK 62 / 55 / 0 / 35

HEX #3F4BA6

RGB 63 75 166

HSL 233.01, 0.45%, 0.45%

LAB 35.68, 24.18, -50.69

 

CMYK 0 / 44 / 62 / 34

HEX #A85E40

RGB 168 94 64

HSL 17.31, 0.45%, 0.45%

LAB 47.88, 27.29, 30.16

 

CMYK 62 / 0 / 45 / 35

HEX #3FA65C

RGB 63 166 92

HSL 136.89, 0.45%, 0.45%

LAB 60.87, -46.26, 29.67

 

CMYK 45 / 62 / 0 / 35

HEX #5C3FA6

RGB 92 63 166

HSL 256.89, 0.45%, 0.45%

LAB 35.17, 37.54, -51.4

 

CMYK 0 / 44 / 62 / 34

HEX #A85E40

RGB 168 94 64

HSL 17.31, 0.45%, 0.45%

LAB 47.88, 27.29, 30.16

 

CMYK 30 / 0 / 62 / 35

HEX #74A63F

RGB 116 166 63

HSL 89.13, 0.45%, 0.45%

LAB 62.8, -33.88, 46.82

 

CMYK 62 / 17 / 0 / 35

HEX #3F89A6

RGB 63 137 166

HSL 196.89, 0.45%, 0.45%

LAB 53.71, -13.98, -22.24

 

CMYK 32 / 62 / 0 / 35

HEX #713FA6

RGB 113 63 166

HSL 269.13, 0.45%, 0.45%

LAB 37.52, 42.33, -47.49

 

CMYK 0 / 44 / 62 / 34

HEX #A85E40

RGB 168 94 64

HSL 17.31, 0.45%, 0.45%

LAB 47.88, 27.29, 30.16

 

CMYK 49 / 0 / 62 / 35

HEX #55A63F

RGB 85 166 63

HSL 107.18, 0.45%, 0.45%

LAB 61.27, -44.47, 44.7

 

CMYK 62 / 17 / 0 / 35

HEX #3F89A6

RGB 63 137 166

HSL 196.89, 0.45%, 0.45%

LAB 53.71, -13.98, -22.24

 

CMYK 13 / 62 / 0 / 35

HEX #903FA6

RGB 144 63 166

HSL 287.18, 0.45%, 0.45%

LAB 41.59, 49.96, -40.74

 

Description

Color code: HEX #A85E40 | qconv.com Color code: HEX #A85E40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 94 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 94 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 62 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 62% 34% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - عطر آرین | معرفی انو...
Link: http://www.atrearian.com

26% - トーシンパートナーズ
Link: http://www.tohshin.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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