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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A862CE it is the complementary color #579D31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A862CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A862CE shade: #AD62C9, #BE74DC, #CF86EF, #E098FF and #F1AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A862CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A862CE shade: #A862CE, #9750BB, #863EA8, #752C95 and #641A82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A862CE shade: #A863CE, #C563CE, #CE63BA, #CE639D and #CE6380

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A862CE shade: #A863CE, #8C63CE, #6F63CE and #6363CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A862CE shade matches the following richer shades: #A863CE, #AD53DE and #B242EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A862CE shade: #A863CE, #A374BD, #9E84AD, #9A959C and #95A58C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A862CE shade: #6E63CE, #8A63CE, #A763CE, #C363CE and #CE63BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A862CE shade: #8035A9, #9744C4, #A863CE, #BA83D7 and #CBA2E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A862CE shade: #A862CE, #CE6375 and #63CE7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A862CE shade: #A862CE, #CEA763 and #63CEA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A862CE shade: #A862CE, #CE6375, #8ACE63 and #63CEBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A862CE shade: #A862CE, #CE7263, #8ACE63 and #63BFCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 52 / 0 / 19

HEX #A862CE

RGB 168 98 206

HSL 278.89, 0.52%, 0.6%

LAB 53.51, 46.97, -44.92

 

Complementary color

CMYK 45 / 0 / 69 / 38

HEX #579D31

RGB 87 157 49

HSL 98.89, 0.52%, 0.4%

LAB 58.38, -41.44, 47.66

 

CMYK 14 / 51 / 0 / 21

HEX #AD62C9

RGB 173 98 201

HSL 283.69, 0.49%, 0.59%

LAB 53.85, 47.26, -41.48

 

CMYK 14 / 47 / 0 / 14

HEX #BE74DC

RGB 190 116 220

HSL 282.69, 0.6%, 0.66%

LAB 60.43, 46.49, -41.74

 

CMYK 13 / 44 / 0 / 6

HEX #CF86EF

RGB 207 134 239

HSL 281.71, 0.77%, 0.73%

LAB 66.94, 45.71, -41.94

 

CMYK 12 / 40 / 0 / 0

HEX #E098FF

RGB 224 152 255

HSL 281.94, 1%, 0.8%

LAB 73.24, 44.33, -40.7

 

CMYK 5 / 33 / 0 / 0

HEX #F1AAFF

RGB 241 170 255

HSL 290.12, 1%, 0.83%

LAB 78.85, 39.88, -31.86

 

CMYK 18 / 52 / 0 / 19

HEX #A862CE

RGB 168 98 206

HSL 278.89, 0.52%, 0.6%

LAB 53.51, 46.97, -44.92

 

CMYK 19 / 57 / 0 / 27

HEX #9750BB

RGB 151 80 187

HSL 279.81, 0.44%, 0.52%

LAB 46.85, 47.74, -44.68

 

CMYK 20 / 63 / 0 / 34

HEX #863EA8

RGB 134 62 168

HSL 280.75, 0.46%, 0.45%

LAB 40.15, 48.38, -44.32

 

CMYK 21 / 70 / 0 / 42

HEX #752C95

RGB 117 44 149

HSL 281.71, 0.54%, 0.38%

LAB 33.46, 48.71, -43.71

 

CMYK 23 / 80 / 0 / 49

HEX #641A82

RGB 100 26 130

HSL 282.69, 0.67%, 0.31%

LAB 26.9, 48.36, -42.65

 

CMYK 18 / 52 / 0 / 19

HEX #A863CE

RGB 168 99 206

HSL 278.69, 0.52%, 0.6%

LAB 53.71, 46.45, -44.6

 

CMYK 4 / 52 / 0 / 19

HEX #C563CE

RGB 197 99 206

HSL 294.95, 0.52%, 0.6%

LAB 57.32, 54.33, -38.67

 

CMYK 0 / 52 / 10 / 19

HEX #CE63BA

RGB 206 99 186

HSL 311.21, 0.52%, 0.6%

LAB 57.65, 53.4, -26.65

 

CMYK 0 / 52 / 24 / 19

HEX #CE639D

RGB 206 99 157

HSL 327.48, 0.52%, 0.6%

LAB 56.57, 48.99, -11.53

 

CMYK 0 / 52 / 38 / 19

HEX #CE6380

RGB 206 99 128

HSL 343.74, 0.52%, 0.6%

LAB 55.69, 45.27, 4.15

 

CMYK 18 / 52 / 0 / 19

HEX #A863CE

RGB 168 99 206

HSL 278.69, 0.52%, 0.6%

LAB 53.71, 46.45, -44.6

 

CMYK 32 / 52 / 0 / 19

HEX #8C63CE

RGB 140 99 206

HSL 262.99, 0.52%, 0.6%

LAB 50.63, 39.08, -49.68

 

CMYK 46 / 52 / 0 / 19

HEX #6F63CE

RGB 111 99 206

HSL 246.73, 0.52%, 0.6%

LAB 47.96, 32.06, -54.12

 

CMYK 52 / 52 / 0 / 19

HEX #6363CE

RGB 99 99 206

HSL 240, 0.52%, 0.6%

LAB 47.02, 29.43, -55.68

 

CMYK 18 / 52 / 0 / 19

HEX #A863CE

RGB 168 99 206

HSL 278.69, 0.52%, 0.6%

LAB 53.71, 46.45, -44.6

 

CMYK 22 / 63 / 0 / 13

HEX #AD53DE

RGB 173 83 222

HSL 278.85, 0.68%, 0.6%

LAB 52.22, 59.16, -56.02

 

CMYK 26 / 72 / 0 / 6

HEX #B242EF

RGB 178 66 239

HSL 278.84, 0.84%, 0.6%

LAB 51.37, 70.98, -66.94

 

CMYK 18 / 52 / 0 / 19

HEX #A863CE

RGB 168 99 206

HSL 278.69, 0.52%, 0.6%

LAB 53.71, 46.45, -44.6

 

CMYK 14 / 39 / 0 / 26

HEX #A374BD

RGB 163 116 189

HSL 278.63, 0.36%, 0.6%

LAB 56.04, 31.93, -31.28

 

CMYK 9 / 24 / 0 / 32

HEX #9E84AD

RGB 158 132 173

HSL 278.05, 0.2%, 0.6%

LAB 58.78, 17.71, -17.95

 

CMYK 1 / 4 / 0 / 39

HEX #9A959C

RGB 154 149 156

HSL 282.86, 0.03%, 0.6%

LAB 62.31, 3.18, -3.03

 

CMYK 10 / 0 / 15 / 35

HEX #95A58C

RGB 149 165 140

HSL 98.4, 0.12%, 0.6%

LAB 65.9, -10.39, 11.07

 

CMYK 47 / 52 / 0 / 19

HEX #6E63CE

RGB 110 99 206

HSL 246.17, 0.52%, 0.6%

LAB 47.87, 31.83, -54.25

 

CMYK 33 / 52 / 0 / 19

HEX #8A63CE

RGB 138 99 206

HSL 261.87, 0.52%, 0.6%

LAB 50.43, 38.58, -50.01

 

CMYK 19 / 52 / 0 / 19

HEX #A763CE

RGB 167 99 206

HSL 278.13, 0.52%, 0.6%

LAB 53.6, 46.18, -44.79

 

CMYK 5 / 52 / 0 / 19

HEX #C363CE

RGB 195 99 206

HSL 293.83, 0.52%, 0.6%

LAB 57.06, 53.79, -39.1

 

CMYK 0 / 52 / 9 / 19

HEX #CE63BC

RGB 206 99 188

HSL 310.09, 0.52%, 0.6%

LAB 57.73, 53.73, -27.67

 

CMYK 24 / 69 / 0 / 34

HEX #8035A9

RGB 128 53 169

HSL 278.79, 0.52%, 0.44%

LAB 37.84, 51.48, -48.66

 

CMYK 23 / 65 / 0 / 23

HEX #9744C4

RGB 151 68 196

HSL 278.91, 0.52%, 0.52%

LAB 45.22, 55.6, -52.52

 

CMYK 18 / 52 / 0 / 19

HEX #A863CE

RGB 168 99 206

HSL 278.69, 0.52%, 0.6%

LAB 53.71, 46.45, -44.6

 

CMYK 13 / 39 / 0 / 16

HEX #BA83D7

RGB 186 131 215

HSL 279.29, 0.51%, 0.68%

LAB 62.99, 36.17, -34.96

 

CMYK 10 / 28 / 0 / 12

HEX #CBA2E1

RGB 203 162 225

HSL 279.05, 0.51%, 0.76%

LAB 72.21, 26.45, -26.12

 

CMYK 18 / 52 / 0 / 19

HEX #A862CE

RGB 168 98 206

HSL 278.89, 0.52%, 0.6%

LAB 53.51, 46.97, -44.92

 

CMYK 0 / 52 / 43 / 19

HEX #CE6375

RGB 206 99 117

HSL 349.91, 0.52%, 0.6%

LAB 55.41, 44.07, 10.22

 

CMYK 52 / 0 / 40 / 19

HEX #63CE7C

RGB 99 206 124

HSL 134.02, 0.52%, 0.6%

LAB 74.98, -48.53, 31.6

 

CMYK 18 / 52 / 0 / 19

HEX #A862CE

RGB 168 98 206

HSL 278.89, 0.52%, 0.6%

LAB 53.51, 46.97, -44.92

 

CMYK 0 / 19 / 52 / 19

HEX #CEA763

RGB 206 167 99

HSL 38.13, 0.52%, 0.6%

LAB 70.64, 5.96, 40.31

 

CMYK 52 / 0 / 19 / 19

HEX #63CEA7

RGB 99 206 167

HSL 158.13, 0.52%, 0.6%

LAB 75.81, -40.15, 10.07

 

CMYK 18 / 52 / 0 / 19

HEX #A862CE

RGB 168 98 206

HSL 278.89, 0.52%, 0.6%

LAB 53.51, 46.97, -44.92

 

CMYK 0 / 52 / 43 / 19

HEX #CE6375

RGB 206 99 117

HSL 349.91, 0.52%, 0.6%

LAB 55.41, 44.07, 10.22

 

CMYK 33 / 0 / 52 / 19

HEX #8ACE63

RGB 138 206 99

HSL 98.13, 0.52%, 0.6%

LAB 76.34, -40.31, 46.08

 

CMYK 52 / 0 / 9 / 19

HEX #63CEBC

RGB 99 206 188

HSL 169.91, 0.52%, 0.6%

LAB 76.33, -35.23, -0.47

 

CMYK 18 / 52 / 0 / 19

HEX #A862CE

RGB 168 98 206

HSL 278.89, 0.52%, 0.6%

LAB 53.51, 46.97, -44.92

 

CMYK 0 / 45 / 52 / 19

HEX #CE7263

RGB 206 114 99

HSL 8.41, 0.52%, 0.6%

LAB 58.09, 34.61, 24.32

 

CMYK 33 / 0 / 52 / 19

HEX #8ACE63

RGB 138 206 99

HSL 98.13, 0.52%, 0.6%

LAB 76.34, -40.31, 46.08

 

CMYK 52 / 7 / 0 / 19

HEX #63BFCE

RGB 99 191 206

HSL 188.41, 0.52%, 0.6%

LAB 72.48, -23.26, -15.96

 

Description

Color code: HEX #A862CE | qconv.com Color code: HEX #A862CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 98 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 98 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 52 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 52% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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