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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A86D56 it is the complementary color #5792A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A86D56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A86D56 shade: #AD6D51, #BE7F64, #CF9177, #E0A38A and #F1B59D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A86D56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A86D56 shade: #A86D56, #975B43, #864930, #75371D and #64250A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A86D56 shade: #A86D56, #A85756 and #A85656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A86D56 shade: #A86D56, #A88356, #A89956, #A0A856 and #8AA856

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A86D56 shade matches the following richer shades: #A86D56, #BC6442, #D15B2D, #E65218 and #FA4904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A86D56 shade: #A86D56, #93766B, #7F7F7F, #6A8894 and #5591A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A86D56 shade: #A8566C, #A85656, #A86C56, #A88256 and #A89756

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A86D56 shade: #714A3A, #8D5B48, #A86D56, #B68571 and #C49C8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A86D56 shade: #A86D56, #82A856 and #5661A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A86D56 shade: #A86D56, #56A86C and #6C56A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A86D56 shade: #A86D56, #82A856, #5692A8 and #7C56A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A86D56 shade: #A86D56, #69A856, #5692A8 and #9556A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 49 / 34

HEX #A86D56

RGB 168 109 86

HSL 16.83, 0.32%, 0.5%

LAB 51.76, 20.83, 22.5

 

Complementary color

CMYK 49 / 14 / 0 / 34

HEX #5792A9

RGB 87 146 169

HSL 196.83, 0.32%, 0.5%

LAB 57.51, -12.81, -18.06

 

CMYK 0 / 37 / 53 / 32

HEX #AD6D51

RGB 173 109 81

HSL 18.26, 0.36%, 0.5%

LAB 52.3, 22.44, 26.2

 

CMYK 0 / 33 / 47 / 25

HEX #BE7F64

RGB 190 127 100

HSL 18, 0.41%, 0.57%

LAB 59.02, 21.29, 24.6

 

CMYK 0 / 30 / 43 / 19

HEX #CF9177

RGB 207 145 119

HSL 17.73, 0.48%, 0.64%

LAB 65.63, 20.28, 23.18

 

CMYK 0 / 27 / 38 / 12

HEX #E0A38A

RGB 224 163 138

HSL 17.44, 0.58%, 0.71%

LAB 72.15, 19.4, 21.89

 

CMYK 0 / 25 / 35 / 5

HEX #F1B59D

RGB 241 181 157

HSL 17.14, 0.75%, 0.78%

LAB 78.57, 18.62, 20.71

 

CMYK 0 / 35 / 49 / 34

HEX #A86D56

RGB 168 109 86

HSL 16.83, 0.32%, 0.5%

LAB 51.76, 20.83, 22.5

 

CMYK 0 / 40 / 56 / 41

HEX #975B43

RGB 151 91 67

HSL 17.14, 0.39%, 0.43%

LAB 44.89, 22.06, 24.19

 

CMYK 0 / 46 / 64 / 47

HEX #864930

RGB 134 73 48

HSL 17.44, 0.47%, 0.36%

LAB 37.93, 23.5, 26.14

 

CMYK 0 / 53 / 75 / 54

HEX #75371D

RGB 117 55 29

HSL 17.73, 0.6%, 0.29%

LAB 30.89, 25.16, 28.36

 

CMYK 0 / 63 / 90 / 61

HEX #64250A

RGB 100 37 10

HSL 18, 0.82%, 0.22%

LAB 23.85, 27.01, 30.32

 

CMYK 0 / 35 / 49 / 34

HEX #A86D56

RGB 168 109 86

HSL 16.83, 0.32%, 0.5%

LAB 51.76, 20.83, 22.5

 

CMYK 0 / 48 / 49 / 34

HEX #A85756

RGB 168 87 86

HSL 0.73, 0.32%, 0.5%

LAB 46.73, 33.02, 15.75

 

CMYK 0 / 49 / 49 / 34

HEX #A85656

RGB 168 86 86

HSL 0, 0.32%, 0.5%

LAB 46.51, 33.56, 15.46

 

CMYK 0 / 35 / 49 / 34

HEX #A86D56

RGB 168 109 86

HSL 16.83, 0.32%, 0.5%

LAB 51.76, 20.83, 22.5

 

CMYK 0 / 22 / 49 / 34

HEX #A88356

RGB 168 131 86

HSL 32.93, 0.32%, 0.5%

LAB 57.3, 8.4, 29.68

 

CMYK 0 / 9 / 49 / 34

HEX #A89956

RGB 168 153 86

HSL 49.02, 0.32%, 0.5%

LAB 63.16, -3.75, 37.01

 

CMYK 5 / 0 / 49 / 34

HEX #A0A856

RGB 160 168 86

HSL 65.85, 0.32%, 0.5%

LAB 66.63, -15.07, 41.07

 

CMYK 18 / 0 / 49 / 34

HEX #8AA856

RGB 138 168 86

HSL 81.95, 0.32%, 0.5%

LAB 65.03, -24, 38.75

 

CMYK 0 / 35 / 49 / 34

HEX #A86D56

RGB 168 109 86

HSL 16.83, 0.32%, 0.5%

LAB 51.76, 20.83, 22.5

 

CMYK 0 / 47 / 65 / 26

HEX #BC6442

RGB 188 100 66

HSL 16.72, 0.48%, 0.5%

LAB 52.06, 32.37, 34.76

 

CMYK 0 / 56 / 78 / 18

HEX #D15B2D

RGB 209 91 45

HSL 16.83, 0.65%, 0.5%

LAB 53.2, 44.09, 47.82

 

CMYK 0 / 64 / 90 / 10

HEX #E65218

RGB 230 82 24

HSL 16.89, 0.81%, 0.5%

LAB 54.99, 55.14, 59.42

 

CMYK 0 / 71 / 98 / 2

HEX #FA4904

RGB 250 73 4

HSL 16.83, 0.97%, 0.5%

LAB 57.17, 64.93, 67.44

 

CMYK 0 / 35 / 49 / 34

HEX #A86D56

RGB 168 109 86

HSL 16.83, 0.32%, 0.5%

LAB 51.76, 20.83, 22.5

 

CMYK 0 / 20 / 27 / 42

HEX #93766B

RGB 147 118 107

HSL 16.5, 0.16%, 0.5%

LAB 52.09, 9.58, 10.34

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 28 / 8 / 0 / 42

HEX #6A8894

RGB 106 136 148

HSL 197.14, 0.17%, 0.5%

LAB 54.88, -7.65, -9.88

 

CMYK 50 / 14 / 0 / 34

HEX #5591A9

RGB 85 145 169

HSL 197.14, 0.33%, 0.5%

LAB 57.12, -12.75, -18.66

 

CMYK 0 / 49 / 36 / 34

HEX #A8566C

RGB 168 86 108

HSL 343.9, 0.32%, 0.5%

LAB 47.06, 36.05, 2.92

 

CMYK 0 / 49 / 49 / 34

HEX #A85656

RGB 168 86 86

HSL 0, 0.32%, 0.5%

LAB 46.51, 33.56, 15.46

 

CMYK 0 / 36 / 49 / 34

HEX #A86C56

RGB 168 108 86

HSL 16.1, 0.32%, 0.5%

LAB 51.52, 21.4, 22.18

 

CMYK 0 / 23 / 49 / 34

HEX #A88256

RGB 168 130 86

HSL 32.2, 0.32%, 0.5%

LAB 57.04, 8.97, 29.35

 

CMYK 0 / 10 / 49 / 34

HEX #A89756

RGB 168 151 86

HSL 47.56, 0.32%, 0.5%

LAB 62.62, -2.67, 36.34

 

CMYK 0 / 35 / 49 / 56

HEX #714A3A

RGB 113 74 58

HSL 17.45, 0.32%, 0.34%

LAB 35.43, 14.55, 16.31

 

CMYK 0 / 35 / 49 / 45

HEX #8D5B48

RGB 141 91 72

HSL 16.52, 0.32%, 0.42%

LAB 43.67, 18.27, 19.39

 

CMYK 0 / 35 / 49 / 34

HEX #A86D56

RGB 168 109 86

HSL 16.83, 0.32%, 0.5%

LAB 51.76, 20.83, 22.5

 

CMYK 0 / 27 / 38 / 29

HEX #B68571

RGB 182 133 113

HSL 17.39, 0.32%, 0.58%

LAB 59.81, 16.14, 18.18

 

CMYK 0 / 20 / 28 / 23

HEX #C49C8D

RGB 196 156 141

HSL 16.36, 0.32%, 0.66%

LAB 67.6, 12.65, 13.5

 

CMYK 0 / 35 / 49 / 34

HEX #A86D56

RGB 168 109 86

HSL 16.83, 0.32%, 0.5%

LAB 51.76, 20.83, 22.5

 

CMYK 23 / 0 / 49 / 34

HEX #82A856

RGB 130 168 86

HSL 87.8, 0.32%, 0.5%

LAB 64.5, -27.11, 37.99

 

CMYK 49 / 42 / 0 / 34

HEX #5661A8

RGB 86 97 168

HSL 231.95, 0.32%, 0.5%

LAB 43.29, 15.71, -39.59

 

CMYK 0 / 35 / 49 / 34

HEX #A86D56

RGB 168 109 86

HSL 16.83, 0.32%, 0.5%

LAB 51.76, 20.83, 22.5

 

CMYK 49 / 0 / 36 / 34

HEX #56A86C

RGB 86 168 108

HSL 136.1, 0.32%, 0.5%

LAB 62.56, -38.55, 23.5

 

CMYK 36 / 49 / 0 / 34

HEX #6C56A8

RGB 108 86 168

HSL 256.1, 0.32%, 0.5%

LAB 42.26, 28.24, -41.12

 

CMYK 0 / 35 / 49 / 34

HEX #A86D56

RGB 168 109 86

HSL 16.83, 0.32%, 0.5%

LAB 51.76, 20.83, 22.5

 

CMYK 23 / 0 / 49 / 34

HEX #82A856

RGB 130 168 86

HSL 87.8, 0.32%, 0.5%

LAB 64.5, -27.11, 37.99

 

CMYK 49 / 13 / 0 / 34

HEX #5692A8

RGB 86 146 168

HSL 196.1, 0.32%, 0.5%

LAB 57.43, -13.34, -17.62

 

CMYK 26 / 49 / 0 / 34

HEX #7C56A8

RGB 124 86 168

HSL 267.8, 0.32%, 0.5%

LAB 43.9, 32.67, -38.42

 

CMYK 0 / 35 / 49 / 34

HEX #A86D56

RGB 168 109 86

HSL 16.83, 0.32%, 0.5%

LAB 51.76, 20.83, 22.5

 

CMYK 38 / 0 / 49 / 34

HEX #69A856

RGB 105 168 86

HSL 106.1, 0.32%, 0.5%

LAB 63.08, -36.16, 35.91

 

CMYK 49 / 13 / 0 / 34

HEX #5692A8

RGB 86 146 168

HSL 196.1, 0.32%, 0.5%

LAB 57.43, -13.34, -17.62

 

CMYK 11 / 49 / 0 / 34

HEX #9556A8

RGB 149 86 168

HSL 286.1, 0.32%, 0.5%

LAB 46.81, 39.91, -33.64

 

Description

Color code: HEX #A86D56 | qconv.com Color code: HEX #A86D56 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 109 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 109 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 49 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 49% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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