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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A88484 it is the complementary color #577B7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A88484. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A88484 shade: #AD847F, #BE9692, #CFA8A5, #E0BAB8 and #F1CCCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A88484. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A88484 shade: #A88484, #977271, #86605E, #754E4B and #643C38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A88484 shade: #A88484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A88484 shade: #A88484, #A88E84, #A89784, #A8A184 and #A5A884

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A88484 shade matches the following richer shades: #A88484, #B97373, #CA6262, #DA5151 and #EB4141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A88484 shade: #A88484, #979595, #86A6A6, #75B7B7 and #64C8C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A88484 shade: #A88497, #A8848E, #A88484, #A88E84 and #A89784

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A88484 shade: #7F5A5A, #976C6C, #A88484, #B99C9C and #CAB4B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A88484 shade: #A88484, #A1A884 and #8492A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A88484 shade: #A88484, #84A884 and #8484A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A88484 shade: #A88484, #A1A884, #84A8A8 and #8B84A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A88484 shade: #A88484, #96A884, #84A8A8 and #9684A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

Complementary color

CMYK 29 / 0 / 0 / 52

HEX #577B7B

RGB 87 123 123

HSL 180, 0.17%, 0.41%

LAB 49.03, -12.61, -4.1

 

CMYK 0 / 24 / 27 / 32

HEX #AD847F

RGB 173 132 127

HSL 6.52, 0.22%, 0.59%

LAB 58.9, 14.98, 8.78

 

CMYK 0 / 21 / 23 / 25

HEX #BE9692

RGB 190 150 146

HSL 5.45, 0.25%, 0.66%

LAB 65.62, 14.35, 7.82

 

CMYK 0 / 19 / 20 / 19

HEX #CFA8A5

RGB 207 168 165

HSL 4.29, 0.3%, 0.73%

LAB 72.22, 13.8, 6.94

 

CMYK 0 / 17 / 18 / 12

HEX #E0BAB8

RGB 224 186 184

HSL 3, 0.39%, 0.8%

LAB 78.71, 13.3, 6.11

 

CMYK 0 / 15 / 16 / 5

HEX #F1CCCB

RGB 241 204 203

HSL 1.58, 0.58%, 0.87%

LAB 85.1, 12.84, 5.34

 

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

CMYK 0 / 25 / 25 / 41

HEX #977271

RGB 151 114 113

HSL 1.58, 0.15%, 0.52%

LAB 51.62, 14.42, 6.21

 

CMYK 0 / 28 / 30 / 47

HEX #86605E

RGB 134 96 94

HSL 3, 0.18%, 0.45%

LAB 44.58, 15.16, 7.26

 

CMYK 0 / 33 / 36 / 54

HEX #754E4B

RGB 117 78 75

HSL 4.29, 0.22%, 0.38%

LAB 37.37, 16.04, 8.46

 

CMYK 0 / 40 / 44 / 61

HEX #643C38

RGB 100 60 56

HSL 5.45, 0.28%, 0.31%

LAB 29.98, 17.09, 9.9

 

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

CMYK 0 / 15 / 21 / 34

HEX #A88E84

RGB 168 142 132

HSL 16.67, 0.17%, 0.59%

LAB 61.08, 8.15, 8.95

 

CMYK 0 / 10 / 21 / 34

HEX #A89784

RGB 168 151 132

HSL 31.67, 0.17%, 0.59%

LAB 63.45, 3.14, 12.3

 

CMYK 0 / 4 / 21 / 34

HEX #A8A184

RGB 168 161 132

HSL 48.33, 0.17%, 0.59%

LAB 66.12, -2.34, 16.04

 

CMYK 2 / 0 / 21 / 34

HEX #A5A884

RGB 165 168 132

HSL 65, 0.17%, 0.59%

LAB 67.78, -7.27, 18.29

 

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

CMYK 0 / 38 / 38 / 27

HEX #B97373

RGB 185 115 115

HSL 0, 0.33%, 0.59%

LAB 55.9, 27.59, 11.67

 

CMYK 0 / 51 / 51 / 21

HEX #CA6262

RGB 202 98 98

HSL 0, 0.5%, 0.59%

LAB 54.21, 41.28, 19.62

 

CMYK 0 / 63 / 63 / 15

HEX #DA5151

RGB 218 81 81

HSL 0, 0.65%, 0.59%

LAB 53.37, 53.63, 28.9

 

CMYK 0 / 72 / 72 / 8

HEX #EB4141

RGB 235 65 65

HSL 0, 0.81%, 0.59%

LAB 53.84, 64.39, 39.32

 

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

CMYK 0 / 1 / 1 / 41

HEX #979595

RGB 151 149 149

HSL 0, 0.01%, 0.59%

LAB 61.86, 0.73, 0.25

 

CMYK 19 / 0 / 0 / 35

HEX #86A6A6

RGB 134 166 166

HSL 180, 0.15%, 0.59%

LAB 65.82, -10.93, -3.65

 

CMYK 36 / 0 / 0 / 28

HEX #75B7B7

RGB 117 183 183

HSL 180, 0.31%, 0.59%

LAB 70.22, -20.88, -6.66

 

CMYK 50 / 0 / 0 / 22

HEX #64C8C8

RGB 100 200 200

HSL 180, 0.48%, 0.59%

LAB 74.94, -29.11, -9

 

CMYK 0 / 21 / 10 / 34

HEX #A88497

RGB 168 132 151

HSL 328.33, 0.17%, 0.59%

LAB 59.03, 16.97, -4.87

 

CMYK 0 / 21 / 15 / 34

HEX #A8848E

RGB 168 132 142

HSL 343.33, 0.17%, 0.59%

LAB 58.77, 15.41, -0.09

 

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

CMYK 0 / 15 / 21 / 34

HEX #A88E84

RGB 168 142 132

HSL 16.67, 0.17%, 0.59%

LAB 61.08, 8.15, 8.95

 

CMYK 0 / 10 / 21 / 34

HEX #A89784

RGB 168 151 132

HSL 31.67, 0.17%, 0.59%

LAB 63.45, 3.14, 12.3

 

CMYK 0 / 29 / 29 / 50

HEX #7F5A5A

RGB 127 90 90

HSL 0, 0.17%, 0.43%

LAB 42.1, 15.23, 6.05

 

CMYK 0 / 28 / 28 / 41

HEX #976C6C

RGB 151 108 108

HSL 0, 0.17%, 0.51%

LAB 49.96, 17.14, 6.8

 

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

CMYK 0 / 16 / 16 / 27

HEX #B99C9C

RGB 185 156 156

HSL 0, 0.17%, 0.67%

LAB 66.89, 10.71, 3.99

 

CMYK 0 / 11 / 11 / 21

HEX #CAB4B4

RGB 202 180 180

HSL 0, 0.17%, 0.75%

LAB 75.14, 7.86, 2.87

 

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

CMYK 4 / 0 / 21 / 34

HEX #A1A884

RGB 161 168 132

HSL 71.67, 0.17%, 0.59%

LAB 67.46, -8.81, 17.81

 

CMYK 21 / 13 / 0 / 34

HEX #8492A8

RGB 132 146 168

HSL 216.67, 0.17%, 0.59%

LAB 60.15, -0.11, -13.24

 

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

CMYK 21 / 0 / 21 / 34

HEX #84A884

RGB 132 168 132

HSL 120, 0.17%, 0.59%

LAB 65.42, -19.51, 14.66

 

CMYK 21 / 21 / 0 / 34

HEX #8484A8

RGB 132 132 168

HSL 240, 0.17%, 0.59%

LAB 56.32, 7.92, -19.04

 

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

CMYK 4 / 0 / 21 / 34

HEX #A1A884

RGB 161 168 132

HSL 71.67, 0.17%, 0.59%

LAB 67.46, -8.81, 17.81

 

CMYK 21 / 0 / 0 / 34

HEX #84A8A8

RGB 132 168 168

HSL 180, 0.17%, 0.59%

LAB 66.32, -12.19, -4.04

 

CMYK 17 / 21 / 0 / 34

HEX #8B84A8

RGB 139 132 168

HSL 251.67, 0.17%, 0.59%

LAB 56.9, 10.22, -18.11

 

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

CMYK 11 / 0 / 21 / 34

HEX #96A884

RGB 150 168 132

HSL 90, 0.17%, 0.59%

LAB 66.64, -12.97, 16.54

 

CMYK 21 / 0 / 0 / 34

HEX #84A8A8

RGB 132 168 168

HSL 180, 0.17%, 0.59%

LAB 66.32, -12.19, -4.04

 

CMYK 11 / 21 / 0 / 34

HEX #9684A8

RGB 150 132 168

HSL 270, 0.17%, 0.59%

LAB 57.86, 13.92, -16.56

 

Description

Color code: HEX #A88484 | qconv.com Color code: HEX #A88484 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 132 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 132 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 21 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 21% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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