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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A88998 it is the complementary color #577667. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A88998. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A88998 shade: #AD8993, #BE9BA6, #CFADB9, #E0BFCC and #F1D1DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A88998. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A88998 shade: #A88998, #977785, #866572, #75535F and #64414C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A88998 shade: #A88998, #A88990 and #A88989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A88998 shade: #A88998, #A889A0, #A789A8, #9F89A8 and #9789A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A88998 shade matches the following richer shades: #A88998, #B87997, #C96897, #D95896 and #EA4796

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A88998 shade: #A88998, #979A99, #87AA99, #76BB9A and #66CB9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A88998 shade: #A789A8, #A889A1, #A88999, #A88990 and #A88A89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A88998 shade: #805E6F, #967183, #A88998, #B9A1AD and #CBB9C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A88998 shade: #A88998, #A89F89 and #89A5A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A88998 shade: #A88998, #99A889 and #8999A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A88998 shade: #A88998, #A89F89, #89A899 and #8992A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A88998 shade: #A88998, #A8A889, #89A899 and #8989A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 10 / 34

HEX #A88998

RGB 168 137 152

HSL 330.97, 0.15%, 0.6%

LAB 60.32, 14.31, -3.54

 

Complementary color

CMYK 26 / 0 / 13 / 54

HEX #577667

RGB 87 118 103

HSL 150.97, 0.15%, 0.4%

LAB 46.93, -14.56, 4.66

 

CMYK 0 / 21 / 15 / 32

HEX #AD8993

RGB 173 137 147

HSL 343.33, 0.18%, 0.61%

LAB 60.68, 15.31, -0.1

 

CMYK 0 / 18 / 13 / 25

HEX #BE9BA6

RGB 190 155 166

HSL 341.14, 0.21%, 0.68%

LAB 67.38, 14.78, -0.83

 

CMYK 0 / 16 / 11 / 19

HEX #CFADB9

RGB 207 173 185

HSL 338.82, 0.26%, 0.75%

LAB 73.97, 14.3, -1.51

 

CMYK 0 / 15 / 9 / 12

HEX #E0BFCC

RGB 224 191 204

HSL 336.36, 0.35%, 0.81%

LAB 80.44, 13.86, -2.16

 

CMYK 0 / 13 / 7 / 5

HEX #F1D1DF

RGB 241 209 223

HSL 333.75, 0.53%, 0.88%

LAB 86.81, 13.46, -2.78

 

CMYK 0 / 18 / 10 / 34

HEX #A88998

RGB 168 137 152

HSL 330.97, 0.15%, 0.6%

LAB 60.32, 14.31, -3.54

 

CMYK 0 / 21 / 12 / 41

HEX #977785

RGB 151 119 133

HSL 333.75, 0.13%, 0.53%

LAB 53.46, 14.85, -2.86

 

CMYK 0 / 25 / 15 / 47

HEX #866572

RGB 134 101 114

HSL 336.36, 0.14%, 0.46%

LAB 46.43, 15.46, -2.13

 

CMYK 0 / 29 / 19 / 54

HEX #75535F

RGB 117 83 95

HSL 338.82, 0.17%, 0.39%

LAB 39.23, 16.16, -1.33

 

CMYK 0 / 35 / 24 / 61

HEX #64414C

RGB 100 65 76

HSL 341.14, 0.21%, 0.32%

LAB 31.83, 16.98, -0.4

 

CMYK 0 / 18 / 10 / 34

HEX #A88998

RGB 168 137 152

HSL 330.97, 0.15%, 0.6%

LAB 60.32, 14.31, -3.54

 

CMYK 0 / 18 / 14 / 34

HEX #A88990

RGB 168 137 144

HSL 346.45, 0.15%, 0.6%

LAB 60.1, 12.92, 0.7

 

CMYK 0 / 18 / 18 / 34

HEX #A88989

RGB 168 137 137

HSL 0, 0.15%, 0.6%

LAB 59.91, 11.76, 4.43

 

CMYK 0 / 18 / 10 / 34

HEX #A88998

RGB 168 137 152

HSL 330.97, 0.15%, 0.6%

LAB 60.32, 14.31, -3.54

 

CMYK 0 / 18 / 5 / 34

HEX #A889A0

RGB 168 137 160

HSL 315.48, 0.15%, 0.6%

LAB 60.56, 15.77, -7.75

 

CMYK 1 / 18 / 0 / 34

HEX #A789A8

RGB 167 137 168

HSL 298.06, 0.15%, 0.6%

LAB 60.72, 16.95, -12.08

 

CMYK 5 / 18 / 0 / 34

HEX #9F89A8

RGB 159 137 168

HSL 282.58, 0.15%, 0.6%

LAB 59.97, 14.15, -13.29

 

CMYK 10 / 18 / 0 / 34

HEX #9789A8

RGB 151 137 168

HSL 267.1, 0.15%, 0.6%

LAB 59.25, 11.39, -14.45

 

CMYK 0 / 18 / 10 / 34

HEX #A88998

RGB 168 137 152

HSL 330.97, 0.15%, 0.6%

LAB 60.32, 14.31, -3.54

 

CMYK 0 / 34 / 18 / 28

HEX #B87997

RGB 184 121 151

HSL 331.43, 0.31%, 0.6%

LAB 58.13, 28.99, -6.01

 

CMYK 0 / 48 / 25 / 21

HEX #C96897

RGB 201 104 151

HSL 330.93, 0.47%, 0.6%

LAB 56.64, 44, -8

 

CMYK 0 / 59 / 31 / 15

HEX #D95896

RGB 217 88 150

HSL 331.16, 0.63%, 0.6%

LAB 56.02, 56.64, -8.09

 

CMYK 0 / 70 / 36 / 8

HEX #EA4796

RGB 234 71 150

HSL 330.92, 0.8%, 0.6%

LAB 56.29, 68.31, -7.4

 

CMYK 0 / 18 / 10 / 34

HEX #A88998

RGB 168 137 152

HSL 330.97, 0.15%, 0.6%

LAB 60.32, 14.31, -3.54

 

CMYK 2 / 0 / 1 / 40

HEX #979A99

RGB 151 154 153

HSL 160, 0.01%, 0.6%

LAB 63.33, -1.27, 0.14

 

CMYK 21 / 0 / 10 / 33

HEX #87AA99

RGB 135 170 153

HSL 150.86, 0.17%, 0.6%

LAB 66.67, -15.48, 4.84

 

CMYK 37 / 0 / 18 / 27

HEX #76BB9A

RGB 118 187 154

HSL 151.3, 0.34%, 0.6%

LAB 70.68, -29.18, 9.9

 

CMYK 50 / 0 / 24 / 20

HEX #66CB9A

RGB 102 203 154

HSL 150.89, 0.49%, 0.6%

LAB 74.74, -40.89, 15.53

 

CMYK 1 / 18 / 0 / 34

HEX #A789A8

RGB 167 137 168

HSL 298.06, 0.15%, 0.6%

LAB 60.72, 16.95, -12.08

 

CMYK 0 / 18 / 4 / 34

HEX #A889A1

RGB 168 137 161

HSL 313.55, 0.15%, 0.6%

LAB 60.6, 15.96, -8.27

 

CMYK 0 / 18 / 9 / 34

HEX #A88999

RGB 168 137 153

HSL 329.03, 0.15%, 0.6%

LAB 60.35, 14.49, -4.07

 

CMYK 0 / 18 / 14 / 34

HEX #A88990

RGB 168 137 144

HSL 346.45, 0.15%, 0.6%

LAB 60.1, 12.92, 0.7

 

CMYK 0 / 18 / 18 / 34

HEX #A88A89

RGB 168 138 137

HSL 1.94, 0.15%, 0.6%

LAB 60.17, 11.19, 4.8

 

CMYK 0 / 27 / 13 / 50

HEX #805E6F

RGB 128 94 111

HSL 330, 0.15%, 0.44%

LAB 43.86, 16.75, -4.19

 

CMYK 0 / 25 / 13 / 41

HEX #967183

RGB 150 113 131

HSL 330.81, 0.15%, 0.52%

LAB 51.76, 17.59, -4.2

 

CMYK 0 / 18 / 10 / 34

HEX #A88998

RGB 168 137 152

HSL 330.97, 0.15%, 0.6%

LAB 60.32, 14.31, -3.54

 

CMYK 0 / 13 / 6 / 27

HEX #B9A1AD

RGB 185 161 173

HSL 330, 0.15%, 0.68%

LAB 68.62, 10.87, -2.97

 

CMYK 0 / 9 / 5 / 20

HEX #CBB9C1

RGB 203 185 193

HSL 333.33, 0.15%, 0.76%

LAB 76.83, 7.78, -1.73

 

CMYK 0 / 18 / 10 / 34

HEX #A88998

RGB 168 137 152

HSL 330.97, 0.15%, 0.6%

LAB 60.32, 14.31, -3.54

 

CMYK 0 / 5 / 18 / 34

HEX #A89F89

RGB 168 159 137

HSL 42.58, 0.15%, 0.6%

LAB 65.69, -0.48, 12.66

 

CMYK 18 / 2 / 0 / 34

HEX #89A5A8

RGB 137 165 168

HSL 185.81, 0.15%, 0.6%

LAB 65.79, -8.97, -4.78

 

CMYK 0 / 18 / 10 / 34

HEX #A88998

RGB 168 137 152

HSL 330.97, 0.15%, 0.6%

LAB 60.32, 14.31, -3.54

 

CMYK 9 / 0 / 18 / 34

HEX #99A889

RGB 153 168 137

HSL 89.03, 0.15%, 0.6%

LAB 66.96, -11.02, 14.27

 

CMYK 18 / 9 / 0 / 34

HEX #8999A8

RGB 137 153 168

HSL 209.03, 0.15%, 0.6%

LAB 62.45, -2.4, -9.75

 

CMYK 0 / 18 / 10 / 34

HEX #A88998

RGB 168 137 152

HSL 330.97, 0.15%, 0.6%

LAB 60.32, 14.31, -3.54

 

CMYK 0 / 5 / 18 / 34

HEX #A89F89

RGB 168 159 137

HSL 42.58, 0.15%, 0.6%

LAB 65.69, -0.48, 12.66

 

CMYK 18 / 0 / 9 / 34

HEX #89A899

RGB 137 168 153

HSL 150.97, 0.15%, 0.6%

LAB 66.23, -13.75, 4.22

 

CMYK 18 / 13 / 0 / 34

HEX #8992A8

RGB 137 146 168

HSL 222.58, 0.15%, 0.6%

LAB 60.52, 1.53, -12.64

 

CMYK 0 / 18 / 10 / 34

HEX #A88998

RGB 168 137 152

HSL 330.97, 0.15%, 0.6%

LAB 60.32, 14.31, -3.54

 

CMYK 0 / 0 / 18 / 34

HEX #A8A889

RGB 168 168 137

HSL 60, 0.15%, 0.6%

LAB 68.12, -5.35, 16.06

 

CMYK 18 / 0 / 9 / 34

HEX #89A899

RGB 137 168 153

HSL 150.97, 0.15%, 0.6%

LAB 66.23, -13.75, 4.22

 

CMYK 18 / 18 / 0 / 34

HEX #8989A8

RGB 137 137 168

HSL 240, 0.15%, 0.6%

LAB 58.07, 6.67, -16.34

 

Description

Color code: HEX #A88998 | qconv.com Color code: HEX #A88998 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 137 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 137 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 10 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 10% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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