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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8AFBB it is the complementary color #575044. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8AFBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8AFBB shade: #ADAFB6, #BEC1C9, #CFD3DC, #E0E5EF and #F1F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8AFBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8AFBB shade: #A8AFBB, #979DA8, #868B95, #757982 and #64676F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8AFBB shade: #A9B0BB, #A9ABBB, #ACA9BB, #B1A9BB and #B6A9BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8AFBB shade: #A9B0BB, #A9ABBB and #A9A9BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8AFBB shade matches the following richer shades: #A9B0BB, #9CACC8, #90A9D4, #84A6E0 and #77A3ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8AFBB shade: #A9B0BB, #B5B3AF, #C2B6A2, #CEB996 and #DABD8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8AFBB shade: #A9BABB, #A9B5BB, #A9B0BB, #A9ABBB and #ACA9BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8AFBB shade: #7B8597, #929AA9, #A9B0BB, #C0C5CD and #D7DADF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8AFBB shade: #A8AFBB, #B8A9BB and #B7BBA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8AFBB shade: #A8AFBB, #BBA9B0 and #B0BBA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8AFBB shade: #A8AFBB, #B8A9BB, #BBB4A9 and #ACBBA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8AFBB shade: #A8AFBB, #BBA9B9, #BBB4A9 and #A9BBAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 6 / 0 / 27

HEX #A8AFBB

RGB 168 175 187

HSL 217.89, 0.12%, 0.7%

LAB 71.26, -0.05, -6.97

 

Complementary color

CMYK 0 / 8 / 22 / 66

HEX #575044

RGB 87 80 68

HSL 37.89, 0.12%, 0.3%

LAB 34.36, 0.62, 8.12

 

CMYK 5 / 4 / 0 / 29

HEX #ADAFB6

RGB 173 175 182

HSL 226.67, 0.06%, 0.7%

LAB 71.5, 0.65, -3.82

 

CMYK 5 / 4 / 0 / 21

HEX #BEC1C9

RGB 190 193 201

HSL 223.64, 0.09%, 0.77%

LAB 78.05, 0.49, -4.38

 

CMYK 6 / 4 / 0 / 14

HEX #CFD3DC

RGB 207 211 220

HSL 221.54, 0.16%, 0.84%

LAB 84.49, 0.34, -4.92

 

CMYK 6 / 4 / 0 / 6

HEX #E0E5EF

RGB 224 229 239

HSL 220, 0.32%, 0.91%

LAB 90.83, 0.19, -5.44

HEX #E0E5EF

CMYK 5 / 3 / 0 / 0

HEX #F1F7FF

RGB 241 247 255

HSL 214.29, 1%, 0.97%

LAB 97, -0.51, -4.53

HEX #F1F7FF

CMYK 10 / 6 / 0 / 27

HEX #A8AFBB

RGB 168 175 187

HSL 217.89, 0.12%, 0.7%

LAB 71.26, -0.05, -6.97

 

CMYK 10 / 7 / 0 / 34

HEX #979DA8

RGB 151 157 168

HSL 218.82, 0.09%, 0.63%

LAB 64.58, 0.1, -6.47

 

CMYK 10 / 7 / 0 / 42

HEX #868B95

RGB 134 139 149

HSL 220, 0.07%, 0.55%

LAB 57.75, 0.25, -5.95

 

CMYK 10 / 7 / 0 / 49

HEX #757982

RGB 117 121 130

HSL 221.54, 0.05%, 0.48%

LAB 50.77, 0.42, -5.43

 

CMYK 10 / 7 / 0 / 56

HEX #64676F

RGB 100 103 111

HSL 223.64, 0.05%, 0.41%

LAB 43.59, 0.59, -4.89

 

CMYK 10 / 6 / 0 / 27

HEX #A9B0BB

RGB 169 176 187

HSL 216.67, 0.12%, 0.7%

LAB 71.6, -0.26, -6.46

 

CMYK 10 / 9 / 0 / 27

HEX #A9ABBB

RGB 169 171 187

HSL 233.33, 0.12%, 0.7%

LAB 70.28, 2.47, -8.42

 

CMYK 8 / 10 / 0 / 27

HEX #ACA9BB

RGB 172 169 187

HSL 250, 0.12%, 0.7%

LAB 69.99, 4.58, -8.83

 

CMYK 5 / 10 / 0 / 27

HEX #B1A9BB

RGB 177 169 187

HSL 266.67, 0.12%, 0.7%

LAB 70.39, 6.29, -8.19

 

CMYK 3 / 10 / 0 / 27

HEX #B6A9BB

RGB 182 169 187

HSL 283.33, 0.12%, 0.7%

LAB 70.81, 8.02, -7.52

 

CMYK 10 / 6 / 0 / 27

HEX #A9B0BB

RGB 169 176 187

HSL 216.67, 0.12%, 0.7%

LAB 71.6, -0.26, -6.46

 

CMYK 10 / 9 / 0 / 27

HEX #A9ABBB

RGB 169 171 187

HSL 233.33, 0.12%, 0.7%

LAB 70.28, 2.47, -8.42

 

CMYK 10 / 10 / 0 / 27

HEX #A9A9BB

RGB 169 169 187

HSL 240, 0.12%, 0.7%

LAB 69.75, 3.57, -9.21

 

CMYK 10 / 6 / 0 / 27

HEX #A9B0BB

RGB 169 176 187

HSL 216.67, 0.12%, 0.7%

LAB 71.6, -0.26, -6.46

 

CMYK 22 / 14 / 0 / 22

HEX #9CACC8

RGB 156 172 200

HSL 218.18, 0.29%, 0.7%

LAB 70, 0.52, -16.12

 

CMYK 32 / 20 / 0 / 17

HEX #90A9D4

RGB 144 169 212

HSL 217.94, 0.44%, 0.7%

LAB 68.79, 1.47, -24.63

 

CMYK 41 / 26 / 0 / 12

HEX #84A6E0

RGB 132 166 224

HSL 217.83, 0.6%, 0.7%

LAB 67.69, 3.03, -32.99

 

CMYK 50 / 31 / 0 / 7

HEX #77A3ED

RGB 119 163 237

HSL 217.63, 0.77%, 0.7%

LAB 66.7, 5.29, -41.73

 

CMYK 10 / 6 / 0 / 27

HEX #A9B0BB

RGB 169 176 187

HSL 216.67, 0.12%, 0.7%

LAB 71.6, -0.26, -6.46

 

CMYK 0 / 1 / 3 / 29

HEX #B5B3AF

RGB 181 179 175

HSL 40, 0.04%, 0.7%

LAB 73, -0.02, 2.28

 

CMYK 0 / 6 / 16 / 24

HEX #C2B6A2

RGB 194 182 162

HSL 37.5, 0.21%, 0.7%

LAB 74.53, 0.91, 11.71

 

CMYK 0 / 10 / 27 / 19

HEX #CEB996

RGB 206 185 150

HSL 37.5, 0.36%, 0.7%

LAB 76.08, 2.11, 20.51

 

CMYK 0 / 13 / 37 / 15

HEX #DABD8A

RGB 218 189 138

HSL 38.25, 0.52%, 0.7%

LAB 77.95, 3.17, 29.61

 

CMYK 10 / 1 / 0 / 27

HEX #A9BABB

RGB 169 186 187

HSL 183.33, 0.12%, 0.7%

LAB 74.28, -5.63, -2.51

 

CMYK 10 / 3 / 0 / 27

HEX #A9B5BB

RGB 169 181 187

HSL 200, 0.12%, 0.7%

LAB 72.94, -2.95, -4.48

 

CMYK 10 / 6 / 0 / 27

HEX #A9B0BB

RGB 169 176 187

HSL 216.67, 0.12%, 0.7%

LAB 71.6, -0.26, -6.46

 

CMYK 10 / 9 / 0 / 27

HEX #A9ABBB

RGB 169 171 187

HSL 233.33, 0.12%, 0.7%

LAB 70.28, 2.47, -8.42

 

CMYK 8 / 10 / 0 / 27

HEX #ACA9BB

RGB 172 169 187

HSL 250, 0.12%, 0.7%

LAB 69.99, 4.58, -8.83

 

CMYK 19 / 12 / 0 / 41

HEX #7B8597

RGB 123 133 151

HSL 218.57, 0.12%, 0.54%

LAB 55.3, 0.33, -10.86

 

CMYK 14 / 9 / 0 / 34

HEX #929AA9

RGB 146 154 169

HSL 219.13, 0.12%, 0.62%

LAB 63.41, 0.28, -8.8

 

CMYK 10 / 6 / 0 / 27

HEX #A9B0BB

RGB 169 176 187

HSL 216.67, 0.12%, 0.7%

LAB 71.6, -0.26, -6.46

 

CMYK 6 / 4 / 0 / 20

HEX #C0C5CD

RGB 192 197 205

HSL 216.92, 0.12%, 0.78%

LAB 79.36, -0.19, -4.6

 

CMYK 4 / 2 / 0 / 13

HEX #D7DADF

RGB 215 218 223

HSL 217.5, 0.11%, 0.86%

LAB 86.96, -0.09, -2.81

 

CMYK 10 / 6 / 0 / 27

HEX #A8AFBB

RGB 168 175 187

HSL 217.89, 0.12%, 0.7%

LAB 71.26, -0.05, -6.97

 

CMYK 2 / 10 / 0 / 27

HEX #B8A9BB

RGB 184 169 187

HSL 290, 0.12%, 0.7%

LAB 70.98, 8.71, -7.26

 

CMYK 2 / 0 / 10 / 27

HEX #B7BBA9

RGB 183 187 169

HSL 73.33, 0.12%, 0.7%

LAB 75.12, -4.63, 8.63

 

CMYK 10 / 6 / 0 / 27

HEX #A8AFBB

RGB 168 175 187

HSL 217.89, 0.12%, 0.7%

LAB 71.26, -0.05, -6.97

 

CMYK 0 / 10 / 6 / 27

HEX #BBA9B0

RGB 187 169 176

HSL 336.67, 0.12%, 0.7%

LAB 70.92, 7.73, -1.23

 

CMYK 6 / 0 / 10 / 27

HEX #B0BBA9

RGB 176 187 169

HSL 96.67, 0.12%, 0.7%

LAB 74.59, -7.14, 7.81

 

CMYK 10 / 6 / 0 / 27

HEX #A8AFBB

RGB 168 175 187

HSL 217.89, 0.12%, 0.7%

LAB 71.26, -0.05, -6.97

 

CMYK 2 / 10 / 0 / 27

HEX #B8A9BB

RGB 184 169 187

HSL 290, 0.12%, 0.7%

LAB 70.98, 8.71, -7.26

 

CMYK 0 / 4 / 10 / 27

HEX #BBB4A9

RGB 187 180 169

HSL 36.67, 0.12%, 0.7%

LAB 73.59, 0.55, 6.48

 

CMYK 8 / 0 / 10 / 27

HEX #ACBBA9

RGB 172 187 169

HSL 110, 0.12%, 0.7%

LAB 74.3, -8.56, 7.35

 

CMYK 10 / 6 / 0 / 27

HEX #A8AFBB

RGB 168 175 187

HSL 217.89, 0.12%, 0.7%

LAB 71.26, -0.05, -6.97

 

CMYK 0 / 10 / 1 / 27

HEX #BBA9B9

RGB 187 169 185

HSL 306.67, 0.12%, 0.7%

LAB 71.18, 9.38, -5.83

 

CMYK 0 / 4 / 10 / 27

HEX #BBB4A9

RGB 187 180 169

HSL 36.67, 0.12%, 0.7%

LAB 73.59, 0.55, 6.48

 

CMYK 10 / 0 / 9 / 27

HEX #A9BBAB

RGB 169 187 171

HSL 126.67, 0.12%, 0.7%

LAB 74.14, -9.25, 5.99

 

Description

Color code: HEX #A8AFBB | qconv.com Color code: HEX #A8AFBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 175 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 175 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 6 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 6% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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