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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8B421 it is the complementary color #574BDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8B421. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8B421 shade: #ADB41C, #BEC62F, #CFD842, #E0EA55 and #F1FC68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8B421. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8B421 shade: #A8B421, #97A20E, #869000, #757E00 and #646C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8B421 shade: #A8B421, #B49921, #B47121, #B44921 and #B42121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8B421 shade: #A8B421, #81B421, #59B421, #31B421 and #21B438

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8B421 shade matches the following richer shades: #A8B421 and #B7C60F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8B421 shade: #A8B421, #9AA332, #8B9243, #7D8155 and #6E6F66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8B421 shade: #B47021, #B49721, #ABB421, #83B421 and #5CB421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8B421 shade: #676F14, #88921A, #A8B421, #C9D727 and #D1DD4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8B421 shade: #A8B421, #21B448 and #8321B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8B421 shade: #A8B421, #21ABB4 and #B421AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8B421 shade: #A8B421, #21B448, #2B21B4 and #B4218D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8B421 shade: #A8B421, #21B474, #2B21B4 and #B42161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 82 / 29

HEX #A8B421

RGB 168 180 33

HSL 64.9, 0.69%, 0.42%

LAB 70.23, -21.17, 66.17

 

Complementary color

CMYK 61 / 66 / 0 / 13

HEX #574BDE

RGB 87 75 222

HSL 244.9, 0.69%, 0.58%

LAB 41.74, 46.68, -73.43

 

CMYK 4 / 0 / 84 / 29

HEX #ADB41C

RGB 173 180 28

HSL 62.76, 0.73%, 0.41%

LAB 70.6, -19.17, 67.88

 

CMYK 4 / 0 / 76 / 22

HEX #BEC62F

RGB 190 198 47

HSL 63.18, 0.62%, 0.48%

LAB 77.01, -20.22, 68.85

 

CMYK 4 / 0 / 69 / 15

HEX #CFD842

RGB 207 216 66

HSL 63.6, 0.66%, 0.55%

LAB 83.32, -21.09, 68.95

 

CMYK 4 / 0 / 64 / 8

HEX #E0EA55

RGB 224 234 85

HSL 64.03, 0.78%, 0.63%

LAB 89.56, -21.81, 68.53

 

CMYK 4 / 0 / 59 / 1

HEX #F1FC68

RGB 241 252 104

HSL 64.46, 0.96%, 0.7%

LAB 95.71, -22.41, 67.81

 

CMYK 7 / 0 / 82 / 29

HEX #A8B421

RGB 168 180 33

HSL 64.9, 0.69%, 0.42%

LAB 70.23, -21.17, 66.17

 

CMYK 7 / 0 / 91 / 36

HEX #97A20E

RGB 151 162 14

HSL 64.46, 0.84%, 0.35%

LAB 63.71, -20.01, 64.32

 

CMYK 7 / 0 / 100 / 44

HEX #869000

RGB 134 144 0

HSL 64.17, 1%, 0.28%

LAB 57.09, -18.62, 60.75

 

CMYK 7 / 0 / 100 / 51

HEX #757E00

RGB 117 126 0

HSL 64.29, 1%, 0.25%

LAB 50.34, -16.97, 55.13

 

CMYK 7 / 0 / 100 / 58

HEX #646C00

RGB 100 108 0

HSL 64.44, 1%, 0.21%

LAB 43.41, -15.27, 49.37

 

CMYK 7 / 0 / 82 / 29

HEX #A8B421

RGB 168 180 33

HSL 64.9, 0.69%, 0.42%

LAB 70.23, -21.17, 66.17

 

CMYK 0 / 15 / 82 / 29

HEX #B49921

RGB 180 153 33

HSL 48.98, 0.69%, 0.42%

LAB 63.83, -1.83, 61.02

 

CMYK 0 / 37 / 82 / 29

HEX #B47121

RGB 180 113 33

HSL 32.65, 0.69%, 0.42%

LAB 53.63, 20.26, 51.96

 

CMYK 0 / 59 / 82 / 29

HEX #B44921

RGB 180 73 33

HSL 16.33, 0.69%, 0.42%

LAB 45.05, 41.4, 44.05

 

CMYK 0 / 82 / 82 / 29

HEX #B42121

RGB 180 33 33

HSL 0, 0.69%, 0.42%

LAB 39.41, 56.75, 38.64

 

CMYK 7 / 0 / 82 / 29

HEX #A8B421

RGB 168 180 33

HSL 64.9, 0.69%, 0.42%

LAB 70.23, -21.17, 66.17

 

CMYK 28 / 0 / 82 / 29

HEX #81B421

RGB 129 180 33

HSL 80.82, 0.69%, 0.42%

LAB 67.59, -37.2, 62.84

 

CMYK 51 / 0 / 82 / 29

HEX #59B421

RGB 89 180 33

HSL 97.14, 0.69%, 0.42%

LAB 65.65, -51.05, 60.36

 

CMYK 73 / 0 / 82 / 29

HEX #31B421

RGB 49 180 33

HSL 113.47, 0.69%, 0.42%

LAB 64.49, -60.53, 58.86

 

CMYK 82 / 0 / 69 / 29

HEX #21B438

RGB 33 180 56

HSL 129.39, 0.69%, 0.42%

LAB 64.36, -61.07, 50.71

 

CMYK 7 / 0 / 82 / 29

HEX #A8B421

RGB 168 180 33

HSL 64.9, 0.69%, 0.42%

LAB 70.23, -21.17, 66.17

 

CMYK 8 / 0 / 92 / 22

HEX #B7C60F

RGB 183 198 15

HSL 64.92, 0.86%, 0.42%

LAB 76.37, -24.05, 75.14

 

CMYK 7 / 0 / 82 / 29

HEX #A8B421

RGB 168 180 33

HSL 64.9, 0.69%, 0.42%

LAB 70.23, -21.17, 66.17

 

CMYK 6 / 0 / 69 / 36

HEX #9AA332

RGB 154 163 50

HSL 64.78, 0.53%, 0.42%

LAB 64.4, -17.87, 54.78

 

CMYK 5 / 0 / 54 / 43

HEX #8B9243

RGB 139 146 67

HSL 65.32, 0.37%, 0.42%

LAB 58.46, -14.25, 40.43

 

CMYK 3 / 0 / 34 / 49

HEX #7D8155

RGB 125 129 85

HSL 65.45, 0.21%, 0.42%

LAB 52.64, -9, 23.4

 

CMYK 1 / 0 / 8 / 56

HEX #6E6F66

RGB 110 111 102

HSL 66.67, 0.04%, 0.42%

LAB 46.5, -2.16, 4.87

 

CMYK 0 / 38 / 82 / 29

HEX #B47021

RGB 180 112 33

HSL 32.24, 0.69%, 0.42%

LAB 53.39, 20.82, 51.75

 

CMYK 0 / 16 / 82 / 29

HEX #B49721

RGB 180 151 33

HSL 48.16, 0.69%, 0.42%

LAB 63.3, -0.75, 60.55

 

CMYK 5 / 0 / 82 / 29

HEX #ABB421

RGB 171 180 33

HSL 63.67, 0.69%, 0.42%

LAB 70.46, -19.88, 66.47

 

CMYK 27 / 0 / 82 / 29

HEX #83B421

RGB 131 180 33

HSL 80, 0.69%, 0.42%

LAB 67.71, -36.42, 62.99

 

CMYK 49 / 0 / 82 / 29

HEX #5CB421

RGB 92 180 33

HSL 95.92, 0.69%, 0.42%

LAB 65.77, -50.14, 60.51

 

CMYK 7 / 0 / 82 / 56

HEX #676F14

RGB 103 111 20

HSL 65.27, 0.69%, 0.26%

LAB 44.66, -14.87, 45.41

 

CMYK 7 / 0 / 82 / 43

HEX #88921A

RGB 136 146 26

HSL 65, 0.7%, 0.34%

LAB 57.91, -18.15, 56.37

 

CMYK 7 / 0 / 82 / 29

HEX #A8B421

RGB 168 180 33

HSL 64.9, 0.69%, 0.42%

LAB 70.23, -21.17, 66.17

 

CMYK 7 / 0 / 82 / 16

HEX #C9D727

RGB 201 215 39

HSL 64.77, 0.69%, 0.5%

LAB 82.47, -24.18, 76.19

 

CMYK 5 / 0 / 67 / 13

HEX #D1DD4A

RGB 209 221 74

HSL 64.9, 0.68%, 0.58%

LAB 84.88, -22.26, 67.6

 

CMYK 7 / 0 / 82 / 29

HEX #A8B421

RGB 168 180 33

HSL 64.9, 0.69%, 0.42%

LAB 70.23, -21.17, 66.17

 

CMYK 82 / 0 / 60 / 29

HEX #21B448

RGB 33 180 72

HSL 135.92, 0.69%, 0.42%

LAB 64.51, -59.27, 43.92

 

CMYK 27 / 82 / 0 / 29

HEX #8321B4

RGB 131 33 180

HSL 280, 0.69%, 0.42%

LAB 36.38, 62.1, -57.55

 

CMYK 7 / 0 / 82 / 29

HEX #A8B421

RGB 168 180 33

HSL 64.9, 0.69%, 0.42%

LAB 70.23, -21.17, 66.17

 

CMYK 82 / 5 / 0 / 29

HEX #21ABB4

RGB 33 171 180

HSL 183.67, 0.69%, 0.42%

LAB 63.95, -31.13, -14.64

 

CMYK 0 / 82 / 5 / 29

HEX #B421AB

RGB 180 33 171

HSL 303.67, 0.69%, 0.42%

LAB 43.85, 69.58, -39.78

 

CMYK 7 / 0 / 82 / 29

HEX #A8B421

RGB 168 180 33

HSL 64.9, 0.69%, 0.42%

LAB 70.23, -21.17, 66.17

 

CMYK 82 / 0 / 60 / 29

HEX #21B448

RGB 33 180 72

HSL 135.92, 0.69%, 0.42%

LAB 64.51, -59.27, 43.92

 

CMYK 76 / 82 / 0 / 29

HEX #2B21B4

RGB 43 33 180

HSL 244.08, 0.69%, 0.42%

LAB 26.44, 51.36, -74.26

 

CMYK 0 / 82 / 22 / 29

HEX #B4218D

RGB 180 33 141

HSL 315.92, 0.69%, 0.42%

LAB 42.33, 65.37, -24.11

 

CMYK 7 / 0 / 82 / 29

HEX #A8B421

RGB 168 180 33

HSL 64.9, 0.69%, 0.42%

LAB 70.23, -21.17, 66.17

 

CMYK 82 / 0 / 36 / 29

HEX #21B474

RGB 33 180 116

HSL 153.88, 0.69%, 0.42%

LAB 65.14, -51.86, 22.42

 

CMYK 76 / 82 / 0 / 29

HEX #2B21B4

RGB 43 33 180

HSL 244.08, 0.69%, 0.42%

LAB 26.44, 51.36, -74.26

 

CMYK 0 / 82 / 46 / 29

HEX #B42161

RGB 180 33 97

HSL 333.88, 0.69%, 0.42%

LAB 40.66, 60.54, 0.68

 

Description

Color code: HEX #A8B421 | qconv.com Color code: HEX #A8B421 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 180 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 180 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 82 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 82% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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