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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8B436 it is the complementary color #574BC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8B436. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8B436 shade: #ADB431, #BEC644, #CFD857, #E0EA6A and #F1FC7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8B436. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8B436 shade: #A8B436, #97A223, #869010, #757E00 and #646C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8B436 shade: #A8B435, #B49E35, #B47C35, #B45A35 and #B43835

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8B436 shade: #A8B435, #86B435, #64B435, #42B435 and #35B44B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8B436 shade matches the following richer shades: #A8B435, #B7C722 and #C7DA0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8B436 shade: #A8B435, #99A148, #898E5B, #7A7B6E and #6B6881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8B436 shade: #B47B35, #B49D35, #AAB435, #88B435 and #66B435

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8B436 shade: #6D7522, #8A942C, #A8B435, #BDC94A and #C8D26A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8B436 shade: #A8B436, #35B459 and #8C35B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8B436 shade: #A8B436, #35AAB4 and #B435AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8B436 shade: #A8B436, #35B459, #4035B4 and #B43590

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8B436 shade: #A8B436, #35B47F, #4035B4 and #B4356A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 70 / 29

HEX #A8B436

RGB 168 180 54

HSL 65.71, 0.54%, 0.46%

LAB 70.34, -20.25, 59.53

 

Complementary color

CMYK 57 / 63 / 0 / 21

HEX #574BC9

RGB 87 75 201

HSL 245.71, 0.54%, 0.54%

LAB 40.04, 40.1, -64.13

 

CMYK 4 / 0 / 73 / 29

HEX #ADB431

RGB 173 180 49

HSL 63.21, 0.57%, 0.45%

LAB 70.7, -18.38, 61.82

 

CMYK 4 / 0 / 66 / 22

HEX #BEC644

RGB 190 198 68

HSL 63.69, 0.53%, 0.52%

LAB 77.13, -19.17, 61.54

 

CMYK 4 / 0 / 60 / 15

HEX #CFD857

RGB 207 216 87

HSL 64.19, 0.62%, 0.59%

LAB 83.48, -19.82, 60.84

 

CMYK 4 / 0 / 55 / 8

HEX #E0EA6A

RGB 224 234 106

HSL 64.69, 0.75%, 0.67%

LAB 89.74, -20.35, 59.92

 

CMYK 4 / 0 / 50 / 1

HEX #F1FC7D

RGB 241 252 125

HSL 65.2, 0.95%, 0.74%

LAB 95.91, -20.79, 58.89

 

CMYK 7 / 0 / 70 / 29

HEX #A8B436

RGB 168 180 54

HSL 65.71, 0.54%, 0.46%

LAB 70.34, -20.25, 59.53

 

CMYK 7 / 0 / 78 / 36

HEX #97A223

RGB 151 162 35

HSL 65.2, 0.64%, 0.39%

LAB 63.79, -19.4, 59.39

 

CMYK 7 / 0 / 89 / 44

HEX #869010

RGB 134 144 16

HSL 64.69, 0.8%, 0.31%

LAB 57.13, -18.31, 58.09

 

CMYK 7 / 0 / 100 / 51

HEX #757E00

RGB 117 126 0

HSL 64.29, 1%, 0.25%

LAB 50.34, -16.97, 55.13

 

CMYK 7 / 0 / 100 / 58

HEX #646C00

RGB 100 108 0

HSL 64.44, 1%, 0.21%

LAB 43.41, -15.27, 49.37

 

CMYK 7 / 0 / 71 / 29

HEX #A8B435

RGB 168 180 53

HSL 65.67, 0.55%, 0.46%

LAB 70.33, -20.3, 59.9

 

CMYK 0 / 12 / 71 / 29

HEX #B49E35

RGB 180 158 53

HSL 49.61, 0.55%, 0.46%

LAB 65.29, -3.67, 55.22

 

CMYK 0 / 31 / 71 / 29

HEX #B47C35

RGB 180 124 53

HSL 33.54, 0.55%, 0.46%

LAB 56.46, 15.01, 46.1

 

CMYK 0 / 50 / 71 / 29

HEX #B45A35

RGB 180 90 53

HSL 17.48, 0.55%, 0.46%

LAB 48.6, 33.67, 37.52

 

CMYK 0 / 69 / 71 / 29

HEX #B43835

RGB 180 56 53

HSL 1.42, 0.55%, 0.46%

LAB 42.44, 49.78, 30.43

 

CMYK 7 / 0 / 71 / 29

HEX #A8B435

RGB 168 180 53

HSL 65.67, 0.55%, 0.46%

LAB 70.33, -20.3, 59.9

 

CMYK 26 / 0 / 71 / 29

HEX #86B435

RGB 134 180 53

HSL 81.73, 0.55%, 0.46%

LAB 68, -34.2, 56.79

 

CMYK 44 / 0 / 71 / 29

HEX #64B435

RGB 100 180 53

HSL 97.8, 0.55%, 0.46%

LAB 66.22, -46.38, 54.41

 

CMYK 63 / 0 / 71 / 29

HEX #42B435

RGB 66 180 53

HSL 113.86, 0.55%, 0.46%

LAB 65.01, -55.74, 52.78

 

CMYK 71 / 0 / 58 / 29

HEX #35B44B

RGB 53 180 75

HSL 130.39, 0.55%, 0.46%

LAB 64.89, -56, 43.05

 

CMYK 7 / 0 / 71 / 29

HEX #A8B435

RGB 168 180 53

HSL 65.67, 0.55%, 0.46%

LAB 70.33, -20.3, 59.9

 

CMYK 8 / 0 / 83 / 22

HEX #B7C722

RGB 183 199 34

HSL 65.82, 0.71%, 0.46%

LAB 76.7, -24.11, 71.93

 

CMYK 9 / 0 / 93 / 15

HEX #C7DA0F

RGB 199 218 15

HSL 65.62, 0.87%, 0.46%

LAB 83.08, -26.95, 80.86

 

CMYK 7 / 0 / 71 / 29

HEX #A8B435

RGB 168 180 53

HSL 65.67, 0.55%, 0.46%

LAB 70.33, -20.3, 59.9

 

CMYK 5 / 0 / 55 / 37

HEX #99A148

RGB 153 161 72

HSL 65.39, 0.38%, 0.46%

LAB 63.94, -15.68, 44.62

 

CMYK 4 / 0 / 36 / 44

HEX #898E5B

RGB 137 142 91

HSL 65.88, 0.22%, 0.46%

LAB 57.48, -10.31, 26.59

 

CMYK 1 / 0 / 11 / 52

HEX #7A7B6E

RGB 122 123 110

HSL 64.62, 0.06%, 0.46%

LAB 51.19, -2.87, 6.98

 

CMYK 17 / 19 / 0 / 49

HEX #6B6881

RGB 107 104 129

HSL 247.2, 0.11%, 0.46%

LAB 45.1, 6.71, -13.42

 

CMYK 0 / 32 / 71 / 29

HEX #B47B35

RGB 180 123 53

HSL 33.07, 0.55%, 0.46%

LAB 56.21, 15.57, 45.84

 

CMYK 0 / 13 / 71 / 29

HEX #B49D35

RGB 180 157 53

HSL 49.13, 0.55%, 0.46%

LAB 65.02, -3.14, 54.95

 

CMYK 6 / 0 / 71 / 29

HEX #AAB435

RGB 170 180 53

HSL 64.72, 0.55%, 0.46%

LAB 70.49, -19.46, 60.1

 

CMYK 24 / 0 / 71 / 29

HEX #88B435

RGB 136 180 53

HSL 80.79, 0.55%, 0.46%

LAB 68.12, -33.42, 56.96

 

CMYK 43 / 0 / 71 / 29

HEX #66B435

RGB 102 180 53

HSL 96.85, 0.55%, 0.46%

LAB 66.31, -45.74, 54.53

 

CMYK 7 / 0 / 71 / 54

HEX #6D7522

RGB 109 117 34

HSL 65.78, 0.55%, 0.3%

LAB 47.09, -14.62, 42.65

 

CMYK 7 / 0 / 70 / 42

HEX #8A942C

RGB 138 148 44

HSL 65.77, 0.54%, 0.38%

LAB 58.76, -17.45, 51.07

 

CMYK 7 / 0 / 71 / 29

HEX #A8B435

RGB 168 180 53

HSL 65.67, 0.55%, 0.46%

LAB 70.33, -20.3, 59.9

 

CMYK 6 / 0 / 63 / 21

HEX #BDC94A

RGB 189 201 74

HSL 65.67, 0.54%, 0.54%

LAB 77.93, -20.69, 59.92

 

CMYK 5 / 0 / 50 / 18

HEX #C8D26A

RGB 200 210 106

HSL 65.77, 0.54%, 0.62%

LAB 81.52, -18.15, 49.9

 

CMYK 7 / 0 / 70 / 29

HEX #A8B436

RGB 168 180 54

HSL 65.71, 0.54%, 0.46%

LAB 70.34, -20.25, 59.53

 

CMYK 71 / 0 / 51 / 29

HEX #35B459

RGB 53 180 89

HSL 137.01, 0.55%, 0.46%

LAB 65.06, -54.03, 36.45

 

CMYK 22 / 71 / 0 / 29

HEX #8C35B4

RGB 140 53 180

HSL 281.1, 0.55%, 0.46%

LAB 40.27, 56.44, -51.19

 

CMYK 7 / 0 / 70 / 29

HEX #A8B436

RGB 168 180 54

HSL 65.71, 0.54%, 0.46%

LAB 70.34, -20.25, 59.53

 

CMYK 71 / 6 / 0 / 29

HEX #35AAB4

RGB 53 170 180

HSL 184.72, 0.55%, 0.46%

LAB 64, -28.44, -14.54

 

CMYK 0 / 71 / 6 / 29

HEX #B435AA

RGB 180 53 170

HSL 304.72, 0.55%, 0.46%

LAB 45.84, 63.55, -36.03

 

CMYK 7 / 0 / 70 / 29

HEX #A8B436

RGB 168 180 54

HSL 65.71, 0.54%, 0.46%

LAB 70.34, -20.25, 59.53

 

CMYK 71 / 0 / 51 / 29

HEX #35B459

RGB 53 180 89

HSL 137.01, 0.55%, 0.46%

LAB 65.06, -54.03, 36.45

 

CMYK 64 / 71 / 0 / 29

HEX #4035B4

RGB 64 53 180

HSL 245.2, 0.55%, 0.46%

LAB 31.65, 42.81, -65.6

 

CMYK 0 / 71 / 20 / 29

HEX #B43590

RGB 180 53 144

HSL 317.01, 0.55%, 0.46%

LAB 44.61, 59.67, -22.4

 

CMYK 7 / 0 / 70 / 29

HEX #A8B436

RGB 168 180 54

HSL 65.71, 0.54%, 0.46%

LAB 70.34, -20.25, 59.53

 

CMYK 71 / 0 / 29 / 29

HEX #35B47F

RGB 53 180 127

HSL 154.96, 0.55%, 0.46%

LAB 65.7, -46.92, 17.28

 

CMYK 64 / 71 / 0 / 29

HEX #4035B4

RGB 64 53 180

HSL 245.2, 0.55%, 0.46%

LAB 31.65, 42.81, -65.6

 

CMYK 0 / 71 / 41 / 29

HEX #B4356A

RGB 180 53 106

HSL 334.96, 0.55%, 0.46%

LAB 43.2, 55.04, -1.24

 

Description

Color code: HEX #A8B436 | qconv.com Color code: HEX #A8B436 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 180 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 180 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 70 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 70% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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