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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8B7B6 it is the complementary color #574849. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8B7B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8B7B6 shade: #ADB7B1, #BEC9C4, #CFDBD7, #E0EDEA and #F1FFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8B7B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8B7B6 shade: #A8B7B6, #97A5A3, #869390, #75817D and #646F6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8B7B6 shade: #A8B7B6, #A8B7B2, #A8B7AE, #A8B7AA and #AAB7A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8B7B6 shade: #A8B7B6, #A8B4B7, #A8B0B7, #A8ACB7 and #A8A8B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8B7B6 shade matches the following richer shades: #A8B7B6, #9CC3C1, #8FD0CC, #82DDD7 and #75EAE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8B7B6 shade: #A8B7B6, #B5AAAB, #C29D9F, #CF9094 and #DB8389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8B7B6 shade: #A8B7AE, #A8B7B2, #A8B7B6, #A8B4B7 and #A8B0B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8B7B6 shade: #7B9190, #92A4A3, #A8B7B6, #BFC9C9 and #D5DCDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8B7B6 shade: #A8B7B6, #AAA8B7 and #B7B0A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8B7B6 shade: #A8B7B6, #B6A8B7 and #B7B6A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8B7B6 shade: #A8B7B6, #AAA8B7, #B7A8A9 and #B5B7A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8B7B6 shade: #A8B7B6, #AFA8B7, #B7A8A9 and #B0B7A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 1 / 28

HEX #A8B7B6

RGB 168 183 182

HSL 176, 0.09%, 0.69%

LAB 73.27, -5.37, -1.28

 

Complementary color

CMYK 0 / 17 / 16 / 66

HEX #574849

RGB 87 72 73

HSL 356, 0.09%, 0.31%

LAB 32.13, 6.54, 1.77

 

CMYK 5 / 0 / 3 / 28

HEX #ADB7B1

RGB 173 183 177

HSL 144, 0.06%, 0.7%

LAB 73.5, -4.62, 1.84

 

CMYK 5 / 0 / 2 / 21

HEX #BEC9C4

RGB 190 201 196

HSL 152.73, 0.09%, 0.77%

LAB 80.01, -4.69, 1.19

 

CMYK 5 / 0 / 2 / 14

HEX #CFDBD7

RGB 207 219 215

HSL 160, 0.14%, 0.84%

LAB 86.42, -4.77, 0.56

 

CMYK 5 / 0 / 1 / 7

HEX #E0EDEA

RGB 224 237 234

HSL 166.15, 0.27%, 0.9%

LAB 92.73, -4.84, -0.05

 

CMYK 5 / 0 / 1 / 0

HEX #F1FFFD

RGB 241 255 253

HSL 171.43, 1%, 0.97%

LAB 98.95, -4.92, -0.64

 

CMYK 8 / 0 / 1 / 28

HEX #A8B7B6

RGB 168 183 182

HSL 176, 0.09%, 0.69%

LAB 73.27, -5.37, -1.28

 

CMYK 8 / 0 / 1 / 35

HEX #97A5A3

RGB 151 165 163

HSL 171.43, 0.07%, 0.62%

LAB 66.62, -5.32, -0.66

 

CMYK 9 / 0 / 2 / 42

HEX #869390

RGB 134 147 144

HSL 166.15, 0.06%, 0.55%

LAB 59.84, -5.28, -0.02

 

CMYK 9 / 0 / 3 / 49

HEX #75817D

RGB 117 129 125

HSL 160, 0.05%, 0.48%

LAB 52.91, -5.24, 0.65

 

CMYK 10 / 0 / 5 / 56

HEX #646F6A

RGB 100 111 106

HSL 152.73, 0.05%, 0.41%

LAB 45.8, -5.22, 1.36

 

CMYK 8 / 0 / 1 / 28

HEX #A8B7B6

RGB 168 183 182

HSL 176, 0.09%, 0.69%

LAB 73.27, -5.37, -1.28

 

CMYK 8 / 0 / 3 / 28

HEX #A8B7B2

RGB 168 183 178

HSL 160, 0.09%, 0.69%

LAB 73.16, -6.15, 0.75

 

CMYK 8 / 0 / 5 / 28

HEX #A8B7AE

RGB 168 183 174

HSL 144, 0.09%, 0.69%

LAB 73.05, -6.92, 2.79

 

CMYK 8 / 0 / 7 / 28

HEX #A8B7AA

RGB 168 183 170

HSL 128, 0.09%, 0.69%

LAB 72.95, -7.68, 4.83

 

CMYK 7 / 0 / 8 / 28

HEX #AAB7A8

RGB 170 183 168

HSL 112, 0.09%, 0.69%

LAB 73.05, -7.34, 6.08

 

CMYK 8 / 0 / 1 / 28

HEX #A8B7B6

RGB 168 183 182

HSL 176, 0.09%, 0.69%

LAB 73.27, -5.37, -1.28

 

CMYK 8 / 2 / 0 / 28

HEX #A8B4B7

RGB 168 180 183

HSL 192, 0.09%, 0.69%

LAB 72.49, -3.56, -2.97

 

CMYK 8 / 4 / 0 / 28

HEX #A8B0B7

RGB 168 176 183

HSL 208, 0.09%, 0.69%

LAB 71.42, -1.41, -4.55

 

CMYK 8 / 6 / 0 / 28

HEX #A8ACB7

RGB 168 172 183

HSL 224, 0.09%, 0.69%

LAB 70.35, 0.77, -6.12

 

CMYK 8 / 8 / 0 / 28

HEX #A8A8B7

RGB 168 168 183

HSL 240, 0.09%, 0.69%

LAB 69.29, 2.95, -7.69

 

CMYK 8 / 0 / 1 / 28

HEX #A8B7B6

RGB 168 183 182

HSL 176, 0.09%, 0.69%

LAB 73.27, -5.37, -1.28

 

CMYK 20 / 0 / 1 / 24

HEX #9CC3C1

RGB 156 195 193

HSL 176.92, 0.25%, 0.69%

LAB 76.04, -13.32, -3.29

 

CMYK 31 / 0 / 2 / 18

HEX #8FD0CC

RGB 143 208 204

HSL 176.31, 0.41%, 0.69%

LAB 79.22, -21.36, -4.61

 

CMYK 41 / 0 / 3 / 13

HEX #82DDD7

RGB 130 221 215

HSL 176.04, 0.57%, 0.69%

LAB 82.57, -28.58, -5.6

 

CMYK 50 / 0 / 3 / 8

HEX #75EAE2

RGB 117 234 226

HSL 175.9, 0.74%, 0.69%

LAB 86.07, -35.01, -6.31

 

CMYK 8 / 0 / 1 / 28

HEX #A8B7B6

RGB 168 183 182

HSL 176, 0.09%, 0.69%

LAB 73.27, -5.37, -1.28

 

CMYK 0 / 6 / 6 / 29

HEX #B5AAAB

RGB 181 170 171

HSL 354.55, 0.07%, 0.69%

LAB 70.53, 4.13, 0.9

 

CMYK 0 / 19 / 18 / 24

HEX #C29D9F

RGB 194 157 159

HSL 356.76, 0.23%, 0.69%

LAB 68.08, 14.01, 4.14

 

CMYK 0 / 30 / 29 / 19

HEX #CF9094

RGB 207 144 148

HSL 356.19, 0.4%, 0.69%

LAB 66.02, 24.41, 7.51

 

CMYK 0 / 40 / 37 / 14

HEX #DB8389

RGB 219 131 137

HSL 355.91, 0.55%, 0.69%

LAB 64.24, 34.5, 11.39

 

CMYK 8 / 0 / 5 / 28

HEX #A8B7AE

RGB 168 183 174

HSL 144, 0.09%, 0.69%

LAB 73.05, -6.92, 2.79

 

CMYK 8 / 0 / 3 / 28

HEX #A8B7B2

RGB 168 183 178

HSL 160, 0.09%, 0.69%

LAB 73.16, -6.15, 0.75

 

CMYK 8 / 0 / 1 / 28

HEX #A8B7B6

RGB 168 183 182

HSL 176, 0.09%, 0.69%

LAB 73.27, -5.37, -1.28

 

CMYK 8 / 2 / 0 / 28

HEX #A8B4B7

RGB 168 180 183

HSL 192, 0.09%, 0.69%

LAB 72.49, -3.56, -2.97

 

CMYK 8 / 4 / 0 / 28

HEX #A8B0B7

RGB 168 176 183

HSL 208, 0.09%, 0.69%

LAB 71.42, -1.41, -4.55

 

CMYK 15 / 0 / 1 / 43

HEX #7B9190

RGB 123 145 144

HSL 177.27, 0.09%, 0.53%

LAB 58.49, -8.01, -2.1

 

CMYK 11 / 0 / 1 / 36

HEX #92A4A3

RGB 146 164 163

HSL 176.67, 0.09%, 0.61%

LAB 65.99, -6.5, -1.64

 

CMYK 8 / 0 / 1 / 28

HEX #A8B7B6

RGB 168 183 182

HSL 176, 0.09%, 0.69%

LAB 73.27, -5.37, -1.28

 

CMYK 5 / 0 / 0 / 21

HEX #BFC9C9

RGB 191 201 201

HSL 180, 0.08%, 0.77%

LAB 80.22, -3.41, -1.19

 

CMYK 3 / 0 / 0 / 14

HEX #D5DCDC

RGB 213 220 220

HSL 180, 0.09%, 0.85%

LAB 87.24, -2.35, -0.83

 

CMYK 8 / 0 / 1 / 28

HEX #A8B7B6

RGB 168 183 182

HSL 176, 0.09%, 0.69%

LAB 73.27, -5.37, -1.28

 

CMYK 7 / 8 / 0 / 28

HEX #AAA8B7

RGB 170 168 183

HSL 248, 0.09%, 0.69%

LAB 69.45, 3.64, -7.44

 

CMYK 0 / 4 / 8 / 28

HEX #B7B0A8

RGB 183 176 168

HSL 32, 0.09%, 0.69%

LAB 72.19, 1.07, 4.97

 

CMYK 8 / 0 / 1 / 28

HEX #A8B7B6

RGB 168 183 182

HSL 176, 0.09%, 0.69%

LAB 73.27, -5.37, -1.28

 

CMYK 1 / 8 / 0 / 28

HEX #B6A8B7

RGB 182 168 183

HSL 296, 0.09%, 0.69%

LAB 70.43, 7.8, -5.87

 

CMYK 0 / 1 / 8 / 28

HEX #B7B6A8

RGB 183 182 168

HSL 56, 0.09%, 0.69%

LAB 73.77, -2.15, 7.24

 

CMYK 8 / 0 / 1 / 28

HEX #A8B7B6

RGB 168 183 182

HSL 176, 0.09%, 0.69%

LAB 73.27, -5.37, -1.28

 

CMYK 7 / 8 / 0 / 28

HEX #AAA8B7

RGB 170 168 183

HSL 248, 0.09%, 0.69%

LAB 69.45, 3.64, -7.44

 

CMYK 0 / 8 / 8 / 28

HEX #B7A8A9

RGB 183 168 169

HSL 356, 0.09%, 0.69%

LAB 70.13, 5.59, 1.44

 

CMYK 1 / 0 / 8 / 28

HEX #B5B7A8

RGB 181 183 168

HSL 68, 0.09%, 0.69%

LAB 73.88, -3.41, 7.38

 

CMYK 8 / 0 / 1 / 28

HEX #A8B7B6

RGB 168 183 182

HSL 176, 0.09%, 0.69%

LAB 73.27, -5.37, -1.28

 

CMYK 4 / 8 / 0 / 28

HEX #AFA8B7

RGB 175 168 183

HSL 268, 0.09%, 0.69%

LAB 69.85, 5.36, -6.8

 

CMYK 0 / 8 / 8 / 28

HEX #B7A8A9

RGB 183 168 169

HSL 356, 0.09%, 0.69%

LAB 70.13, 5.59, 1.44

 

CMYK 4 / 0 / 8 / 28

HEX #B0B7A8

RGB 176 183 168

HSL 88, 0.09%, 0.69%

LAB 73.5, -5.21, 6.78

 

Description

Color code: HEX #A8B7B6 | qconv.com Color code: HEX #A8B7B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 183 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 183 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 1 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 1% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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