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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8B152 it is the complementary color #574EAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8B152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8B152 shade: #ADB14D, #BEC360, #CFD573, #E0E786 and #F1F999

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8B152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8B152 shade: #A8B152, #979F3F, #868D2C, #757B19 and #646906

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8B152 shade: #A8B152, #B1A052, #B18752, #B16D52 and #B15452

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8B152 shade: #A8B152, #8EB152, #75B152, #5BB152 and #52B163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8B152 shade matches the following richer shades: #A8B152, #B8C53E, #C9D92A and #D9EE15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8B152 shade: #A8B152, #989D66, #87897B, #77748F and #6660A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8B152 shade: #B18652, #B1A052, #A9B152, #90B152 and #76B152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8B152 shade: #747A37, #8F9743, #A8B152, #B6BE6F and #C5CB8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8B152 shade: #A8B152, #52B16D and #9352B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8B152 shade: #A8B152, #52A9B1 and #B152A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8B152 shade: #A8B152, #52B16D, #5A52B1 and #B15296

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8B152 shade: #A8B152, #52B189, #5A52B1 and #B1527A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 54 / 31

HEX #A8B152

RGB 168 177 82

HSL 65.68, 0.38%, 0.51%

LAB 69.74, -16.75, 46.84

 

Complementary color

CMYK 50 / 55 / 0 / 32

HEX #574EAD

RGB 87 78 173

HSL 245.68, 0.38%, 0.49%

LAB 38.71, 29.47, -49.87

 

CMYK 2 / 0 / 56 / 31

HEX #ADB14D

RGB 173 177 77

HSL 62.4, 0.39%, 0.5%

LAB 70.08, -15.08, 49.68

 

CMYK 3 / 0 / 51 / 24

HEX #BEC360

RGB 190 195 96

HSL 63.03, 0.45%, 0.57%

LAB 76.57, -15.59, 48.6

 

CMYK 3 / 0 / 46 / 16

HEX #CFD573

RGB 207 213 115

HSL 63.67, 0.54%, 0.64%

LAB 82.96, -16, 47.46

 

CMYK 3 / 0 / 42 / 9

HEX #E0E786

RGB 224 231 134

HSL 64.33, 0.67%, 0.72%

LAB 89.26, -16.34, 46.3

 

CMYK 3 / 0 / 39 / 2

HEX #F1F999

RGB 241 249 153

HSL 65, 0.89%, 0.79%

LAB 95.48, -16.62, 45.16

 

CMYK 5 / 0 / 54 / 31

HEX #A8B152

RGB 168 177 82

HSL 65.68, 0.38%, 0.51%

LAB 69.74, -16.75, 46.84

 

CMYK 5 / 0 / 60 / 38

HEX #979F3F

RGB 151 159 63

HSL 65, 0.43%, 0.44%

LAB 63.12, -16.23, 47.85

 

CMYK 5 / 0 / 69 / 45

HEX #868D2C

RGB 134 141 44

HSL 64.33, 0.52%, 0.36%

LAB 56.39, -15.56, 48.57

 

CMYK 5 / 0 / 80 / 52

HEX #757B19

RGB 117 123 25

HSL 63.67, 0.66%, 0.29%

LAB 49.52, -14.66, 48.6

 

CMYK 5 / 0 / 94 / 59

HEX #646906

RGB 100 105 6

HSL 63.03, 0.89%, 0.22%

LAB 42.5, -13.46, 47.2

 

CMYK 5 / 0 / 54 / 31

HEX #A8B152

RGB 168 177 82

HSL 65.68, 0.38%, 0.51%

LAB 69.74, -16.75, 46.84

 

CMYK 0 / 10 / 54 / 31

HEX #B1A052

RGB 177 160 82

HSL 49.26, 0.38%, 0.51%

LAB 65.82, -4.04, 42.45

 

CMYK 0 / 24 / 54 / 31

HEX #B18752

RGB 177 135 82

HSL 33.47, 0.38%, 0.51%

LAB 59.24, 9.65, 34.48

 

CMYK 0 / 38 / 54 / 31

HEX #B16D52

RGB 177 109 82

HSL 17.05, 0.38%, 0.51%

LAB 52.83, 24.19, 26.41

 

CMYK 0 / 53 / 54 / 31

HEX #B15452

RGB 177 84 82

HSL 1.26, 0.38%, 0.51%

LAB 47.36, 37.67, 19.23

 

CMYK 5 / 0 / 54 / 31

HEX #A8B152

RGB 168 177 82

HSL 65.68, 0.38%, 0.51%

LAB 69.74, -16.75, 46.84

 

CMYK 20 / 0 / 54 / 31

HEX #8EB152

RGB 142 177 82

HSL 82.11, 0.38%, 0.51%

LAB 67.88, -27.26, 44.19

 

CMYK 34 / 0 / 54 / 31

HEX #75B152

RGB 117 177 82

HSL 97.89, 0.38%, 0.51%

LAB 66.39, -36.59, 42.07

 

CMYK 49 / 0 / 54 / 31

HEX #5BB152

RGB 91 177 82

HSL 114.32, 0.38%, 0.51%

LAB 65.18, -44.99, 40.33

 

CMYK 54 / 0 / 44 / 31

HEX #52B163

RGB 82 177 99

HSL 130.74, 0.38%, 0.51%

LAB 65.07, -45.02, 31.53

 

CMYK 5 / 0 / 54 / 31

HEX #A8B152

RGB 168 177 82

HSL 65.68, 0.38%, 0.51%

LAB 69.74, -16.75, 46.84

 

CMYK 7 / 0 / 69 / 23

HEX #B8C53E

RGB 184 197 62

HSL 65.78, 0.54%, 0.51%

LAB 76.36, -21.52, 62.92

 

CMYK 7 / 0 / 81 / 15

HEX #C9D92A

RGB 201 217 42

HSL 65.49, 0.7%, 0.51%

LAB 83.03, -25.05, 75.92

 

CMYK 9 / 0 / 91 / 7

HEX #D9EE15

RGB 217 238 21

HSL 65.81, 0.86%, 0.51%

LAB 89.84, -28.9, 85.95

 

CMYK 5 / 0 / 54 / 31

HEX #A8B152

RGB 168 177 82

HSL 65.68, 0.38%, 0.51%

LAB 69.74, -16.75, 46.84

 

CMYK 3 / 0 / 35 / 38

HEX #989D66

RGB 152 157 102

HSL 65.45, 0.22%, 0.51%

LAB 63.13, -10.78, 28.21

 

CMYK 1 / 0 / 10 / 46

HEX #87897B

RGB 135 137 123

HSL 68.57, 0.06%, 0.51%

LAB 56.56, -3.39, 7.25

 

CMYK 17 / 19 / 0 / 44

HEX #77748F

RGB 119 116 143

HSL 246.67, 0.11%, 0.51%

LAB 49.97, 7.02, -14.26

 

CMYK 37 / 41 / 0 / 36

HEX #6660A3

RGB 102 96 163

HSL 245.37, 0.27%, 0.51%

LAB 44, 19.04, -35.45

 

CMYK 0 / 24 / 54 / 31

HEX #B18652

RGB 177 134 82

HSL 32.84, 0.38%, 0.51%

LAB 58.98, 10.21, 34.17

 

CMYK 0 / 10 / 54 / 31

HEX #B1A052

RGB 177 160 82

HSL 49.26, 0.38%, 0.51%

LAB 65.82, -4.04, 42.45

 

CMYK 5 / 0 / 54 / 31

HEX #A9B152

RGB 169 177 82

HSL 65.05, 0.38%, 0.51%

LAB 69.82, -16.33, 46.95

 

CMYK 19 / 0 / 54 / 31

HEX #90B152

RGB 144 177 82

HSL 80.84, 0.38%, 0.51%

LAB 68.01, -26.48, 44.38

 

CMYK 33 / 0 / 54 / 31

HEX #76B152

RGB 118 177 82

HSL 97.26, 0.38%, 0.51%

LAB 66.45, -36.23, 42.15

 

CMYK 5 / 0 / 55 / 52

HEX #747A37

RGB 116 122 55

HSL 65.37, 0.38%, 0.35%

LAB 49.38, -12.52, 35.42

 

CMYK 5 / 0 / 56 / 41

HEX #8F9743

RGB 143 151 67

HSL 65.71, 0.39%, 0.43%

LAB 60.23, -15.17, 42.56

 

CMYK 5 / 0 / 54 / 31

HEX #A8B152

RGB 168 177 82

HSL 65.68, 0.38%, 0.51%

LAB 69.74, -16.75, 46.84

 

CMYK 4 / 0 / 42 / 25

HEX #B6BE6F

RGB 182 190 111

HSL 66.08, 0.38%, 0.59%

LAB 74.77, -14.79, 38.88

 

CMYK 3 / 0 / 32 / 20

HEX #C5CB8B

RGB 197 203 139

HSL 65.63, 0.38%, 0.67%

LAB 79.87, -12.19, 31.3

 

CMYK 5 / 0 / 54 / 31

HEX #A8B152

RGB 168 177 82

HSL 65.68, 0.38%, 0.51%

LAB 69.74, -16.75, 46.84

 

CMYK 54 / 0 / 38 / 31

HEX #52B16D

RGB 82 177 109

HSL 137.05, 0.38%, 0.51%

LAB 65.23, -43.32, 26.48

 

CMYK 17 / 54 / 0 / 31

HEX #9352B1

RGB 147 82 177

HSL 281.05, 0.38%, 0.51%

LAB 46.19, 43.44, -39.91

 

CMYK 5 / 0 / 54 / 31

HEX #A8B152

RGB 168 177 82

HSL 65.68, 0.38%, 0.51%

LAB 69.74, -16.75, 46.84

 

CMYK 54 / 5 / 0 / 31

HEX #52A9B1

RGB 82 169 177

HSL 185.05, 0.38%, 0.51%

LAB 64.44, -23.8, -12.12

 

CMYK 0 / 54 / 5 / 31

HEX #B152A9

RGB 177 82 169

HSL 305.05, 0.38%, 0.51%

LAB 49.79, 50.32, -29.28

 

CMYK 5 / 0 / 54 / 31

HEX #A8B152

RGB 168 177 82

HSL 65.68, 0.38%, 0.51%

LAB 69.74, -16.75, 46.84

 

CMYK 54 / 0 / 38 / 31

HEX #52B16D

RGB 82 177 109

HSL 137.05, 0.38%, 0.51%

LAB 65.23, -43.32, 26.48

 

CMYK 49 / 54 / 0 / 31

HEX #5A52B1

RGB 90 82 177

HSL 245.05, 0.38%, 0.51%

LAB 40.22, 28.9, -49.8

 

CMYK 0 / 54 / 15 / 31

HEX #B15296

RGB 177 82 150

HSL 317.05, 0.38%, 0.51%

LAB 48.99, 47.16, -19.3

 

CMYK 5 / 0 / 54 / 31

HEX #A8B152

RGB 168 177 82

HSL 65.68, 0.38%, 0.51%

LAB 69.74, -16.75, 46.84

 

CMYK 54 / 0 / 23 / 31

HEX #52B189

RGB 82 177 137

HSL 154.74, 0.38%, 0.51%

LAB 65.78, -37.73, 12.06

 

CMYK 49 / 54 / 0 / 31

HEX #5A52B1

RGB 90 82 177

HSL 245.05, 0.38%, 0.51%

LAB 40.22, 28.9, -49.8

 

CMYK 0 / 54 / 31 / 31

HEX #B1527A

RGB 177 82 122

HSL 334.74, 0.38%, 0.51%

LAB 47.99, 43.09, -4.03

 

Description

Color code: HEX #A8B152 | qconv.com Color code: HEX #A8B152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 177 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 177 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 54 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 54% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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