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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8CC4B it is the complementary color #5733B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8CC4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8CC4B shade: #ADCC46, #BEDE59, #CFF06C, #E0FF7F and #F1FF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8CC4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8CC4B shade: #A8CC4B, #97BA38, #86A825, #759612 and #648400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8CC4B shade: #A8CC4B, #CBCC4B, #CCAB4B, #CC884B and #CC654B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8CC4B shade: #A8CC4B, #85CC4B, #63CC4B, #4BCC57 and #4BCC79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8CC4B shade matches the following richer shades: #A8CC4B, #B0DF39 and #B9F126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8CC4B shade: #A8CC4B, #A0B95E, #98A771, #909483 and #878296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8CC4B shade: #CCAA4B, #CCCC4B, #AACC4B, #87CC4B and #65CC4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8CC4B shade: #7B9A2B, #95BA34, #A8CC4B, #B8D56C and #C7DE8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8CC4B shade: #A8CC4B, #4BCC87 and #BB4BCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8CC4B shade: #A8CC4B, #4BAACC and #CC4BAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8CC4B shade: #A8CC4B, #4BCC87, #6E4BCC and #CC4B90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8CC4B shade: #A8CC4B, #4BCCAE, #6E4BCC and #CC4B69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 63 / 20

HEX #A8CC4B

RGB 168 204 75

HSL 76.74, 0.56%, 0.55%

LAB 77.29, -30.54, 58.39

 

Complementary color

CMYK 52 / 72 / 0 / 29

HEX #5733B4

RGB 87 51 180

HSL 256.74, 0.56%, 0.45%

LAB 33.33, 47.31, -62.77

 

CMYK 15 / 0 / 66 / 20

HEX #ADCC46

RGB 173 204 70

HSL 73.88, 0.57%, 0.54%

LAB 77.59, -28.91, 60.83

 

CMYK 14 / 0 / 60 / 13

HEX #BEDE59

RGB 190 222 89

HSL 74.44, 0.67%, 0.61%

LAB 83.92, -29.33, 60.13

 

CMYK 14 / 0 / 55 / 6

HEX #CFF06C

RGB 207 240 108

HSL 75, 0.81%, 0.68%

LAB 90.17, -29.66, 59.22

 

CMYK 12 / 0 / 50 / 0

HEX #E0FF7F

RGB 224 255 127

HSL 74.53, 1%, 0.75%

LAB 95.54, -28.52, 57.25

 

CMYK 5 / 0 / 43 / 0

HEX #F1FF92

RGB 241 255 146

HSL 67.71, 1%, 0.79%

LAB 96.94, -20.26, 50.37

 

CMYK 18 / 0 / 63 / 20

HEX #A8CC4B

RGB 168 204 75

HSL 76.74, 0.56%, 0.55%

LAB 77.29, -30.54, 58.39

 

CMYK 19 / 0 / 70 / 27

HEX #97BA38

RGB 151 186 56

HSL 76.15, 0.54%, 0.47%

LAB 70.86, -30.09, 58.9

 

CMYK 20 / 0 / 78 / 34

HEX #86A825

RGB 134 168 37

HSL 75.57, 0.64%, 0.4%

LAB 64.33, -29.48, 58.81

 

CMYK 22 / 0 / 88 / 41

HEX #759612

RGB 117 150 18

HSL 75, 0.79%, 0.33%

LAB 57.69, -28.65, 57.63

 

CMYK 24 / 0 / 100 / 48

HEX #648400

RGB 100 132 0

HSL 74.55, 1%, 0.26%

LAB 50.93, -27.59, 55.02

 

CMYK 18 / 0 / 63 / 20

HEX #A8CC4B

RGB 168 204 75

HSL 76.74, 0.56%, 0.55%

LAB 77.29, -30.54, 58.39

 

CMYK 0 / 0 / 63 / 20

HEX #CBCC4B

RGB 203 204 75

HSL 60.47, 0.56%, 0.55%

LAB 79.84, -16.32, 61.85

 

CMYK 0 / 16 / 63 / 20

HEX #CCAB4B

RGB 204 171 75

HSL 44.65, 0.56%, 0.55%

LAB 71.19, 1.14, 52.6

 

CMYK 0 / 33 / 63 / 20

HEX #CC884B

RGB 204 136 75

HSL 28.37, 0.56%, 0.55%

LAB 62.47, 20.07, 42.75

 

CMYK 0 / 50 / 63 / 20

HEX #CC654B

RGB 204 101 75

HSL 12.09, 0.56%, 0.55%

LAB 54.71, 38.73, 33.51

 

CMYK 18 / 0 / 63 / 20

HEX #A8CC4B

RGB 168 204 75

HSL 76.74, 0.56%, 0.55%

LAB 77.29, -30.54, 58.39

 

CMYK 35 / 0 / 63 / 20

HEX #85CC4B

RGB 133 204 75

HSL 93.02, 0.56%, 0.55%

LAB 75.25, -43.56, 55.58

 

CMYK 51 / 0 / 63 / 20

HEX #63CC4B

RGB 99 204 75

HSL 108.84, 0.56%, 0.55%

LAB 73.77, -54.21, 53.53

 

CMYK 63 / 0 / 57 / 20

HEX #4BCC57

RGB 75 204 87

HSL 125.58, 0.56%, 0.55%

LAB 73.13, -58.73, 47.28

 

CMYK 63 / 0 / 41 / 20

HEX #4BCC79

RGB 75 204 121

HSL 141.4, 0.56%, 0.55%

LAB 73.59, -53.67, 31.17

 

CMYK 18 / 0 / 63 / 20

HEX #A8CC4B

RGB 168 204 75

HSL 76.74, 0.56%, 0.55%

LAB 77.29, -30.54, 58.39

 

CMYK 21 / 0 / 74 / 13

HEX #B0DF39

RGB 176 223 57

HSL 76.99, 0.72%, 0.55%

LAB 83.07, -37.25, 71.03

 

CMYK 23 / 0 / 84 / 5

HEX #B9F126

RGB 185 241 38

HSL 76.55, 0.88%, 0.55%

LAB 88.62, -42.51, 81.24

 

CMYK 18 / 0 / 63 / 20

HEX #A8CC4B

RGB 168 204 75

HSL 76.74, 0.56%, 0.55%

LAB 77.29, -30.54, 58.39

 

CMYK 14 / 0 / 49 / 27

HEX #A0B95E

RGB 160 185 94

HSL 76.48, 0.39%, 0.55%

LAB 71.54, -22.86, 43.03

 

CMYK 9 / 0 / 32 / 35

HEX #98A771

RGB 152 167 113

HSL 76.67, 0.23%, 0.55%

LAB 66.14, -14.57, 26.24

 

CMYK 3 / 0 / 11 / 42

HEX #909483

RGB 144 148 131

HSL 74.12, 0.07%, 0.55%

LAB 60.56, -4.64, 8.49

 

CMYK 10 / 13 / 0 / 41

HEX #878296

RGB 135 130 150

HSL 255, 0.09%, 0.55%

LAB 55.4, 5.97, -10.03

 

CMYK 0 / 17 / 63 / 20

HEX #CCAA4B

RGB 204 170 75

HSL 44.19, 0.56%, 0.55%

LAB 70.94, 1.67, 52.31

 

CMYK 0 / 0 / 63 / 20

HEX #CCCC4B

RGB 204 204 75

HSL 60, 0.56%, 0.55%

LAB 79.92, -15.91, 61.96

 

CMYK 17 / 0 / 63 / 20

HEX #AACC4B

RGB 170 204 75

HSL 75.81, 0.56%, 0.55%

LAB 77.42, -29.75, 58.57

 

CMYK 34 / 0 / 63 / 20

HEX #87CC4B

RGB 135 204 75

HSL 92.09, 0.56%, 0.55%

LAB 75.35, -42.87, 55.72

 

CMYK 50 / 0 / 63 / 20

HEX #65CC4B

RGB 101 204 75

HSL 107.91, 0.56%, 0.55%

LAB 73.84, -53.66, 53.63

 

CMYK 20 / 0 / 72 / 40

HEX #7B9A2B

RGB 123 154 43

HSL 76.76, 0.56%, 0.39%

LAB 59.43, -26.95, 51.77

 

CMYK 20 / 0 / 72 / 27

HEX #95BA34

RGB 149 186 52

HSL 76.57, 0.56%, 0.47%

LAB 70.7, -31.13, 60.17

 

CMYK 18 / 0 / 63 / 20

HEX #A8CC4B

RGB 168 204 75

HSL 76.74, 0.56%, 0.55%

LAB 77.29, -30.54, 58.39

 

CMYK 14 / 0 / 49 / 16

HEX #B8D56C

RGB 184 213 108

HSL 76.57, 0.56%, 0.63%

LAB 81.22, -25.71, 48.31

 

CMYK 10 / 0 / 37 / 13

HEX #C7DE8C

RGB 199 222 140

HSL 76.83, 0.55%, 0.71%

LAB 85.14, -20.78, 37.72

 

CMYK 18 / 0 / 63 / 20

HEX #A8CC4B

RGB 168 204 75

HSL 76.74, 0.56%, 0.55%

LAB 77.29, -30.54, 58.39

 

CMYK 63 / 0 / 34 / 20

HEX #4BCC87

RGB 75 204 135

HSL 147.91, 0.56%, 0.55%

LAB 73.82, -51.08, 24.21

 

CMYK 8 / 63 / 0 / 20

HEX #BB4BCC

RGB 187 75 204

HSL 292.09, 0.56%, 0.55%

LAB 51.79, 62.43, -46.35

 

CMYK 18 / 0 / 63 / 20

HEX #A8CC4B

RGB 168 204 75

HSL 76.74, 0.56%, 0.55%

LAB 77.29, -30.54, 58.39

 

CMYK 63 / 17 / 0 / 20

HEX #4BAACC

RGB 75 170 204

HSL 195.81, 0.56%, 0.55%

LAB 65.44, -17.65, -25.64

 

CMYK 0 / 63 / 17 / 20

HEX #CC4BAA

RGB 204 75 170

HSL 315.81, 0.56%, 0.55%

LAB 52.7, 61.15, -25.05

 

CMYK 18 / 0 / 63 / 20

HEX #A8CC4B

RGB 168 204 75

HSL 76.74, 0.56%, 0.55%

LAB 77.29, -30.54, 58.39

 

CMYK 63 / 0 / 34 / 20

HEX #4BCC87

RGB 75 204 135

HSL 147.91, 0.56%, 0.55%

LAB 73.82, -51.08, 24.21

 

CMYK 46 / 63 / 0 / 20

HEX #6E4BCC

RGB 110 75 204

HSL 256.28, 0.56%, 0.55%

LAB 42.32, 45.26, -62.07

 

CMYK 0 / 63 / 29 / 20

HEX #CC4B90

RGB 204 75 144

HSL 327.91, 0.56%, 0.55%

LAB 51.7, 57.63, -11.22

 

CMYK 18 / 0 / 63 / 20

HEX #A8CC4B

RGB 168 204 75

HSL 76.74, 0.56%, 0.55%

LAB 77.29, -30.54, 58.39

 

CMYK 63 / 0 / 15 / 20

HEX #4BCCAE

RGB 75 204 174

HSL 166.05, 0.56%, 0.55%

LAB 74.66, -42.45, 4.56

 

CMYK 46 / 63 / 0 / 20

HEX #6E4BCC

RGB 110 75 204

HSL 256.28, 0.56%, 0.55%

LAB 42.32, 45.26, -62.07

 

CMYK 0 / 63 / 49 / 20

HEX #CC4B69

RGB 204 75 105

HSL 346.05, 0.56%, 0.55%

LAB 50.56, 53.42, 10.48

 

Description

Color code: HEX #A8CC4B | qconv.com Color code: HEX #A8CC4B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 204 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 204 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 63 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 63% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

47% - HostPipe Website Des...
Link: http://www.hostpipe.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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