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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8D5C5 it is the complementary color #572A3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8D5C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8D5C5 shade: #ADD5C0, #BEE7D3, #CFF9E6, #E0FFF9 and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8D5C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8D5C5 shade: #A8D5C5, #97C3B2, #86B19F, #759F8C and #648D79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8D5C5 shade: #A8D5C5, #A8D5B9, #A8D5AD, #B0D5A8 and #BCD5A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8D5C5 shade: #A8D5C5, #A8D5D1, #A8CDD5, #A8C1D5 and #A8B5D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8D5C5 shade matches the following richer shades: #A8D5C5, #9EDFC8, #94EACB, #89F4CE and #7FFED1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8D5C5 shade: #A8D5C5, #B3CBC2, #BDC0BF, #C7B6BC and #D2ACB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8D5C5 shade: #A8D5AD, #A8D5B9, #A8D5C5, #A8D5D1 and #A8CED5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8D5C5 shade: #71BAA0, #8DC8B3, #A8D5C5, #C4E2D8 and #E0F0EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8D5C5 shade: #A8D5C5, #A8B0D5 and #D5B3A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8D5C5 shade: #A8D5C5, #C5A8D5 and #D5C5A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8D5C5 shade: #A8D5C5, #A8B0D5, #D5A8B9 and #D5CEA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8D5C5 shade: #A8D5C5, #AEA8D5, #D5A8B9 and #CFD5A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 8 / 16

HEX #A8D5C5

RGB 168 213 197

HSL 158.67, 0.35%, 0.75%

LAB 81.81, -17.9, 3.08

 

Complementary color

CMYK 0 / 52 / 33 / 66

HEX #572A3A

RGB 87 42 58

HSL 338.67, 0.35%, 0.25%

LAB 23.63, 22.83, -0.73

 

CMYK 19 / 0 / 10 / 16

HEX #ADD5C0

RGB 173 213 192

HSL 148.5, 0.32%, 0.76%

LAB 81.99, -17.29, 6.04

 

CMYK 18 / 0 / 9 / 9

HEX #BEE7D3

RGB 190 231 211

HSL 150.73, 0.46%, 0.83%

LAB 88.35, -17.17, 5.33

 

CMYK 17 / 0 / 8 / 2

HEX #CFF9E6

RGB 207 249 230

HSL 152.86, 0.78%, 0.89%

LAB 94.62, -17.08, 4.64

 

CMYK 12 / 0 / 2 / 0

HEX #E0FFF9

RGB 224 255 249

HSL 168.39, 1%, 0.94%

LAB 97.72, -11.09, -0.52

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 21 / 0 / 8 / 16

HEX #A8D5C5

RGB 168 213 197

HSL 158.67, 0.35%, 0.75%

LAB 81.81, -17.9, 3.08

 

CMYK 23 / 0 / 9 / 24

HEX #97C3B2

RGB 151 195 178

HSL 156.82, 0.27%, 0.68%

LAB 75.34, -18.04, 3.79

 

CMYK 24 / 0 / 10 / 31

HEX #86B19F

RGB 134 177 159

HSL 154.88, 0.22%, 0.61%

LAB 68.76, -18.2, 4.53

 

CMYK 26 / 0 / 12 / 38

HEX #759F8C

RGB 117 159 140

HSL 152.86, 0.18%, 0.54%

LAB 62.06, -18.39, 5.31

 

CMYK 29 / 0 / 14 / 45

HEX #648D79

RGB 100 141 121

HSL 150.73, 0.17%, 0.47%

LAB 55.22, -18.61, 6.15

 

CMYK 21 / 0 / 8 / 16

HEX #A8D5C5

RGB 168 213 197

HSL 158.67, 0.35%, 0.75%

LAB 81.81, -17.9, 3.08

 

CMYK 21 / 0 / 13 / 16

HEX #A8D5B9

RGB 168 213 185

HSL 142.67, 0.35%, 0.75%

LAB 81.52, -20.25, 9.05

 

CMYK 21 / 0 / 19 / 16

HEX #A8D5AD

RGB 168 213 173

HSL 126.67, 0.35%, 0.75%

LAB 81.25, -22.45, 15.03

 

CMYK 17 / 0 / 21 / 16

HEX #B0D5A8

RGB 176 213 168

HSL 109.33, 0.35%, 0.75%

LAB 81.65, -20.6, 18.3

 

CMYK 12 / 0 / 21 / 16

HEX #BCD5A8

RGB 188 213 168

HSL 93.33, 0.35%, 0.75%

LAB 82.44, -16.4, 19.52

 

CMYK 21 / 0 / 8 / 16

HEX #A8D5C5

RGB 168 213 197

HSL 158.67, 0.35%, 0.75%

LAB 81.81, -17.9, 3.08

 

CMYK 21 / 0 / 2 / 16

HEX #A8D5D1

RGB 168 213 209

HSL 174.67, 0.35%, 0.75%

LAB 82.12, -15.43, -2.86

 

CMYK 21 / 4 / 0 / 16

HEX #A8CDD5

RGB 168 205 213

HSL 190.67, 0.35%, 0.75%

LAB 80.06, -10.46, -8.03

 

CMYK 21 / 9 / 0 / 16

HEX #A8C1D5

RGB 168 193 213

HSL 206.67, 0.35%, 0.75%

LAB 76.84, -4.15, -12.84

 

CMYK 21 / 15 / 0 / 16

HEX #A8B5D5

RGB 168 181 213

HSL 222.67, 0.35%, 0.75%

LAB 73.66, 2.31, -17.62

 

CMYK 21 / 0 / 8 / 16

HEX #A8D5C5

RGB 168 213 197

HSL 158.67, 0.35%, 0.75%

LAB 81.81, -17.9, 3.08

 

CMYK 29 / 0 / 10 / 13

HEX #9EDFC8

RGB 158 223 200

HSL 158.77, 0.5%, 0.75%

LAB 84.08, -25.3, 4.7

 

CMYK 37 / 0 / 13 / 8

HEX #94EACB

RGB 148 234 203

HSL 158.37, 0.67%, 0.75%

LAB 86.73, -32.77, 6.88

 

CMYK 44 / 0 / 16 / 4

HEX #89F4CE

RGB 137 244 206

HSL 158.69, 0.83%, 0.75%

LAB 89.15, -39.6, 8.73

 

CMYK 50 / 0 / 18 / 0

HEX #7FFED1

RGB 127 254 209

HSL 158.74, 0.98%, 0.75%

LAB 91.68, -45.73, 10.76

 

CMYK 21 / 0 / 8 / 16

HEX #A8D5C5

RGB 168 213 197

HSL 158.67, 0.35%, 0.75%

LAB 81.81, -17.9, 3.08

 

CMYK 12 / 0 / 4 / 20

HEX #B3CBC2

RGB 179 203 194

HSL 157.5, 0.19%, 0.75%

LAB 79.72, -9.82, 1.74

 

CMYK 2 / 0 / 1 / 25

HEX #BDC0BF

RGB 189 192 191

HSL 160, 0.02%, 0.75%

LAB 77.45, -1.22, 0.13

 

CMYK 0 / 9 / 6 / 22

HEX #C7B6BC

RGB 199 182 188

HSL 338.82, 0.13%, 0.75%

LAB 75.59, 7.09, -0.86

 

CMYK 0 / 18 / 12 / 18

HEX #D2ACB9

RGB 210 172 185

HSL 339.47, 0.3%, 0.75%

LAB 74, 15.92, -1.43

 

CMYK 21 / 0 / 19 / 16

HEX #A8D5AD

RGB 168 213 173

HSL 126.67, 0.35%, 0.75%

LAB 81.25, -22.45, 15.03

 

CMYK 21 / 0 / 13 / 16

HEX #A8D5B9

RGB 168 213 185

HSL 142.67, 0.35%, 0.75%

LAB 81.52, -20.25, 9.05

 

CMYK 21 / 0 / 8 / 16

HEX #A8D5C5

RGB 168 213 197

HSL 158.67, 0.35%, 0.75%

LAB 81.81, -17.9, 3.08

 

CMYK 21 / 0 / 2 / 16

HEX #A8D5D1

RGB 168 213 209

HSL 174.67, 0.35%, 0.75%

LAB 82.12, -15.43, -2.86

 

CMYK 21 / 3 / 0 / 16

HEX #A8CED5

RGB 168 206 213

HSL 189.33, 0.35%, 0.75%

LAB 80.33, -10.98, -7.63

 

CMYK 39 / 0 / 14 / 27

HEX #71BAA0

RGB 113 186 160

HSL 158.63, 0.35%, 0.59%

LAB 70.29, -28.84, 6.04

 

CMYK 30 / 0 / 11 / 22

HEX #8DC8B3

RGB 141 200 179

HSL 158.64, 0.35%, 0.67%

LAB 76.21, -23.46, 4.43

 

CMYK 21 / 0 / 8 / 16

HEX #A8D5C5

RGB 168 213 197

HSL 158.67, 0.35%, 0.75%

LAB 81.81, -17.9, 3.08

 

CMYK 13 / 0 / 4 / 11

HEX #C4E2D8

RGB 196 226 216

HSL 160, 0.34%, 0.83%

LAB 87.53, -11.78, 1.55

 

CMYK 7 / 0 / 3 / 6

HEX #E0F0EA

RGB 224 240 234

HSL 157.5, 0.35%, 0.91%

LAB 93.5, -6.36, 1.07

 

CMYK 21 / 0 / 8 / 16

HEX #A8D5C5

RGB 168 213 197

HSL 158.67, 0.35%, 0.75%

LAB 81.81, -17.9, 3.08

 

CMYK 21 / 17 / 0 / 16

HEX #A8B0D5

RGB 168 176 213

HSL 229.33, 0.35%, 0.75%

LAB 72.35, 5.05, -19.61

 

CMYK 0 / 16 / 21 / 16

HEX #D5B3A8

RGB 213 179 168

HSL 14.67, 0.35%, 0.75%

LAB 75.58, 10.55, 10.18

 

CMYK 21 / 0 / 8 / 16

HEX #A8D5C5

RGB 168 213 197

HSL 158.67, 0.35%, 0.75%

LAB 81.81, -17.9, 3.08

 

CMYK 8 / 21 / 0 / 16

HEX #C5A8D5

RGB 197 168 213

HSL 278.67, 0.35%, 0.75%

LAB 72.68, 18.78, -18.88

 

CMYK 0 / 8 / 21 / 16

HEX #D5C5A8

RGB 213 197 168

HSL 38.67, 0.35%, 0.75%

LAB 80.13, 0.99, 16.59

 

CMYK 21 / 0 / 8 / 16

HEX #A8D5C5

RGB 168 213 197

HSL 158.67, 0.35%, 0.75%

LAB 81.81, -17.9, 3.08

 

CMYK 21 / 17 / 0 / 16

HEX #A8B0D5

RGB 168 176 213

HSL 229.33, 0.35%, 0.75%

LAB 72.35, 5.05, -19.61

 

CMYK 0 / 21 / 13 / 16

HEX #D5A8B9

RGB 213 168 185

HSL 337.33, 0.35%, 0.75%

LAB 73.32, 19.16, -2.4

 

CMYK 0 / 3 / 21 / 16

HEX #D5CEA8

RGB 213 206 168

HSL 50.67, 0.35%, 0.75%

LAB 82.44, -3.71, 19.81

 

CMYK 21 / 0 / 8 / 16

HEX #A8D5C5

RGB 168 213 197

HSL 158.67, 0.35%, 0.75%

LAB 81.81, -17.9, 3.08

 

CMYK 18 / 21 / 0 / 16

HEX #AEA8D5

RGB 174 168 213

HSL 248, 0.35%, 0.75%

LAB 70.74, 11.35, -22.01

 

CMYK 0 / 21 / 13 / 16

HEX #D5A8B9

RGB 213 168 185

HSL 337.33, 0.35%, 0.75%

LAB 73.32, 19.16, -2.4

 

CMYK 3 / 0 / 21 / 16

HEX #CFD5A8

RGB 207 213 168

HSL 68, 0.35%, 0.75%

LAB 83.8, -9.53, 21.61

 

Description

Color code: HEX #A8D5C5 | qconv.com Color code: HEX #A8D5C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 213 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 213 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 8 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 8% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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