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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8D699 it is the complementary color #572966. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8D699. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8D699 shade: #ADD694, #BEE8A7, #CFFABA, #E0FFCD and #F1FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8D699. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8D699 shade: #A8D699, #97C486, #86B273, #75A060 and #648E4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8D699 shade: #A7D698, #B8D698, #C9D698, #D6D298 and #D6C298

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8D699 shade: #A7D698, #98D69A, #98D6AA, #98D6BB and #98D6CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8D699 shade matches the following richer shades: #A7D698, #A2E18D, #9CED81 and #96F876

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8D699 shade: #A7D698, #ADCAA4, #B3BFB0, #B9B3BB and #BFA8C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8D699 shade: #C8D698, #B8D698, #A8D698, #98D699 and #98D6AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8D699 shade: #75BE5D, #8ECA7B, #A7D698, #C1E2B6 and #DAEDD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8D699 shade: #A8D699, #98D6D3 and #D698C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8D699 shade: #A8D699, #98A8D6 and #D698A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8D699 shade: #A8D699, #98D6D3, #C698D6 and #D6989B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8D699 shade: #A8D699, #98C6D6, #C698D6 and #D6A898

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 29 / 16

HEX #A8D699

RGB 168 214 153

HSL 105.25, 0.43%, 0.72%

LAB 81.14, -26.28, 25.38

 

Complementary color

CMYK 15 / 60 / 0 / 60

HEX #572966

RGB 87 41 102

HSL 285.25, 0.43%, 0.28%

LAB 25.48, 32.01, -27.16

 

CMYK 19 / 0 / 31 / 16

HEX #ADD694

RGB 173 214 148

HSL 97.27, 0.45%, 0.71%

LAB 81.36, -25.3, 28.33

 

CMYK 18 / 0 / 28 / 9

HEX #BEE8A7

RGB 190 232 167

HSL 98.77, 0.59%, 0.78%

LAB 87.7, -25.19, 27.28

 

CMYK 17 / 0 / 26 / 2

HEX #CFFABA

RGB 207 250 186

HSL 100.31, 0.86%, 0.85%

LAB 93.96, -25.08, 26.29

 

CMYK 12 / 0 / 20 / 0

HEX #E0FFCD

RGB 224 255 205

HSL 97.2, 1%, 0.9%

LAB 96.73, -18.74, 20.61

 

CMYK 5 / 0 / 12 / 0

HEX #F1FFE0

RGB 241 255 224

HSL 87.1, 1%, 0.94%

LAB 98.27, -9.91, 13.25

 

CMYK 21 / 0 / 29 / 16

HEX #A8D699

RGB 168 214 153

HSL 105.25, 0.43%, 0.72%

LAB 81.14, -26.28, 25.38

 

CMYK 23 / 0 / 32 / 23

HEX #97C486

RGB 151 196 134

HSL 103.55, 0.34%, 0.65%

LAB 74.69, -26.45, 26.45

 

CMYK 25 / 0 / 35 / 30

HEX #86B273

RGB 134 178 115

HSL 101.9, 0.29%, 0.57%

LAB 68.13, -26.61, 27.58

 

CMYK 27 / 0 / 40 / 37

HEX #75A060

RGB 117 160 96

HSL 100.31, 0.25%, 0.5%

LAB 61.45, -26.77, 28.77

 

CMYK 30 / 0 / 46 / 44

HEX #648E4D

RGB 100 142 77

HSL 98.77, 0.3%, 0.43%

LAB 54.65, -26.91, 30.02

 

CMYK 22 / 0 / 29 / 16

HEX #A7D698

RGB 167 214 152

HSL 105.48, 0.43%, 0.72%

LAB 81.06, -26.79, 25.79

 

CMYK 14 / 0 / 29 / 16

HEX #B8D698

RGB 184 214 152

HSL 89.03, 0.43%, 0.72%

LAB 82.14, -20.78, 27.43

 

CMYK 6 / 0 / 29 / 16

HEX #C9D698

RGB 201 214 152

HSL 72.58, 0.43%, 0.72%

LAB 83.33, -14.52, 29.23

 

CMYK 0 / 2 / 29 / 16

HEX #D6D298

RGB 214 210 152

HSL 56.13, 0.43%, 0.72%

LAB 83.26, -7.57, 29.32

 

CMYK 0 / 9 / 29 / 16

HEX #D6C298

RGB 214 194 152

HSL 40.65, 0.43%, 0.72%

LAB 79.13, 0.72, 23.73

 

CMYK 22 / 0 / 29 / 16

HEX #A7D698

RGB 167 214 152

HSL 105.48, 0.43%, 0.72%

LAB 81.06, -26.79, 25.79

 

CMYK 29 / 0 / 28 / 16

HEX #98D69A

RGB 152 214 154

HSL 121.94, 0.43%, 0.72%

LAB 80.24, -31.49, 23.48

 

CMYK 29 / 0 / 21 / 16

HEX #98D6AA

RGB 152 214 170

HSL 137.42, 0.43%, 0.72%

LAB 80.56, -28.66, 15.51

 

CMYK 29 / 0 / 13 / 16

HEX #98D6BB

RGB 152 214 187

HSL 153.87, 0.43%, 0.72%

LAB 80.94, -25.37, 7.03

 

CMYK 29 / 0 / 5 / 16

HEX #98D6CC

RGB 152 214 204

HSL 170.32, 0.43%, 0.72%

LAB 81.36, -21.78, -1.41

 

CMYK 22 / 0 / 29 / 16

HEX #A7D698

RGB 167 214 152

HSL 105.48, 0.43%, 0.72%

LAB 81.06, -26.79, 25.79

 

CMYK 28 / 0 / 37 / 12

HEX #A2E18D

RGB 162 225 141

HSL 105, 0.58%, 0.72%

LAB 83.68, -35.3, 34.87

 

CMYK 34 / 0 / 46 / 7

HEX #9CED81

RGB 156 237 129

HSL 105, 0.75%, 0.72%

LAB 86.61, -44.25, 44.5

 

CMYK 40 / 0 / 52 / 3

HEX #96F876

RGB 150 248 118

HSL 105.23, 0.9%, 0.72%

LAB 89.36, -52.09, 52.98

 

CMYK 22 / 0 / 29 / 16

HEX #A7D698

RGB 167 214 152

HSL 105.48, 0.43%, 0.72%

LAB 81.06, -26.79, 25.79

 

CMYK 14 / 0 / 19 / 21

HEX #ADCAA4

RGB 173 202 164

HSL 105.79, 0.26%, 0.72%

LAB 78.35, -16.82, 15.78

 

CMYK 6 / 0 / 8 / 25

HEX #B3BFB0

RGB 179 191 176

HSL 108, 0.1%, 0.72%

LAB 76.06, -6.93, 6.14

 

CMYK 1 / 4 / 0 / 27

HEX #B9B3BB

RGB 185 179 187

HSL 285, 0.06%, 0.72%

LAB 73.64, 3.61, -3.31

 

CMYK 4 / 16 / 0 / 22

HEX #BFA8C7

RGB 191 168 199

HSL 284.52, 0.22%, 0.72%

LAB 71.69, 13.99, -12.73

 

CMYK 7 / 0 / 29 / 16

HEX #C8D698

RGB 200 214 152

HSL 73.55, 0.43%, 0.72%

LAB 83.25, -14.89, 29.12

 

CMYK 14 / 0 / 29 / 16

HEX #B8D698

RGB 184 214 152

HSL 89.03, 0.43%, 0.72%

LAB 82.14, -20.78, 27.43

 

CMYK 21 / 0 / 29 / 16

HEX #A8D698

RGB 168 214 152

HSL 104.52, 0.43%, 0.72%

LAB 81.12, -26.44, 25.88

 

CMYK 29 / 0 / 29 / 16

HEX #98D699

RGB 152 214 153

HSL 120.97, 0.43%, 0.72%

LAB 80.22, -31.66, 23.98

 

CMYK 29 / 0 / 21 / 16

HEX #98D6AA

RGB 152 214 170

HSL 137.42, 0.43%, 0.72%

LAB 80.56, -28.66, 15.51

 

CMYK 38 / 0 / 51 / 25

HEX #75BE5D

RGB 117 190 93

HSL 105.15, 0.43%, 0.55%

LAB 70.45, -41.05, 41.61

 

CMYK 30 / 0 / 39 / 21

HEX #8ECA7B

RGB 142 202 123

HSL 105.57, 0.43%, 0.64%

LAB 75.71, -34.05, 33.43

 

CMYK 22 / 0 / 29 / 16

HEX #A7D698

RGB 167 214 152

HSL 105.48, 0.43%, 0.72%

LAB 81.06, -26.79, 25.79

 

CMYK 15 / 0 / 19 / 11

HEX #C1E2B6

RGB 193 226 182

HSL 105, 0.43%, 0.8%

LAB 86.56, -18.86, 17.97

 

CMYK 8 / 0 / 11 / 7

HEX #DAEDD3

RGB 218 237 211

HSL 103.85, 0.42%, 0.88%

LAB 91.76, -10.92, 10.46

 

CMYK 21 / 0 / 29 / 16

HEX #A8D699

RGB 168 214 153

HSL 105.25, 0.43%, 0.72%

LAB 81.14, -26.28, 25.38

 

CMYK 29 / 0 / 1 / 16

HEX #98D6D3

RGB 152 214 211

HSL 177.1, 0.43%, 0.72%

LAB 81.55, -20.23, -4.86

 

CMYK 0 / 29 / 10 / 16

HEX #D698C0

RGB 214 152 192

HSL 321.29, 0.43%, 0.72%

LAB 69.87, 29.37, -11.38

 

CMYK 21 / 0 / 29 / 16

HEX #A8D699

RGB 168 214 153

HSL 105.25, 0.43%, 0.72%

LAB 81.14, -26.28, 25.38

 

CMYK 29 / 21 / 0 / 16

HEX #98A8D6

RGB 152 168 214

HSL 224.52, 0.43%, 0.72%

LAB 69.14, 4.86, -25.16

 

CMYK 0 / 29 / 21 / 16

HEX #D698A8

RGB 214 152 168

HSL 344.52, 0.43%, 0.72%

LAB 69.17, 25.53, 0.96

 

CMYK 21 / 0 / 29 / 16

HEX #A8D699

RGB 168 214 153

HSL 105.25, 0.43%, 0.72%

LAB 81.14, -26.28, 25.38

 

CMYK 29 / 0 / 1 / 16

HEX #98D6D3

RGB 152 214 211

HSL 177.1, 0.43%, 0.72%

LAB 81.55, -20.23, -4.86

 

CMYK 7 / 29 / 0 / 16

HEX #C698D6

RGB 198 152 214

HSL 284.52, 0.43%, 0.72%

LAB 68.98, 28.12, -25.06

 

CMYK 0 / 29 / 28 / 16

HEX #D6989B

RGB 214 152 155

HSL 357.1, 0.43%, 0.72%

LAB 68.84, 23.66, 7.72

 

CMYK 21 / 0 / 29 / 16

HEX #A8D699

RGB 168 214 153

HSL 105.25, 0.43%, 0.72%

LAB 81.14, -26.28, 25.38

 

CMYK 29 / 7 / 0 / 16

HEX #98C6D6

RGB 152 198 214

HSL 195.48, 0.43%, 0.72%

LAB 77.23, -11.36, -12.89

 

CMYK 7 / 29 / 0 / 16

HEX #C698D6

RGB 198 152 214

HSL 284.52, 0.43%, 0.72%

LAB 68.98, 28.12, -25.06

 

CMYK 0 / 21 / 29 / 16

HEX #D6A898

RGB 214 168 152

HSL 15.48, 0.43%, 0.72%

LAB 72.61, 14.59, 14.72

 

Description

Color code: HEX #A8D699 | qconv.com Color code: HEX #A8D699 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 214 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 214 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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