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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8DC3A it is the complementary color #5723C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8DC3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8DC3A shade: #ADDC35, #BEEE48, #CFFF5B, #E0FF6E and #F1FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8DC3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8DC3A shade: #A8DC3A, #97CA27, #86B814, #75A601 and #649400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8DC3A shade: #A9DC3B, #D4DC3B, #DCB93B, #DC8E3B and #DC623B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8DC3A shade: #A9DC3B, #7DDC3B, #52DC3B, #3BDC50 and #3BDC7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8DC3A shade matches the following richer shades: #A9DC3B and #AFEF29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8DC3A shade: #A9DC3B, #A2CA4E, #9BB761, #95A473 and #8E9286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8DC3A shade: #DCB93B, #D4DC3B, #A9DC3B, #7EDC3B and #54DC3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8DC3A shade: #7BA81D, #95CB23, #A9DC3B, #B8E25E and #C7E882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8DC3A shade: #A8DC3A, #3BDC8E and #CF3BDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8DC3A shade: #A8DC3A, #3BA9DC and #DC3BA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8DC3A shade: #A8DC3A, #3BDC8E, #6E3BDC and #DC3B89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8DC3A shade: #A8DC3A, #3BDCBF, #6E3BDC and #DC3B59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 74 / 14

HEX #A8DC3A

RGB 168 220 58

HSL 79.26, 0.7%, 0.55%

LAB 81.74, -38.93, 69.26

 

Complementary color

CMYK 56 / 82 / 0 / 23

HEX #5723C5

RGB 87 35 197

HSL 259.26, 0.7%, 0.45%

LAB 32.39, 59.26, -74.34

 

CMYK 21 / 0 / 76 / 14

HEX #ADDC35

RGB 173 220 53

HSL 76.89, 0.7%, 0.54%

LAB 82.02, -37.25, 71.22

 

CMYK 20 / 0 / 70 / 7

HEX #BEEE48

RGB 190 238 72

HSL 77.35, 0.83%, 0.61%

LAB 88.24, -37.82, 71.31

 

CMYK 19 / 0 / 64 / 0

HEX #CFFF5B

RGB 207 255 91

HSL 77.56, 1%, 0.68%

LAB 94.12, -37.81, 70.63

 

CMYK 12 / 0 / 57 / 0

HEX #E0FF6E

RGB 224 255 110

HSL 72.83, 1%, 0.72%

LAB 95.37, -29.98, 64.56

 

CMYK 5 / 0 / 49 / 0

HEX #F1FF81

RGB 241 255 129

HSL 66.67, 1%, 0.75%

LAB 96.74, -21.87, 58.05

 

CMYK 24 / 0 / 74 / 14

HEX #A8DC3A

RGB 168 220 58

HSL 79.26, 0.7%, 0.55%

LAB 81.74, -38.93, 69.26

 

CMYK 25 / 0 / 81 / 21

HEX #97CA27

RGB 151 202 39

HSL 78.77, 0.68%, 0.47%

LAB 75.43, -38.3, 68.73

 

CMYK 27 / 0 / 89 / 28

HEX #86B814

RGB 134 184 20

HSL 78.29, 0.8%, 0.4%

LAB 69.04, -37.47, 67.12

 

CMYK 30 / 0 / 99 / 35

HEX #75A601

RGB 117 166 1

HSL 77.82, 0.99%, 0.33%

LAB 62.56, -36.44, 64.22

 

CMYK 32 / 0 / 100 / 42

HEX #649400

RGB 100 148 0

HSL 79.46, 1%, 0.29%

LAB 55.98, -35.06, 58.88

 

CMYK 23 / 0 / 73 / 14

HEX #A9DC3B

RGB 169 220 59

HSL 79.01, 0.7%, 0.55%

LAB 81.8, -38.49, 69.01

 

CMYK 4 / 0 / 73 / 14

HEX #D4DC3B

RGB 212 220 59

HSL 62.98, 0.7%, 0.55%

LAB 84.74, -21.3, 72.84

 

CMYK 0 / 16 / 73 / 14

HEX #DCB93B

RGB 220 185 59

HSL 46.96, 0.7%, 0.55%

LAB 76.21, -0.24, 64.94

 

CMYK 0 / 35 / 73 / 14

HEX #DC8E3B

RGB 220 142 59

HSL 30.93, 0.7%, 0.55%

LAB 65.65, 22.67, 54.43

 

CMYK 0 / 55 / 73 / 14

HEX #DC623B

RGB 220 98 59

HSL 14.53, 0.7%, 0.55%

LAB 56.35, 45.39, 44.65

 

CMYK 23 / 0 / 73 / 14

HEX #A9DC3B

RGB 169 220 59

HSL 79.01, 0.7%, 0.55%

LAB 81.8, -38.49, 69.01

 

CMYK 43 / 0 / 73 / 14

HEX #7DDC3B

RGB 125 220 59

HSL 95.4, 0.7%, 0.55%

LAB 79.54, -53.95, 66.02

 

CMYK 63 / 0 / 73 / 14

HEX #52DC3B

RGB 82 220 59

HSL 111.43, 0.7%, 0.55%

LAB 78.05, -65.47, 64.05

 

CMYK 73 / 0 / 64 / 14

HEX #3BDC50

RGB 59 220 80

HSL 127.83, 0.7%, 0.55%

LAB 77.69, -67.85, 55.48

 

CMYK 73 / 0 / 44 / 14

HEX #3BDC7C

RGB 59 220 124

HSL 144.22, 0.7%, 0.55%

LAB 78.21, -61.78, 35.59

 

CMYK 23 / 0 / 73 / 14

HEX #A9DC3B

RGB 169 220 59

HSL 79.01, 0.7%, 0.55%

LAB 81.8, -38.49, 69.01

 

CMYK 27 / 0 / 83 / 6

HEX #AFEF29

RGB 175 239 41

HSL 79.39, 0.86%, 0.55%

LAB 87.49, -45.3, 79.38

 

CMYK 23 / 0 / 73 / 14

HEX #A9DC3B

RGB 169 220 59

HSL 79.01, 0.7%, 0.55%

LAB 81.8, -38.49, 69.01

 

CMYK 20 / 0 / 61 / 21

HEX #A2CA4E

RGB 162 202 78

HSL 79.35, 0.54%, 0.55%

LAB 76.36, -31.72, 55.99

 

CMYK 15 / 0 / 47 / 28

HEX #9BB761

RGB 155 183 97

HSL 79.53, 0.37%, 0.55%

LAB 70.66, -23.52, 40.39

 

CMYK 9 / 0 / 30 / 36

HEX #95A473

RGB 149 164 115

HSL 78.37, 0.21%, 0.55%

LAB 65.1, -13.89, 23.73

 

CMYK 3 / 0 / 8 / 43

HEX #8E9286

RGB 142 146 134

HSL 80, 0.05%, 0.55%

LAB 59.92, -3.74, 5.85

 

CMYK 0 / 16 / 73 / 14

HEX #DCB93B

RGB 220 185 59

HSL 46.96, 0.7%, 0.55%

LAB 76.21, -0.24, 64.94

 

CMYK 4 / 0 / 73 / 14

HEX #D4DC3B

RGB 212 220 59

HSL 62.98, 0.7%, 0.55%

LAB 84.74, -21.3, 72.84

 

CMYK 23 / 0 / 73 / 14

HEX #A9DC3B

RGB 169 220 59

HSL 79.01, 0.7%, 0.55%

LAB 81.8, -38.49, 69.01

 

CMYK 43 / 0 / 73 / 14

HEX #7EDC3B

RGB 126 220 59

HSL 95.03, 0.7%, 0.55%

LAB 79.58, -53.64, 66.08

 

CMYK 62 / 0 / 73 / 14

HEX #54DC3B

RGB 84 220 59

HSL 110.68, 0.7%, 0.55%

LAB 78.1, -65.04, 64.12

 

CMYK 27 / 0 / 83 / 34

HEX #7BA81D

RGB 123 168 29

HSL 79.42, 0.71%, 0.39%

LAB 63.59, -34.27, 60.21

 

CMYK 27 / 0 / 83 / 20

HEX #95CB23

RGB 149 203 35

HSL 79.29, 0.71%, 0.47%

LAB 75.59, -39.66, 69.85

 

CMYK 23 / 0 / 73 / 14

HEX #A9DC3B

RGB 169 220 59

HSL 79.01, 0.7%, 0.55%

LAB 81.8, -38.49, 69.01

 

CMYK 19 / 0 / 58 / 11

HEX #B8E25E

RGB 184 226 94

HSL 79.09, 0.69%, 0.63%

LAB 84.68, -33.11, 58.72

 

CMYK 14 / 0 / 44 / 9

HEX #C7E882

RGB 199 232 130

HSL 79.41, 0.69%, 0.71%

LAB 87.71, -26.77, 45.93

 

CMYK 24 / 0 / 74 / 14

HEX #A8DC3A

RGB 168 220 58

HSL 79.26, 0.7%, 0.55%

LAB 81.74, -38.93, 69.26

 

CMYK 73 / 0 / 35 / 14

HEX #3BDC8E

RGB 59 220 142

HSL 150.93, 0.7%, 0.55%

LAB 78.5, -58.49, 26.82

 

CMYK 6 / 73 / 0 / 14

HEX #CF3BDC

RGB 207 59 220

HSL 295.16, 0.7%, 0.55%

LAB 53.56, 75.54, -52.48

 

CMYK 24 / 0 / 74 / 14

HEX #A8DC3A

RGB 168 220 58

HSL 79.26, 0.7%, 0.55%

LAB 81.74, -38.93, 69.26

 

CMYK 73 / 23 / 0 / 14

HEX #3BA9DC

RGB 59 169 220

HSL 199.01, 0.7%, 0.55%

LAB 65.34, -14.33, -34.68

 

CMYK 0 / 73 / 23 / 14

HEX #DC3BA9

RGB 220 59 169

HSL 319.01, 0.7%, 0.55%

LAB 53.18, 70.94, -23.51

 

CMYK 24 / 0 / 74 / 14

HEX #A8DC3A

RGB 168 220 58

HSL 79.26, 0.7%, 0.55%

LAB 81.74, -38.93, 69.26

 

CMYK 73 / 0 / 35 / 14

HEX #3BDC8E

RGB 59 220 142

HSL 150.93, 0.7%, 0.55%

LAB 78.5, -58.49, 26.82

 

CMYK 50 / 73 / 0 / 14

HEX #6E3BDC

RGB 110 59 220

HSL 259.01, 0.7%, 0.55%

LAB 40.59, 57.93, -74.09

 

CMYK 0 / 73 / 38 / 14

HEX #DC3B89

RGB 220 59 137

HSL 330.93, 0.7%, 0.55%

LAB 52.01, 67.27, -6.32

 

CMYK 24 / 0 / 74 / 14

HEX #A8DC3A

RGB 168 220 58

HSL 79.26, 0.7%, 0.55%

LAB 81.74, -38.93, 69.26

 

CMYK 73 / 0 / 13 / 14

HEX #3BDCBF

RGB 59 220 191

HSL 169.19, 0.7%, 0.55%

LAB 79.54, -47.4, 2.48

 

CMYK 50 / 73 / 0 / 14

HEX #6E3BDC

RGB 110 59 220

HSL 259.01, 0.7%, 0.55%

LAB 40.59, 57.93, -74.09

 

CMYK 0 / 73 / 60 / 14

HEX #DC3B59

RGB 220 59 89

HSL 348.82, 0.7%, 0.55%

LAB 50.76, 63.23, 20.85

 

Description

Color code: HEX #A8DC3A | qconv.com Color code: HEX #A8DC3A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 220 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 220 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 74 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 74% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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