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Color name
HEX #A8E5AD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8E5AD it is the complementary color #571A52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8E5AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8E5AD shade: #ADE5A8, #BEF7BB, #CFFFCE, #E0FFE1 and #F1FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8E5AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8E5AD shade: #A8E5AD, #97D39A, #86C187, #75AF74 and #649D61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8E5AD shade: #A8E5AD, #B3E5A8, #C4E5A8, #D4E5A8 and #E4E5A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8E5AD shade: #A8E5AD, #A8E5BD, #A8E5CE, #A8E5DE and #A8DBE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8E5AD shade matches the following richer shades: #A8E5AD, #9FEEA5 and #96F79E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8E5AD shade: #A8E5AD, #B1DCB5, #BAD3BC, #C3C9C4 and #CCC0CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8E5AD shade: #C4E5A8, #B4E5A8, #A8E5AC, #A8E5BC and #A8E5CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8E5AD shade: #69D271, #88DB8F, #A8E5AD, #C8EECB and #E8F8E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8E5AD shade: #A8E5AD, #A8D5E5 and #E5A8BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8E5AD shade: #A8E5AD, #ACA8E5 and #E5ACA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8E5AD shade: #A8E5AD, #A8D5E5, #E5A8E1 and #E5B8A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8E5AD shade: #A8E5AD, #A8C2E5, #E5A8E1 and #E5CAA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 24 / 10

HEX #A8E5AD

RGB 168 229 173

HSL 124.92, 0.54%, 0.78%

LAB 85.7, -30.17, 21.23

 

Complementary color

CMYK 0 / 70 / 6 / 66

HEX #571A52

RGB 87 26 82

HSL 304.92, 0.54%, 0.22%

LAB 21.48, 35.54, -20.27

 

CMYK 24 / 0 / 27 / 10

HEX #ADE5A8

RGB 173 229 168

HSL 115.08, 0.54%, 0.78%

LAB 85.88, -29.37, 24.12

 

CMYK 23 / 0 / 24 / 3

HEX #BEF7BB

RGB 190 247 187

HSL 117, 0.79%, 0.85%

LAB 92.16, -29.17, 23.14

 

CMYK 19 / 0 / 19 / 0

HEX #CFFFCE

RGB 207 255 206

HSL 118.78, 1%, 0.9%

LAB 95.68, -24.26, 18.48

 

CMYK 12 / 0 / 12 / 0

HEX #E0FFE1

RGB 224 255 225

HSL 121.94, 1%, 0.94%

LAB 97.15, -15.44, 10.98

 

CMYK 5 / 0 / 4 / 0

HEX #F1FFF4

RGB 241 255 244

HSL 132.86, 1%, 0.97%

LAB 98.73, -6.53, 3.66

 

CMYK 27 / 0 / 24 / 10

HEX #A8E5AD

RGB 168 229 173

HSL 124.92, 0.54%, 0.78%

LAB 85.7, -30.17, 21.23

 

CMYK 28 / 0 / 27 / 17

HEX #97D39A

RGB 151 211 154

HSL 123, 0.41%, 0.71%

LAB 79.33, -30.4, 22.23

 

CMYK 31 / 0 / 30 / 24

HEX #86C187

RGB 134 193 135

HSL 121.02, 0.32%, 0.64%

LAB 72.86, -30.64, 23.3

 

CMYK 33 / 0 / 34 / 31

HEX #75AF74

RGB 117 175 116

HSL 118.98, 0.27%, 0.57%

LAB 66.29, -30.89, 24.43

 

CMYK 36 / 0 / 38 / 38

HEX #649D61

RGB 100 157 97

HSL 117, 0.24%, 0.5%

LAB 59.6, -31.14, 25.64

 

CMYK 27 / 0 / 24 / 10

HEX #A8E5AD

RGB 168 229 173

HSL 124.92, 0.54%, 0.78%

LAB 85.7, -30.17, 21.23

 

CMYK 22 / 0 / 27 / 10

HEX #B3E5A8

RGB 179 229 168

HSL 109.18, 0.54%, 0.78%

LAB 86.23, -27.36, 24.65

 

CMYK 14 / 0 / 27 / 10

HEX #C4E5A8

RGB 196 229 168

HSL 92.46, 0.54%, 0.78%

LAB 87.29, -21.48, 26.27

 

CMYK 7 / 0 / 27 / 10

HEX #D4E5A8

RGB 212 229 168

HSL 76.72, 0.54%, 0.78%

LAB 88.38, -15.74, 27.94

 

CMYK 0 / 0 / 27 / 10

HEX #E4E5A8

RGB 228 229 168

HSL 60.98, 0.54%, 0.78%

LAB 89.56, -9.84, 29.73

 

CMYK 27 / 0 / 24 / 10

HEX #A8E5AD

RGB 168 229 173

HSL 124.92, 0.54%, 0.78%

LAB 85.7, -30.17, 21.23

 

CMYK 27 / 0 / 17 / 10

HEX #A8E5BD

RGB 168 229 189

HSL 140.66, 0.54%, 0.78%

LAB 86.03, -27.31, 13.35

 

CMYK 27 / 0 / 10 / 10

HEX #A8E5CE

RGB 168 229 206

HSL 157.38, 0.54%, 0.78%

LAB 86.41, -24.01, 4.99

 

CMYK 27 / 0 / 3 / 10

HEX #A8E5DE

RGB 168 229 222

HSL 173.11, 0.54%, 0.78%

LAB 86.82, -20.67, -2.84

 

CMYK 27 / 4 / 0 / 10

HEX #A8DBE5

RGB 168 219 229

HSL 189.84, 0.54%, 0.78%

LAB 84.3, -14.11, -10.26

 

CMYK 27 / 0 / 24 / 10

HEX #A8E5AD

RGB 168 229 173

HSL 124.92, 0.54%, 0.78%

LAB 85.7, -30.17, 21.23

 

CMYK 33 / 0 / 31 / 7

HEX #9FEEA5

RGB 159 238 165

HSL 124.56, 0.7%, 0.78%

LAB 87.6, -38.49, 27.87

 

CMYK 39 / 0 / 36 / 3

HEX #96F79E

RGB 150 247 158

HSL 124.95, 0.86%, 0.78%

LAB 89.61, -46.27, 34.04

 

CMYK 27 / 0 / 24 / 10

HEX #A8E5AD

RGB 168 229 173

HSL 124.92, 0.54%, 0.78%

LAB 85.7, -30.17, 21.23

 

CMYK 20 / 0 / 18 / 14

HEX #B1DCB5

RGB 177 220 181

HSL 125.58, 0.38%, 0.78%

LAB 83.9, -21.48, 14.61

 

CMYK 12 / 0 / 11 / 17

HEX #BAD3BC

RGB 186 211 188

HSL 124.8, 0.22%, 0.78%

LAB 82.19, -12.69, 8.57

 

CMYK 3 / 0 / 2 / 21

HEX #C3C9C4

RGB 195 201 196

HSL 130, 0.05%, 0.78%

LAB 80.38, -2.98, 1.77

 

CMYK 0 / 6 / 0 / 20

HEX #CCC0CB

RGB 204 192 203

HSL 305, 0.11%, 0.78%

LAB 78.95, 6.18, -4.01

 

CMYK 14 / 0 / 27 / 10

HEX #C4E5A8

RGB 196 229 168

HSL 92.46, 0.54%, 0.78%

LAB 87.29, -21.48, 26.27

 

CMYK 21 / 0 / 27 / 10

HEX #B4E5A8

RGB 180 229 168

HSL 108.2, 0.54%, 0.78%

LAB 86.29, -27.02, 24.74

 

CMYK 27 / 0 / 25 / 10

HEX #A8E5AC

RGB 168 229 172

HSL 123.93, 0.54%, 0.78%

LAB 85.68, -30.34, 21.72

 

CMYK 27 / 0 / 18 / 10

HEX #A8E5BC

RGB 168 229 188

HSL 139.67, 0.54%, 0.78%

LAB 86, -27.49, 13.84

 

CMYK 27 / 0 / 11 / 10

HEX #A8E5CC

RGB 168 229 204

HSL 155.41, 0.54%, 0.78%

LAB 86.37, -24.41, 5.97

 

CMYK 50 / 0 / 46 / 18

HEX #69D271

RGB 105 210 113

HSL 124.57, 0.54%, 0.62%

LAB 76.25, -50.31, 38.82

 

CMYK 38 / 0 / 35 / 14

HEX #88DB8F

RGB 136 219 143

HSL 125.06, 0.54%, 0.7%

LAB 80.67, -40.62, 29.64

 

CMYK 27 / 0 / 24 / 10

HEX #A8E5AD

RGB 168 229 173

HSL 124.92, 0.54%, 0.78%

LAB 85.7, -30.17, 21.23

 

CMYK 16 / 0 / 15 / 7

HEX #C8EECB

RGB 200 238 203

HSL 124.74, 0.53%, 0.86%

LAB 90.66, -18.84, 12.89

 

CMYK 6 / 0 / 6 / 3

HEX #E8F8E9

RGB 232 248 233

HSL 123.75, 0.53%, 0.94%

LAB 96.07, -7.93, 5.39

 

CMYK 27 / 0 / 24 / 10

HEX #A8E5AD

RGB 168 229 173

HSL 124.92, 0.54%, 0.78%

LAB 85.7, -30.17, 21.23

 

CMYK 27 / 7 / 0 / 10

HEX #A8D5E5

RGB 168 213 229

HSL 195.74, 0.54%, 0.78%

LAB 82.68, -11.03, -12.67

 

CMYK 0 / 27 / 18 / 10

HEX #E5A8BC

RGB 229 168 188

HSL 340.33, 0.54%, 0.78%

LAB 75.01, 25.36, -1.38

 

CMYK 27 / 0 / 24 / 10

HEX #A8E5AD

RGB 168 229 173

HSL 124.92, 0.54%, 0.78%

LAB 85.7, -30.17, 21.23

 

CMYK 25 / 27 / 0 / 10

HEX #ACA8E5

RGB 172 168 229

HSL 243.93, 0.54%, 0.78%

LAB 71.17, 14.43, -30.13

 

CMYK 0 / 25 / 27 / 10

HEX #E5ACA8

RGB 229 172 168

HSL 3.93, 0.54%, 0.78%

LAB 75.45, 20.3, 10.2

 

CMYK 27 / 0 / 24 / 10

HEX #A8E5AD

RGB 168 229 173

HSL 124.92, 0.54%, 0.78%

LAB 85.7, -30.17, 21.23

 

CMYK 27 / 7 / 0 / 10

HEX #A8D5E5

RGB 168 213 229

HSL 195.74, 0.54%, 0.78%

LAB 82.68, -11.03, -12.67

 

CMYK 0 / 27 / 2 / 10

HEX #E5A8E1

RGB 229 168 225

HSL 303.93, 0.54%, 0.78%

LAB 76.13, 31.58, -19.91

 

CMYK 0 / 20 / 27 / 10

HEX #E5B8A8

RGB 229 184 168

HSL 15.74, 0.54%, 0.78%

LAB 78.33, 13.89, 14.27

 

CMYK 27 / 0 / 24 / 10

HEX #A8E5AD

RGB 168 229 173

HSL 124.92, 0.54%, 0.78%

LAB 85.7, -30.17, 21.23

 

CMYK 27 / 15 / 0 / 10

HEX #A8C2E5

RGB 168 194 229

HSL 214.43, 0.54%, 0.78%

LAB 77.62, -1.02, -20.3

 

CMYK 0 / 27 / 2 / 10

HEX #E5A8E1

RGB 229 168 225

HSL 303.93, 0.54%, 0.78%

LAB 76.13, 31.58, -19.91

 

CMYK 0 / 12 / 27 / 10

HEX #E5CAA8

RGB 229 202 168

HSL 33.44, 0.54%, 0.78%

LAB 82.77, 4.39, 20.47

 

Description

Color code: HEX #A8E5AD | qconv.com Color code: HEX #A8E5AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 229 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 229 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 24 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 24% 10% C M Y K

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Provide designers and agencies with accurate color values.

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