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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8E754 it is the complementary color #5718AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8E754. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8E754 shade: #ADE74F, #BEF962, #CFFF75, #E0FF88 and #F1FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8E754. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8E754 shade: #A8E754, #97D541, #86C32E, #75B11B and #649F08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8E754 shade: #A8E655, #CFE655, #E6D655, #E6AF55 and #E68855

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8E754 shade: #A8E655, #81E655, #5AE655, #55E677 and #55E69F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8E754 shade matches the following richer shades: #A8E655 and #AAF645

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8E754 shade: #A8E655, #A6D765, #A4C774, #A1B784 and #9FA894

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8E754 shade: #E6D555, #D0E655, #AAE655, #83E655 and #5CE655

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8E754 shade: #81CC1D, #96E131, #A8E655, #BAEB79 and #CDF19D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8E754 shade: #A8E754, #55E6AF and #E655E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8E754 shade: #A8E754, #55AAE6 and #E655AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8E754 shade: #A8E754, #55E6AF, #9155E6 and #E6558D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8E754 shade: #A8E754, #55E6DA, #9155E6 and #E65561

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 64 / 9

HEX #A8E754

RGB 168 231 84

HSL 85.71, 0.75%, 0.62%

LAB 85.06, -42.1, 63.05

 

Complementary color

CMYK 49 / 86 / 0 / 33

HEX #5718AB

RGB 87 24 171

HSL 265.71, 0.75%, 0.38%

LAB 28.43, 56.55, -65.43

 

CMYK 25 / 0 / 66 / 9

HEX #ADE74F

RGB 173 231 79

HSL 82.89, 0.76%, 0.61%

LAB 85.3, -40.64, 65.38

 

CMYK 24 / 0 / 61 / 2

HEX #BEF962

RGB 190 249 98

HSL 83.44, 0.93%, 0.68%

LAB 91.5, -40.92, 64.7

 

CMYK 19 / 0 / 54 / 0

HEX #CFFF75

RGB 207 255 117

HSL 80.87, 1%, 0.73%

LAB 94.34, -35.77, 60.06

 

CMYK 12 / 0 / 47 / 0

HEX #E0FF88

RGB 224 255 136

HSL 75.63, 1%, 0.77%

LAB 95.64, -27.66, 53.22

 

CMYK 5 / 0 / 39 / 0

HEX #F1FF9B

RGB 241 255 155

HSL 68.4, 1%, 0.8%

LAB 97.06, -19.3, 46.21

 

CMYK 27 / 0 / 64 / 9

HEX #A8E754

RGB 168 231 84

HSL 85.71, 0.75%, 0.62%

LAB 85.06, -42.1, 63.05

 

CMYK 29 / 0 / 69 / 16

HEX #97D541

RGB 151 213 65

HSL 85.14, 0.64%, 0.55%

LAB 78.78, -41.78, 63.56

 

CMYK 31 / 0 / 76 / 24

HEX #86C32E

RGB 134 195 46

HSL 84.56, 0.62%, 0.47%

LAB 72.43, -41.32, 63.56

 

CMYK 34 / 0 / 85 / 31

HEX #75B11B

RGB 117 177 27

HSL 84, 0.74%, 0.4%

LAB 65.99, -40.66, 62.69

 

CMYK 37 / 0 / 95 / 38

HEX #649F08

RGB 100 159 8

HSL 83.44, 0.9%, 0.33%

LAB 59.46, -39.72, 60.39

 

CMYK 27 / 0 / 63 / 10

HEX #A8E655

RGB 168 230 85

HSL 85.66, 0.74%, 0.62%

LAB 84.78, -41.59, 62.34

 

CMYK 10 / 0 / 63 / 10

HEX #CFE655

RGB 207 230 85

HSL 69.52, 0.74%, 0.62%

LAB 87.25, -26.7, 65.72

 

CMYK 0 / 7 / 63 / 10

HEX #E6D655

RGB 230 214 85

HSL 53.38, 0.74%, 0.62%

LAB 84.78, -9.51, 63.63

 

CMYK 0 / 24 / 63 / 10

HEX #E6AF55

RGB 230 175 85

HSL 37.24, 0.74%, 0.62%

LAB 74.91, 10.69, 52.83

 

CMYK 0 / 41 / 63 / 10

HEX #E68855

RGB 230 136 85

HSL 21.1, 0.74%, 0.62%

LAB 65.82, 31.41, 42.34

 

CMYK 27 / 0 / 63 / 10

HEX #A8E655

RGB 168 230 85

HSL 85.66, 0.74%, 0.62%

LAB 84.78, -41.59, 62.34

 

CMYK 44 / 0 / 63 / 10

HEX #81E655

RGB 129 230 85

HSL 101.79, 0.74%, 0.62%

LAB 82.87, -54.65, 59.71

 

CMYK 61 / 0 / 63 / 10

HEX #5AE655

RGB 90 230 85

HSL 117.93, 0.74%, 0.62%

LAB 81.52, -64.89, 57.84

 

CMYK 63 / 0 / 48 / 10

HEX #55E677

RGB 85 230 119

HSL 134.07, 0.74%, 0.62%

LAB 81.76, -61.73, 42.68

 

CMYK 63 / 0 / 31 / 10

HEX #55E69F

RGB 85 230 159

HSL 150.62, 0.74%, 0.62%

LAB 82.39, -54.8, 23.41

 

CMYK 27 / 0 / 63 / 10

HEX #A8E655

RGB 168 230 85

HSL 85.66, 0.74%, 0.62%

LAB 84.78, -41.59, 62.34

 

CMYK 31 / 0 / 72 / 4

HEX #AAF645

RGB 170 246 69

HSL 85.76, 0.91%, 0.62%

LAB 89.34, -48.8, 73.05

 

CMYK 27 / 0 / 63 / 10

HEX #A8E655

RGB 168 230 85

HSL 85.66, 0.74%, 0.62%

LAB 84.78, -41.59, 62.34

 

CMYK 23 / 0 / 53 / 16

HEX #A6D765

RGB 166 215 101

HSL 85.79, 0.59%, 0.62%

LAB 80.54, -34.16, 50.52

 

CMYK 18 / 0 / 42 / 22

HEX #A4C774

RGB 164 199 116

HSL 85.3, 0.43%, 0.62%

LAB 76.07, -25.67, 37.72

 

CMYK 12 / 0 / 28 / 28

HEX #A1B784

RGB 161 183 132

HSL 85.88, 0.26%, 0.62%

LAB 71.63, -16.63, 23.5

 

CMYK 5 / 0 / 12 / 34

HEX #9FA894

RGB 159 168 148

HSL 87, 0.1%, 0.62%

LAB 67.66, -6.91, 9.25

 

CMYK 0 / 7 / 63 / 10

HEX #E6D555

RGB 230 213 85

HSL 52.97, 0.74%, 0.62%

LAB 84.52, -9.01, 63.35

 

CMYK 10 / 0 / 63 / 10

HEX #D0E655

RGB 208 230 85

HSL 69.1, 0.74%, 0.62%

LAB 87.32, -26.3, 65.82

 

CMYK 26 / 0 / 63 / 10

HEX #AAE655

RGB 170 230 85

HSL 84.83, 0.74%, 0.62%

LAB 84.89, -40.86, 62.5

 

CMYK 43 / 0 / 63 / 10

HEX #83E655

RGB 131 230 85

HSL 100.97, 0.74%, 0.62%

LAB 82.95, -54.04, 59.83

 

CMYK 60 / 0 / 63 / 10

HEX #5CE655

RGB 92 230 85

HSL 117.1, 0.74%, 0.62%

LAB 81.58, -64.45, 57.92

 

CMYK 37 / 0 / 86 / 20

HEX #81CC1D

RGB 129 204 29

HSL 85.71, 0.75%, 0.46%

LAB 74.79, -47.64, 70.1

 

CMYK 33 / 0 / 78 / 12

HEX #96E131

RGB 150 225 49

HSL 85.57, 0.75%, 0.54%

LAB 82.14, -48.14, 72.05

 

CMYK 27 / 0 / 63 / 10

HEX #A8E655

RGB 168 230 85

HSL 85.66, 0.74%, 0.62%

LAB 84.78, -41.59, 62.34

 

CMYK 21 / 0 / 49 / 8

HEX #BAEB79

RGB 186 235 121

HSL 85.79, 0.74%, 0.7%

LAB 87.6, -33.95, 49.9

 

CMYK 15 / 0 / 35 / 5

HEX #CDF19D

RGB 205 241 157

HSL 85.71, 0.75%, 0.78%

LAB 90.93, -25.6, 36.82

 

CMYK 27 / 0 / 64 / 9

HEX #A8E754

RGB 168 231 84

HSL 85.71, 0.75%, 0.62%

LAB 85.06, -42.1, 63.05

 

CMYK 63 / 0 / 24 / 10

HEX #55E6AF

RGB 85 230 175

HSL 157.24, 0.74%, 0.62%

LAB 82.71, -51.47, 15.53

 

CMYK 0 / 63 / 1 / 10

HEX #E655E4

RGB 230 85 228

HSL 300.83, 0.74%, 0.62%

LAB 60.71, 72.66, -45.42

 

CMYK 27 / 0 / 64 / 9

HEX #A8E754

RGB 168 231 84

HSL 85.71, 0.75%, 0.62%

LAB 85.06, -42.1, 63.05

 

CMYK 63 / 26 / 0 / 10

HEX #55AAE6

RGB 85 170 230

HSL 204.83, 0.74%, 0.62%

LAB 66.82, -7.69, -37.81

 

CMYK 0 / 63 / 26 / 10

HEX #E655AA

RGB 230 85 170

HSL 324.83, 0.74%, 0.62%

LAB 58.25, 64.21, -16.2

 

CMYK 27 / 0 / 64 / 9

HEX #A8E754

RGB 168 231 84

HSL 85.71, 0.75%, 0.62%

LAB 85.06, -42.1, 63.05

 

CMYK 63 / 0 / 24 / 10

HEX #55E6AF

RGB 85 230 175

HSL 157.24, 0.74%, 0.62%

LAB 82.71, -51.47, 15.53

 

CMYK 37 / 63 / 0 / 10

HEX #9155E6

RGB 145 85 230

HSL 264.83, 0.74%, 0.62%

LAB 49.77, 53.9, -64.66

 

CMYK 0 / 63 / 39 / 10

HEX #E6558D

RGB 230 85 141

HSL 336.83, 0.74%, 0.62%

LAB 57.31, 60.84, -0.67

 

CMYK 27 / 0 / 64 / 9

HEX #A8E754

RGB 168 231 84

HSL 85.71, 0.75%, 0.62%

LAB 85.06, -42.1, 63.05

 

CMYK 63 / 0 / 5 / 10

HEX #55E6DA

RGB 85 230 218

HSL 175.03, 0.74%, 0.62%

LAB 83.75, -41.13, -5.62

 

CMYK 37 / 63 / 0 / 10

HEX #9155E6

RGB 145 85 230

HSL 264.83, 0.74%, 0.62%

LAB 49.77, 53.9, -64.66

 

CMYK 0 / 63 / 58 / 10

HEX #E65561

RGB 230 85 97

HSL 355.03, 0.74%, 0.62%

LAB 56.27, 56.96, 23.73

 

Description

Color code: HEX #A8E754 | qconv.com Color code: HEX #A8E754 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 231 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 231 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 64 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 64% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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