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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8E056 it is the complementary color #571FA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8E056. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8E056 shade: #ADE051, #BEF264, #CFFF77, #E0FF8A and #F1FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8E056. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8E056 shade: #A8E056, #97CE43, #86BC30, #75AA1D and #64980A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8E056 shade: #A8E056, #CDE056, #E0CD56, #E0A856 and #E08356

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8E056 shade: #A8E056, #83E056, #5EE056, #56E074 and #56E099

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8E056 shade matches the following richer shades: #A8E056 and #ABF046

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8E056 shade: #A8E056, #A5D067, #A2BF77, #9FAF87 and #9C9F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8E056 shade: #E0CD56, #CDE056, #A9E056, #84E056 and #60E056

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8E056 shade: #81C123, #96D934, #A8E056, #BAE679 and #CCEC9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8E056 shade: #A8E056, #56E0A9 and #E056E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8E056 shade: #A8E056, #56A9E0 and #E056A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8E056 shade: #A8E056, #56E0A9, #8D56E0 and #E0568D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8E056 shade: #A8E056, #56E0D2, #8D56E0 and #E05664

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 62 / 12

HEX #A8E056

RGB 168 224 86

HSL 84.35, 0.69%, 0.61%

LAB 83.08, -38.85, 60.08

 

Complementary color

CMYK 49 / 82 / 0 / 34

HEX #571FA9

RGB 87 31 169

HSL 264.35, 0.69%, 0.39%

LAB 29.08, 53.56, -63.15

 

CMYK 23 / 0 / 64 / 12

HEX #ADE051

RGB 173 224 81

HSL 81.4, 0.7%, 0.6%

LAB 83.33, -37.38, 62.5

 

CMYK 21 / 0 / 59 / 5

HEX #BEF264

RGB 190 242 100

HSL 81.97, 0.85%, 0.67%

LAB 89.57, -37.65, 61.72

 

CMYK 19 / 0 / 53 / 0

HEX #CFFF77

RGB 207 255 119

HSL 81.18, 1%, 0.73%

LAB 94.36, -35.59, 59.19

 

CMYK 12 / 0 / 46 / 0

HEX #E0FF8A

RGB 224 255 138

HSL 75.9, 1%, 0.77%

LAB 95.66, -27.45, 52.31

 

CMYK 5 / 0 / 38 / 0

HEX #F1FF9D

RGB 241 255 157

HSL 68.57, 1%, 0.81%

LAB 97.09, -19.09, 45.27

 

CMYK 25 / 0 / 62 / 12

HEX #A8E056

RGB 168 224 86

HSL 84.35, 0.69%, 0.61%

LAB 83.08, -38.85, 60.08

 

CMYK 27 / 0 / 67 / 19

HEX #97CE43

RGB 151 206 67

HSL 83.74, 0.59%, 0.54%

LAB 76.76, -38.56, 60.72

 

CMYK 29 / 0 / 74 / 26

HEX #86BC30

RGB 134 188 48

HSL 83.14, 0.59%, 0.46%

LAB 70.35, -38.13, 60.91

 

CMYK 31 / 0 / 83 / 33

HEX #75AA1D

RGB 117 170 29

HSL 82.55, 0.71%, 0.39%

LAB 63.85, -37.51, 60.31

 

CMYK 34 / 0 / 93 / 40

HEX #64980A

RGB 100 152 10

HSL 81.97, 0.88%, 0.32%

LAB 57.26, -36.63, 58.32

 

CMYK 25 / 0 / 62 / 12

HEX #A8E056

RGB 168 224 86

HSL 84.35, 0.69%, 0.61%

LAB 83.08, -38.85, 60.08

 

CMYK 8 / 0 / 62 / 12

HEX #CDE056

RGB 205 224 86

HSL 68.26, 0.69%, 0.61%

LAB 85.48, -24.57, 63.39

 

CMYK 0 / 8 / 62 / 12

HEX #E0CD56

RGB 224 205 86

HSL 51.74, 0.69%, 0.61%

LAB 81.94, -7.38, 59.99

 

CMYK 0 / 25 / 62 / 12

HEX #E0A856

RGB 224 168 86

HSL 35.65, 0.69%, 0.61%

LAB 72.58, 11.96, 49.54

 

CMYK 0 / 42 / 62 / 12

HEX #E08356

RGB 224 131 86

HSL 19.57, 0.69%, 0.61%

LAB 63.96, 31.71, 39.41

 

CMYK 25 / 0 / 62 / 12

HEX #A8E056

RGB 168 224 86

HSL 84.35, 0.69%, 0.61%

LAB 83.08, -38.85, 60.08

 

CMYK 42 / 0 / 62 / 12

HEX #83E056

RGB 131 224 86

HSL 100.43, 0.69%, 0.61%

LAB 81.19, -51.55, 57.46

 

CMYK 58 / 0 / 62 / 12

HEX #5EE056

RGB 94 224 86

HSL 116.52, 0.69%, 0.61%

LAB 79.82, -61.77, 55.55

 

CMYK 62 / 0 / 48 / 12

HEX #56E074

RGB 86 224 116

HSL 133.04, 0.69%, 0.61%

LAB 79.93, -59.78, 41.85

 

CMYK 62 / 0 / 32 / 12

HEX #56E099

RGB 86 224 153

HSL 149.13, 0.69%, 0.61%

LAB 80.51, -53.42, 23.95

 

CMYK 25 / 0 / 62 / 12

HEX #A8E056

RGB 168 224 86

HSL 84.35, 0.69%, 0.61%

LAB 83.08, -38.85, 60.08

 

CMYK 29 / 0 / 71 / 6

HEX #ABF046

RGB 171 240 70

HSL 84.35, 0.85%, 0.61%

LAB 87.69, -45.85, 71.09

 

CMYK 25 / 0 / 62 / 12

HEX #A8E056

RGB 168 224 86

HSL 84.35, 0.69%, 0.61%

LAB 83.08, -38.85, 60.08

 

CMYK 21 / 0 / 50 / 18

HEX #A5D067

RGB 165 208 103

HSL 84.57, 0.53%, 0.61%

LAB 78.51, -31.08, 47.15

 

CMYK 15 / 0 / 38 / 25

HEX #A2BF77

RGB 162 191 119

HSL 84.17, 0.36%, 0.61%

LAB 73.72, -22.12, 33.15

 

CMYK 9 / 0 / 23 / 31

HEX #9FAF87

RGB 159 175 135

HSL 84, 0.2%, 0.61%

LAB 69.31, -12.79, 18.7

 

CMYK 2 / 0 / 5 / 38

HEX #9C9F97

RGB 156 159 151

HSL 82.5, 0.04%, 0.61%

LAB 65.04, -2.59, 3.79

 

CMYK 0 / 8 / 62 / 12

HEX #E0CD56

RGB 224 205 86

HSL 51.74, 0.69%, 0.61%

LAB 81.94, -7.38, 59.99

 

CMYK 8 / 0 / 62 / 12

HEX #CDE056

RGB 205 224 86

HSL 68.26, 0.69%, 0.61%

LAB 85.48, -24.57, 63.39

 

CMYK 25 / 0 / 62 / 12

HEX #A9E056

RGB 169 224 86

HSL 83.91, 0.69%, 0.61%

LAB 83.14, -38.48, 60.16

 

CMYK 41 / 0 / 62 / 12

HEX #84E056

RGB 132 224 86

HSL 100, 0.69%, 0.61%

LAB 81.23, -51.24, 57.52

 

CMYK 57 / 0 / 62 / 12

HEX #60E056

RGB 96 224 86

HSL 115.65, 0.69%, 0.61%

LAB 79.88, -61.29, 55.63

 

CMYK 33 / 0 / 82 / 24

HEX #81C123

RGB 129 193 35

HSL 84.3, 0.69%, 0.45%

LAB 71.51, -42.81, 65.81

 

CMYK 31 / 0 / 76 / 15

HEX #96D934

RGB 150 217 52

HSL 84.36, 0.68%, 0.53%

LAB 79.82, -44.63, 68.98

 

CMYK 25 / 0 / 62 / 12

HEX #A8E056

RGB 168 224 86

HSL 84.35, 0.69%, 0.61%

LAB 83.08, -38.85, 60.08

 

CMYK 19 / 0 / 47 / 10

HEX #BAE679

RGB 186 230 121

HSL 84.22, 0.69%, 0.69%

LAB 86.21, -31.64, 48.21

 

CMYK 14 / 0 / 34 / 7

HEX #CCEC9C

RGB 204 236 156

HSL 84, 0.68%, 0.77%

LAB 89.5, -23.69, 35.43

 

CMYK 25 / 0 / 62 / 12

HEX #A8E056

RGB 168 224 86

HSL 84.35, 0.69%, 0.61%

LAB 83.08, -38.85, 60.08

 

CMYK 62 / 0 / 25 / 12

HEX #56E0A9

RGB 86 224 169

HSL 156.09, 0.69%, 0.61%

LAB 80.82, -50.12, 16.03

 

CMYK 0 / 62 / 0 / 12

HEX #E056E0

RGB 224 86 224

HSL 300, 0.69%, 0.61%

LAB 59.78, 70.19, -44.7

 

CMYK 25 / 0 / 62 / 12

HEX #A8E056

RGB 168 224 86

HSL 84.35, 0.69%, 0.61%

LAB 83.08, -38.85, 60.08

 

CMYK 62 / 25 / 0 / 12

HEX #56A9E0

RGB 86 169 224

HSL 203.91, 0.69%, 0.61%

LAB 66.32, -8.88, -35.3

 

CMYK 0 / 62 / 25 / 12

HEX #E056A9

RGB 224 86 169

HSL 323.91, 0.69%, 0.61%

LAB 57.43, 61.98, -16.94

 

CMYK 25 / 0 / 62 / 12

HEX #A8E056

RGB 168 224 86

HSL 84.35, 0.69%, 0.61%

LAB 83.08, -38.85, 60.08

 

CMYK 62 / 0 / 25 / 12

HEX #56E0A9

RGB 86 224 169

HSL 156.09, 0.69%, 0.61%

LAB 80.82, -50.12, 16.03

 

CMYK 37 / 62 / 0 / 12

HEX #8D56E0

RGB 141 86 224

HSL 263.91, 0.69%, 0.61%

LAB 49.13, 51.03, -62.33

 

CMYK 0 / 62 / 37 / 12

HEX #E0568D

RGB 224 86 141

HSL 336.09, 0.69%, 0.61%

LAB 56.51, 58.6, -1.96

 

CMYK 25 / 0 / 62 / 12

HEX #A8E056

RGB 168 224 86

HSL 84.35, 0.69%, 0.61%

LAB 83.08, -38.85, 60.08

 

CMYK 62 / 0 / 6 / 12

HEX #56E0D2

RGB 86 224 210

HSL 173.91, 0.69%, 0.61%

LAB 81.81, -40.36, -4.25

 

CMYK 37 / 62 / 0 / 12

HEX #8D56E0

RGB 141 86 224

HSL 263.91, 0.69%, 0.61%

LAB 49.13, 51.03, -62.33

 

CMYK 0 / 62 / 55 / 12

HEX #E05664

RGB 224 86 100

HSL 353.91, 0.69%, 0.61%

LAB 55.51, 54.78, 20.78

 

Description

Color code: HEX #A8E056 | qconv.com Color code: HEX #A8E056 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 224 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 224 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 62 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 62% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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