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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8EAC2 it is the complementary color #57153D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8EAC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8EAC2 shade: #ADEABD, #BEFCD0, #CFFFE3, #E0FFF6 and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8EAC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8EAC2 shade: #A8EAC2, #97D8AF, #86C69C, #75B489 and #64A276

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8EAC2 shade: #A8EAC2, #A8EAB0, #B2EAA8, #C3EAA8 and #D5EAA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8EAC2 shade: #A8EAC2, #A8EAD4, #A8EAE5, #A8DCEA and #A8CBEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8EAC2 shade matches the following richer shades: #A8EAC2, #A0F2C0 and #97FBBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8EAC2 shade: #A8EAC2, #B1E1C4, #BAD8C6, #C2D0C8 and #CBC7C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8EAC2 shade: #B2EAA8, #A8EAB0, #A8EAC1, #A8EAD3 and #A8EAE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8EAC2 shade: #66DA93, #87E2AB, #A8EAC2, #C9F2D9 and #EBFAF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8EAC2 shade: #A8EAC2, #A8C4EA and #EAA8A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8EAC2 shade: #A8EAC2, #C1A8EA and #EAC1A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8EAC2 shade: #A8EAC2, #A8C4EA, #EAA8D1 and #EACEA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8EAC2 shade: #A8EAC2, #A8B0EA, #EAA8D1 and #EAE2A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 17 / 8

HEX #A8EAC2

RGB 168 234 194

HSL 143.64, 0.61%, 0.79%

LAB 87.52, -28.76, 12.85

 

Complementary color

CMYK 0 / 76 / 30 / 66

HEX #57153D

RGB 87 21 61

HSL 323.64, 0.61%, 0.21%

LAB 19.64, 34.25, -8.76

 

CMYK 26 / 0 / 19 / 8

HEX #ADEABD

RGB 173 234 189

HSL 135.74, 0.59%, 0.8%

LAB 87.68, -28.13, 15.72

 

CMYK 25 / 0 / 17 / 1

HEX #BEFCD0

RGB 190 252 208

HSL 137.42, 0.91%, 0.87%

LAB 93.94, -27.92, 14.86

 

CMYK 19 / 0 / 11 / 0

HEX #CFFFE3

RGB 207 255 227

HSL 145, 1%, 0.91%

LAB 96.13, -20.57, 8.36

 

CMYK 12 / 0 / 4 / 0

HEX #E0FFF6

RGB 224 255 246

HSL 162.58, 1%, 0.94%

LAB 97.64, -11.66, 0.91

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 28 / 0 / 17 / 8

HEX #A8EAC2

RGB 168 234 194

HSL 143.64, 0.61%, 0.79%

LAB 87.52, -28.76, 12.85

 

CMYK 30 / 0 / 19 / 15

HEX #97D8AF

RGB 151 216 175

HSL 142.15, 0.45%, 0.72%

LAB 81.17, -28.99, 13.73

 

CMYK 32 / 0 / 21 / 22

HEX #86C69C

RGB 134 198 156

HSL 140.63, 0.36%, 0.65%

LAB 74.73, -29.25, 14.66

 

CMYK 35 / 0 / 24 / 29

HEX #75B489

RGB 117 180 137

HSL 139.05, 0.3%, 0.58%

LAB 68.19, -29.51, 15.65

 

CMYK 38 / 0 / 27 / 36

HEX #64A276

RGB 100 162 118

HSL 137.42, 0.25%, 0.51%

LAB 61.53, -29.79, 16.72

 

CMYK 28 / 0 / 17 / 8

HEX #A8EAC2

RGB 168 234 194

HSL 143.64, 0.61%, 0.79%

LAB 87.52, -28.76, 12.85

 

CMYK 28 / 0 / 25 / 8

HEX #A8EAB0

RGB 168 234 176

HSL 127.27, 0.61%, 0.79%

LAB 87.15, -32, 21.68

 

CMYK 24 / 0 / 28 / 8

HEX #B2EAA8

RGB 178 234 168

HSL 110.91, 0.61%, 0.79%

LAB 87.55, -30.07, 26.44

 

CMYK 17 / 0 / 28 / 8

HEX #C3EAA8

RGB 195 234 168

HSL 95.45, 0.61%, 0.79%

LAB 88.58, -24.26, 28.01

 

CMYK 9 / 0 / 28 / 8

HEX #D5EAA8

RGB 213 234 168

HSL 79.09, 0.61%, 0.79%

LAB 89.78, -17.84, 29.83

 

CMYK 28 / 0 / 17 / 8

HEX #A8EAC2

RGB 168 234 194

HSL 143.64, 0.61%, 0.79%

LAB 87.52, -28.76, 12.85

 

CMYK 28 / 0 / 9 / 8

HEX #A8EAD4

RGB 168 234 212

HSL 160, 0.61%, 0.79%

LAB 87.93, -25.22, 4.03

 

CMYK 28 / 0 / 2 / 8

HEX #A8EAE5

RGB 168 234 229

HSL 175.45, 0.61%, 0.79%

LAB 88.37, -21.62, -4.24

 

CMYK 28 / 6 / 0 / 8

HEX #A8DCEA

RGB 168 220 234

HSL 192.73, 0.61%, 0.79%

LAB 84.72, -13.48, -12.29

 

CMYK 28 / 13 / 0 / 8

HEX #A8CBEA

RGB 168 203 234

HSL 208.18, 0.61%, 0.79%

LAB 80.17, -4.64, -19.13

 

CMYK 28 / 0 / 17 / 8

HEX #A8EAC2

RGB 168 234 194

HSL 143.64, 0.61%, 0.79%

LAB 87.52, -28.76, 12.85

 

CMYK 34 / 0 / 21 / 5

HEX #A0F2C0

RGB 160 242 192

HSL 143.41, 0.76%, 0.79%

LAB 89.29, -35.27, 16.33

 

CMYK 40 / 0 / 24 / 2

HEX #97FBBE

RGB 151 251 190

HSL 143.4, 0.93%, 0.79%

LAB 91.37, -42.24, 20.2

 

CMYK 28 / 0 / 17 / 8

HEX #A8EAC2

RGB 168 234 194

HSL 143.64, 0.61%, 0.79%

LAB 87.52, -28.76, 12.85

 

CMYK 21 / 0 / 13 / 12

HEX #B1E1C4

RGB 177 225 196

HSL 143.75, 0.44%, 0.79%

LAB 85.6, -21.21, 9.14

 

CMYK 14 / 0 / 8 / 15

HEX #BAD8C6

RGB 186 216 198

HSL 144, 0.28%, 0.79%

LAB 83.77, -13.4, 5.53

 

CMYK 7 / 0 / 4 / 18

HEX #C2D0C8

RGB 194 208 200

HSL 145.71, 0.13%, 0.79%

LAB 82.24, -6.23, 2.33

 

CMYK 0 / 2 / 1 / 20

HEX #CBC7C9

RGB 203 199 201

HSL 330, 0.04%, 0.79%

LAB 80.61, 1.75, -0.52

 

CMYK 24 / 0 / 28 / 8

HEX #B2EAA8

RGB 178 234 168

HSL 110.91, 0.61%, 0.79%

LAB 87.55, -30.07, 26.44

 

CMYK 28 / 0 / 25 / 8

HEX #A8EAB0

RGB 168 234 176

HSL 127.27, 0.61%, 0.79%

LAB 87.15, -32, 21.68

 

CMYK 28 / 0 / 18 / 8

HEX #A8EAC1

RGB 168 234 193

HSL 142.73, 0.61%, 0.79%

LAB 87.5, -28.95, 13.34

 

CMYK 28 / 0 / 10 / 8

HEX #A8EAD3

RGB 168 234 211

HSL 159.09, 0.61%, 0.79%

LAB 87.91, -25.42, 4.52

 

CMYK 28 / 0 / 3 / 8

HEX #A8EAE4

RGB 168 234 228

HSL 174.55, 0.61%, 0.79%

LAB 88.34, -21.83, -3.76

 

CMYK 53 / 0 / 33 / 15

HEX #66DA93

RGB 102 218 147

HSL 143.28, 0.61%, 0.63%

LAB 79.08, -48.69, 25.2

 

CMYK 40 / 0 / 24 / 11

HEX #87E2AB

RGB 135 226 171

HSL 143.74, 0.61%, 0.71%

LAB 83.17, -39.1, 18.51

 

CMYK 28 / 0 / 17 / 8

HEX #A8EAC2

RGB 168 234 194

HSL 143.64, 0.61%, 0.79%

LAB 87.52, -28.76, 12.85

 

CMYK 17 / 0 / 10 / 5

HEX #C9F2D9

RGB 201 242 217

HSL 143.41, 0.61%, 0.87%

LAB 92.1, -17.97, 7.68

 

CMYK 6 / 0 / 4 / 2

HEX #EBFAF1

RGB 235 250 241

HSL 144, 0.6%, 0.95%

LAB 96.98, -6.53, 2.61

 

CMYK 28 / 0 / 17 / 8

HEX #A8EAC2

RGB 168 234 194

HSL 143.64, 0.61%, 0.79%

LAB 87.52, -28.76, 12.85

 

CMYK 28 / 16 / 0 / 8

HEX #A8C4EA

RGB 168 196 234

HSL 214.55, 0.61%, 0.79%

LAB 78.31, -0.91, -21.94

 

CMYK 0 / 28 / 28 / 8

HEX #EAA8A9

RGB 234 168 169

HSL 359.09, 0.61%, 0.79%

LAB 75.05, 24.43, 9.16

 

CMYK 28 / 0 / 17 / 8

HEX #A8EAC2

RGB 168 234 194

HSL 143.64, 0.61%, 0.79%

LAB 87.52, -28.76, 12.85

 

CMYK 18 / 28 / 0 / 8

HEX #C1A8EA

RGB 193 168 234

HSL 262.73, 0.61%, 0.79%

LAB 73.08, 21.93, -29.78

 

CMYK 0 / 18 / 28 / 8

HEX #EAC1A8

RGB 234 193 168

HSL 22.73, 0.61%, 0.79%

LAB 80.99, 11.01, 18.07

 

CMYK 28 / 0 / 17 / 8

HEX #A8EAC2

RGB 168 234 194

HSL 143.64, 0.61%, 0.79%

LAB 87.52, -28.76, 12.85

 

CMYK 28 / 16 / 0 / 8

HEX #A8C4EA

RGB 168 196 234

HSL 214.55, 0.61%, 0.79%

LAB 78.31, -0.91, -21.94

 

CMYK 0 / 28 / 11 / 8

HEX #EAA8D1

RGB 234 168 209

HSL 322.73, 0.61%, 0.79%

LAB 76.13, 30.47, -11.15

 

CMYK 0 / 12 / 28 / 8

HEX #EACEA8

RGB 234 206 168

HSL 34.55, 0.61%, 0.79%

LAB 84.21, 4.19, 22.52

 

CMYK 28 / 0 / 17 / 8

HEX #A8EAC2

RGB 168 234 194

HSL 143.64, 0.61%, 0.79%

LAB 87.52, -28.76, 12.85

 

CMYK 28 / 25 / 0 / 8

HEX #A8B0EA

RGB 168 176 234

HSL 232.73, 0.61%, 0.79%

LAB 73.1, 10, -29.91

 

CMYK 0 / 28 / 11 / 8

HEX #EAA8D1

RGB 234 168 209

HSL 322.73, 0.61%, 0.79%

LAB 76.13, 30.47, -11.15

 

CMYK 0 / 3 / 28 / 8

HEX #EAE2A8

RGB 234 226 168

HSL 52.73, 0.61%, 0.79%

LAB 89.26, -6.08, 29.4

 

Description

Color code: HEX #A8EAC2 | qconv.com Color code: HEX #A8EAC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 234 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 234 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 17% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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