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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8EB96 it is the complementary color #571469. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8EB96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8EB96 shade: #ADEB91, #BEFDA4, #CFFFB7, #E0FFCA and #F1FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8EB96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8EB96 shade: #A8EB96, #97D983, #86C770, #75B55D and #64A34A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8EB96 shade: #A6EA93, #BDEA93, #D5EA93, #EAE893 and #EAD193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8EB96 shade: #A6EA93, #93EA98, #93EAB0, #93EAC7 and #93EADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8EB96 shade matches the following richer shades: #A6EA93 and #A0F489

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8EB96 shade: #A6EA93, #ACE09E, #B2D5A8, #B8CBB2 and #BEC1BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8EB96 shade: #D4EA93, #BDEA93, #A6EA93, #93EA98 and #93EAAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8EB96 shade: #6CDD4E, #89E371, #A6EA93, #C2F1B6 and #DFF7D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8EB96 shade: #A8EB96, #93EAE9 and #EA93C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8EB96 shade: #A8EB96, #93A6EA and #EA93A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8EB96 shade: #A8EB96, #93EAE9, #D793EA and #EA9395

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8EB96 shade: #A8EB96, #93D2EA, #D793EA and #EAAC93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 36 / 8

HEX #A8EB96

RGB 168 235 150

HSL 107.29, 0.68%, 0.75%

LAB 86.97, -36.57, 34.72

 

Complementary color

CMYK 17 / 81 / 0 / 59

HEX #571469

RGB 87 20 105

HSL 287.29, 0.68%, 0.25%

LAB 22.11, 42.58, -34.5

 

CMYK 26 / 0 / 38 / 8

HEX #ADEB91

RGB 173 235 145

HSL 101.33, 0.69%, 0.75%

LAB 87.17, -35.6, 37.53

 

CMYK 25 / 0 / 35 / 1

HEX #BEFDA4

RGB 190 253 164

HSL 102.47, 0.96%, 0.82%

LAB 93.4, -35.45, 36.41

 

CMYK 19 / 0 / 28 / 0

HEX #CFFFB7

RGB 207 255 183

HSL 100, 1%, 0.86%

LAB 95.25, -27.89, 29.55

 

CMYK 12 / 0 / 21 / 0

HEX #E0FFCA

RGB 224 255 202

HSL 95.09, 1%, 0.9%

LAB 96.67, -19.21, 22.06

 

CMYK 5 / 0 / 13 / 0

HEX #F1FFDD

RGB 241 255 221

HSL 84.71, 1%, 0.93%

LAB 98.21, -10.4, 14.7

 

CMYK 29 / 0 / 36 / 8

HEX #A8EB96

RGB 168 235 150

HSL 107.29, 0.68%, 0.75%

LAB 86.97, -36.57, 34.72

 

CMYK 30 / 0 / 40 / 15

HEX #97D983

RGB 151 217 131

HSL 106.05, 0.53%, 0.68%

LAB 80.65, -36.76, 35.86

 

CMYK 33 / 0 / 44 / 22

HEX #86C770

RGB 134 199 112

HSL 104.83, 0.44%, 0.61%

LAB 74.24, -36.93, 37.06

 

CMYK 35 / 0 / 49 / 29

HEX #75B55D

RGB 117 181 93

HSL 103.64, 0.37%, 0.54%

LAB 67.74, -37.06, 38.28

 

CMYK 39 / 0 / 55 / 36

HEX #64A34A

RGB 100 163 74

HSL 102.47, 0.38%, 0.46%

LAB 61.13, -37.12, 39.5

 

CMYK 29 / 0 / 37 / 8

HEX #A6EA93

RGB 166 234 147

HSL 106.9, 0.67%, 0.75%

LAB 86.53, -37.21, 35.63

 

CMYK 19 / 0 / 37 / 8

HEX #BDEA93

RGB 189 234 147

HSL 91.03, 0.67%, 0.75%

LAB 87.86, -29.31, 37.61

 

CMYK 9 / 0 / 37 / 8

HEX #D5EA93

RGB 213 234 147

HSL 74.48, 0.67%, 0.75%

LAB 89.44, -20.54, 39.97

 

CMYK 0 / 1 / 37 / 8

HEX #EAE893

RGB 234 232 147

HSL 58.62, 0.67%, 0.75%

LAB 90.47, -11.59, 41.6

 

CMYK 0 / 11 / 37 / 8

HEX #EAD193

RGB 234 209 147

HSL 42.76, 0.67%, 0.75%

LAB 84.59, 0.07, 33.96

 

CMYK 29 / 0 / 37 / 8

HEX #A6EA93

RGB 166 234 147

HSL 106.9, 0.67%, 0.75%

LAB 86.53, -37.21, 35.63

 

CMYK 37 / 0 / 35 / 8

HEX #93EA98

RGB 147 234 152

HSL 123.45, 0.67%, 0.75%

LAB 85.66, -42.47, 31.78

 

CMYK 37 / 0 / 25 / 8

HEX #93EAB0

RGB 147 234 176

HSL 140, 0.67%, 0.75%

LAB 86.1, -38.36, 20.06

 

CMYK 37 / 0 / 15 / 8

HEX #93EAC7

RGB 147 234 199

HSL 155.86, 0.67%, 0.75%

LAB 86.59, -33.88, 8.77

 

CMYK 37 / 0 / 5 / 8

HEX #93EADF

RGB 147 234 223

HSL 172.41, 0.67%, 0.75%

LAB 87.18, -28.66, -2.95

 

CMYK 29 / 0 / 37 / 8

HEX #A6EA93

RGB 166 234 147

HSL 106.9, 0.67%, 0.75%

LAB 86.53, -37.21, 35.63

 

CMYK 34 / 0 / 44 / 4

HEX #A0F489

RGB 160 244 137

HSL 107.1, 0.83%, 0.75%

LAB 88.91, -44.95, 43.57

 

CMYK 29 / 0 / 37 / 8

HEX #A6EA93

RGB 166 234 147

HSL 106.9, 0.67%, 0.75%

LAB 86.53, -37.21, 35.63

 

CMYK 23 / 0 / 29 / 12

HEX #ACE09E

RGB 172 224 158

HSL 107.27, 0.52%, 0.75%

LAB 84.25, -28.92, 27.05

 

CMYK 16 / 0 / 21 / 16

HEX #B2D5A8

RGB 178 213 168

HSL 106.67, 0.35%, 0.75%

LAB 81.77, -19.91, 18.49

 

CMYK 9 / 0 / 12 / 20

HEX #B8CBB2

RGB 184 203 178

HSL 105.6, 0.19%, 0.75%

LAB 79.68, -11.06, 10.3

 

CMYK 2 / 0 / 2 / 24

HEX #BEC1BD

RGB 190 193 189

HSL 105, 0.03%, 0.75%

LAB 77.73, -1.77, 1.64

 

CMYK 9 / 0 / 37 / 8

HEX #D4EA93

RGB 212 234 147

HSL 75.17, 0.67%, 0.75%

LAB 89.37, -20.92, 39.86

 

CMYK 19 / 0 / 37 / 8

HEX #BDEA93

RGB 189 234 147

HSL 91.03, 0.67%, 0.75%

LAB 87.86, -29.31, 37.61

 

CMYK 29 / 0 / 37 / 8

HEX #A6EA93

RGB 166 234 147

HSL 106.9, 0.67%, 0.75%

LAB 86.53, -37.21, 35.63

 

CMYK 37 / 0 / 35 / 8

HEX #93EA98

RGB 147 234 152

HSL 123.45, 0.67%, 0.75%

LAB 85.66, -42.47, 31.78

 

CMYK 37 / 0 / 25 / 8

HEX #93EAAF

RGB 147 234 175

HSL 139.31, 0.67%, 0.75%

LAB 86.08, -38.55, 20.56

 

CMYK 51 / 0 / 65 / 13

HEX #6CDD4E

RGB 108 221 78

HSL 107.41, 0.68%, 0.59%

LAB 79.3, -57.89, 58.44

 

CMYK 40 / 0 / 50 / 11

HEX #89E371

RGB 137 227 113

HSL 107.37, 0.67%, 0.67%

LAB 82.62, -48.01, 47.02

 

CMYK 29 / 0 / 37 / 8

HEX #A6EA93

RGB 166 234 147

HSL 106.9, 0.67%, 0.75%

LAB 86.53, -37.21, 35.63

 

CMYK 20 / 0 / 24 / 5

HEX #C2F1B6

RGB 194 241 182

HSL 107.8, 0.68%, 0.83%

LAB 90.67, -25.81, 23.68

 

CMYK 10 / 0 / 12 / 3

HEX #DFF7D9

RGB 223 247 217

HSL 108, 0.65%, 0.91%

LAB 94.83, -13.2, 11.78

 

CMYK 29 / 0 / 36 / 8

HEX #A8EB96

RGB 168 235 150

HSL 107.29, 0.68%, 0.75%

LAB 86.97, -36.57, 34.72

 

CMYK 37 / 0 / 0 / 8

HEX #93EAE9

RGB 147 234 233

HSL 179.31, 0.67%, 0.75%

LAB 87.45, -26.34, -7.81

 

CMYK 0 / 37 / 14 / 8

HEX #EA93C9

RGB 234 147 201

HSL 322.76, 0.67%, 0.75%

LAB 71.27, 40.27, -14.04

 

CMYK 29 / 0 / 36 / 8

HEX #A8EB96

RGB 168 235 150

HSL 107.29, 0.68%, 0.75%

LAB 86.97, -36.57, 34.72

 

CMYK 37 / 29 / 0 / 8

HEX #93A6EA

RGB 147 166 234

HSL 226.9, 0.67%, 0.75%

LAB 69.05, 9.71, -36.29

 

CMYK 0 / 37 / 29 / 8

HEX #EA93A6

RGB 234 147 166

HSL 346.9, 0.67%, 0.75%

LAB 70.26, 35.17, 3.93

 

CMYK 29 / 0 / 36 / 8

HEX #A8EB96

RGB 168 235 150

HSL 107.29, 0.68%, 0.75%

LAB 86.97, -36.57, 34.72

 

CMYK 37 / 0 / 0 / 8

HEX #93EAE9

RGB 147 234 233

HSL 179.31, 0.67%, 0.75%

LAB 87.45, -26.34, -7.81

 

CMYK 8 / 37 / 0 / 8

HEX #D793EA

RGB 215 147 234

HSL 286.9, 0.67%, 0.75%

LAB 70.35, 40.13, -33.81

 

CMYK 0 / 37 / 36 / 8

HEX #EA9395

RGB 234 147 149

HSL 358.62, 0.67%, 0.75%

LAB 69.85, 33.04, 12.81

 

CMYK 29 / 0 / 36 / 8

HEX #A8EB96

RGB 168 235 150

HSL 107.29, 0.68%, 0.75%

LAB 86.97, -36.57, 34.72

 

CMYK 37 / 10 / 0 / 8

HEX #93D2EA

RGB 147 210 234

HSL 196.55, 0.67%, 0.75%

LAB 80.87, -14.1, -18.18

 

CMYK 8 / 37 / 0 / 8

HEX #D793EA

RGB 215 147 234

HSL 286.9, 0.67%, 0.75%

LAB 70.35, 40.13, -33.81

 

CMYK 0 / 26 / 37 / 8

HEX #EAAC93

RGB 234 172 147

HSL 17.24, 0.67%, 0.75%

LAB 75.52, 19.52, 21.78

 

Description

Color code: HEX #A8EB96 | qconv.com Color code: HEX #A8EB96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 235 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 235 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 36 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 36% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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