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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8F174 it is the complementary color #570E8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8F174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8F174 shade: #ADF16F, #BEFF82, #CFFF95, #E0FFA8 and #F1FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8F174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8F174 shade: #A8F174, #97DF61, #86CD4E, #75BB3B and #64A928

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8F174 shade: #A7F173, #C9F173, #EBF173, #F1D573 and #F1B373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8F174 shade: #A7F173, #86F173, #73F183, #73F1A5 and #73F1C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8F174 shade matches the following richer shades: #A7F173 and #A5FD67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8F174 shade: #A7F173, #AAE480, #ACD88C, #AECC98 and #B0BFA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8F174 shade: #EAF173, #C9F173, #A8F173, #86F173 and #73F182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8F174 shade: #79E928, #90ED4E, #A7F173, #BFF499 and #D6F8BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8F174 shade: #A8F174, #73F1D6 and #F173DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8F174 shade: #A8F174, #73A8F1 and #F173A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8F174 shade: #A8F174, #73F1D6, #BC73F1 and #F1738E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8F174 shade: #A8F174, #73E6F1, #BC73F1 and #F17E73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 52 / 5

HEX #A8F174

RGB 168 241 116

HSL 95.04, 0.82%, 0.7%

LAB 88.21, -43.52, 52.73

 

Complementary color

CMYK 37 / 90 / 0 / 45

HEX #570E8B

RGB 87 14 139

HSL 275.04, 0.82%, 0.3%

LAB 24.34, 51.89, -52.56

 

CMYK 28 / 0 / 54 / 5

HEX #ADF16F

RGB 173 241 111

HSL 91.38, 0.82%, 0.69%

LAB 88.42, -42.31, 55.32

 

CMYK 25 / 0 / 49 / 0

HEX #BEFF82

RGB 190 255 130

HSL 91.2, 1%, 0.75%

LAB 93.48, -40.57, 52.91

 

CMYK 19 / 0 / 42 / 0

HEX #CFFF95

RGB 207 255 149

HSL 87.17, 1%, 0.79%

LAB 94.72, -32.43, 45.67

 

CMYK 12 / 0 / 34 / 0

HEX #E0FFA8

RGB 224 255 168

HSL 81.38, 1%, 0.83%

LAB 96.08, -24.01, 38.34

 

CMYK 5 / 0 / 27 / 0

HEX #F1FFBB

RGB 241 255 187

HSL 72.35, 1%, 0.87%

LAB 97.55, -15.41, 31.04

 

CMYK 30 / 0 / 52 / 5

HEX #A8F174

RGB 168 241 116

HSL 95.04, 0.82%, 0.7%

LAB 88.21, -43.52, 52.73

 

CMYK 32 / 0 / 57 / 13

HEX #97DF61

RGB 151 223 97

HSL 94.29, 0.66%, 0.63%

LAB 81.96, -43.49, 53.79

 

CMYK 35 / 0 / 62 / 20

HEX #86CD4E

RGB 134 205 78

HSL 93.54, 0.56%, 0.55%

LAB 75.63, -43.38, 54.73

 

CMYK 37 / 0 / 68 / 27

HEX #75BB3B

RGB 117 187 59

HSL 92.81, 0.52%, 0.48%

LAB 69.21, -43.15, 55.42

 

CMYK 41 / 0 / 76 / 34

HEX #64A928

RGB 100 169 40

HSL 92.09, 0.62%, 0.41%

LAB 62.71, -42.73, 55.61

 

CMYK 31 / 0 / 52 / 5

HEX #A7F173

RGB 167 241 115

HSL 95.24, 0.82%, 0.7%

LAB 88.14, -43.96, 53.1

 

CMYK 17 / 0 / 52 / 5

HEX #C9F173

RGB 201 241 115

HSL 79.05, 0.82%, 0.7%

LAB 90.12, -31.77, 55.92

 

CMYK 2 / 0 / 52 / 5

HEX #EBF173

RGB 235 241 115

HSL 62.86, 0.82%, 0.7%

LAB 92.49, -18.67, 59.29

 

CMYK 0 / 12 / 52 / 5

HEX #F1D573

RGB 241 213 115

HSL 46.67, 0.82%, 0.7%

LAB 85.77, -2.33, 51.5

 

CMYK 0 / 26 / 52 / 5

HEX #F1B373

RGB 241 179 115

HSL 30.48, 0.82%, 0.7%

LAB 77.39, 15.36, 41.27

 

CMYK 31 / 0 / 52 / 5

HEX #A7F173

RGB 167 241 115

HSL 95.24, 0.82%, 0.7%

LAB 88.14, -43.96, 53.1

 

CMYK 44 / 0 / 52 / 5

HEX #86F173

RGB 134 241 115

HSL 110.95, 0.82%, 0.7%

LAB 86.61, -54.39, 50.89

 

CMYK 52 / 0 / 46 / 5

HEX #73F183

RGB 115 241 131

HSL 127.62, 0.82%, 0.7%

LAB 86.1, -57.39, 42.53

 

CMYK 52 / 0 / 32 / 5

HEX #73F1A5

RGB 115 241 165

HSL 143.81, 0.82%, 0.7%

LAB 86.64, -51.8, 26.26

 

CMYK 52 / 0 / 18 / 5

HEX #73F1C6

RGB 115 241 198

HSL 159.52, 0.82%, 0.7%

LAB 87.31, -45.14, 10.15

 

CMYK 31 / 0 / 52 / 5

HEX #A7F173

RGB 167 241 115

HSL 95.24, 0.82%, 0.7%

LAB 88.14, -43.96, 53.1

 

CMYK 35 / 0 / 59 / 1

HEX #A5FD67

RGB 165 253 103

HSL 95.2, 0.97%, 0.7%

LAB 91.34, -50.89, 62.07

 

CMYK 31 / 0 / 52 / 5

HEX #A7F173

RGB 167 241 115

HSL 95.24, 0.82%, 0.7%

LAB 88.14, -43.96, 53.1

 

CMYK 25 / 0 / 44 / 11

HEX #AAE480

RGB 170 228 128

HSL 94.8, 0.65%, 0.7%

LAB 84.79, -35.66, 42.85

 

CMYK 20 / 0 / 35 / 15

HEX #ACD88C

RGB 172 216 140

HSL 94.74, 0.49%, 0.7%

LAB 81.72, -27.77, 32.91

 

CMYK 15 / 0 / 25 / 20

HEX #AECC98

RGB 174 204 152

HSL 94.62, 0.34%, 0.7%

LAB 78.72, -19.42, 22.68

 

CMYK 8 / 0 / 14 / 25

HEX #B0BFA5

RGB 176 191 165

HSL 94.62, 0.17%, 0.7%

LAB 75.58, -9.94, 11.38

 

CMYK 3 / 0 / 52 / 5

HEX #EAF173

RGB 234 241 115

HSL 63.33, 0.82%, 0.7%

LAB 92.42, -19.07, 59.19

 

CMYK 17 / 0 / 52 / 5

HEX #C9F173

RGB 201 241 115

HSL 79.05, 0.82%, 0.7%

LAB 90.12, -31.77, 55.92

 

CMYK 30 / 0 / 52 / 5

HEX #A8F173

RGB 168 241 115

HSL 94.76, 0.82%, 0.7%

LAB 88.2, -43.62, 53.17

 

CMYK 44 / 0 / 52 / 5

HEX #86F173

RGB 134 241 115

HSL 110.95, 0.82%, 0.7%

LAB 86.61, -54.39, 50.89

 

CMYK 52 / 0 / 46 / 5

HEX #73F182

RGB 115 241 130

HSL 127.14, 0.82%, 0.7%

LAB 86.09, -57.54, 43

 

CMYK 48 / 0 / 83 / 9

HEX #79E928

RGB 121 233 40

HSL 94.82, 0.81%, 0.54%

LAB 83.18, -61.07, 74.84

 

CMYK 39 / 0 / 67 / 7

HEX #90ED4E

RGB 144 237 78

HSL 95.09, 0.82%, 0.62%

LAB 85.53, -53.31, 65.54

 

CMYK 31 / 0 / 52 / 5

HEX #A7F173

RGB 167 241 115

HSL 95.24, 0.82%, 0.7%

LAB 88.14, -43.96, 53.1

 

CMYK 22 / 0 / 37 / 4

HEX #BFF499

RGB 191 244 153

HSL 94.95, 0.81%, 0.78%

LAB 90.82, -32.48, 38.5

 

CMYK 14 / 0 / 23 / 3

HEX #D6F8BE

RGB 214 248 190

HSL 95.17, 0.81%, 0.86%

LAB 93.95, -21.1, 24.3

 

CMYK 30 / 0 / 52 / 5

HEX #A8F174

RGB 168 241 116

HSL 95.04, 0.82%, 0.7%

LAB 88.21, -43.52, 52.73

 

CMYK 52 / 0 / 11 / 5

HEX #73F1D6

RGB 115 241 214

HSL 167.14, 0.82%, 0.7%

LAB 87.68, -41.51, 2.35

 

CMYK 0 / 52 / 10 / 5

HEX #F173DA

RGB 241 115 218

HSL 310.95, 0.82%, 0.7%

LAB 66.54, 61.04, -30.62

 

CMYK 30 / 0 / 52 / 5

HEX #A8F174

RGB 168 241 116

HSL 95.04, 0.82%, 0.7%

LAB 88.21, -43.52, 52.73

 

CMYK 52 / 30 / 0 / 5

HEX #73A8F1

RGB 115 168 241

HSL 214.76, 0.82%, 0.7%

LAB 68.02, 2.76, -41.86

 

CMYK 0 / 52 / 30 / 5

HEX #F173A8

RGB 241 115 168

HSL 334.76, 0.82%, 0.7%

LAB 64.8, 53.95, -5.07

 

CMYK 30 / 0 / 52 / 5

HEX #A8F174

RGB 168 241 116

HSL 95.04, 0.82%, 0.7%

LAB 88.21, -43.52, 52.73

 

CMYK 52 / 0 / 11 / 5

HEX #73F1D6

RGB 115 241 214

HSL 167.14, 0.82%, 0.7%

LAB 87.68, -41.51, 2.35

 

CMYK 22 / 52 / 0 / 5

HEX #BC73F1

RGB 188 115 241

HSL 274.76, 0.82%, 0.7%

LAB 61.05, 50.98, -52.48

 

CMYK 0 / 52 / 41 / 5

HEX #F1738E

RGB 241 115 142

HSL 347.14, 0.82%, 0.7%

LAB 64.09, 50.97, 8.75

 

CMYK 30 / 0 / 52 / 5

HEX #A8F174

RGB 168 241 116

HSL 95.04, 0.82%, 0.7%

LAB 88.21, -43.52, 52.73

 

CMYK 52 / 5 / 0 / 5

HEX #73E6F1

RGB 115 230 241

HSL 185.24, 0.82%, 0.7%

LAB 85.3, -29.67, -15.36

 

CMYK 22 / 52 / 0 / 5

HEX #BC73F1

RGB 188 115 241

HSL 274.76, 0.82%, 0.7%

LAB 61.05, 50.98, -52.48

 

CMYK 0 / 48 / 52 / 5

HEX #F17E73

RGB 241 126 115

HSL 5.24, 0.82%, 0.7%

LAB 65.64, 43.02, 26.17

 

Description

Color code: HEX #A8F174 | qconv.com Color code: HEX #A8F174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 241 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 241 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 52 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 52% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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