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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A90073 it is the complementary color #56FF8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A90073. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A90073 shade: #AE006E, #BF1281, #D02494, #E136A7 and #F248BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A90073. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A90073 shade: #A90073, #980060, #87004D, #76003A and #650027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A90073 shade: #A80072, #A80045, #A80017 and #A80000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A90073 shade: #A80072, #A8009F, #8300A8, #5500A8 and #2800A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A90073 shade matches the following richer shades: #A80072

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A90073 shade: #A80072, #9A0D6D, #8D1B68, #7F2863 and #71365E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A90073 shade: #8300A8, #A8009F, #A80073, #A80046 and #A80019

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A90073 shade: #55003A, #7F0056, #A80072, #D1008E and #FA00AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A90073 shade: #A90073, #A85600 and #00A89A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A90073 shade: #A90073, #73A800 and #0073A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A90073 shade: #A90073, #A85600, #00A835 and #0051A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A90073 shade: #A90073, #A88900, #00A835 and #001EA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 32 / 34

HEX #A90073

RGB 169 0 115

HSL 319.17, 1%, 0.33%

LAB 37.25, 65.16, -16.02

 

Complementary color

CMYK 66 / 0 / 45 / 0

HEX #56FF8C

RGB 86 255 140

HSL 139.17, 1%, 0.67%

LAB 89.58, -67.31, 42.43

 

CMYK 0 / 100 / 37 / 32

HEX #AE006E

RGB 174 0 110

HSL 322.07, 1%, 0.34%

LAB 38.06, 65.69, -11.52

 

CMYK 0 / 91 / 32 / 25

HEX #BF1281

RGB 191 18 129

HSL 321.5, 0.83%, 0.41%

LAB 42.9, 69.27, -15.7

 

CMYK 0 / 83 / 29 / 18

HEX #D02494

RGB 208 36 148

HSL 320.93, 0.7%, 0.48%

LAB 48.02, 71.85, -19.15

 

CMYK 0 / 76 / 26 / 12

HEX #E136A7

RGB 225 54 167

HSL 320.35, 0.74%, 0.55%

LAB 53.42, 73.4, -21.88

 

CMYK 0 / 70 / 23 / 5

HEX #F248BA

RGB 242 72 186

HSL 319.76, 0.87%, 0.62%

LAB 59.03, 74.22, -24.07

 

CMYK 0 / 100 / 32 / 34

HEX #A90073

RGB 169 0 115

HSL 319.17, 1%, 0.33%

LAB 37.25, 65.16, -16.02

 

CMYK 0 / 100 / 37 / 40

HEX #980060

RGB 152 0 96

HSL 322.11, 1%, 0.3%

LAB 32.96, 59.52, -10.73

 

CMYK 0 / 100 / 43 / 47

HEX #87004D

RGB 135 0 77

HSL 325.78, 1%, 0.26%

LAB 28.61, 53.81, -5.15

 

CMYK 0 / 100 / 51 / 54

HEX #76003A

RGB 118 0 58

HSL 330.51, 1%, 0.23%

LAB 24.18, 48.04, 0.8

 

CMYK 0 / 100 / 61 / 60

HEX #650027

RGB 101 0 39

HSL 336.83, 1%, 0.2%

LAB 19.69, 42.24, 7.23

 

CMYK 0 / 100 / 32 / 34

HEX #A80072

RGB 168 0 114

HSL 319.29, 1%, 0.33%

LAB 37, 64.84, -15.78

 

CMYK 0 / 100 / 59 / 34

HEX #A80045

RGB 168 0 69

HSL 335.36, 1%, 0.33%

LAB 35.51, 60.92, 10.99

 

CMYK 0 / 100 / 86 / 34

HEX #A80017

RGB 168 0 23

HSL 351.79, 1%, 0.33%

LAB 34.78, 58.95, 38.86

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 32 / 34

HEX #A80072

RGB 168 0 114

HSL 319.29, 1%, 0.33%

LAB 37, 64.84, -15.78

 

CMYK 0 / 100 / 5 / 34

HEX #A8009F

RGB 168 0 159

HSL 303.21, 1%, 0.33%

LAB 39.29, 70.56, -39.97

 

CMYK 22 / 100 / 0 / 34

HEX #8300A8

RGB 131 0 168

HSL 286.79, 1%, 0.33%

LAB 33.25, 66.24, -55.48

 

CMYK 49 / 100 / 0 / 34

HEX #5500A8

RGB 85 0 168

HSL 270.36, 1%, 0.33%

LAB 26.04, 61.1, -67.58

 

CMYK 76 / 100 / 0 / 34

HEX #2800A8

RGB 40 0 168

HSL 254.29, 1%, 0.33%

LAB 21.13, 58.58, -75.88

 

CMYK 0 / 100 / 32 / 34

HEX #A80072

RGB 168 0 114

HSL 319.29, 1%, 0.33%

LAB 37, 64.84, -15.78

 

CMYK 0 / 100 / 32 / 34

HEX #A80072

RGB 168 0 114

HSL 319.29, 1%, 0.33%

LAB 37, 64.84, -15.78

 

CMYK 0 / 92 / 29 / 40

HEX #9A0D6D

RGB 154 13 109

HSL 319.15, 0.84%, 0.33%

LAB 34.52, 59.63, -16.66

 

CMYK 0 / 81 / 26 / 45

HEX #8D1B68

RGB 141 27 104

HSL 319.47, 0.68%, 0.33%

LAB 32.8, 52.92, -16.33

 

CMYK 0 / 69 / 22 / 50

HEX #7F2863

RGB 127 40 99

HSL 319.31, 0.52%, 0.33%

LAB 31.65, 43.79, -15.11

 

CMYK 0 / 52 / 17 / 56

HEX #71365E

RGB 113 54 94

HSL 319.32, 0.35%, 0.33%

LAB 31.71, 31.57, -12

 

CMYK 22 / 100 / 0 / 34

HEX #8300A8

RGB 131 0 168

HSL 286.79, 1%, 0.33%

LAB 33.25, 66.24, -55.48

 

CMYK 0 / 100 / 5 / 34

HEX #A8009F

RGB 168 0 159

HSL 303.21, 1%, 0.33%

LAB 39.29, 70.56, -39.97

 

CMYK 0 / 100 / 32 / 34

HEX #A80073

RGB 168 0 115

HSL 318.93, 1%, 0.33%

LAB 37.05, 64.95, -16.34

 

CMYK 0 / 100 / 58 / 34

HEX #A80046

RGB 168 0 70

HSL 335, 1%, 0.33%

LAB 35.53, 60.99, 10.37

 

CMYK 0 / 100 / 85 / 34

HEX #A80019

RGB 168 0 25

HSL 351.07, 1%, 0.33%

LAB 34.79, 59, 37.79

 

CMYK 0 / 100 / 32 / 67

HEX #55003A

RGB 85 0 58

HSL 319.06, 1%, 0.17%

LAB 16.68, 40.14, -11.21

 

CMYK 0 / 100 / 32 / 50

HEX #7F0056

RGB 127 0 86

HSL 319.37, 1%, 0.25%

LAB 27.25, 52.96, -13.36

 

CMYK 0 / 100 / 32 / 34

HEX #A80072

RGB 168 0 114

HSL 319.29, 1%, 0.33%

LAB 37, 64.84, -15.78

 

CMYK 0 / 100 / 32 / 18

HEX #D1008E

RGB 209 0 142

HSL 319.23, 1%, 0.41%

LAB 46.32, 76.2, -18.11

 

CMYK 0 / 100 / 32 / 2

HEX #FA00AA

RGB 250 0 170

HSL 319.2, 1%, 0.49%

LAB 55.3, 87.14, -20.36

 

CMYK 0 / 100 / 32 / 34

HEX #A90073

RGB 169 0 115

HSL 319.17, 1%, 0.33%

LAB 37.25, 65.16, -16.02

 

CMYK 0 / 49 / 100 / 34

HEX #A85600

RGB 168 86 0

HSL 30.71, 1%, 0.33%

LAB 45.61, 29.23, 54.66

 

CMYK 100 / 0 / 8 / 34

HEX #00A89A

RGB 0 168 154

HSL 175, 1%, 0.33%

LAB 61.95, -39.39, -3.11

 

CMYK 0 / 100 / 32 / 34

HEX #A90073

RGB 169 0 115

HSL 319.17, 1%, 0.33%

LAB 37.25, 65.16, -16.02

 

CMYK 32 / 0 / 100 / 34

HEX #73A800

RGB 115 168 0

HSL 78.93, 1%, 0.33%

LAB 63.05, -38.12, 64.69

 

CMYK 100 / 32 / 0 / 34

HEX #0073A8

RGB 0 115 168

HSL 198.93, 1%, 0.33%

LAB 45.76, -7.27, -35.88

 

CMYK 0 / 100 / 32 / 34

HEX #A90073

RGB 169 0 115

HSL 319.17, 1%, 0.33%

LAB 37.25, 65.16, -16.02

 

CMYK 0 / 49 / 100 / 34

HEX #A85600

RGB 168 86 0

HSL 30.71, 1%, 0.33%

LAB 45.61, 29.23, 54.66

 

CMYK 100 / 0 / 68 / 34

HEX #00A835

RGB 0 168 53

HSL 138.93, 1%, 0.33%

LAB 60.12, -60.07, 47.3

 

CMYK 100 / 52 / 0 / 34

HEX #0051A8

RGB 0 81 168

HSL 211.07, 1%, 0.33%

LAB 35.42, 14.47, -52.4

 

CMYK 0 / 100 / 32 / 34

HEX #A90073

RGB 169 0 115

HSL 319.17, 1%, 0.33%

LAB 37.25, 65.16, -16.02

 

CMYK 0 / 18 / 100 / 34

HEX #A88900

RGB 168 137 0

HSL 48.93, 1%, 0.33%

LAB 58.24, 0.75, 63

 

CMYK 100 / 0 / 68 / 34

HEX #00A835

RGB 0 168 53

HSL 138.93, 1%, 0.33%

LAB 60.12, -60.07, 47.3

 

CMYK 100 / 82 / 0 / 34

HEX #001EA8

RGB 0 30 168

HSL 229.29, 1%, 0.33%

LAB 22.85, 47.32, -73.06

 

Description

Color code: HEX #A90073 | qconv.com Color code: HEX #A90073 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, none green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 0 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 32 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 32% 34% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

83% - Encuesta sobre la Pe...
Link: http://www.beta.inegi.org.mx

83% - Disponibilidad y Uso...
Link: http://www.beta.inegi.org.mx

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