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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A90FF0 it is the complementary color #56F00F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A90FF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A90FF0 shade: #AE0FEB, #BF21FE, #D033FF, #E145FF and #F257FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A90FF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A90FF0 shade: #A90FF0, #9800DD, #8700CA, #7600B7 and #6500A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A90FF0 shade: #A80FEF, #E50FEF, #EF0FBD, #EF0F80 and #EF0F44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A90FF0 shade: #A80FEF, #6C0FEF, #2F0FEF and #0F0FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A90FF0 shade matches the following richer shades: #A80FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A90FF0 shade: #A80FEF, #A123DB, #9938C6, #924DB1 and #8A619D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A90FF0 shade: #300FEF, #6C0FEF, #A80FEF, #E40FEF and #EF0FBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A90FF0 shade: #720AA2, #8D0CC8, #A80FEF, #B636F2 and #C45CF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A90FF0 shade: #A90FF0, #EF0F29 and #0FEF4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A90FF0 shade: #A90FF0, #EFA80F and #0FEFA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A90FF0 shade: #A90FF0, #EF0F29, #56EF0F and #0FEFD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A90FF0 shade: #A90FF0, #EF380F, #56EF0F and #0FC6EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 94 / 0 / 6

HEX #A90FF0

RGB 169 15 240

HSL 281.07, 0.88%, 0.5%

LAB 45.73, 82.71, -76.75

 

Complementary color

CMYK 64 / 0 / 94 / 6

HEX #56F00F

RGB 86 240 15

HSL 101.07, 0.88%, 0.5%

LAB 84.14, -72.96, 79.45

 

CMYK 26 / 94 / 0 / 8

HEX #AE0FEB

RGB 174 15 235

HSL 283.36, 0.88%, 0.49%

LAB 46.09, 82.43, -73.29

 

CMYK 25 / 87 / 0 / 0

HEX #BF21FE

RGB 191 33 254

HSL 282.9, 0.99%, 0.56%

LAB 51.06, 85.39, -75.75

 

CMYK 18 / 80 / 0 / 0

HEX #D033FF

RGB 208 51 255

HSL 286.18, 1%, 0.6%

LAB 55.07, 84.07, -69.68

 

CMYK 12 / 73 / 0 / 0

HEX #E145FF

RGB 225 69 255

HSL 290.32, 1%, 0.64%

LAB 59.42, 81.82, -62.55

 

CMYK 5 / 66 / 0 / 0

HEX #F257FF

RGB 242 87 255

HSL 295.36, 1%, 0.67%

LAB 64.09, 79.06, -54.95

 

CMYK 30 / 94 / 0 / 6

HEX #A90FF0

RGB 169 15 240

HSL 281.07, 0.88%, 0.5%

LAB 45.73, 82.71, -76.75

 

CMYK 31 / 100 / 0 / 13

HEX #9800DD

RGB 152 0 221

HSL 281.27, 1%, 0.43%

LAB 41.05, 78.67, -73.7

 

CMYK 33 / 100 / 0 / 21

HEX #8700CA

RGB 135 0 202

HSL 280.1, 1%, 0.4%

LAB 36.77, 73.13, -69.83

 

CMYK 36 / 100 / 0 / 28

HEX #7600B7

RGB 118 0 183

HSL 278.69, 1%, 0.36%

LAB 32.41, 67.5, -65.9

 

CMYK 38 / 100 / 0 / 36

HEX #6500A4

RGB 101 0 164

HSL 276.95, 1%, 0.32%

LAB 27.97, 61.77, -61.89

 

CMYK 30 / 94 / 0 / 6

HEX #A80FEF

RGB 168 15 239

HSL 280.98, 0.88%, 0.5%

LAB 45.49, 82.41, -76.57

 

CMYK 4 / 94 / 0 / 6

HEX #E50FEF

RGB 229 15 239

HSL 297.32, 0.88%, 0.5%

LAB 55.31, 90.98, -60.2

 

CMYK 0 / 94 / 21 / 6

HEX #EF0FBD

RGB 239 15 189

HSL 313.39, 0.88%, 0.5%

LAB 54.41, 86.05, -32.99

 

CMYK 0 / 94 / 46 / 6

HEX #EF0F80

RGB 239 15 128

HSL 329.73, 0.88%, 0.5%

LAB 52.12, 80.02, -0.34

 

CMYK 0 / 94 / 72 / 6

HEX #EF0F44

RGB 239 15 68

HSL 345.8, 0.88%, 0.5%

LAB 50.82, 76.46, 34.26

 

CMYK 30 / 94 / 0 / 6

HEX #A80FEF

RGB 168 15 239

HSL 280.98, 0.88%, 0.5%

LAB 45.49, 82.41, -76.57

 

CMYK 55 / 94 / 0 / 6

HEX #6C0FEF

RGB 108 15 239

HSL 264.91, 0.88%, 0.5%

LAB 37.41, 76.47, -90.16

 

CMYK 80 / 94 / 0 / 6

HEX #2F0FEF

RGB 47 15 239

HSL 248.57, 0.88%, 0.5%

LAB 32.21, 73.49, -98.96

 

CMYK 94 / 94 / 0 / 6

HEX #0F0FEF

RGB 15 15 239

HSL 240, 0.88%, 0.5%

LAB 31.06, 72.95, -100.91

 

CMYK 30 / 94 / 0 / 6

HEX #A80FEF

RGB 168 15 239

HSL 280.98, 0.88%, 0.5%

LAB 45.49, 82.41, -76.57

 

CMYK 30 / 94 / 0 / 6

HEX #A80FEF

RGB 168 15 239

HSL 280.98, 0.88%, 0.5%

LAB 45.49, 82.41, -76.57

 

CMYK 26 / 84 / 0 / 14

HEX #A123DB

RGB 161 35 219

HSL 281.09, 0.72%, 0.5%

LAB 44.08, 74.06, -67.55

 

CMYK 23 / 72 / 0 / 22

HEX #9938C6

RGB 153 56 198

HSL 280.99, 0.56%, 0.5%

LAB 43.77, 61.64, -56

 

CMYK 18 / 56 / 0 / 31

HEX #924DB1

RGB 146 77 177

HSL 281.4, 0.39%, 0.5%

LAB 45.07, 45.81, -41.7

 

CMYK 12 / 38 / 0 / 38

HEX #8A619D

RGB 138 97 157

HSL 281, 0.24%, 0.5%

LAB 47.48, 27.9, -26.19

 

CMYK 80 / 94 / 0 / 6

HEX #300FEF

RGB 48 15 239

HSL 248.84, 0.88%, 0.5%

LAB 32.26, 73.52, -98.87

 

CMYK 55 / 94 / 0 / 6

HEX #6C0FEF

RGB 108 15 239

HSL 264.91, 0.88%, 0.5%

LAB 37.41, 76.47, -90.16

 

CMYK 30 / 94 / 0 / 6

HEX #A80FEF

RGB 168 15 239

HSL 280.98, 0.88%, 0.5%

LAB 45.49, 82.41, -76.57

 

CMYK 5 / 94 / 0 / 6

HEX #E40FEF

RGB 228 15 239

HSL 297.05, 0.88%, 0.5%

LAB 55.14, 90.82, -60.48

 

CMYK 0 / 94 / 20 / 6

HEX #EF0FBF

RGB 239 15 191

HSL 312.86, 0.88%, 0.5%

LAB 54.51, 86.29, -34.01

 

CMYK 30 / 94 / 0 / 36

HEX #720AA2

RGB 114 10 162

HSL 281.05, 0.88%, 0.34%

LAB 30.41, 61.29, -56.6

 

CMYK 30 / 94 / 0 / 22

HEX #8D0CC8

RGB 141 12 200

HSL 281.17, 0.89%, 0.42%

LAB 38.01, 72.03, -66.59

 

CMYK 30 / 94 / 0 / 6

HEX #A80FEF

RGB 168 15 239

HSL 280.98, 0.88%, 0.5%

LAB 45.49, 82.41, -76.57

 

CMYK 25 / 78 / 0 / 5

HEX #B636F2

RGB 182 54 242

HSL 280.85, 0.88%, 0.58%

LAB 50.68, 76.47, -69.72

 

CMYK 20 / 62 / 0 / 4

HEX #C45CF4

RGB 196 92 244

HSL 281.05, 0.87%, 0.66%

LAB 57.96, 64.8, -59.01

 

CMYK 30 / 94 / 0 / 6

HEX #A90FF0

RGB 169 15 240

HSL 281.07, 0.88%, 0.5%

LAB 45.73, 82.71, -76.75

 

CMYK 0 / 94 / 83 / 6

HEX #EF0F29

RGB 239 15 41

HSL 353.04, 0.88%, 0.5%

LAB 50.51, 75.63, 49.15

 

CMYK 94 / 0 / 67 / 6

HEX #0FEF4E

RGB 15 239 78

HSL 136.88, 0.88%, 0.5%

LAB 83.12, -77.81, 62.07

 

CMYK 30 / 94 / 0 / 6

HEX #A90FF0

RGB 169 15 240

HSL 281.07, 0.88%, 0.5%

LAB 45.73, 82.71, -76.75

 

CMYK 0 / 30 / 94 / 6

HEX #EFA80F

RGB 239 168 15

HSL 40.98, 0.88%, 0.5%

LAB 73.8, 15.72, 75.52

 

CMYK 94 / 0 / 30 / 6

HEX #0FEFA8

RGB 15 239 168

HSL 160.98, 0.88%, 0.5%

LAB 84.31, -63.6, 21.24

 

CMYK 30 / 94 / 0 / 6

HEX #A90FF0

RGB 169 15 240

HSL 281.07, 0.88%, 0.5%

LAB 45.73, 82.71, -76.75

 

CMYK 0 / 94 / 83 / 6

HEX #EF0F29

RGB 239 15 41

HSL 353.04, 0.88%, 0.5%

LAB 50.51, 75.63, 49.15

 

CMYK 64 / 0 / 94 / 6

HEX #56EF0F

RGB 86 239 15

HSL 100.98, 0.88%, 0.5%

LAB 83.83, -72.65, 79.2

 

CMYK 94 / 0 / 11 / 6

HEX #0FEFD5

RGB 15 239 213

HSL 173.04, 0.88%, 0.5%

LAB 85.32, -52.67, -0.79

 

CMYK 30 / 94 / 0 / 6

HEX #A90FF0

RGB 169 15 240

HSL 281.07, 0.88%, 0.5%

LAB 45.73, 82.71, -76.75

 

CMYK 0 / 77 / 94 / 6

HEX #EF380F

RGB 239 56 15

HSL 10.98, 0.88%, 0.5%

LAB 53.18, 67.2, 61.75

 

CMYK 64 / 0 / 94 / 6

HEX #56EF0F

RGB 86 239 15

HSL 100.98, 0.88%, 0.5%

LAB 83.83, -72.65, 79.2

 

CMYK 94 / 17 / 0 / 6

HEX #0FC6EF

RGB 15 198 239

HSL 190.98, 0.88%, 0.5%

LAB 74.01, -26.31, -31.66

 

Description

Color code: HEX #A90FF0 | qconv.com Color code: HEX #A90FF0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 15 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 15 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 94 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 94% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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