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Color name
HEX #A9177E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9177E it is the complementary color #56E881. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9177E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9177E shade: #AE1779, #BF298C, #D03B9F, #E14DB2 and #F25FC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9177E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9177E shade: #A9177E, #98056B, #870058, #760045 and #650032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9177E shade: #AA177F, #AA1757, #AA172F and #AA1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9177E shade: #AA177F, #AA17A6, #8617AA, #5E17AA and #3717AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9177E shade matches the following richer shades: #AA177F and #BA0785

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9177E shade: #AA177F, #9A2678, #8B3672, #7B466B and #6B5565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9177E shade: #8517AA, #AA17A8, #AA1780, #AA1759 and #AA1732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9177E shade: #610D49, #861264, #AA177F, #CE1C9A and #E231AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9177E shade: #A9177E, #AA5E17 and #17AA99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9177E shade: #A9177E, #80AA17 and #1780AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9177E shade: #A9177E, #AA5E17, #17AA40 and #1763AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9177E shade: #A9177E, #AA8A17, #17AA40 and #1737AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 25 / 34

HEX #A9177E

RGB 169 23 126

HSL 317.67, 0.76%, 0.38%

LAB 38.82, 63.24, -20.48

 

Complementary color

CMYK 63 / 0 / 44 / 9

HEX #56E881

RGB 86 232 129

HSL 137.67, 0.76%, 0.62%

LAB 82.53, -60.74, 38.78

 

CMYK 0 / 87 / 30 / 32

HEX #AE1779

RGB 174 23 121

HSL 321.06, 0.77%, 0.39%

LAB 39.57, 63.78, -16.14

 

CMYK 0 / 79 / 27 / 25

HEX #BF298C

RGB 191 41 140

HSL 320.4, 0.65%, 0.45%

LAB 45.02, 65.72, -19.19

 

CMYK 0 / 72 / 24 / 18

HEX #D03B9F

RGB 208 59 159

HSL 319.73, 0.61%, 0.52%

LAB 50.74, 66.71, -21.54

 

CMYK 0 / 66 / 21 / 12

HEX #E14DB2

RGB 225 77 178

HSL 319.05, 0.71%, 0.59%

LAB 56.61, 67.06, -23.4

 

CMYK 0 / 61 / 19 / 5

HEX #F25FC5

RGB 242 95 197

HSL 318.37, 0.85%, 0.66%

LAB 62.59, 67, -24.89

 

CMYK 0 / 86 / 25 / 34

HEX #A9177E

RGB 169 23 126

HSL 317.67, 0.76%, 0.38%

LAB 38.82, 63.24, -20.48

 

CMYK 0 / 97 / 30 / 40

HEX #98056B

RGB 152 5 107

HSL 318.37, 0.94%, 0.31%

LAB 33.66, 60.04, -16.75

 

CMYK 0 / 100 / 35 / 47

HEX #870058

RGB 135 0 88

HSL 320.89, 1%, 0.26%

LAB 29.04, 54.94, -11.79

 

CMYK 0 / 100 / 42 / 54

HEX #760045

RGB 118 0 69

HSL 324.92, 1%, 0.23%

LAB 24.58, 49.08, -6.17

 

CMYK 0 / 100 / 50 / 60

HEX #650032

RGB 101 0 50

HSL 330.3, 1%, 0.2%

LAB 20.03, 43.14, -0.12

 

CMYK 0 / 86 / 25 / 33

HEX #AA177F

RGB 170 23 127

HSL 317.55, 0.76%, 0.38%

LAB 39.06, 63.59, -20.72

 

CMYK 0 / 86 / 49 / 33

HEX #AA1757

RGB 170 23 87

HSL 333.88, 0.76%, 0.38%

LAB 37.57, 59.42, 2.31

 

CMYK 0 / 86 / 72 / 33

HEX #AA172F

RGB 170 23 47

HSL 350.2, 0.76%, 0.38%

LAB 36.68, 56.84, 26.75

 

CMYK 0 / 86 / 86 / 33

HEX #AA1717

RGB 170 23 23

HSL 0, 0.76%, 0.38%

LAB 36.41, 56.04, 40.44

 

CMYK 0 / 86 / 25 / 33

HEX #AA177F

RGB 170 23 127

HSL 317.55, 0.76%, 0.38%

LAB 39.06, 63.59, -20.72

 

CMYK 0 / 86 / 2 / 33

HEX #AA17A6

RGB 170 23 166

HSL 301.63, 0.76%, 0.38%

LAB 41.08, 68.99, -41.31

 

CMYK 21 / 86 / 0 / 33

HEX #8617AA

RGB 134 23 170

HSL 285.31, 0.76%, 0.38%

LAB 35.17, 63.31, -53.53

 

CMYK 45 / 86 / 0 / 33

HEX #5E17AA

RGB 94 23 170

HSL 268.98, 0.76%, 0.38%

LAB 29.15, 57.48, -63.62

 

CMYK 68 / 86 / 0 / 33

HEX #3717AA

RGB 55 23 170

HSL 253.06, 0.76%, 0.38%

LAB 24.73, 53.51, -71.07

 

CMYK 0 / 86 / 25 / 33

HEX #AA177F

RGB 170 23 127

HSL 317.55, 0.76%, 0.38%

LAB 39.06, 63.59, -20.72

 

CMYK 0 / 96 / 28 / 27

HEX #BA0785

RGB 186 7 133

HSL 317.77, 0.93%, 0.38%

LAB 41.66, 69.91, -20.15

 

CMYK 0 / 86 / 25 / 33

HEX #AA177F

RGB 170 23 127

HSL 317.55, 0.76%, 0.38%

LAB 39.06, 63.59, -20.72

 

CMYK 0 / 75 / 22 / 40

HEX #9A2678

RGB 154 38 120

HSL 317.59, 0.6%, 0.38%

LAB 37.14, 54.92, -19.57

 

CMYK 0 / 61 / 18 / 45

HEX #8B3672

RGB 139 54 114

HSL 317.65, 0.44%, 0.38%

LAB 36.63, 43.35, -16.8

 

CMYK 0 / 43 / 13 / 52

HEX #7B466B

RGB 123 70 107

HSL 318.11, 0.27%, 0.38%

LAB 37.21, 28.34, -11.75

 

CMYK 0 / 21 / 6 / 58

HEX #6B5565

RGB 107 85 101

HSL 316.36, 0.11%, 0.38%

LAB 38.83, 12.1, -5.77

 

CMYK 22 / 86 / 0 / 33

HEX #8517AA

RGB 133 23 170

HSL 284.9, 0.76%, 0.38%

LAB 35.01, 63.15, -53.81

 

CMYK 0 / 86 / 1 / 33

HEX #AA17A8

RGB 170 23 168

HSL 300.82, 0.76%, 0.38%

LAB 41.19, 69.29, -42.32

 

CMYK 0 / 86 / 25 / 33

HEX #AA1780

RGB 170 23 128

HSL 317.14, 0.76%, 0.38%

LAB 39.1, 63.71, -21.27

 

CMYK 0 / 86 / 48 / 33

HEX #AA1759

RGB 170 23 89

HSL 333.06, 0.76%, 0.38%

LAB 37.63, 59.59, 1.11

 

CMYK 0 / 86 / 71 / 33

HEX #AA1732

RGB 170 23 50

HSL 348.98, 0.76%, 0.38%

LAB 36.72, 56.98, 24.92

 

CMYK 0 / 87 / 25 / 62

HEX #610D49

RGB 97 13 73

HSL 317.14, 0.76%, 0.22%

LAB 21.25, 41.55, -14.39

 

CMYK 0 / 87 / 25 / 47

HEX #861264

RGB 134 18 100

HSL 317.59, 0.76%, 0.3%

LAB 30.45, 53.02, -17.49

 

CMYK 0 / 86 / 25 / 33

HEX #AA177F

RGB 170 23 127

HSL 317.55, 0.76%, 0.38%

LAB 39.06, 63.59, -20.72

 

CMYK 0 / 86 / 25 / 19

HEX #CE1C9A

RGB 206 28 154

HSL 317.53, 0.76%, 0.46%

LAB 47.35, 73.7, -23.81

 

CMYK 0 / 78 / 23 / 11

HEX #E231AE

RGB 226 49 174

HSL 317.63, 0.75%, 0.54%

LAB 53.41, 75.84, -26

 

CMYK 0 / 86 / 25 / 34

HEX #A9177E

RGB 169 23 126

HSL 317.67, 0.76%, 0.38%

LAB 38.82, 63.24, -20.48

 

CMYK 0 / 45 / 86 / 33

HEX #AA5E17

RGB 170 94 23

HSL 28.98, 0.76%, 0.38%

LAB 47.77, 26.13, 50.05

 

CMYK 86 / 0 / 10 / 33

HEX #17AA99

RGB 23 170 153

HSL 173.06, 0.76%, 0.38%

LAB 62.7, -39.49, -1.42

 

CMYK 0 / 86 / 25 / 34

HEX #A9177E

RGB 169 23 126

HSL 317.67, 0.76%, 0.38%

LAB 38.82, 63.24, -20.48

 

CMYK 25 / 0 / 86 / 33

HEX #80AA17

RGB 128 170 23

HSL 77.14, 0.76%, 0.38%

LAB 64.48, -33.4, 62.56

 

CMYK 86 / 25 / 0 / 33

HEX #1780AA

RGB 23 128 170

HSL 197.14, 0.76%, 0.38%

LAB 50.12, -12.86, -30.18

 

CMYK 0 / 86 / 25 / 34

HEX #A9177E

RGB 169 23 126

HSL 317.67, 0.76%, 0.38%

LAB 38.82, 63.24, -20.48

 

CMYK 0 / 45 / 86 / 33

HEX #AA5E17

RGB 170 94 23

HSL 28.98, 0.76%, 0.38%

LAB 47.77, 26.13, 50.05

 

CMYK 86 / 0 / 62 / 33

HEX #17AA40

RGB 23 170 64

HSL 136.73, 0.76%, 0.38%

LAB 61.05, -58.03, 43.57

 

CMYK 86 / 42 / 0 / 33

HEX #1763AA

RGB 23 99 170

HSL 208.98, 0.76%, 0.38%

LAB 41.23, 4.65, -44.22

 

CMYK 0 / 86 / 25 / 34

HEX #A9177E

RGB 169 23 126

HSL 317.67, 0.76%, 0.38%

LAB 38.82, 63.24, -20.48

 

CMYK 0 / 19 / 86 / 33

HEX #AA8A17

RGB 170 138 23

HSL 46.94, 0.76%, 0.38%

LAB 58.77, 1.52, 59.17

 

CMYK 86 / 0 / 62 / 33

HEX #17AA40

RGB 23 170 64

HSL 136.73, 0.76%, 0.38%

LAB 61.05, -58.03, 43.57

 

CMYK 86 / 68 / 0 / 33

HEX #1737AA

RGB 23 55 170

HSL 226.94, 0.76%, 0.38%

LAB 28.95, 33.96, -64.15

 

Description

Color code: HEX #A9177E | qconv.com Color code: HEX #A9177E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 23 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 23 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 25 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 25% 34% C M Y K

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Provide designers and agencies with accurate color values.

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