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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A92DB5 it is the complementary color #56D24A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A92DB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A92DB5 shade: #AE2DB0, #BF3FC3, #D051D6, #E163E9 and #F275FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A92DB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A92DB5 shade: #A92DB5, #981BA2, #87098F, #76007C and #650069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A92DB5 shade: #A72CB3, #B32C9B, #B32C76, #B32C52 and #B32C2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A92DB5 shade: #A72CB3, #832CB3, #5F2CB3, #3A2CB3 and #2C2CB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A92DB5 shade matches the following richer shades: #A72CB3, #B61AC5 and #C508D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A92DB5 shade: #A72CB3, #983FA1, #89518F, #7A637D and #6B756A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A92DB5 shade: #5E2CB3, #822CB3, #A62CB3, #B32C9D and #B32C79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A92DB5 shade: #6A1C71, #882492, #A72CB3, #C13BCE and #CB5CD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A92DB5 shade: #A92DB5, #B33A2C and #2CB370

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A92DB5 shade: #A92DB5, #B3A62C and #2CB3A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A92DB5 shade: #A92DB5, #B33A2C, #3AB32C and #2CA6B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A92DB5 shade: #A92DB5, #B3622C, #3AB32C and #2C7DB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 75 / 0 / 29

HEX #A92DB5

RGB 169 45 181

HSL 294.71, 0.6%, 0.44%

LAB 43.72, 65.64, -46

 

Complementary color

CMYK 59 / 0 / 65 / 18

HEX #56D24A

RGB 86 210 74

HSL 114.71, 0.6%, 0.56%

LAB 75.18, -59.85, 55.38

 

CMYK 1 / 74 / 0 / 31

HEX #AE2DB0

RGB 174 45 176

HSL 299.08, 0.59%, 0.43%

LAB 44.25, 65.84, -42.17

 

CMYK 2 / 68 / 0 / 24

HEX #BF3FC3

RGB 191 63 195

HSL 298.18, 0.52%, 0.51%

LAB 50.18, 66.56, -43.68

 

CMYK 3 / 62 / 0 / 16

HEX #D051D6

RGB 208 81 214

HSL 297.29, 0.62%, 0.58%

LAB 56.24, 66.71, -44.81

 

CMYK 3 / 58 / 0 / 9

HEX #E163E9

RGB 225 99 233

HSL 296.42, 0.75%, 0.65%

LAB 62.35, 66.5, -45.68

 

CMYK 4 / 54 / 0 / 1

HEX #F275FC

RGB 242 117 252

HSL 295.56, 0.96%, 0.72%

LAB 68.48, 66.08, -46.36

 

CMYK 7 / 75 / 0 / 29

HEX #A92DB5

RGB 169 45 181

HSL 294.71, 0.6%, 0.44%

LAB 43.72, 65.64, -46

 

CMYK 6 / 83 / 0 / 36

HEX #981BA2

RGB 152 27 162

HSL 295.56, 0.71%, 0.37%

LAB 37.96, 64.11, -44.07

 

CMYK 6 / 94 / 0 / 44

HEX #87098F

RGB 135 9 143

HSL 296.42, 0.88%, 0.3%

LAB 32.55, 61.24, -41.34

 

CMYK 5 / 100 / 0 / 51

HEX #76007C

RGB 118 0 124

HSL 297.1, 1%, 0.24%

LAB 27.59, 56.57, -37.59

 

CMYK 4 / 100 / 0 / 59

HEX #650069

RGB 101 0 105

HSL 297.71, 1%, 0.21%

LAB 22.95, 50.46, -33.01

 

CMYK 7 / 75 / 0 / 30

HEX #A72CB3

RGB 167 44 179

HSL 294.67, 0.61%, 0.44%

LAB 43.17, 65.21, -45.73

 

CMYK 0 / 75 / 13 / 30

HEX #B32C9B

RGB 179 44 155

HSL 310.67, 0.61%, 0.44%

LAB 43.87, 64.01, -30.19

 

CMYK 0 / 75 / 34 / 30

HEX #B32C76

RGB 179 44 118

HSL 327.11, 0.61%, 0.44%

LAB 42.3, 59.21, -10.04

 

CMYK 0 / 75 / 54 / 30

HEX #B32C52

RGB 179 44 82

HSL 343.11, 0.61%, 0.44%

LAB 41.21, 55.76, 10.9

 

CMYK 0 / 75 / 74 / 30

HEX #B32C2E

RGB 179 44 46

HSL 359.11, 0.61%, 0.44%

LAB 40.54, 53.59, 32.32

 

CMYK 7 / 75 / 0 / 30

HEX #A72CB3

RGB 167 44 179

HSL 294.67, 0.61%, 0.44%

LAB 43.17, 65.21, -45.73

 

CMYK 27 / 75 / 0 / 30

HEX #832CB3

RGB 131 44 179

HSL 278.67, 0.61%, 0.44%

LAB 37.63, 58.07, -54.93

 

CMYK 47 / 75 / 0 / 30

HEX #5F2CB3

RGB 95 44 179

HSL 262.67, 0.61%, 0.44%

LAB 32.9, 51.77, -62.85

 

CMYK 68 / 75 / 0 / 30

HEX #3A2CB3

RGB 58 44 179

HSL 246.22, 0.61%, 0.44%

LAB 29.3, 46.78, -68.89

 

CMYK 75 / 75 / 0 / 30

HEX #2C2CB3

RGB 44 44 179

HSL 240, 0.61%, 0.44%

LAB 28.36, 45.44, -70.48

 

CMYK 7 / 75 / 0 / 30

HEX #A72CB3

RGB 167 44 179

HSL 294.67, 0.61%, 0.44%

LAB 43.17, 65.21, -45.73

 

CMYK 8 / 87 / 0 / 23

HEX #B61AC5

RGB 182 26 197

HSL 294.74, 0.77%, 0.44%

LAB 45.24, 75.47, -52.82

 

CMYK 8 / 96 / 0 / 16

HEX #C508D7

RGB 197 8 215

HSL 294.78, 0.93%, 0.44%

LAB 48.2, 82.96, -58.32

 

CMYK 7 / 75 / 0 / 30

HEX #A72CB3

RGB 167 44 179

HSL 294.67, 0.61%, 0.44%

LAB 43.17, 65.21, -45.73

 

CMYK 6 / 61 / 0 / 37

HEX #983FA1

RGB 152 63 161

HSL 294.49, 0.44%, 0.44%

LAB 42.47, 51.03, -36.3

 

CMYK 4 / 43 / 0 / 44

HEX #89518F

RGB 137 81 143

HSL 294.19, 0.28%, 0.44%

LAB 43.04, 33.79, -24.73

 

CMYK 2 / 21 / 0 / 51

HEX #7A637D

RGB 122 99 125

HSL 293.08, 0.12%, 0.44%

LAB 45, 14.23, -11.03

 

CMYK 9 / 0 / 9 / 54

HEX #6B756A

RGB 107 117 106

HSL 114.55, 0.05%, 0.44%

LAB 48.12, -6.02, 4.78

 

CMYK 47 / 75 / 0 / 30

HEX #5E2CB3

RGB 94 44 179

HSL 262.22, 0.61%, 0.44%

LAB 32.78, 51.61, -63.05

 

CMYK 27 / 75 / 0 / 30

HEX #822CB3

RGB 130 44 179

HSL 278.22, 0.61%, 0.44%

LAB 37.48, 57.88, -55.17

 

CMYK 7 / 75 / 0 / 30

HEX #A62CB3

RGB 166 44 179

HSL 294.22, 0.61%, 0.44%

LAB 43.01, 65, -45.99

 

CMYK 0 / 75 / 12 / 30

HEX #B32C9D

RGB 179 44 157

HSL 309.78, 0.61%, 0.44%

LAB 43.97, 64.3, -31.24

 

CMYK 0 / 75 / 32 / 30

HEX #B32C79

RGB 179 44 121

HSL 325.78, 0.61%, 0.44%

LAB 42.41, 59.56, -11.73

 

CMYK 6 / 75 / 0 / 56

HEX #6A1C71

RGB 106 28 113

HSL 295.06, 0.6%, 0.28%

LAB 26.98, 45.47, -31.68

 

CMYK 7 / 75 / 0 / 43

HEX #882492

RGB 136 36 146

HSL 294.55, 0.6%, 0.36%

LAB 35.15, 55.46, -39.01

 

CMYK 7 / 75 / 0 / 30

HEX #A72CB3

RGB 167 44 179

HSL 294.67, 0.61%, 0.44%

LAB 43.17, 65.21, -45.73

 

CMYK 6 / 71 / 0 / 19

HEX #C13BCE

RGB 193 59 206

HSL 294.69, 0.6%, 0.52%

LAB 50.6, 70.3, -49.35

 

CMYK 5 / 57 / 0 / 16

HEX #CB5CD6

RGB 203 92 214

HSL 294.59, 0.6%, 0.6%

LAB 57.28, 60.7, -43.22

 

CMYK 7 / 75 / 0 / 29

HEX #A92DB5

RGB 169 45 181

HSL 294.71, 0.6%, 0.44%

LAB 43.72, 65.64, -46

 

CMYK 0 / 68 / 75 / 30

HEX #B33A2C

RGB 179 58 44

HSL 6.22, 0.61%, 0.44%

LAB 42.45, 48.21, 35.59

 

CMYK 75 / 0 / 37 / 30

HEX #2CB370

RGB 44 179 112

HSL 150.22, 0.61%, 0.44%

LAB 64.92, -50.98, 24.29

 

CMYK 7 / 75 / 0 / 29

HEX #A92DB5

RGB 169 45 181

HSL 294.71, 0.6%, 0.44%

LAB 43.72, 65.64, -46

 

CMYK 0 / 7 / 75 / 30

HEX #B3A62C

RGB 179 166 44

HSL 54.22, 0.61%, 0.44%

LAB 67.31, -8.79, 60.53

 

CMYK 75 / 0 / 7 / 30

HEX #2CB3A6

RGB 44 179 166

HSL 174.22, 0.61%, 0.44%

LAB 66.16, -37.92, -3.55

 

CMYK 7 / 75 / 0 / 29

HEX #A92DB5

RGB 169 45 181

HSL 294.71, 0.6%, 0.44%

LAB 43.72, 65.64, -46

 

CMYK 0 / 68 / 75 / 30

HEX #B33A2C

RGB 179 58 44

HSL 6.22, 0.61%, 0.44%

LAB 42.45, 48.21, 35.59

 

CMYK 68 / 0 / 75 / 30

HEX #3AB32C

RGB 58 179 44

HSL 113.78, 0.61%, 0.44%

LAB 64.42, -57.82, 55.42

 

CMYK 75 / 7 / 0 / 30

HEX #2CA6B3

RGB 44 166 179

HSL 185.78, 0.61%, 0.44%

LAB 62.56, -27.9, -16.17

 

CMYK 7 / 75 / 0 / 29

HEX #A92DB5

RGB 169 45 181

HSL 294.71, 0.6%, 0.44%

LAB 43.72, 65.64, -46

 

CMYK 0 / 45 / 75 / 30

HEX #B3622C

RGB 179 98 44

HSL 24, 0.61%, 0.44%

LAB 50.1, 28.52, 43.71

 

CMYK 68 / 0 / 75 / 30

HEX #3AB32C

RGB 58 179 44

HSL 113.78, 0.61%, 0.44%

LAB 64.42, -57.82, 55.42

 

CMYK 75 / 30 / 0 / 30

HEX #2C7DB3

RGB 44 125 179

HSL 204, 0.61%, 0.44%

LAB 50.05, -5.71, -35.48

 

Description

Color code: HEX #A92DB5 | qconv.com Color code: HEX #A92DB5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 45 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 45 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 75 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 75% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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