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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A935E8 it is the complementary color #56CA17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A935E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A935E8 shade: #AE35E3, #BF47F6, #D059FF, #E16BFF and #F27DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A935E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A935E8 shade: #A935E8, #9823D5, #8711C2, #7600AF and #65009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A935E8 shade: #A935E8, #D935E8, #E835C6, #E83596 and #E83566

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A935E8 shade: #A935E8, #7835E8, #4835E8 and #3535E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A935E8 shade matches the following richer shades: #A935E8 and #AE22FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A935E8 shade: #A935E8, #A347D6, #9E59C4, #996BB2 and #937D9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A935E8 shade: #4635E8, #7635E8, #A635E8, #D635E8 and #E835CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A935E8 shade: #7D14B6, #9718DB, #A935E8, #B95AEC and #C87FF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A935E8 shade: #A935E8, #E83552 and #35E85E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A935E8 shade: #A935E8, #E8A635 and #35E8A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A935E8 shade: #A935E8, #E83552, #76E835 and #35E8CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A935E8 shade: #A935E8, #E84C35, #76E835 and #35D0E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 77 / 0 / 9

HEX #A935E8

RGB 169 53 232

HSL 278.88, 0.8%, 0.56%

LAB 48.02, 72.63, -68.5

 

Complementary color

CMYK 57 / 0 / 89 / 21

HEX #56CA17

RGB 86 202 23

HSL 98.88, 0.8%, 0.44%

LAB 72.42, -60.26, 68.56

 

CMYK 23 / 77 / 0 / 11

HEX #AE35E3

RGB 174 53 227

HSL 281.72, 0.76%, 0.55%

LAB 48.37, 72.5, -65.05

 

CMYK 22 / 71 / 0 / 4

HEX #BF47F6

RGB 191 71 246

HSL 281.14, 0.91%, 0.62%

LAB 54.28, 72.94, -66.08

 

CMYK 18 / 65 / 0 / 0

HEX #D059FF

RGB 208 89 255

HSL 283.01, 1%, 0.67%

LAB 59.68, 70.93, -62.25

 

CMYK 12 / 58 / 0 / 0

HEX #E16BFF

RGB 225 107 255

HSL 287.84, 1%, 0.71%

LAB 64.76, 66.94, -54.03

 

CMYK 5 / 51 / 0 / 0

HEX #F27DFF

RGB 242 125 255

HSL 294, 1%, 0.75%

LAB 70.01, 62.9, -45.6

 

CMYK 27 / 77 / 0 / 9

HEX #A935E8

RGB 169 53 232

HSL 278.88, 0.8%, 0.56%

LAB 48.02, 72.63, -68.5

 

CMYK 29 / 84 / 0 / 16

HEX #9823D5

RGB 152 35 213

HSL 279.44, 0.72%, 0.49%

LAB 42.28, 71.53, -67.1

 

CMYK 30 / 91 / 0 / 24

HEX #8711C2

RGB 135 17 194

HSL 280, 0.84%, 0.41%

LAB 36.83, 69.33, -65.05

 

CMYK 33 / 100 / 0 / 31

HEX #7600AF

RGB 118 0 175

HSL 280.46, 1%, 0.34%

LAB 31.69, 65.91, -62.32

 

CMYK 35 / 100 / 0 / 39

HEX #65009C

RGB 101 0 156

HSL 278.85, 1%, 0.31%

LAB 27.21, 60.12, -58.27

 

CMYK 27 / 77 / 0 / 9

HEX #A935E8

RGB 169 53 232

HSL 278.88, 0.8%, 0.56%

LAB 48.02, 72.63, -68.5

 

CMYK 6 / 77 / 0 / 9

HEX #D935E8

RGB 217 53 232

HSL 294.97, 0.8%, 0.56%

LAB 55.2, 81.22, -56.55

 

CMYK 0 / 77 / 15 / 9

HEX #E835C6

RGB 232 53 198

HSL 311.4, 0.8%, 0.56%

LAB 55.87, 79.19, -36.01

 

CMYK 0 / 77 / 35 / 9

HEX #E83596

RGB 232 53 150

HSL 327.49, 0.8%, 0.56%

LAB 53.93, 73.47, -10.97

 

CMYK 0 / 77 / 56 / 9

HEX #E83566

RGB 232 53 102

HSL 343.58, 0.8%, 0.56%

LAB 52.58, 69.33, 15.84

 

CMYK 27 / 77 / 0 / 9

HEX #A935E8

RGB 169 53 232

HSL 278.88, 0.8%, 0.56%

LAB 48.02, 72.63, -68.5

 

CMYK 48 / 77 / 0 / 9

HEX #7835E8

RGB 120 53 232

HSL 262.46, 0.8%, 0.56%

LAB 41.79, 65.09, -78.92

 

CMYK 69 / 77 / 0 / 9

HEX #4835E8

RGB 72 53 232

HSL 246.37, 0.8%, 0.56%

LAB 37.39, 59.69, -86.33

 

CMYK 77 / 77 / 0 / 9

HEX #3535E8

RGB 53 53 232

HSL 240, 0.8%, 0.56%

LAB 36.23, 58.26, -88.28

 

CMYK 27 / 77 / 0 / 9

HEX #A935E8

RGB 169 53 232

HSL 278.88, 0.8%, 0.56%

LAB 48.02, 72.63, -68.5

 

CMYK 30 / 86 / 0 / 2

HEX #AE22FA

RGB 174 34 250

HSL 278.89, 0.96%, 0.56%

LAB 48.32, 82.12, -78.1

 

CMYK 27 / 77 / 0 / 9

HEX #A935E8

RGB 169 53 232

HSL 278.88, 0.8%, 0.56%

LAB 48.02, 72.63, -68.5

 

CMYK 24 / 67 / 0 / 16

HEX #A347D6

RGB 163 71 214

HSL 278.6, 0.64%, 0.56%

LAB 48.45, 60.73, -57.61

 

CMYK 19 / 55 / 0 / 23

HEX #9E59C4

RGB 158 89 196

HSL 278.69, 0.48%, 0.56%

LAB 49.98, 46.86, -44.87

 

CMYK 14 / 40 / 0 / 30

HEX #996BB2

RGB 153 107 178

HSL 278.87, 0.32%, 0.56%

LAB 52.4, 31.53, -30.69

 

CMYK 8 / 21 / 0 / 38

HEX #937D9F

RGB 147 125 159

HSL 278.82, 0.15%, 0.56%

LAB 55.45, 15.01, -15.05

 

CMYK 70 / 77 / 0 / 9

HEX #4635E8

RGB 70 53 232

HSL 245.7, 0.8%, 0.56%

LAB 37.25, 59.52, -86.56

 

CMYK 49 / 77 / 0 / 9

HEX #7635E8

RGB 118 53 232

HSL 261.79, 0.8%, 0.56%

LAB 41.57, 64.82, -79.29

 

CMYK 28 / 77 / 0 / 9

HEX #A635E8

RGB 166 53 232

HSL 277.88, 0.8%, 0.56%

LAB 47.6, 72.12, -69.2

 

CMYK 8 / 77 / 0 / 9

HEX #D635E8

RGB 214 53 232

HSL 293.97, 0.8%, 0.56%

LAB 54.73, 80.66, -57.33

 

CMYK 0 / 77 / 13 / 9

HEX #E835CA

RGB 232 53 202

HSL 310.06, 0.8%, 0.56%

LAB 56.05, 79.73, -38.01

 

CMYK 31 / 89 / 0 / 29

HEX #7D14B6

RGB 125 20 182

HSL 278.89, 0.8%, 0.4%

LAB 34.47, 64.99, -61.89

 

CMYK 31 / 89 / 0 / 14

HEX #9718DB

RGB 151 24 219

HSL 279.08, 0.8%, 0.48%

LAB 41.76, 75.08, -71.39

 

CMYK 27 / 77 / 0 / 9

HEX #A935E8

RGB 169 53 232

HSL 278.88, 0.8%, 0.56%

LAB 48.02, 72.63, -68.5

 

CMYK 22 / 62 / 0 / 7

HEX #B95AEC

RGB 185 90 236

HSL 279.04, 0.79%, 0.64%

LAB 55.77, 61.57, -58.14

 

CMYK 17 / 47 / 0 / 6

HEX #C87FF0

RGB 200 127 240

HSL 278.76, 0.79%, 0.72%

LAB 64.76, 47.65, -45.96

 

CMYK 27 / 77 / 0 / 9

HEX #A935E8

RGB 169 53 232

HSL 278.88, 0.8%, 0.56%

LAB 48.02, 72.63, -68.5

 

CMYK 0 / 77 / 65 / 9

HEX #E83552

RGB 232 53 82

HSL 350.28, 0.8%, 0.56%

LAB 52.19, 68.1, 27.32

 

CMYK 77 / 0 / 59 / 9

HEX #35E85E

RGB 53 232 94

HSL 133.74, 0.8%, 0.56%

LAB 81.44, -70.94, 53.7

 

CMYK 27 / 77 / 0 / 9

HEX #A935E8

RGB 169 53 232

HSL 278.88, 0.8%, 0.56%

LAB 48.02, 72.63, -68.5

 

CMYK 0 / 28 / 77 / 9

HEX #E8A635

RGB 232 166 53

HSL 37.88, 0.8%, 0.56%

LAB 72.68, 14.69, 64.24

 

CMYK 77 / 0 / 28 / 9

HEX #35E8A6

RGB 53 232 166

HSL 157.88, 0.8%, 0.56%

LAB 82.5, -58.8, 19.83

 

CMYK 27 / 77 / 0 / 9

HEX #A935E8

RGB 169 53 232

HSL 278.88, 0.8%, 0.56%

LAB 48.02, 72.63, -68.5

 

CMYK 0 / 77 / 65 / 9

HEX #E83552

RGB 232 53 82

HSL 350.28, 0.8%, 0.56%

LAB 52.19, 68.1, 27.32

 

CMYK 49 / 0 / 77 / 9

HEX #76E835

RGB 118 232 53

HSL 98.21, 0.8%, 0.56%

LAB 82.82, -60.96, 71.01

 

CMYK 77 / 0 / 13 / 9

HEX #35E8CA

RGB 53 232 202

HSL 169.94, 0.8%, 0.56%

LAB 83.3, -50.28, 2.1

 

CMYK 27 / 77 / 0 / 9

HEX #A935E8

RGB 169 53 232

HSL 278.88, 0.8%, 0.56%

LAB 48.02, 72.63, -68.5

 

CMYK 0 / 67 / 77 / 9

HEX #E84C35

RGB 232 76 53

HSL 7.71, 0.8%, 0.56%

LAB 54.64, 58.97, 46.53

 

CMYK 49 / 0 / 77 / 9

HEX #76E835

RGB 118 232 53

HSL 98.21, 0.8%, 0.56%

LAB 82.82, -60.96, 71.01

 

CMYK 77 / 10 / 0 / 9

HEX #35D0E8

RGB 53 208 232

HSL 188.04, 0.8%, 0.56%

LAB 77.1, -31.05, -23.13

 

Description

Color code: HEX #A935E8 | qconv.com Color code: HEX #A935E8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 53 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 53 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 77 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 77% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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