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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A93B3D it is the complementary color #56C4C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A93B3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A93B3D shade: #AE3B38, #BF4D4B, #D05F5E, #E17171 and #F28384

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A93B3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A93B3D shade: #A93B3D, #98292A, #871717, #760504 and #650000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A93B3D shade: #A93B3D and #A93B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A93B3D shade: #A93B3D, #A93B5B, #A93B79, #A93B96 and #9F3BA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A93B3D shade matches the following richer shades: #A93B3D, #BC292B, #CE1619 and #E10307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A93B3D shade: #A93B3D, #974E4F, #846061, #727373 and #5F8585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A93B3D shade: #A93B7A, #A93B5C, #A93B3F, #A9553B and #A9723B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A93B3D shade: #6C2627, #8B3032, #A93B3D, #C04D50 and #CB6C6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A93B3D shade: #A93B3D, #97A93B and #3B6BA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A93B3D shade: #A93B3D, #3FA93B and #3B3FA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A93B3D shade: #A93B3D, #97A93B, #3BA9A6 and #4E3BA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A93B3D shade: #A93B3D, #76A93B, #3BA9A6 and #6F3BA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 64 / 34

HEX #A93B3D

RGB 169 59 61

HSL 358.91, 0.48%, 0.45%

LAB 41.06, 45.23, 23.46

 

Complementary color

CMYK 56 / 0 / 1 / 23

HEX #56C4C2

RGB 86 196 194

HSL 178.91, 0.48%, 0.55%

LAB 73.12, -31.62, -8.5

 

CMYK 0 / 66 / 68 / 32

HEX #AE3B38

RGB 174 59 56

HSL 1.53, 0.51%, 0.45%

LAB 41.86, 46.65, 27.68

 

CMYK 0 / 60 / 61 / 25

HEX #BF4D4B

RGB 191 77 75

HSL 1.03, 0.48%, 0.52%

LAB 48.12, 45.7, 24.82

 

CMYK 0 / 54 / 55 / 18

HEX #D05F5E

RGB 208 95 94

HSL 0.53, 0.55%, 0.59%

LAB 54.45, 44.62, 22.43

 

CMYK 0 / 50 / 50 / 12

HEX #E17171

RGB 225 113 113

HSL 0, 0.65%, 0.66%

LAB 60.79, 43.5, 20.41

 

CMYK 0 / 46 / 45 / 5

HEX #F28384

RGB 242 131 132

HSL 359.46, 0.81%, 0.73%

LAB 67.11, 42.42, 18.65

 

CMYK 0 / 65 / 64 / 34

HEX #A93B3D

RGB 169 59 61

HSL 358.91, 0.48%, 0.45%

LAB 41.06, 45.23, 23.46

 

CMYK 0 / 73 / 72 / 40

HEX #98292A

RGB 152 41 42

HSL 359.46, 0.58%, 0.38%

LAB 34.86, 45.84, 26.81

 

CMYK 0 / 83 / 83 / 47

HEX #871717

RGB 135 23 23

HSL 0, 0.71%, 0.31%

LAB 28.97, 45.72, 30.85

 

CMYK 0 / 96 / 97 / 54

HEX #760504

RGB 118 5 4

HSL 0.53, 0.93%, 0.24%

LAB 23.57, 44.36, 33.72

 

CMYK 0 / 100 / 100 / 60

HEX #650000

RGB 101 0 0

HSL 0, 1%, 0.2%

LAB 19.08, 40.6, 29.31

 

CMYK 0 / 65 / 64 / 34

HEX #A93B3D

RGB 169 59 61

HSL 358.91, 0.48%, 0.45%

LAB 41.06, 45.23, 23.46

 

CMYK 0 / 65 / 65 / 34

HEX #A93B3B

RGB 169 59 59

HSL 0, 0.48%, 0.45%

LAB 41.02, 45.1, 24.63

 

CMYK 0 / 65 / 64 / 34

HEX #A93B3D

RGB 169 59 61

HSL 358.91, 0.48%, 0.45%

LAB 41.06, 45.23, 23.46

 

CMYK 0 / 65 / 46 / 34

HEX #A93B5B

RGB 169 59 91

HSL 342.55, 0.48%, 0.45%

LAB 41.72, 47.69, 5.72

 

CMYK 0 / 65 / 28 / 34

HEX #A93B79

RGB 169 59 121

HSL 326.18, 0.48%, 0.45%

LAB 42.68, 51.15, -11.49

 

CMYK 0 / 65 / 11 / 34

HEX #A93B96

RGB 169 59 150

HSL 310.36, 0.48%, 0.45%

LAB 43.89, 55.35, -27.27

 

CMYK 6 / 65 / 0 / 34

HEX #9F3BA9

RGB 159 59 169

HSL 294.55, 0.48%, 0.45%

LAB 43.31, 56.06, -39.67

 

CMYK 0 / 65 / 64 / 34

HEX #A93B3D

RGB 169 59 61

HSL 358.91, 0.48%, 0.45%

LAB 41.06, 45.23, 23.46

 

CMYK 0 / 78 / 77 / 26

HEX #BC292B

RGB 188 41 43

HSL 359.18, 0.64%, 0.45%

LAB 41.93, 57.17, 36.09

 

CMYK 0 / 89 / 88 / 19

HEX #CE1619

RGB 206 22 25

HSL 359.02, 0.81%, 0.45%

LAB 43.9, 66.06, 48.7

 

CMYK 0 / 99 / 97 / 12

HEX #E10307

RGB 225 3 7

HSL 358.92, 0.97%, 0.45%

LAB 47.09, 72.69, 59.12

 

CMYK 0 / 65 / 64 / 34

HEX #A93B3D

RGB 169 59 61

HSL 358.91, 0.48%, 0.45%

LAB 41.06, 45.23, 23.46

 

CMYK 0 / 48 / 48 / 41

HEX #974E4F

RGB 151 78 79

HSL 359.18, 0.32%, 0.45%

LAB 42.14, 30.53, 13.33

 

CMYK 0 / 27 / 27 / 48

HEX #846061

RGB 132 96 97

HSL 358.33, 0.16%, 0.45%

LAB 44.42, 14.8, 5.19

 

CMYK 1 / 0 / 0 / 55

HEX #727373

RGB 114 115 115

HSL 180, 0%, 0.45%

LAB 48.36, -0.38, -0.14

 

CMYK 29 / 0 / 0 / 48

HEX #5F8585

RGB 95 133 133

HSL 180, 0.17%, 0.45%

LAB 52.84, -13.15, -4.28

 

CMYK 0 / 65 / 28 / 34

HEX #A93B7A

RGB 169 59 122

HSL 325.64, 0.48%, 0.45%

LAB 42.72, 51.28, -12.05

 

CMYK 0 / 65 / 46 / 34

HEX #A93B5C

RGB 169 59 92

HSL 342, 0.48%, 0.45%

LAB 41.74, 47.79, 5.13

 

CMYK 0 / 65 / 63 / 34

HEX #A93B3F

RGB 169 59 63

HSL 357.82, 0.48%, 0.45%

LAB 41.09, 45.36, 22.28

 

CMYK 0 / 50 / 65 / 34

HEX #A9553B

RGB 169 85 59

HSL 14.18, 0.48%, 0.45%

LAB 45.97, 32.25, 30.72

 

CMYK 0 / 33 / 65 / 34

HEX #A9723B

RGB 169 114 59

HSL 30, 0.48%, 0.45%

LAB 52.71, 16.16, 38.63

 

CMYK 0 / 65 / 64 / 58

HEX #6C2627

RGB 108 38 39

HSL 359.14, 0.48%, 0.29%

LAB 25.92, 31.28, 15.83

 

CMYK 0 / 65 / 64 / 45

HEX #8B3032

RGB 139 48 50

HSL 358.68, 0.49%, 0.37%

LAB 33.63, 38.83, 19.75

 

CMYK 0 / 65 / 64 / 34

HEX #A93B3D

RGB 169 59 61

HSL 358.91, 0.48%, 0.45%

LAB 41.06, 45.23, 23.46

 

CMYK 0 / 60 / 58 / 25

HEX #C04D50

RGB 192 77 80

HSL 358.43, 0.48%, 0.53%

LAB 48.38, 46.42, 22.21

 

CMYK 0 / 47 / 46 / 20

HEX #CB6C6E

RGB 203 108 110

HSL 358.74, 0.48%, 0.61%

LAB 56.63, 37.66, 15.95

 

CMYK 0 / 65 / 64 / 34

HEX #A93B3D

RGB 169 59 61

HSL 358.91, 0.48%, 0.45%

LAB 41.06, 45.23, 23.46

 

CMYK 11 / 0 / 65 / 34

HEX #97A93B

RGB 151 169 59

HSL 69.82, 0.48%, 0.45%

LAB 65.96, -21.61, 52.65

 

CMYK 65 / 37 / 0 / 34

HEX #3B6BA9

RGB 59 107 169

HSL 213.82, 0.48%, 0.45%

LAB 44.67, 3.93, -38.09

 

CMYK 0 / 65 / 64 / 34

HEX #A93B3D

RGB 169 59 61

HSL 358.91, 0.48%, 0.45%

LAB 41.06, 45.23, 23.46

 

CMYK 63 / 0 / 65 / 34

HEX #3FA93B

RGB 63 169 59

HSL 117.82, 0.48%, 0.45%

LAB 61.44, -51.91, 46.45

 

CMYK 65 / 63 / 0 / 34

HEX #3B3FA9

RGB 59 63 169

HSL 237.82, 0.48%, 0.45%

LAB 32.59, 32.31, -57.51

 

CMYK 0 / 65 / 64 / 34

HEX #A93B3D

RGB 169 59 61

HSL 358.91, 0.48%, 0.45%

LAB 41.06, 45.23, 23.46

 

CMYK 11 / 0 / 65 / 34

HEX #97A93B

RGB 151 169 59

HSL 69.82, 0.48%, 0.45%

LAB 65.96, -21.61, 52.65

 

CMYK 65 / 0 / 2 / 34

HEX #3BA9A6

RGB 59 169 166

HSL 178.36, 0.48%, 0.45%

LAB 63.39, -31.19, -7.61

 

CMYK 54 / 65 / 0 / 34

HEX #4E3BA9

RGB 78 59 169

HSL 250.36, 0.48%, 0.45%

LAB 33.16, 38, -56.52

 

CMYK 0 / 65 / 64 / 34

HEX #A93B3D

RGB 169 59 61

HSL 358.91, 0.48%, 0.45%

LAB 41.06, 45.23, 23.46

 

CMYK 30 / 0 / 65 / 34

HEX #76A93B

RGB 118 169 59

HSL 87.82, 0.48%, 0.45%

LAB 63.79, -34.85, 49.69

 

CMYK 65 / 0 / 2 / 34

HEX #3BA9A6

RGB 59 169 166

HSL 178.36, 0.48%, 0.45%

LAB 63.39, -31.19, -7.61

 

CMYK 34 / 65 / 0 / 34

HEX #6F3BA9

RGB 111 59 169

HSL 268.36, 0.48%, 0.45%

LAB 36.69, 44.76, -50.63

 

Description

Color code: HEX #A93B3D | qconv.com Color code: HEX #A93B3D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 59 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 59 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 64 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 64% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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