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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9482C it is the complementary color #56B7D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9482C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9482C shade: #AE4827, #BF5A3A, #D06C4D, #E17E60 and #F29073

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9482C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9482C shade: #A9482C, #983619, #872406, #761200 and #650000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9482C shade: #AA482B and #AA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9482C shade: #AA482B, #AA6A2B, #AA8C2B, #A6AA2B and #84AA2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9482C shade matches the following richer shades: #AA482B, #BB3E1A and #CC3509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9482C shade: #AA482B, #98513D, #875B4E, #76645F and #646E71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9482C shade: #AA2B53, #AA2B32, #AA472B, #AA682B and #AA8A2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9482C shade: #682C1A, #893A23, #AA482B, #CA5634 and #D37155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9482C shade: #A9482C, #75AA2B and #2B43AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9482C shade: #A9482C, #2BAA47 and #472BAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9482C shade: #A9482C, #75AA2B, #2B8EAA and #602BAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9482C shade: #A9482C, #4FAA2B, #2B8EAA and #862BAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 74 / 34

HEX #A9482C

RGB 169 72 44

HSL 13.44, 0.59%, 0.42%

LAB 43.14, 38.13, 35.86

 

Complementary color

CMYK 59 / 13 / 0 / 17

HEX #56B7D3

RGB 86 183 211

HSL 193.44, 0.59%, 0.58%

LAB 69.86, -20.34, -22.7

 

CMYK 0 / 59 / 78 / 32

HEX #AE4827

RGB 174 72 39

HSL 14.67, 0.63%, 0.42%

LAB 43.92, 39.83, 39.6

 

CMYK 0 / 53 / 70 / 25

HEX #BF5A3A

RGB 191 90 58

HSL 14.44, 0.53%, 0.49%

LAB 50.33, 38.29, 37.22

 

CMYK 0 / 48 / 63 / 18

HEX #D06C4D

RGB 208 108 77

HSL 14.2, 0.58%, 0.56%

LAB 56.75, 36.81, 35.02

 

CMYK 0 / 44 / 57 / 12

HEX #E17E60

RGB 225 126 96

HSL 13.95, 0.68%, 0.63%

LAB 63.16, 35.44, 33.05

 

CMYK 0 / 40 / 52 / 5

HEX #F29073

RGB 242 144 115

HSL 13.7, 0.83%, 0.7%

LAB 69.51, 34.19, 31.27

 

CMYK 0 / 57 / 74 / 34

HEX #A9482C

RGB 169 72 44

HSL 13.44, 0.59%, 0.42%

LAB 43.14, 38.13, 35.86

 

CMYK 0 / 64 / 84 / 40

HEX #983619

RGB 152 54 25

HSL 13.7, 0.72%, 0.35%

LAB 36.71, 39.61, 38.38

 

CMYK 0 / 73 / 96 / 47

HEX #872406

RGB 135 36 6

HSL 13.95, 0.91%, 0.28%

LAB 30.46, 40.82, 40.35

 

CMYK 0 / 85 / 100 / 54

HEX #761200

RGB 118 18 0

HSL 9.15, 1%, 0.23%

LAB 24.59, 41.28, 36.36

 

CMYK 0 / 100 / 100 / 60

HEX #650000

RGB 101 0 0

HSL 0, 1%, 0.2%

LAB 19.08, 40.6, 29.31

 

CMYK 0 / 58 / 75 / 33

HEX #AA482B

RGB 170 72 43

HSL 13.7, 0.6%, 0.42%

LAB 43.29, 38.47, 36.62

 

CMYK 0 / 75 / 75 / 33

HEX #AA2B2B

RGB 170 43 43

HSL 0, 0.6%, 0.42%

LAB 38.64, 50.98, 31.47

 

CMYK 0 / 58 / 75 / 33

HEX #AA482B

RGB 170 72 43

HSL 13.7, 0.6%, 0.42%

LAB 43.29, 38.47, 36.62

 

CMYK 0 / 38 / 75 / 33

HEX #AA6A2B

RGB 170 106 43

HSL 29.76, 0.6%, 0.42%

LAB 50.72, 20.18, 44.43

 

CMYK 0 / 18 / 75 / 33

HEX #AA8C2B

RGB 170 140 43

HSL 45.83, 0.6%, 0.42%

LAB 59.41, 1.14, 53.09

 

CMYK 2 / 0 / 75 / 33

HEX #A6AA2B

RGB 166 170 43

HSL 61.89, 0.6%, 0.42%

LAB 67.3, -16.6, 60.47

 

CMYK 22 / 0 / 75 / 33

HEX #84AA2B

RGB 132 170 43

HSL 77.95, 0.6%, 0.42%

LAB 64.83, -30.94, 57.25

 

CMYK 0 / 58 / 75 / 33

HEX #AA482B

RGB 170 72 43

HSL 13.7, 0.6%, 0.42%

LAB 43.29, 38.47, 36.62

 

CMYK 0 / 67 / 86 / 27

HEX #BB3E1A

RGB 187 62 26

HSL 13.42, 0.76%, 0.42%

LAB 44.35, 48.71, 47.1

 

CMYK 0 / 74 / 96 / 20

HEX #CC3509

RGB 204 53 9

HSL 13.54, 0.92%, 0.42%

LAB 46.18, 57.48, 55.8

 

CMYK 0 / 58 / 75 / 33

HEX #AA482B

RGB 170 72 43

HSL 13.7, 0.6%, 0.42%

LAB 43.29, 38.47, 36.62

 

CMYK 0 / 47 / 60 / 40

HEX #98513D

RGB 152 81 61

HSL 13.19, 0.43%, 0.42%

LAB 42.61, 27.61, 24.85

 

CMYK 0 / 33 / 42 / 47

HEX #875B4E

RGB 135 91 78

HSL 13.68, 0.27%, 0.42%

LAB 43.04, 16.37, 14.81

 

CMYK 0 / 15 / 19 / 54

HEX #76645F

RGB 118 100 95

HSL 13.04, 0.11%, 0.42%

LAB 43.93, 6.31, 5.5

 

CMYK 12 / 3 / 0 / 56

HEX #646E71

RGB 100 110 113

HSL 193.85, 0.06%, 0.42%

LAB 45.71, -3.11, -2.97

 

CMYK 0 / 75 / 51 / 33

HEX #AA2B53

RGB 170 43 83

HSL 341.1, 0.6%, 0.42%

LAB 39.41, 53.54, 7.5

 

CMYK 0 / 75 / 71 / 33

HEX #AA2B32

RGB 170 43 50

HSL 356.69, 0.6%, 0.42%

LAB 38.73, 51.31, 27.36

 

CMYK 0 / 58 / 75 / 33

HEX #AA472B

RGB 170 71 43

HSL 13.23, 0.6%, 0.42%

LAB 43.1, 38.96, 36.41

 

CMYK 0 / 39 / 75 / 33

HEX #AA682B

RGB 170 104 43

HSL 28.82, 0.6%, 0.42%

LAB 50.24, 21.31, 43.94

 

CMYK 0 / 19 / 75 / 33

HEX #AA8A2B

RGB 170 138 43

HSL 44.88, 0.6%, 0.42%

LAB 58.88, 2.24, 52.57

 

CMYK 0 / 58 / 75 / 59

HEX #682C1A

RGB 104 44 26

HSL 13.85, 0.6%, 0.25%

LAB 26.21, 25.58, 24.32

 

CMYK 0 / 58 / 74 / 46

HEX #893A23

RGB 137 58 35

HSL 13.53, 0.59%, 0.34%

LAB 34.93, 32.21, 30.34

 

CMYK 0 / 58 / 75 / 33

HEX #AA482B

RGB 170 72 43

HSL 13.7, 0.6%, 0.42%

LAB 43.29, 38.47, 36.62

 

CMYK 0 / 57 / 74 / 21

HEX #CA5634

RGB 202 86 52

HSL 13.6, 0.59%, 0.5%

LAB 51.22, 44.15, 41.91

 

CMYK 0 / 46 / 60 / 17

HEX #D37155

RGB 211 113 85

HSL 13.33, 0.59%, 0.58%

LAB 58.33, 35.94, 32.65

 

CMYK 0 / 57 / 74 / 34

HEX #A9482C

RGB 169 72 44

HSL 13.44, 0.59%, 0.42%

LAB 43.14, 38.13, 35.86

 

CMYK 31 / 0 / 75 / 33

HEX #75AA2B

RGB 117 170 43

HSL 85.04, 0.6%, 0.42%

LAB 63.92, -36.81, 56.06

 

CMYK 75 / 61 / 0 / 33

HEX #2B43AA

RGB 43 67 170

HSL 228.66, 0.6%, 0.42%

LAB 32.77, 27.86, -57.86

 

CMYK 0 / 57 / 74 / 34

HEX #A9482C

RGB 169 72 44

HSL 13.44, 0.59%, 0.42%

LAB 43.14, 38.13, 35.86

 

CMYK 75 / 0 / 58 / 33

HEX #2BAA47

RGB 43 170 71

HSL 133.23, 0.6%, 0.42%

LAB 61.41, -54.69, 40.81

 

CMYK 58 / 75 / 0 / 33

HEX #472BAA

RGB 71 43 170

HSL 253.23, 0.6%, 0.42%

LAB 29.34, 46.15, -63.41

 

CMYK 0 / 57 / 74 / 34

HEX #A9482C

RGB 169 72 44

HSL 13.44, 0.59%, 0.42%

LAB 43.14, 38.13, 35.86

 

CMYK 31 / 0 / 75 / 33

HEX #75AA2B

RGB 117 170 43

HSL 85.04, 0.6%, 0.42%

LAB 63.92, -36.81, 56.06

 

CMYK 75 / 16 / 0 / 33

HEX #2B8EAA

RGB 43 142 170

HSL 193.23, 0.6%, 0.42%

LAB 54.83, -18.55, -22.87

 

CMYK 44 / 75 / 0 / 33

HEX #602BAA

RGB 96 43 170

HSL 265.04, 0.6%, 0.42%

LAB 32.07, 50.04, -58.82

 

CMYK 0 / 57 / 74 / 34

HEX #A9482C

RGB 169 72 44

HSL 13.44, 0.59%, 0.42%

LAB 43.14, 38.13, 35.86

 

CMYK 54 / 0 / 75 / 33

HEX #4FAA2B

RGB 79 170 43

HSL 102.99, 0.6%, 0.42%

LAB 62.16, -49.56, 53.73

 

CMYK 75 / 16 / 0 / 33

HEX #2B8EAA

RGB 43 142 170

HSL 193.23, 0.6%, 0.42%

LAB 54.83, -18.55, -22.87

 

CMYK 21 / 75 / 0 / 33

HEX #862BAA

RGB 134 43 170

HSL 282.99, 0.6%, 0.42%

LAB 37.3, 57.15, -50.09

 

Description

Color code: HEX #A9482C | qconv.com Color code: HEX #A9482C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 72 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 72 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 74 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 74% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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