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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A94276 it is the complementary color #56BD89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A94276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A94276 shade: #AE4271, #BF5484, #D06697, #E178AA and #F28ABD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A94276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A94276 shade: #A94276, #983063, #871E50, #760C3D and #65002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A94276 shade: #A84175, #A84159 and #A84141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A94276 shade: #A84175, #A84191, #A441A8, #8841A8 and #6C41A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A94276 shade matches the following richer shades: #A84175, #BB2E75, #CE1B76 and #E10876

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A94276 shade: #A84175, #955475, #826775, #6F7A75 and #5C8D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A94276 shade: #A341A8, #A84192, #A84177, #A8415B and #A84341

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A94276 shade: #6D2A4C, #8B3661, #A84175, #BD568A and #C8749E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A94276 shade: #A94276, #A88841 and #41A0A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A94276 shade: #A94276, #77A841 and #4177A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A94276 shade: #A94276, #A88841, #41A873 and #4162A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A94276 shade: #A94276, #A8A741, #41A873 and #4143A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 30 / 34

HEX #A94276

RGB 169 66 118

HSL 329.71, 0.44%, 0.46%

LAB 43.71, 47.65, -8.09

 

Complementary color

CMYK 54 / 0 / 28 / 26

HEX #56BD89

RGB 86 189 137

HSL 149.71, 0.44%, 0.54%

LAB 69.6, -42.1, 17.41

 

CMYK 0 / 62 / 35 / 32

HEX #AE4271

RGB 174 66 113

HSL 333.89, 0.45%, 0.47%

LAB 44.36, 48.61, -3.97

 

CMYK 0 / 56 / 31 / 25

HEX #BF5484

RGB 191 84 132

HSL 333.08, 0.46%, 0.54%

LAB 50.78, 48.05, -5.66

 

CMYK 0 / 51 / 27 / 18

HEX #D06697

RGB 208 102 151

HSL 332.26, 0.53%, 0.61%

LAB 57.22, 47.33, -7.03

 

CMYK 0 / 47 / 24 / 12

HEX #E178AA

RGB 225 120 170

HSL 331.43, 0.64%, 0.68%

LAB 63.63, 46.55, -8.19

 

CMYK 0 / 43 / 22 / 5

HEX #F28ABD

RGB 242 138 189

HSL 330.58, 0.8%, 0.75%

LAB 69.99, 45.76, -9.19

 

CMYK 0 / 61 / 30 / 34

HEX #A94276

RGB 169 66 118

HSL 329.71, 0.44%, 0.46%

LAB 43.71, 47.65, -8.09

 

CMYK 0 / 68 / 35 / 40

HEX #983063

RGB 152 48 99

HSL 330.58, 0.52%, 0.39%

LAB 37.28, 47.9, -6.16

 

CMYK 0 / 78 / 41 / 47

HEX #871E50

RGB 135 30 80

HSL 331.43, 0.64%, 0.32%

LAB 31.02, 47.5, -3.56

 

CMYK 0 / 90 / 48 / 54

HEX #760C3D

RGB 118 12 61

HSL 332.26, 0.82%, 0.25%

LAB 25.11, 45.91, 0.09

 

CMYK 0 / 100 / 58 / 60

HEX #65002A

RGB 101 0 42

HSL 335.05, 1%, 0.2%

LAB 19.78, 42.46, 5.21

 

CMYK 0 / 61 / 30 / 34

HEX #A84175

RGB 168 65 117

HSL 329.71, 0.44%, 0.46%

LAB 43.34, 47.67, -8.04

 

CMYK 0 / 61 / 47 / 34

HEX #A84159

RGB 168 65 89

HSL 346.02, 0.44%, 0.46%

LAB 42.5, 44.45, 8.05

 

CMYK 0 / 61 / 61 / 34

HEX #A84141

RGB 168 65 65

HSL 0, 0.44%, 0.46%

LAB 41.98, 42.4, 22.16

 

CMYK 0 / 61 / 30 / 34

HEX #A84175

RGB 168 65 117

HSL 329.71, 0.44%, 0.46%

LAB 43.34, 47.67, -8.04

 

CMYK 0 / 61 / 14 / 34

HEX #A84191

RGB 168 65 145

HSL 313.4, 0.44%, 0.46%

LAB 44.45, 51.7, -23.42

 

CMYK 2 / 61 / 0 / 34

HEX #A441A8

RGB 164 65 168

HSL 297.67, 0.44%, 0.46%

LAB 44.94, 54.52, -36.43

 

CMYK 19 / 61 / 0 / 34

HEX #8841A8

RGB 136 65 168

HSL 281.36, 0.44%, 0.46%

LAB 40.96, 47.39, -43

 

CMYK 36 / 61 / 0 / 34

HEX #6C41A8

RGB 108 65 168

HSL 265.05, 0.44%, 0.46%

LAB 37.47, 40.56, -48.79

 

CMYK 0 / 61 / 30 / 34

HEX #A84175

RGB 168 65 117

HSL 329.71, 0.44%, 0.46%

LAB 43.34, 47.67, -8.04

 

CMYK 0 / 75 / 37 / 27

HEX #BB2E75

RGB 187 46 117

HSL 329.79, 0.61%, 0.46%

LAB 43.95, 60.59, -6.8

 

CMYK 0 / 87 / 43 / 19

HEX #CE1B76

RGB 206 27 118

HSL 329.5, 0.77%, 0.46%

LAB 45.93, 70.13, -4.09

 

CMYK 0 / 96 / 48 / 12

HEX #E10876

RGB 225 8 118

HSL 329.59, 0.93%, 0.46%

LAB 48.87, 76.74, 0.67

 

CMYK 0 / 61 / 30 / 34

HEX #A84175

RGB 168 65 117

HSL 329.71, 0.44%, 0.46%

LAB 43.34, 47.67, -8.04

 

CMYK 0 / 44 / 21 / 42

HEX #955475

RGB 149 84 117

HSL 329.54, 0.28%, 0.46%

LAB 44.25, 31.48, -6.98

 

CMYK 0 / 21 / 10 / 49

HEX #826775

RGB 130 103 117

HSL 328.89, 0.12%, 0.46%

LAB 46.62, 13.27, -3.71

 

CMYK 9 / 0 / 4 / 52

HEX #6F7A75

RGB 111 122 117

HSL 152.73, 0.05%, 0.46%

LAB 50.2, -5.13, 1.33

 

CMYK 35 / 0 / 17 / 45

HEX #5C8D75

RGB 92 141 117

HSL 150.61, 0.21%, 0.46%

LAB 54.67, -22.07, 7.61

 

CMYK 3 / 61 / 0 / 34

HEX #A341A8

RGB 163 65 168

HSL 297.09, 0.44%, 0.46%

LAB 44.79, 54.26, -36.68

 

CMYK 0 / 61 / 13 / 34

HEX #A84192

RGB 168 65 146

HSL 312.82, 0.44%, 0.46%

LAB 44.49, 51.86, -23.95

 

CMYK 0 / 61 / 29 / 34

HEX #A84177

RGB 168 65 119

HSL 328.54, 0.44%, 0.46%

LAB 43.41, 47.93, -9.17

 

CMYK 0 / 61 / 46 / 34

HEX #A8415B

RGB 168 65 91

HSL 344.85, 0.44%, 0.46%

LAB 42.55, 44.65, 6.88

 

CMYK 0 / 60 / 61 / 34

HEX #A84341

RGB 168 67 65

HSL 1.17, 0.44%, 0.46%

LAB 42.34, 41.45, 22.62

 

CMYK 0 / 61 / 30 / 57

HEX #6D2A4C

RGB 109 42 76

HSL 329.55, 0.44%, 0.3%

LAB 27.92, 33.74, -6.04

 

CMYK 0 / 61 / 30 / 45

HEX #8B3661

RGB 139 54 97

HSL 329.65, 0.44%, 0.38%

LAB 35.97, 40.85, -7.09

 

CMYK 0 / 61 / 30 / 34

HEX #A84175

RGB 168 65 117

HSL 329.71, 0.44%, 0.46%

LAB 43.34, 47.67, -8.04

 

CMYK 0 / 54 / 27 / 26

HEX #BD568A

RGB 189 86 138

HSL 329.71, 0.44%, 0.54%

LAB 51.05, 47.23, -8.88

 

CMYK 0 / 42 / 21 / 22

HEX #C8749E

RGB 200 116 158

HSL 330, 0.43%, 0.62%

LAB 59.19, 38.44, -8.26

 

CMYK 0 / 61 / 30 / 34

HEX #A94276

RGB 169 66 118

HSL 329.71, 0.44%, 0.46%

LAB 43.71, 47.65, -8.09

 

CMYK 0 / 19 / 61 / 34

HEX #A88841

RGB 168 136 65

HSL 41.36, 0.44%, 0.46%

LAB 58.33, 3.78, 41.97

 

CMYK 61 / 5 / 0 / 34

HEX #41A0A8

RGB 65 160 168

HSL 184.66, 0.44%, 0.46%

LAB 60.86, -25.16, -12.5

 

CMYK 0 / 61 / 30 / 34

HEX #A94276

RGB 169 66 118

HSL 329.71, 0.44%, 0.46%

LAB 43.71, 47.65, -8.09

 

CMYK 29 / 0 / 61 / 34

HEX #77A841

RGB 119 168 65

HSL 88.54, 0.44%, 0.46%

LAB 63.6, -33.49, 46.86

 

CMYK 61 / 29 / 0 / 34

HEX #4177A8

RGB 65 119 168

HSL 208.54, 0.44%, 0.46%

LAB 48.44, -2.59, -31.56

 

CMYK 0 / 61 / 30 / 34

HEX #A94276

RGB 169 66 118

HSL 329.71, 0.44%, 0.46%

LAB 43.71, 47.65, -8.09

 

CMYK 0 / 19 / 61 / 34

HEX #A88841

RGB 168 136 65

HSL 41.36, 0.44%, 0.46%

LAB 58.33, 3.78, 41.97

 

CMYK 61 / 0 / 32 / 34

HEX #41A873

RGB 65 168 115

HSL 149.13, 0.44%, 0.46%

LAB 61.97, -42.31, 18.76

 

CMYK 61 / 42 / 0 / 34

HEX #4162A8

RGB 65 98 168

HSL 220.78, 0.44%, 0.46%

LAB 42.29, 10.38, -41.27

 

CMYK 0 / 61 / 30 / 34

HEX #A94276

RGB 169 66 118

HSL 329.71, 0.44%, 0.46%

LAB 43.71, 47.65, -8.09

 

CMYK 0 / 1 / 61 / 34

HEX #A8A741

RGB 168 167 65

HSL 59.42, 0.44%, 0.46%

LAB 66.78, -12.94, 51.34

 

CMYK 61 / 0 / 32 / 34

HEX #41A873

RGB 65 168 115

HSL 149.13, 0.44%, 0.46%

LAB 61.97, -42.31, 18.76

 

CMYK 61 / 60 / 0 / 34

HEX #4143A8

RGB 65 67 168

HSL 238.83, 0.44%, 0.46%

LAB 33.91, 30.4, -54.75

 

Description

Color code: HEX #A94276 | qconv.com Color code: HEX #A94276 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 66 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 66 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 30 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 30% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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