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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A95165 it is the complementary color #56AE9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A95165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A95165 shade: #AE5160, #BF6373, #D07586, #E18799 and #F299AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A95165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A95165 shade: #A95165, #983F52, #872D3F, #761B2C and #650919

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A95165 shade: #A85165 and #A85151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A95165 shade: #A85165, #A8517C, #A85194, #A551A8 and #8D51A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A95165 shade matches the following richer shades: #A85165, #BC3D5A, #D1284F, #E51444 and #F90039

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A95165 shade: #A85165, #946570, #80797B, #6C8D86 and #57A291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A95165 shade: #A85194, #A8517C, #A85165, #A85451 and #A86B51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A95165 shade: #703643, #8C4354, #A85165, #B76B7C and #C58795

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A95165 shade: #A95165, #A8A551 and #5188A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A95165 shade: #A95165, #65A851 and #5165A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A95165 shade: #A95165, #A8A551, #51A894 and #5154A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A95165 shade: #A95165, #91A851, #51A894 and #6851A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 40 / 34

HEX #A95165

RGB 169 81 101

HSL 346.36, 0.35%, 0.49%

LAB 45.99, 38.19, 5.65

 

Complementary color

CMYK 51 / 0 / 11 / 32

HEX #56AE9A

RGB 86 174 154

HSL 166.36, 0.35%, 0.51%

LAB 65.42, -31.43, 2.17

 

CMYK 0 / 53 / 45 / 32

HEX #AE5160

RGB 174 81 96

HSL 350.32, 0.36%, 0.5%

LAB 46.62, 39.45, 9.69

 

CMYK 0 / 48 / 40 / 25

HEX #BF6373

RGB 191 99 115

HSL 349.57, 0.42%, 0.57%

LAB 53.21, 38.46, 7.98

 

CMYK 0 / 44 / 36 / 18

HEX #D07586

RGB 208 117 134

HSL 348.79, 0.49%, 0.64%

LAB 59.76, 37.48, 6.54

 

CMYK 0 / 40 / 32 / 12

HEX #E18799

RGB 225 135 153

HSL 348, 0.6%, 0.71%

LAB 66.24, 36.55, 5.29

 

CMYK 0 / 37 / 29 / 5

HEX #F299AC

RGB 242 153 172

HSL 347.19, 0.77%, 0.77%

LAB 72.65, 35.68, 4.18

 

CMYK 0 / 52 / 40 / 34

HEX #A95165

RGB 169 81 101

HSL 346.36, 0.35%, 0.49%

LAB 45.99, 38.19, 5.65

 

CMYK 0 / 59 / 46 / 40

HEX #983F52

RGB 152 63 82

HSL 347.19, 0.41%, 0.42%

LAB 39.31, 39.1, 7.54

 

CMYK 0 / 67 / 53 / 47

HEX #872D3F

RGB 135 45 63

HSL 348, 0.5%, 0.35%

LAB 32.67, 39.83, 9.96

 

CMYK 0 / 77 / 63 / 54

HEX #761B2C

RGB 118 27 44

HSL 348.79, 0.63%, 0.28%

LAB 26.21, 40.06, 13.22

 

CMYK 0 / 91 / 75 / 60

HEX #650919

RGB 101 9 25

HSL 349.57, 0.84%, 0.22%

LAB 20.17, 39.11, 17.76

 

CMYK 0 / 52 / 40 / 34

HEX #A85165

RGB 168 81 101

HSL 346.21, 0.35%, 0.49%

LAB 45.84, 37.82, 5.42

 

CMYK 0 / 52 / 52 / 34

HEX #A85151

RGB 168 81 81

HSL 0, 0.35%, 0.49%

LAB 45.36, 35.72, 16.92

 

CMYK 0 / 52 / 40 / 34

HEX #A85165

RGB 168 81 101

HSL 346.21, 0.35%, 0.49%

LAB 45.84, 37.82, 5.42

 

CMYK 0 / 52 / 26 / 34

HEX #A8517C

RGB 168 81 124

HSL 330.34, 0.35%, 0.49%

LAB 46.53, 40.82, -7.55

 

CMYK 0 / 52 / 12 / 34

HEX #A85194

RGB 168 81 148

HSL 313.79, 0.35%, 0.49%

LAB 47.43, 44.54, -20.62

 

CMYK 2 / 52 / 0 / 34

HEX #A551A8

RGB 165 81 168

HSL 297.93, 0.35%, 0.49%

LAB 47.89, 47.19, -31.78

 

CMYK 16 / 52 / 0 / 34

HEX #8D51A8

RGB 141 81 168

HSL 281.38, 0.35%, 0.49%

LAB 44.77, 40.33, -36.92

 

CMYK 0 / 52 / 40 / 34

HEX #A85165

RGB 168 81 101

HSL 346.21, 0.35%, 0.49%

LAB 45.84, 37.82, 5.42

 

CMYK 0 / 68 / 52 / 26

HEX #BC3D5A

RGB 188 61 90

HSL 346.3, 0.51%, 0.49%

LAB 45.31, 52.86, 11.88

 

CMYK 0 / 81 / 62 / 18

HEX #D1284F

RGB 209 40 79

HSL 346.15, 0.68%, 0.49%

LAB 46.5, 65.15, 20.9

 

CMYK 0 / 91 / 70 / 10

HEX #E51444

RGB 229 20 68

HSL 346.22, 0.84%, 0.49%

LAB 48.98, 73.49, 31.57

 

CMYK 0 / 100 / 77 / 2

HEX #F90039

RGB 249 0 57

HSL 346.27, 1%, 0.49%

LAB 52.33, 79.58, 42.91

 

CMYK 0 / 52 / 40 / 34

HEX #A85165

RGB 168 81 101

HSL 346.21, 0.35%, 0.49%

LAB 45.84, 37.82, 5.42

 

CMYK 0 / 32 / 24 / 42

HEX #946570

RGB 148 101 112

HSL 345.96, 0.19%, 0.49%

LAB 47.97, 20.61, 1.51

 

CMYK 0 / 5 / 4 / 50

HEX #80797B

RGB 128 121 123

HSL 342.86, 0.03%, 0.49%

LAB 51.49, 3.06, -0.14

 

CMYK 23 / 0 / 5 / 45

HEX #6C8D86

RGB 108 141 134

HSL 167.27, 0.13%, 0.49%

LAB 56.05, -13.09, -0.06

 

CMYK 46 / 0 / 10 / 36

HEX #57A291

RGB 87 162 145

HSL 166.4, 0.3%, 0.49%

LAB 61.58, -27.57, 1.61

 

CMYK 0 / 52 / 12 / 34

HEX #A85194

RGB 168 81 148

HSL 313.79, 0.35%, 0.49%

LAB 47.43, 44.54, -20.62

 

CMYK 0 / 52 / 26 / 34

HEX #A8517C

RGB 168 81 124

HSL 330.34, 0.35%, 0.49%

LAB 46.53, 40.82, -7.55

 

CMYK 0 / 52 / 40 / 34

HEX #A85165

RGB 168 81 101

HSL 346.21, 0.35%, 0.49%

LAB 45.84, 37.82, 5.42

 

CMYK 0 / 50 / 52 / 34

HEX #A85451

RGB 168 84 81

HSL 2.07, 0.35%, 0.49%

LAB 45.99, 34.14, 17.76

 

CMYK 0 / 36 / 52 / 34

HEX #A86B51

RGB 168 107 81

HSL 17.93, 0.35%, 0.49%

LAB 51.19, 21.47, 24.63

 

CMYK 0 / 52 / 40 / 56

HEX #703643

RGB 112 54 67

HSL 346.55, 0.35%, 0.33%

LAB 30.61, 27.1, 3.89

 

CMYK 0 / 52 / 40 / 45

HEX #8C4354

RGB 140 67 84

HSL 346.03, 0.35%, 0.41%

LAB 38.25, 32.84, 4.52

 

CMYK 0 / 52 / 40 / 34

HEX #A85165

RGB 168 81 101

HSL 346.21, 0.35%, 0.49%

LAB 45.84, 37.82, 5.42

 

CMYK 0 / 42 / 32 / 28

HEX #B76B7C

RGB 183 107 124

HSL 346.58, 0.35%, 0.57%

LAB 54.07, 32.35, 3.76

 

CMYK 0 / 31 / 24 / 23

HEX #C58795

RGB 197 135 149

HSL 346.45, 0.35%, 0.65%

LAB 62.82, 25.73, 2.19

 

CMYK 0 / 52 / 40 / 34

HEX #A95165

RGB 169 81 101

HSL 346.36, 0.35%, 0.49%

LAB 45.99, 38.19, 5.65

 

CMYK 0 / 2 / 52 / 34

HEX #A8A551

RGB 168 165 81

HSL 57.93, 0.35%, 0.49%

LAB 66.39, -10.62, 43.41

 

CMYK 52 / 19 / 0 / 34

HEX #5188A8

RGB 81 136 168

HSL 202.07, 0.35%, 0.49%

LAB 54.22, -8.97, -22.54

 

CMYK 0 / 52 / 40 / 34

HEX #A95165

RGB 169 81 101

HSL 346.36, 0.35%, 0.49%

LAB 45.99, 38.19, 5.65

 

CMYK 40 / 0 / 52 / 34

HEX #65A851

RGB 101 168 81

HSL 106.21, 0.35%, 0.49%

LAB 62.82, -38.15, 38.07

 

CMYK 52 / 40 / 0 / 34

HEX #5165A8

RGB 81 101 168

HSL 226.21, 0.35%, 0.49%

LAB 44.07, 11.98, -38.39

 

CMYK 0 / 52 / 40 / 34

HEX #A95165

RGB 169 81 101

HSL 346.36, 0.35%, 0.49%

LAB 45.99, 38.19, 5.65

 

CMYK 0 / 2 / 52 / 34

HEX #A8A551

RGB 168 165 81

HSL 57.93, 0.35%, 0.49%

LAB 66.39, -10.62, 43.41

 

CMYK 52 / 0 / 12 / 34

HEX #51A894

RGB 81 168 148

HSL 166.21, 0.35%, 0.49%

LAB 63.25, -31.21, 2.34

 

CMYK 52 / 50 / 0 / 34

HEX #5154A8

RGB 81 84 168

HSL 237.93, 0.35%, 0.49%

LAB 39.44, 22.75, -45.76

 

CMYK 0 / 52 / 40 / 34

HEX #A95165

RGB 169 81 101

HSL 346.36, 0.35%, 0.49%

LAB 45.99, 38.19, 5.65

 

CMYK 14 / 0 / 52 / 34

HEX #91A851

RGB 145 168 81

HSL 75.86, 0.35%, 0.49%

LAB 65.45, -21.73, 41.86

 

CMYK 52 / 0 / 12 / 34

HEX #51A894

RGB 81 168 148

HSL 166.21, 0.35%, 0.49%

LAB 63.25, -31.21, 2.34

 

CMYK 38 / 52 / 0 / 34

HEX #6851A8

RGB 104 81 168

HSL 255.86, 0.35%, 0.49%

LAB 40.66, 30.22, -43.69

 

Description

Color code: HEX #A95165 | qconv.com Color code: HEX #A95165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 81 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 81 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 40 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 40% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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