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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A95245 it is the complementary color #56ADBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A95245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A95245 shade: #AE5240, #BF6453, #D07666, #E18879 and #F29A8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A95245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A95245 shade: #A95245, #984032, #872E1F, #761C0C and #650A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A95245 shade: #AA5245 and #AA4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A95245 shade: #AA5245, #AA6D45, #AA8845, #AAA445 and #95AA45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A95245 shade matches the following richer shades: #AA5245, #BD4432, #D0351E and #E4270B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A95245 shade: #AA5245, #966058, #836F6C, #707D7F and #5C8C93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A95245 shade: #AA456F, #AA4554, #AA5145, #AA6C45 and #AA8645

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A95245 shade: #6F362D, #8C4439, #AA5245, #BC685C and #C88379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A95245 shade: #A95245, #8AAA45 and #4562AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A95245 shade: #A95245, #45AA51 and #5145AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A95245 shade: #A95245, #8AAA45, #459EAA and #6545AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A95245 shade: #A95245, #6CAA45, #459EAA and #8345AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 59 / 34

HEX #A95245

RGB 169 82 69

HSL 7.8, 0.42%, 0.47%

LAB 45.5, 34.56, 24.31

 

Complementary color

CMYK 54 / 7 / 0 / 27

HEX #56ADBA

RGB 86 173 186

HSL 187.8, 0.42%, 0.53%

LAB 66.07, -22.46, -14.67

 

CMYK 0 / 53 / 63 / 32

HEX #AE5240

RGB 174 82 64

HSL 9.82, 0.46%, 0.47%

LAB 46.18, 36.14, 28.27

 

CMYK 0 / 48 / 57 / 25

HEX #BF6453

RGB 191 100 83

HSL 9.44, 0.46%, 0.54%

LAB 52.75, 34.8, 26.1

 

CMYK 0 / 43 / 51 / 18

HEX #D07666

RGB 208 118 102

HSL 9.06, 0.53%, 0.61%

LAB 59.27, 33.54, 24.23

 

CMYK 0 / 40 / 46 / 12

HEX #E18879

RGB 225 136 121

HSL 8.65, 0.63%, 0.68%

LAB 65.75, 32.39, 22.59

 

CMYK 0 / 36 / 42 / 5

HEX #F29A8C

RGB 242 154 140

HSL 8.24, 0.8%, 0.75%

LAB 72.15, 31.35, 21.13

 

CMYK 0 / 51 / 59 / 34

HEX #A95245

RGB 169 82 69

HSL 7.8, 0.42%, 0.47%

LAB 45.5, 34.56, 24.31

 

CMYK 0 / 58 / 67 / 40

HEX #984032

RGB 152 64 50

HSL 8.24, 0.5%, 0.4%

LAB 38.85, 35.91, 26.73

 

CMYK 0 / 66 / 77 / 47

HEX #872E1F

RGB 135 46 31

HSL 8.65, 0.63%, 0.33%

LAB 32.27, 37.2, 29.62

 

CMYK 0 / 76 / 90 / 54

HEX #761C0C

RGB 118 28 12

HSL 9.06, 0.82%, 0.25%

LAB 25.89, 38.14, 32.65

 

CMYK 0 / 90 / 100 / 60

HEX #650A00

RGB 101 10 0

HSL 5.94, 1%, 0.2%

LAB 19.98, 38.02, 30.34

 

CMYK 0 / 52 / 59 / 33

HEX #AA5245

RGB 170 82 69

HSL 7.72, 0.42%, 0.47%

LAB 45.65, 34.95, 24.53

 

CMYK 0 / 59 / 59 / 33

HEX #AA4545

RGB 170 69 69

HSL 0, 0.42%, 0.47%

LAB 43.11, 41.51, 21.26

 

CMYK 0 / 52 / 59 / 33

HEX #AA5245

RGB 170 82 69

HSL 7.72, 0.42%, 0.47%

LAB 45.65, 34.95, 24.53

 

CMYK 0 / 36 / 59 / 33

HEX #AA6D45

RGB 170 109 69

HSL 23.76, 0.42%, 0.47%

LAB 51.74, 20.14, 32.14

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 0 / 4 / 59 / 33

HEX #AAA445

RGB 170 164 69

HSL 56.44, 0.42%, 0.47%

LAB 66.16, -10.22, 48.91

 

CMYK 12 / 0 / 59 / 33

HEX #95AA45

RGB 149 170 69

HSL 72.48, 0.42%, 0.47%

LAB 66.19, -22.19, 48.48

 

CMYK 0 / 52 / 59 / 33

HEX #AA5245

RGB 170 82 69

HSL 7.72, 0.42%, 0.47%

LAB 45.65, 34.95, 24.53

 

CMYK 0 / 64 / 74 / 26

HEX #BD4432

RGB 189 68 50

HSL 7.77, 0.58%, 0.47%

LAB 45.88, 47.65, 36.52

 

CMYK 0 / 75 / 86 / 18

HEX #D0351E

RGB 208 53 30

HSL 7.75, 0.75%, 0.47%

LAB 47.04, 59.06, 49.13

 

CMYK 0 / 83 / 95 / 11

HEX #E4270B

RGB 228 39 11

HSL 7.74, 0.91%, 0.47%

LAB 49.46, 68.49, 59.59

 

CMYK 0 / 52 / 59 / 33

HEX #AA5245

RGB 170 82 69

HSL 7.72, 0.42%, 0.47%

LAB 45.65, 34.95, 24.53

 

CMYK 0 / 36 / 41 / 41

HEX #966058

RGB 150 96 88

HSL 7.74, 0.26%, 0.47%

LAB 46.38, 20.98, 13.69

 

CMYK 0 / 15 / 18 / 49

HEX #836F6C

RGB 131 111 108

HSL 7.83, 0.1%, 0.47%

LAB 48.61, 7.32, 4.58

 

CMYK 12 / 2 / 0 / 50

HEX #707D7F

RGB 112 125 127

HSL 188, 0.06%, 0.47%

LAB 51.43, -4.34, -2.73

 

CMYK 37 / 5 / 0 / 42

HEX #5C8C93

RGB 92 140 147

HSL 187.64, 0.23%, 0.47%

LAB 55.21, -14.31, -8.88

 

CMYK 0 / 59 / 35 / 33

HEX #AA456F

RGB 170 69 111

HSL 335.05, 0.42%, 0.47%

LAB 44.16, 45.69, -3.1

 

CMYK 0 / 59 / 51 / 33

HEX #AA4554

RGB 170 69 84

HSL 351.09, 0.42%, 0.47%

LAB 43.42, 42.77, 12.48

 

CMYK 0 / 52 / 59 / 33

HEX #AA5145

RGB 170 81 69

HSL 7.13, 0.42%, 0.47%

LAB 45.44, 35.47, 24.27

 

CMYK 0 / 36 / 59 / 33

HEX #AA6C45

RGB 170 108 69

HSL 23.17, 0.42%, 0.47%

LAB 51.5, 20.71, 31.85

 

CMYK 0 / 21 / 59 / 33

HEX #AA8645

RGB 170 134 69

HSL 38.61, 0.42%, 0.47%

LAB 58.06, 6.08, 39.7

 

CMYK 0 / 51 / 59 / 56

HEX #6F362D

RGB 111 54 45

HSL 8.18, 0.42%, 0.31%

LAB 29.93, 24.29, 17.21

 

CMYK 0 / 51 / 59 / 45

HEX #8C4439

RGB 140 68 57

HSL 7.95, 0.42%, 0.39%

LAB 37.85, 29.53, 20.83

 

CMYK 0 / 52 / 59 / 33

HEX #AA5245

RGB 170 82 69

HSL 7.72, 0.42%, 0.47%

LAB 45.65, 34.95, 24.53

 

CMYK 0 / 45 / 51 / 26

HEX #BC685C

RGB 188 104 92

HSL 7.5, 0.42%, 0.55%

LAB 53.35, 32.28, 21.61

 

CMYK 0 / 35 / 40 / 22

HEX #C88379

RGB 200 131 121

HSL 7.59, 0.42%, 0.63%

LAB 61.56, 25.38, 16.38

 

CMYK 0 / 51 / 59 / 34

HEX #A95245

RGB 169 82 69

HSL 7.8, 0.42%, 0.47%

LAB 45.5, 34.56, 24.31

 

CMYK 19 / 0 / 59 / 33

HEX #8AAA45

RGB 138 170 69

HSL 79.01, 0.42%, 0.47%

LAB 65.42, -26.67, 47.41

 

CMYK 59 / 42 / 0 / 33

HEX #4562AA

RGB 69 98 170

HSL 222.77, 0.42%, 0.47%

LAB 42.62, 11.89, -41.91

 

CMYK 0 / 51 / 59 / 34

HEX #A95245

RGB 169 82 69

HSL 7.8, 0.42%, 0.47%

LAB 45.5, 34.56, 24.31

 

CMYK 59 / 0 / 52 / 33

HEX #45AA51

RGB 69 170 81

HSL 127.13, 0.42%, 0.47%

LAB 62.18, -48.17, 37

 

CMYK 52 / 59 / 0 / 33

HEX #5145AA

RGB 81 69 170

HSL 247.13, 0.42%, 0.47%

LAB 35.81, 32.83, -52.81

 

CMYK 0 / 51 / 59 / 34

HEX #A95245

RGB 169 82 69

HSL 7.8, 0.42%, 0.47%

LAB 45.5, 34.56, 24.31

 

CMYK 19 / 0 / 59 / 33

HEX #8AAA45

RGB 138 170 69

HSL 79.01, 0.42%, 0.47%

LAB 65.42, -26.67, 47.41

 

CMYK 59 / 7 / 0 / 33

HEX #459EAA

RGB 69 158 170

HSL 187.13, 0.42%, 0.47%

LAB 60.45, -22.81, -14.24

 

CMYK 41 / 59 / 0 / 33

HEX #6545AA

RGB 101 69 170

HSL 259.01, 0.42%, 0.47%

LAB 37.71, 37.2, -49.64

 

CMYK 0 / 51 / 59 / 34

HEX #A95245

RGB 169 82 69

HSL 7.8, 0.42%, 0.47%

LAB 45.5, 34.56, 24.31

 

CMYK 36 / 0 / 59 / 33

HEX #6CAA45

RGB 108 170 69

HSL 96.83, 0.42%, 0.47%

LAB 63.65, -38.02, 44.92

 

CMYK 59 / 7 / 0 / 33

HEX #459EAA

RGB 69 158 170

HSL 187.13, 0.42%, 0.47%

LAB 60.45, -22.81, -14.24

 

CMYK 23 / 59 / 0 / 33

HEX #8345AA

RGB 131 69 170

HSL 276.83, 0.42%, 0.47%

LAB 41.19, 44.52, -43.86

 

Description

Color code: HEX #A95245 | qconv.com Color code: HEX #A95245 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 82 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 82 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 59 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 59% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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