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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A96EF0 it is the complementary color #56910F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A96EF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A96EF0 shade: #AE6EEB, #BF80FE, #D092FF, #E1A4FF and #F2B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A96EF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A96EF0 shade: #A96EF0, #985CDD, #874ACA, #7638B7 and #6526A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A96EF0 shade: #AA6FEF, #CC6FEF, #EF6FEF, #EF6FCE and #EF6FAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A96EF0 shade: #AA6FEF, #876FEF and #6F6FEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A96EF0 shade matches the following richer shades: #AA6FEF and #A863FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A96EF0 shade: #AA6FEF, #AB7CE3, #AC89D6, #AD96C9 and #AEA3BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A96EF0 shade: #6F7AEF, #876FEF, #A96FEF, #CB6FEF and #ED6FEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A96EF0 shade: #7D25E8, #934AEC, #AA6FEF, #C095F3 and #D6BAF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A96EF0 shade: #A96EF0, #EF6F9C and #6FEF76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A96EF0 shade: #A96EF0, #EFA96F and #6FEFA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A96EF0 shade: #A96EF0, #EF6F9C, #B6EF6F and #6FEFC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A96EF0 shade: #A96EF0, #EF6F76, #B6EF6F and #6FEFE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 54 / 0 / 6

HEX #A96EF0

RGB 169 110 240

HSL 267.23, 0.81%, 0.69%

LAB 57.92, 48.64, -57.03

 

Complementary color

CMYK 41 / 0 / 90 / 43

HEX #56910F

RGB 86 145 15

HSL 87.23, 0.81%, 0.31%

LAB 54.31, -38.67, 54.68

 

CMYK 26 / 53 / 0 / 8

HEX #AE6EEB

RGB 174 110 235

HSL 270.72, 0.76%, 0.68%

LAB 58.18, 48.7, -53.8

 

CMYK 25 / 50 / 0 / 0

HEX #BF80FE

RGB 191 128 254

HSL 270, 0.98%, 0.75%

LAB 64.7, 47.81, -53.82

 

CMYK 18 / 43 / 0 / 0

HEX #D092FF

RGB 208 146 255

HSL 274.13, 1%, 0.79%

LAB 70.31, 42.97, -45.4

 

CMYK 12 / 36 / 0 / 0

HEX #E1A4FF

RGB 225 164 255

HSL 280.22, 1%, 0.82%

LAB 75.93, 38.25, -36.5

 

CMYK 5 / 29 / 0 / 0

HEX #F2B6FF

RGB 242 182 255

HSL 289.32, 1%, 0.86%

LAB 81.59, 33.85, -27.64

 

CMYK 30 / 54 / 0 / 6

HEX #A96EF0

RGB 169 110 240

HSL 267.23, 0.81%, 0.69%

LAB 57.92, 48.64, -57.03

 

CMYK 31 / 58 / 0 / 13

HEX #985CDD

RGB 152 92 221

HSL 267.91, 0.65%, 0.61%

LAB 51.32, 49.58, -57.04

 

CMYK 33 / 63 / 0 / 21

HEX #874ACA

RGB 135 74 202

HSL 268.59, 0.55%, 0.54%

LAB 44.68, 50.49, -56.97

 

CMYK 36 / 69 / 0 / 28

HEX #7638B7

RGB 118 56 183

HSL 269.29, 0.53%, 0.47%

LAB 38.02, 51.24, -56.75

 

CMYK 38 / 77 / 0 / 36

HEX #6526A4

RGB 101 38 164

HSL 270, 0.62%, 0.4%

LAB 31.42, 51.61, -56.23

 

CMYK 29 / 54 / 0 / 6

HEX #AA6FEF

RGB 170 111 239

HSL 267.66, 0.8%, 0.69%

LAB 58.18, 48.11, -56.06

 

CMYK 15 / 54 / 0 / 6

HEX #CC6FEF

RGB 204 111 239

HSL 283.59, 0.8%, 0.69%

LAB 62.03, 56.7, -49.69

 

CMYK 0 / 54 / 0 / 6

HEX #EF6FEF

RGB 239 111 239

HSL 300, 0.8%, 0.69%

LAB 66.48, 65.77, -42.38

 

CMYK 0 / 54 / 14 / 6

HEX #EF6FCE

RGB 239 111 206

HSL 315.47, 0.8%, 0.69%

LAB 65.1, 60.46, -26.14

 

CMYK 0 / 54 / 28 / 6

HEX #EF6FAB

RGB 239 111 171

HSL 331.88, 0.8%, 0.69%

LAB 63.88, 55.58, -8.17

 

CMYK 29 / 54 / 0 / 6

HEX #AA6FEF

RGB 170 111 239

HSL 267.66, 0.8%, 0.69%

LAB 58.18, 48.11, -56.06

 

CMYK 44 / 54 / 0 / 6

HEX #876FEF

RGB 135 111 239

HSL 251.25, 0.8%, 0.69%

LAB 54.82, 39.88, -61.63

 

CMYK 54 / 54 / 0 / 6

HEX #6F6FEF

RGB 111 111 239

HSL 240, 0.8%, 0.69%

LAB 52.93, 34.87, -64.77

 

CMYK 29 / 54 / 0 / 6

HEX #AA6FEF

RGB 170 111 239

HSL 267.66, 0.8%, 0.69%

LAB 58.18, 48.11, -56.06

 

CMYK 33 / 61 / 0 / 1

HEX #A863FC

RGB 168 99 252

HSL 267.06, 0.96%, 0.69%

LAB 56.36, 57.01, -66.19

 

CMYK 29 / 54 / 0 / 6

HEX #AA6FEF

RGB 170 111 239

HSL 267.66, 0.8%, 0.69%

LAB 58.18, 48.11, -56.06

 

CMYK 25 / 45 / 0 / 11

HEX #AB7CE3

RGB 171 124 227

HSL 267.38, 0.65%, 0.69%

LAB 60.44, 38.41, -45.77

 

CMYK 20 / 36 / 0 / 16

HEX #AC89D6

RGB 172 137 214

HSL 267.27, 0.48%, 0.69%

LAB 62.94, 28.39, -34.59

 

CMYK 14 / 25 / 0 / 21

HEX #AD96C9

RGB 173 150 201

HSL 267.06, 0.32%, 0.69%

LAB 65.68, 18.46, -23.1

 

CMYK 7 / 13 / 0 / 26

HEX #AEA3BC

RGB 174 163 188

HSL 266.4, 0.16%, 0.69%

LAB 68.62, 8.78, -11.41

 

CMYK 54 / 49 / 0 / 6

HEX #6F7AEF

RGB 111 122 239

HSL 234.84, 0.8%, 0.69%

LAB 55.61, 28.29, -60.44

 

CMYK 44 / 54 / 0 / 6

HEX #876FEF

RGB 135 111 239

HSL 251.25, 0.8%, 0.69%

LAB 54.82, 39.88, -61.63

 

CMYK 29 / 54 / 0 / 6

HEX #A96FEF

RGB 169 111 239

HSL 267.19, 0.8%, 0.69%

LAB 58.07, 47.86, -56.23

 

CMYK 15 / 54 / 0 / 6

HEX #CB6FEF

RGB 203 111 239

HSL 283.13, 0.8%, 0.69%

LAB 61.91, 56.44, -49.89

 

CMYK 1 / 54 / 0 / 6

HEX #ED6FEF

RGB 237 111 239

HSL 299.06, 0.8%, 0.69%

LAB 66.22, 65.25, -42.81

 

CMYK 46 / 84 / 0 / 9

HEX #7D25E8

RGB 125 37 232

HSL 267.08, 0.81%, 0.53%

LAB 40.43, 71.43, -81.15

 

CMYK 38 / 69 / 0 / 7

HEX #934AEC

RGB 147 74 236

HSL 267.04, 0.81%, 0.61%

LAB 48.46, 61.16, -70.17

 

CMYK 29 / 54 / 0 / 6

HEX #AA6FEF

RGB 170 111 239

HSL 267.66, 0.8%, 0.69%

LAB 58.18, 48.11, -56.06

 

CMYK 21 / 39 / 0 / 5

HEX #C095F3

RGB 192 149 243

HSL 267.45, 0.8%, 0.77%

LAB 68.88, 34.15, -41.21

 

CMYK 13 / 25 / 0 / 3

HEX #D6BAF7

RGB 214 186 247

HSL 267.54, 0.79%, 0.85%

LAB 79.69, 21.37, -26.51

 

CMYK 30 / 54 / 0 / 6

HEX #A96EF0

RGB 169 110 240

HSL 267.23, 0.81%, 0.69%

LAB 57.92, 48.64, -57.03

 

CMYK 0 / 54 / 35 / 6

HEX #EF6F9C

RGB 239 111 156

HSL 338.91, 0.8%, 0.69%

LAB 63.44, 53.75, -0.24

 

CMYK 54 / 0 / 51 / 6

HEX #6FEF76

RGB 111 239 118

HSL 123.28, 0.8%, 0.69%

LAB 85.21, -59.41, 47.6

 

CMYK 30 / 54 / 0 / 6

HEX #A96EF0

RGB 169 110 240

HSL 267.23, 0.81%, 0.69%

LAB 57.92, 48.64, -57.03

 

CMYK 0 / 29 / 54 / 6

HEX #EFA96F

RGB 239 169 111

HSL 27.19, 0.8%, 0.69%

LAB 74.75, 19.5, 39.99

 

CMYK 54 / 0 / 29 / 6

HEX #6FEFA9

RGB 111 239 169

HSL 147.19, 0.8%, 0.69%

LAB 85.99, -51.14, 23.31

 

CMYK 30 / 54 / 0 / 6

HEX #A96EF0

RGB 169 110 240

HSL 267.23, 0.81%, 0.69%

LAB 57.92, 48.64, -57.03

 

CMYK 0 / 54 / 35 / 6

HEX #EF6F9C

RGB 239 111 156

HSL 338.91, 0.8%, 0.69%

LAB 63.44, 53.75, -0.24

 

CMYK 24 / 0 / 54 / 6

HEX #B6EF6F

RGB 182 239 111

HSL 86.72, 0.8%, 0.69%

LAB 88.36, -38.23, 55.38

 

CMYK 54 / 0 / 18 / 6

HEX #6FEFC3

RGB 111 239 195

HSL 159.38, 0.8%, 0.69%

LAB 86.53, -45.79, 10.59

 

CMYK 30 / 54 / 0 / 6

HEX #A96EF0

RGB 169 110 240

HSL 267.23, 0.81%, 0.69%

LAB 57.92, 48.64, -57.03

 

CMYK 0 / 54 / 51 / 6

HEX #EF6F76

RGB 239 111 118

HSL 356.72, 0.8%, 0.69%

LAB 62.53, 49.9, 20.25

 

CMYK 24 / 0 / 54 / 6

HEX #B6EF6F

RGB 182 239 111

HSL 86.72, 0.8%, 0.69%

LAB 88.36, -38.23, 55.38

 

CMYK 54 / 0 / 3 / 6

HEX #6FEFE9

RGB 111 239 233

HSL 177.19, 0.8%, 0.69%

LAB 87.48, -36.77, -7.91

 

Description

Color code: HEX #A96EF0 | qconv.com Color code: HEX #A96EF0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 110 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 110 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 54 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 54% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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