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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A96F74 it is the complementary color #56908B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A96F74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A96F74 shade: #AE6F6F, #BF8182, #D09395, #E1A5A8 and #F2B7BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A96F74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A96F74 shade: #A96F74, #985D61, #874B4E, #76393B and #652728

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A96F74 shade: #A86F74 and #A86F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A96F74 shade: #A86F74, #A86F83, #A86F93, #A86FA2 and #9F6FA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A96F74 shade matches the following richer shades: #A86F74, #BB5C65, #CE4A55, #E03746 and #F32537

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A96F74 shade: #A86F74, #968283, #839493, #71A7A2 and #5EB9B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A96F74 shade: #A86F93, #A86F84, #A86F75, #A8796F and #A8886F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A96F74 shade: #7B4A4E, #95595E, #A86F74, #B8898D and #C7A3A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A96F74 shade: #A96F74, #A3A86F and #6F8CA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A96F74 shade: #A96F74, #75A86F and #6F75A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A96F74 shade: #A96F74, #A3A86F, #6FA8A3 and #756FA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A96F74 shade: #A96F74, #91A86F, #6FA8A3 and #866FA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 31 / 34

HEX #A96F74

RGB 169 111 116

HSL 354.83, 0.25%, 0.55%

LAB 53.02, 23.71, 6.73

 

Complementary color

CMYK 40 / 0 / 3 / 44

HEX #56908B

RGB 86 144 139

HSL 174.83, 0.25%, 0.45%

LAB 55.88, -20.19, -3.33

 

CMYK 0 / 36 / 36 / 32

HEX #AE6F6F

RGB 174 111 111

HSL 0, 0.28%, 0.56%

LAB 53.51, 25.01, 10.44

 

CMYK 0 / 32 / 32 / 25

HEX #BF8182

RGB 191 129 130

HSL 359.03, 0.33%, 0.63%

LAB 60.24, 24.1, 9.24

 

CMYK 0 / 29 / 28 / 18

HEX #D09395

RGB 208 147 149

HSL 358.03, 0.39%, 0.7%

LAB 66.86, 23.29, 8.17

 

CMYK 0 / 27 / 25 / 12

HEX #E1A5A8

RGB 225 165 168

HSL 357, 0.5%, 0.76%

LAB 73.38, 22.56, 7.19

 

CMYK 0 / 24 / 23 / 5

HEX #F2B7BB

RGB 242 183 187

HSL 355.93, 0.69%, 0.83%

LAB 79.8, 21.9, 6.29

 

CMYK 0 / 34 / 31 / 34

HEX #A96F74

RGB 169 111 116

HSL 354.83, 0.25%, 0.55%

LAB 53.02, 23.71, 6.73

 

CMYK 0 / 39 / 36 / 40

HEX #985D61

RGB 152 93 97

HSL 355.93, 0.24%, 0.48%

LAB 46.13, 24.65, 7.96

 

CMYK 0 / 44 / 42 / 47

HEX #874B4E

RGB 135 75 78

HSL 357, 0.29%, 0.41%

LAB 39.13, 25.7, 9.41

 

CMYK 0 / 52 / 50 / 54

HEX #76393B

RGB 118 57 59

HSL 358.03, 0.35%, 0.34%

LAB 32.02, 26.87, 11.2

 

CMYK 0 / 61 / 60 / 60

HEX #652728

RGB 101 39 40

HSL 359.03, 0.44%, 0.27%

LAB 24.86, 28.08, 13.53

 

CMYK 0 / 34 / 31 / 34

HEX #A86F74

RGB 168 111 116

HSL 354.74, 0.25%, 0.55%

LAB 52.9, 23.31, 6.54

 

CMYK 0 / 34 / 34 / 34

HEX #A86F6F

RGB 168 111 111

HSL 0, 0.25%, 0.55%

LAB 52.78, 22.64, 9.3

 

CMYK 0 / 34 / 31 / 34

HEX #A86F74

RGB 168 111 116

HSL 354.74, 0.25%, 0.55%

LAB 52.9, 23.31, 6.54

 

CMYK 0 / 34 / 22 / 34

HEX #A86F83

RGB 168 111 131

HSL 338.95, 0.25%, 0.55%

LAB 53.31, 25.53, -1.68

 

CMYK 0 / 34 / 13 / 34

HEX #A86F93

RGB 168 111 147

HSL 322.11, 0.25%, 0.55%

LAB 53.81, 28.16, -10.32

 

CMYK 0 / 34 / 4 / 34

HEX #A86FA2

RGB 168 111 162

HSL 306.32, 0.25%, 0.55%

LAB 54.35, 30.87, -18.27

 

CMYK 5 / 34 / 0 / 34

HEX #9F6FA8

RGB 159 111 168

HSL 290.53, 0.25%, 0.55%

LAB 53.56, 29.04, -23.04

 

CMYK 0 / 34 / 31 / 34

HEX #A86F74

RGB 168 111 116

HSL 354.74, 0.25%, 0.55%

LAB 52.9, 23.31, 6.54

 

CMYK 0 / 51 / 46 / 27

HEX #BB5C65

RGB 187 92 101

HSL 354.32, 0.41%, 0.55%

LAB 50.87, 39.1, 12.92

 

CMYK 0 / 64 / 59 / 19

HEX #CE4A55

RGB 206 74 85

HSL 355, 0.57%, 0.55%

LAB 50.31, 52.89, 22.19

 

CMYK 0 / 75 / 69 / 12

HEX #E03746

RGB 224 55 70

HSL 354.67, 0.73%, 0.55%

LAB 50.71, 64.62, 32.26

 

CMYK 0 / 85 / 77 / 5

HEX #F32537

RGB 243 37 55

HSL 354.76, 0.9%, 0.55%

LAB 52.57, 73.8, 43.93

 

CMYK 0 / 34 / 31 / 34

HEX #A86F74

RGB 168 111 116

HSL 354.74, 0.25%, 0.55%

LAB 52.9, 23.31, 6.54

 

CMYK 0 / 13 / 13 / 41

HEX #968283

RGB 150 130 131

HSL 357, 0.09%, 0.55%

LAB 56.18, 7.79, 2.26

 

CMYK 11 / 0 / 1 / 42

HEX #839493

RGB 131 148 147

HSL 176.47, 0.07%, 0.55%

LAB 59.99, -6.26, -1.54

 

CMYK 32 / 0 / 3 / 35

HEX #71A7A2

RGB 113 167 162

HSL 174.44, 0.23%, 0.55%

LAB 64.77, -18.85, -3.1

 

CMYK 49 / 0 / 4 / 27

HEX #5EB9B1

RGB 94 185 177

HSL 174.73, 0.39%, 0.55%

LAB 69.65, -29.12, -4.32

 

CMYK 0 / 34 / 13 / 34

HEX #A86F93

RGB 168 111 147

HSL 322.11, 0.25%, 0.55%

LAB 53.81, 28.16, -10.32

 

CMYK 0 / 34 / 21 / 34

HEX #A86F84

RGB 168 111 132

HSL 337.89, 0.25%, 0.55%

LAB 53.34, 25.68, -2.23

 

CMYK 0 / 34 / 30 / 34

HEX #A86F75

RGB 168 111 117

HSL 353.68, 0.25%, 0.55%

LAB 52.93, 23.45, 5.99

 

CMYK 0 / 28 / 34 / 34

HEX #A8796F

RGB 168 121 111

HSL 10.53, 0.25%, 0.55%

LAB 55.22, 16.97, 12.74

 

CMYK 0 / 19 / 34 / 34

HEX #A8886F

RGB 168 136 111

HSL 26.32, 0.25%, 0.55%

LAB 59.05, 8.5, 18.03

 

CMYK 0 / 40 / 37 / 52

HEX #7B4A4E

RGB 123 74 78

HSL 355.1, 0.25%, 0.39%

LAB 37.22, 21.37, 6.49

 

CMYK 0 / 40 / 37 / 42

HEX #95595E

RGB 149 89 94

HSL 355, 0.25%, 0.47%

LAB 44.72, 25.34, 7.72

 

CMYK 0 / 34 / 31 / 34

HEX #A86F74

RGB 168 111 116

HSL 354.74, 0.25%, 0.55%

LAB 52.9, 23.31, 6.54

 

CMYK 0 / 26 / 23 / 28

HEX #B8898D

RGB 184 137 141

HSL 354.89, 0.25%, 0.63%

LAB 61.66, 18.53, 4.88

 

CMYK 0 / 18 / 17 / 22

HEX #C7A3A6

RGB 199 163 166

HSL 355, 0.24%, 0.71%

LAB 70.24, 13.7, 3.43

 

CMYK 0 / 34 / 31 / 34

HEX #A96F74

RGB 169 111 116

HSL 354.83, 0.25%, 0.55%

LAB 53.02, 23.71, 6.73

 

CMYK 3 / 0 / 34 / 34

HEX #A3A86F

RGB 163 168 111

HSL 65.26, 0.25%, 0.55%

LAB 67.23, -11.01, 28.9

 

CMYK 34 / 17 / 0 / 34

HEX #6F8CA8

RGB 111 140 168

HSL 209.47, 0.25%, 0.55%

LAB 57.04, -3.24, -18.08

 

CMYK 0 / 34 / 31 / 34

HEX #A96F74

RGB 169 111 116

HSL 354.83, 0.25%, 0.55%

LAB 53.02, 23.71, 6.73

 

CMYK 30 / 0 / 34 / 34

HEX #75A86F

RGB 117 168 111

HSL 113.68, 0.25%, 0.55%

LAB 64.11, -28.35, 24.2

 

CMYK 34 / 30 / 0 / 34

HEX #6F75A8

RGB 111 117 168

HSL 233.68, 0.25%, 0.55%

LAB 50.6, 10.23, -27.98

 

CMYK 0 / 34 / 31 / 34

HEX #A96F74

RGB 169 111 116

HSL 354.83, 0.25%, 0.55%

LAB 53.02, 23.71, 6.73

 

CMYK 3 / 0 / 34 / 34

HEX #A3A86F

RGB 163 168 111

HSL 65.26, 0.25%, 0.55%

LAB 67.23, -11.01, 28.9

 

CMYK 34 / 0 / 3 / 34

HEX #6FA8A3

RGB 111 168 163

HSL 174.74, 0.25%, 0.55%

LAB 64.99, -19.71, -3.35

 

CMYK 30 / 34 / 0 / 34

HEX #756FA8

RGB 117 111 168

HSL 246.32, 0.25%, 0.55%

LAB 49.47, 15.64, -29.71

 

CMYK 0 / 34 / 31 / 34

HEX #A96F74

RGB 169 111 116

HSL 354.83, 0.25%, 0.55%

LAB 53.02, 23.71, 6.73

 

CMYK 14 / 0 / 34 / 34

HEX #91A86F

RGB 145 168 111

HSL 84.21, 0.25%, 0.55%

LAB 65.88, -18.09, 26.88

 

CMYK 34 / 0 / 3 / 34

HEX #6FA8A3

RGB 111 168 163

HSL 174.74, 0.25%, 0.55%

LAB 64.99, -19.71, -3.35

 

CMYK 20 / 34 / 0 / 34

HEX #866FA8

RGB 134 111 168

HSL 264.21, 0.25%, 0.55%

LAB 51, 20.92, -27.22

 

Description

Color code: HEX #A96F74 | qconv.com Color code: HEX #A96F74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 111 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 111 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 31 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 31% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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