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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A979CC it is the complementary color #568633. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A979CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A979CC shade: #AE79C7, #BF8BDA, #D09DED, #E1AFFF and #F2C1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A979CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A979CC shade: #A979CC, #9867B9, #8755A6, #764393 and #653180

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A979CC shade: #A979CC, #BF79CC, #CC79C2, #CC79AC and #CC7996

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A979CC shade: #A979CC, #9379CC, #7D79CC and #7979CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A979CC shade matches the following richer shades: #A979CC, #AB6BDB, #AE5CEA and #B04DF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A979CC shade: #A979CC, #A788BD, #A597AE, #A2A69F and #A0B591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A979CC shade: #7C79CC, #9279CC, #A879CC, #BE79CC and #CC79C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A979CC shade: #8243B0, #965BC1, #A979CC, #BC97D7 and #D0B5E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A979CC shade: #A979CC, #CC798D and #79CC87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A979CC shade: #A979CC, #CCA879 and #79CCA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A979CC shade: #A979CC, #CC798D, #9DCC79 and #79CCB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A979CC shade: #A979CC, #CC7F79, #9DCC79 and #79C7CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 41 / 0 / 20

HEX #A979CC

RGB 169 121 204

HSL 274.7, 0.45%, 0.64%

LAB 58.48, 34.24, -35.95

 

Complementary color

CMYK 36 / 0 / 62 / 47

HEX #568633

RGB 86 134 51

HSL 94.7, 0.45%, 0.36%

LAB 51, -31.43, 38.7

 

CMYK 13 / 39 / 0 / 22

HEX #AE79C7

RGB 174 121 199

HSL 280.77, 0.41%, 0.63%

LAB 58.79, 34.66, -32.61

 

CMYK 12 / 36 / 0 / 15

HEX #BF8BDA

RGB 191 139 218

HSL 279.49, 0.52%, 0.7%

LAB 65.44, 33.92, -32.79

 

CMYK 12 / 34 / 0 / 7

HEX #D09DED

RGB 208 157 237

HSL 278.25, 0.69%, 0.77%

LAB 71.99, 33.21, -32.98

 

CMYK 12 / 31 / 0 / 0

HEX #E1AFFF

RGB 225 175 255

HSL 277.5, 1%, 0.84%

LAB 78.4, 32.35, -32.69

 

CMYK 5 / 24 / 0 / 0

HEX #F2C1FF

RGB 242 193 255

HSL 287.42, 1%, 0.88%

LAB 84.09, 28.01, -23.84

 

CMYK 17 / 41 / 0 / 20

HEX #A979CC

RGB 169 121 204

HSL 274.7, 0.45%, 0.64%

LAB 58.48, 34.24, -35.95

 

CMYK 18 / 44 / 0 / 27

HEX #9867B9

RGB 152 103 185

HSL 275.85, 0.37%, 0.56%

LAB 51.7, 35.06, -35.85

 

CMYK 19 / 49 / 0 / 35

HEX #8755A6

RGB 135 85 166

HSL 277.04, 0.32%, 0.49%

LAB 44.8, 35.92, -35.73

 

CMYK 20 / 54 / 0 / 42

HEX #764393

RGB 118 67 147

HSL 278.25, 0.37%, 0.42%

LAB 37.79, 36.79, -35.56

 

CMYK 21 / 62 / 0 / 50

HEX #653180

RGB 101 49 128

HSL 279.49, 0.45%, 0.35%

LAB 30.69, 37.59, -35.3

 

CMYK 17 / 41 / 0 / 20

HEX #A979CC

RGB 169 121 204

HSL 274.7, 0.45%, 0.64%

LAB 58.48, 34.24, -35.95

 

CMYK 6 / 41 / 0 / 20

HEX #BF79CC

RGB 191 121 204

HSL 290.6, 0.45%, 0.64%

LAB 60.88, 40.87, -32.03

 

CMYK 0 / 41 / 5 / 20

HEX #CC79C2

RGB 204 121 194

HSL 307.23, 0.45%, 0.64%

LAB 62, 43.03, -24.52

 

CMYK 0 / 41 / 16 / 20

HEX #CC79AC

RGB 204 121 172

HSL 323.13, 0.45%, 0.64%

LAB 61.21, 39.32, -13.22

 

CMYK 0 / 41 / 26 / 20

HEX #CC7996

RGB 204 121 150

HSL 339.04, 0.45%, 0.64%

LAB 60.53, 36.02, -1.62

 

CMYK 17 / 41 / 0 / 20

HEX #A979CC

RGB 169 121 204

HSL 274.7, 0.45%, 0.64%

LAB 58.48, 34.24, -35.95

 

CMYK 28 / 41 / 0 / 20

HEX #9379CC

RGB 147 121 204

HSL 258.8, 0.45%, 0.64%

LAB 56.32, 27.81, -39.49

 

CMYK 39 / 41 / 0 / 20

HEX #7D79CC

RGB 125 121 204

HSL 242.89, 0.45%, 0.64%

LAB 54.44, 21.75, -42.58

 

CMYK 41 / 41 / 0 / 20

HEX #7979CC

RGB 121 121 204

HSL 240, 0.45%, 0.64%

LAB 54.13, 20.7, -43.09

 

CMYK 17 / 41 / 0 / 20

HEX #A979CC

RGB 169 121 204

HSL 274.7, 0.45%, 0.64%

LAB 58.48, 34.24, -35.95

 

CMYK 22 / 51 / 0 / 14

HEX #AB6BDB

RGB 171 107 219

HSL 274.29, 0.61%, 0.64%

LAB 56.37, 45.87, -47.72

 

CMYK 26 / 61 / 0 / 8

HEX #AE5CEA

RGB 174 92 234

HSL 274.65, 0.77%, 0.64%

LAB 54.65, 57.68, -58.88

 

CMYK 29 / 69 / 0 / 2

HEX #B04DF9

RGB 176 77 249

HSL 274.53, 0.93%, 0.64%

LAB 53.36, 68.27, -69.33

 

CMYK 17 / 41 / 0 / 20

HEX #A979CC

RGB 169 121 204

HSL 274.7, 0.45%, 0.64%

LAB 58.48, 34.24, -35.95

 

CMYK 12 / 28 / 0 / 26

HEX #A788BD

RGB 167 136 189

HSL 275.09, 0.29%, 0.64%

LAB 61.22, 21.84, -23.25

 

CMYK 5 / 13 / 0 / 32

HEX #A597AE

RGB 165 151 174

HSL 276.52, 0.12%, 0.64%

LAB 64.31, 9.53, -10.11

 

CMYK 2 / 0 / 4 / 35

HEX #A2A69F

RGB 162 166 159

HSL 94.29, 0.04%, 0.64%

LAB 67.62, -2.75, 3.12

 

CMYK 12 / 0 / 20 / 29

HEX #A0B591

RGB 160 181 145

HSL 95, 0.2%, 0.64%

LAB 71.26, -13.91, 15.97

 

CMYK 39 / 41 / 0 / 20

HEX #7C79CC

RGB 124 121 204

HSL 242.17, 0.45%, 0.64%

LAB 54.36, 21.48, -42.71

 

CMYK 28 / 41 / 0 / 20

HEX #9279CC

RGB 146 121 204

HSL 258.07, 0.45%, 0.64%

LAB 56.23, 27.53, -39.64

 

CMYK 18 / 41 / 0 / 20

HEX #A879CC

RGB 168 121 204

HSL 273.98, 0.45%, 0.64%

LAB 58.38, 33.95, -36.12

 

CMYK 7 / 41 / 0 / 20

HEX #BE79CC

RGB 190 121 204

HSL 289.88, 0.45%, 0.64%

LAB 60.77, 40.57, -32.22

 

CMYK 0 / 41 / 4 / 20

HEX #CC79C4

RGB 204 121 196

HSL 305.78, 0.45%, 0.64%

LAB 62.08, 43.38, -25.53

 

CMYK 26 / 62 / 0 / 31

HEX #8243B0

RGB 130 67 176

HSL 274.68, 0.45%, 0.48%

LAB 41.05, 46.71, -47.65

 

CMYK 22 / 53 / 0 / 24

HEX #965BC1

RGB 150 91 193

HSL 274.71, 0.45%, 0.56%

LAB 49.27, 43, -44.31

 

CMYK 17 / 41 / 0 / 20

HEX #A979CC

RGB 169 121 204

HSL 274.7, 0.45%, 0.64%

LAB 58.48, 34.24, -35.95

 

CMYK 13 / 30 / 0 / 16

HEX #BC97D7

RGB 188 151 215

HSL 274.69, 0.44%, 0.72%

LAB 67.82, 25.7, -27.47

 

CMYK 8 / 20 / 0 / 11

HEX #D0B5E3

RGB 208 181 227

HSL 275.22, 0.45%, 0.8%

LAB 77.28, 18.08, -19.44

 

CMYK 17 / 41 / 0 / 20

HEX #A979CC

RGB 169 121 204

HSL 274.7, 0.45%, 0.64%

LAB 58.48, 34.24, -35.95

 

CMYK 0 / 41 / 31 / 20

HEX #CC798D

RGB 204 121 141

HSL 345.54, 0.45%, 0.64%

LAB 60.28, 34.79, 3.19

 

CMYK 41 / 0 / 34 / 20

HEX #79CC87

RGB 121 204 135

HSL 130.12, 0.45%, 0.64%

LAB 75.45, -39.77, 26.68

 

CMYK 17 / 41 / 0 / 20

HEX #A979CC

RGB 169 121 204

HSL 274.7, 0.45%, 0.64%

LAB 58.48, 34.24, -35.95

 

CMYK 0 / 18 / 41 / 20

HEX #CCA879

RGB 204 168 121

HSL 33.98, 0.45%, 0.64%

LAB 71.02, 6.8, 29.22

 

CMYK 41 / 0 / 18 / 20

HEX #79CCA8

RGB 121 204 168

HSL 153.98, 0.45%, 0.64%

LAB 76.12, -33.47, 10.08

 

CMYK 17 / 41 / 0 / 20

HEX #A979CC

RGB 169 121 204

HSL 274.7, 0.45%, 0.64%

LAB 58.48, 34.24, -35.95

 

CMYK 0 / 41 / 31 / 20

HEX #CC798D

RGB 204 121 141

HSL 345.54, 0.45%, 0.64%

LAB 60.28, 34.79, 3.19

 

CMYK 23 / 0 / 41 / 20

HEX #9DCC79

RGB 157 204 121

HSL 93.98, 0.45%, 0.64%

LAB 77.12, -30, 36.44

 

CMYK 41 / 0 / 9 / 20

HEX #79CCB9

RGB 121 204 185

HSL 166.27, 0.45%, 0.64%

LAB 76.53, -29.73, 1.54

 

CMYK 17 / 41 / 0 / 20

HEX #A979CC

RGB 169 121 204

HSL 274.7, 0.45%, 0.64%

LAB 58.48, 34.24, -35.95

 

CMYK 0 / 38 / 41 / 20

HEX #CC7F79

RGB 204 127 121

HSL 4.34, 0.45%, 0.64%

LAB 61.13, 29.11, 15.86

 

CMYK 23 / 0 / 41 / 20

HEX #9DCC79

RGB 157 204 121

HSL 93.98, 0.45%, 0.64%

LAB 77.12, -30, 36.44

 

CMYK 41 / 2 / 0 / 20

HEX #79C7CC

RGB 121 199 204

HSL 183.61, 0.45%, 0.64%

LAB 75.62, -22.71, -10.07

 

Description

Color code: HEX #A979CC | qconv.com Color code: HEX #A979CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 121 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 121 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 41 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 41% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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